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¿µ¾î°íÀü1008 ÇöóÅæÀÇ °í¸£±â¾Æ½º(English Classics1008 Gorgias by Plato)


¿µ¾î°íÀü1008 ÇöóÅæÀÇ °í¸£±â¾Æ½º(English Classics1008 Gorgias by Plato)

¿µ¾î°íÀü1008 ÇöóÅæÀÇ °í¸£±â¾Æ½º(English Classics1008 Gorgias by Plato)

<ÇöóÅæ(Plato>,< BC427?~BC347?)> Àú | Å׸¶¿©Çà½Å¹® TTN Theme Travel News Korea

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¢º "Rhetoric, as practiced by the Sophists, is a sham discipline with no real substance or value."("¼ÒÇǽºÆ®µéÀÌ ÇàÇÏ´Â ¼ö»çÇÐÀº ½ÇÁúÀûÀÎ ³»¿ëÀ̳ª °¡Ä¡°¡ ¾ø´Â °¡Â¥ ±ÔÀ²ÀÔ´Ï´Ù.") : ÇöóÅæÀÇ °í¸£±â¾Æ½º(Gorgias by Plato)´Â ÇöóÅæ(Plato, BC427?~BC347?)ÀÇ Ãʱ⠴ëÈ­Æí(Plato's Early Dialogues)¿¡ ¼ÓÇÏ´Â ÀÛÇ°À¸·Î ±×ÀÇ ½º½Â ¼ÒÅ©¶óÅ×½º(Socrates, BC470?~BC399)¿Í °í¸£±â¾Æ½º(Gorgias, BC483~BC375)ÀÇ ´ëÈ­·ÏÀÔ´Ï´Ù. ÇöóÅæÀÇ °í¸£±â¾Æ½º(Gorgias by Plato)´Â ¼ÒÅ©¶óÅ×½º¿Í ´ç´ëÀÇ Àú¸íÇÑ ¿õº¯°¡ °í¸£±â¾Æ½º°¡ À̲ô´Â ÀÏ´ÜÀÇ ¼ÒÇǽºÆ® »çÀÌÀÇ Ã¶ÇÐÀû ´ëÈ­ÀÔ´Ï´Ù. ´ëÈ­´Â ¼ö»çÇÐ, Á¤ÀÇ, ÁÁÀº »îÀÇ ÀǹÌÀÇ º»ÁúÀ» Ž±¸ÇÕ´Ï´Ù.

¢º "Philosophy, on the other hand, seeks to discover the truth, and to live a life of virtue and wisdom."("¹Ý¸é¿¡ öÇÐÀº Áø¸®¸¦ ¹ß°ßÇÏ°í ´ö°ú ÁöÇýÀÇ »îÀ» »ì±â¸¦ Ãß±¸ÇÕ´Ï´Ù.") : °í¸£±â¾Æ½º(Gorgias by Plato)¿¡¼­ ¼ÒÅ©¶óÅ×½º´Â ¼ö»çÇÐÀº ¾Æ÷ÀÇ ÇÑ ÇüÅÂÀÌ¸ç ±× µÚ¿¡ ÁøÁ¤ÇÑ Áö½ÄÀ̳ª ÁöÇý°¡ ¾ø±â ¶§¹®¿¡ ÁøÁ¤ÇÑ ¿¹¼úÀÌ ¾Æ´Ï¶ó°í ÁÖÀåÇÕ´Ï´Ù. ±×´Â ÁøÁ¤ÇÑ Áö½Ä°ú ÁöÇý´Â ³²ÀÇ ÀÎÁ¤º¸´Ù Áø¸®¸¦ Ãß±¸Çϴ öÇÐÀ» ÅëÇؼ­¸¸ ãÀ» ¼ö ÀÖ´Ù°í ¹Í½À´Ï´Ù. ÀÌ¿¡ ¹ÝÇØ °í¸£±â¾Æ½º´Â ¼ö»çÇÐÀÌ »ç¶÷µéÀÌ ¼±À» ÇàÇϵµ·Ï ¼³µæÇÏ´Â µ¥ »ç¿ëÇÒ ¼ö ÀÖ´Â °­·ÂÇÑ µµ±¸ÀÌ¸ç °øÀû »ýÈ°¿¡¼­ ¼º°øÇÏ°íÀÚ ÇÏ´Â ¸ðµç »ç¶÷¿¡°Ô ÇÊ¿äÇÑ ±â¼úÀ̶ó°í ÁÖÀåÇÕ´Ï´Ù. ±×´Â ¼ö»çÇÐÀ» ¼±°ú ¾ÇÀ¸·Î »ç¿ëÇÒ ¼ö ÀÖÀ¸¸ç, ±×°ÍÀ» ¾î¶»°Ô »ç¿ëÇÒ °ÍÀÎÁö´Â °³ÀÎÀÇ ¸òÀ̶ó°í ¹Ï½À´Ï´Ù. ¼ÒÅ©¶óÅ×½º´Â Á¤ÀÇ´Â °¡¸£Ä¥ ¼ö ÀÖ´Â °ÍÀÌ ¾Æ´Ï¶ó öÇÐÀû Ž±¸ÀÇ »îÀ» ÅëÇØ °³¹ßµÇ¾î¾ß ÇÏ´Â ÀÚ¿¬ÀûÀÎ ¹Ì´öÀ̶ó°í ÁÖÀåÇÕ´Ï´Ù. °í¸£±â¾Æ½º´Â Á¤ÀǶõ ´Ü¼øÈ÷ »ç¶÷µéÀÌ ¿øÇÏ´Â °ÍÀ» ÁÖ´Â °ÍÀÏ »Ó, ±×°ÍÀ» ½ÇõÇϱâ À§ÇØ Á¤ÀÇÀÇ º»ÁúÀ» ÀÌÇØÇÒ ÇÊ¿ä´Â ¾ø´Ù°í ¹Ý¹ÚÇÕ´Ï´Ù.

