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Hoon-sung Hwang is a professor in English at Dongguk University in Seoul Korea, where he teaches courses on Modern and Postmodern Drama, Theater and Performance. He got Ph. D at English Dept. of UC Davis under Prof. Ruby Cohn with the dissertation, ¡°One Mirror is Not Enough in Beckett¡¯s Drama.¡± He has published essays in Modern Drama (1993), Degres (2005) and a book Death in Western Literature (2014), which awarded him Wooho Prize for human science.
Acknowledgements 3Introduction 5Theoretical Groundworks1 Modern Drama as a Project of Enlightenment 182 A Theoretical Excursion into the Postmodern Sublime 45Book II Modern Drama of Enlightenment 861 The Plot Structure of Bernard Shaw's Didactic Drama 862 he Dramatization of Habitus: A Bourdieun Reading of Pygmalion 1063 Eugene O'Neill's Dramatization of Nietzsche's Idea ofthe Anti-Bourgeois Spirit 1244 Political Unconscious Staged in J M Synge'sThe Playboy of the Western World 1525 "Circe": A Modernist's Gesture to Stage the Sublimein the Human Psyche 176Book IIII Postmodern Drama of the Sublime 2021 The Postmodern Drama as mise-en-scene of the Sublime 2022 The Postmodern Politico-technological Sublime Stagedin David Pledger's K 2173 The Textual Sublime: Samuel Beckett's Endgame asA Postmodern Allegory on the Relationship between Man and Nature 2354 The Political Sublime Staged in Harold Pinter's Late Plays 2575-1 The Sublime Universe of Simulation in Beckett's Stage:Reflexivity as the Exchange of Signs within the Text 2735-2 Theatereality as a Way of Simulating Virtual Reality on Stage 286III Conclusion 319Select Bibliography 324Index 354