영국의 엘리자베스 1세 시대의 연극 무대 제2권. The Book of The Elizabethan Stage (Vol 2 of 4), by E. K. Chambers

예술.대중문화 . 연극 희곡.
엘리자베스 1세 시대의 연극 무대 제2궝. The Book of The Elizabethan Stage (Vol 2 of 4), by E. K. Chambers
영국 여왕 엘리자베스 1세 시대의1558-1603 . 연극 공연 무대.

영국의 영국 여왕 엘리자베스 1세 시대의1558-1603 . 연극 공연 무대. 에 대한 제2권으로 , 아동및 소년들의 중대 부대 및 학교에 대해서 기술하고 성인의 중대 부대는 옥스포드 및 킹스맨 및 여왕의 맨에 대해서 기술하고 국제 중대 부대는 이태리 스코틀랜드 유럽대륙의 연극을 공연. 또한 극장및 연극 하우스 및 배우에 대해서 기술함, 등에 대해서 목차에 있는 것 처럼 기술.

THE ELIZABETHAN STAGE
BY E. K. CHAMBERS. VOL. II
OXFORD: AT THE CLARENDON PRESS
M.CMXXIII
[v] Printed in England

영국의 엘리자베스 1세 시대의 연극 무대 제2권. The Book of The Elizabethan Stage (Vol 2 of 4), by E. K. Chambers

CONTENTS

VOLUME II
BOOK III. THE COMPANIES
PAGE
XII. INTRODUCTION. THE BOY COMPANIES 1

A. Introduction 3

B. The Boy Companies?
i. Children of Paul’s 8

ii. Children of the Chapel and Queen’s Revels 23

iii. Children of Windsor 61

iv. Children of the King’s Revels 64

v. Children of Bristol 68

vi. Westminster School 69

vii. Eton College 73

viii. Merchant Taylors School 75

ix. The Earl of Leicester’s Boys 76

x. The Earl of Oxford’s Boys 76

xi. Mr. Stanley’s Boys 76

XIII. THE ADULT COMPANIES 77

i. The Court Interluders 77

ii. The Earl of Leicester’s Men 85

iii. Lord Rich’s Men 91

iv. Lord Abergavenny’s Men 92

v. The Earl of Sussex’s Men 92

vi. Sir Robert Lane’s Men 96

vii. The Earl of Lincoln’s (Lord Clinton’s) Men 96

viii. The Earl of Warwick’s Men 97

ix. The Earl of Oxford’s Men 99

x. The Earl of Essex’s Men 102

xi. Lord Vaux’s Men 103

xii. Lord Berkeley’s Men 103

xiii. Queen Elizabeth’s Men 104

xiv. The Earl of Arundel’s Men 116

xv. The Earl of Hertford’s Men 116

xvi. Mr. Evelyn’s Men 117

xvii. The Earl of Derby’s (Lord Strange’s) Men 118

xviii. The Earl of Pembroke’s Men[vi] 128

xix. The Lord Admiral’s (Lord Howard’s, Earl of Nottingham’s), Prince Henry’s, and Elector Palatine’s Men 134

xx. The Lord Chamberlain’s (Lord Hunsdon’s) and King’s Men 192

xxi. The Earl of Worcester’s and Queen Anne’s Men 220

xxii. The Duke of Lennox’s Men 241

xxiii. The Duke of York’s (Prince Charles’s) Men 241

xxiv. The Lady Elizabeth’s Men 246

XIV. INTERNATIONAL COMPANIES 261

i. Italian Players in England 261

ii. English Players in Scotland 265

iii. English Players on the Continent 270

XV. ACTORS 295

BOOK IV. THE PLAY-HOUSES
XVI. INTRODUCTION. THE PUBLIC THEATRES 353

A. Introduction 355

B. The Public Theatres?
i. The Red Lion Inn 379

ii. The Bull Inn 380

iii. The Bell Inn 381

iv. The Bel Savage Inn 382

v. The Cross Keys Inn 383

vi. The Theatre 383

vii. The Curtain 400

viii. Newington Butts 404

ix. The Rose 405

x. The Swan 411

xi. The Globe 414

xii. The Fortune 435

xiii. The Boar’s Head 443

xiv. The Red Bull 445

xv. The Hope 448

xvi. Porter’s Hall 472

XVII. THE PRIVATE THEATRES 475

i. The Blackfriars 475

ii. The Whitefriars 515

XVIII. THE STRUCTURE AND CONDUCT OF THEATRES 518


________________________________________
[vii]
LIST OF ILLUSTRATIONS
Domus Capitularis Sti Pauli a Meridie Prospectus. By Wenceslaus Hollar. From Sir William Dugdale, History of St. Paul’s Cathedral (1658) Frontispiece

Diagrams of the Blackfriars Theatres p. 504

Interior of the Swan Theatre. From the drawing after Johannes de Witt in Arend van Buchell’s commonplace book p. 521

NOTE ON SYMBOLS
I have found it convenient, especially in Appendix A, to use the symbol < following a date, to indicate an uncertain date not earlier than that named, and the symbol > followed by a date, to indicate an uncertain date not later than that named. Thus 1903 < > 23 would indicate the composition date of any part of this book. I have sometimes placed the date of a play in italics, where it was desirable to indicate the date of production rather than publication.