¢º "Socrates argues that the true art of persuasion is not about winning arguments or gaining approval, but about seeking the truth."("¼ÒÅ©¶óÅ×½º´Â ¼³µæÀÇ ÁøÁ¤ÇÑ ±â¼úÀº ³íÀï¿¡¼­ À̱â°Å³ª ½ÂÀÎÀ» ¾ò´Â °ÍÀÌ ¾Æ´Ï¶ó Áø½ÇÀ» ã´Â °ÍÀ̶ó°í ÁÖÀåÇÕ´Ï´Ù.¡±) : °í¸£±â¾Æ½º(Gorgias by Plato)¿¡¼­ ¼ÒÅ©¶óÅ×½º´Â ¼ÒÇǽºÆ®µé¿¡°Ô ±×µéÀÇ ÀÔÀåÀ» ¿ËÈ£ÇÏ°í ±×µéÀÇ ¿¹¼úÀÇ º»ÁúÀ» ¼³¸íÇ϶ó°í Ã˱¸ÇÕ´Ï´Ù. ±×´Â ±×µéÀÌ ÁöÇý ÀÚüº¸´Ù ÁöÇýÀÇ °Ñ¸ð½À¿¡ ´õ °ü½ÉÀÌ ÀÖ°í, Áø¸®¸¦ Ãß±¸Çϱ⺸´Ù ³²À» Á¶Á¾ÇÏ´Â µ¥ ¿¹¼úÀ» »ç¿ëÇÑ´Ù°í ÁÖÀåÇÏÁö¿ä. °á±¹ ±×µéÀº Á¦±âÇÏ´Â Áú¹®¿¡ ´ëÇÑ ¸íÈ®ÇÑ °á·ÐÀ» ³»¸®Áø ¸øÇÏ¿´À¸³ª ¼ö»çÇÐ, Á¤ÀÇ ¹× ÁÁÀº »îÀÇ ÀǹÌÀÇ º»Áú¿¡ ´ëÇÑ »ý°¢À» ÀÚ±ØÇϴ Ž±¸¸¦ Á¦°øÇÕ´Ï´Ù. °á·ÐÀÌ ¸íÈ®ÇÏÁö ¾ÊÀº °á¸»¿¡µµ ºÒ±¸ÇÏ°í °í¸£±â¾Æ½º(Gorgias by Plato)´Â ÇϳªÀÇ ±Ù¿øÀûÀÎ È­µÎ¿¡ ´ëÇÑ Å½±¸¸¦ À§ÇØ »ó´ë¹æ¿¡°Ô Áú¹®ÇÏ°í, À̸¦ ¹Ý¹ÚÇÏ¸ç °ËÁõÇØ ³ª°¡´Â ¼ÒÅ©¶óÅ×½ºÀÇ ´ëÈ­¹ý(Socratic Dialog)À» º¸¿©ÁÖ´Â ÀÛÇ°ÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

¢º ½º½Â ¼ÒÅ©¶óÅ×½º¸¦ À§ÇÑ Âù°¡, ÇöóÅæÀÇ ´ëÈ­Æí(Plato's Dialogues) : ºÎÀ¯ÇÑ ºÎ¸ð¸¦ µÐ ÇöóÅæÀº ´ç½Ã ¾ÆÅ׳׿¡¼­ ¼±Ç³ÀûÀÎ Àα⸦ ²ø´ø ºñ±Ø °æ¿¬´ëȸ¿¡ Âü¼®Çϱâ À§ÇØ Á÷Á¢ ºñ±ØÀ» ÁýÇÊÇÏ¿´½À´Ï´Ù. ±×·¯´ø Áß µð¿À´Ï¼Ò½º ±ØÀå ¾Õ¿¡¼­ ÀڽŸ¸ÀÇ ¹®´ä¹ýÀ¸·Î ¾ÆÅ×³× ½Ã¹Îµé¿¡°Ô ±ú´ÞÀ½À» Àü´ÞÇÏ´Â ¼ÒÅ©¶óÅ×½º¸¦ ¸¸³µ°í, À̴ û³â ÇöóÅæ¿¡°Ô Å« Ãæ°ÝÀ» ÁÖ¾ú½À´Ï´Ù. ±Þ±â¾ß ÀÚ½ÅÀÇ ÀÛÇ°À» ¸ðµÎ ºÒÅ¿ö ¹ö¸° ÈÄ ¼ÒÅ©¶óÅ×½ºÀÇ Á¦ÀÚ·Î ÀÔ¹®ÇÏ¿´À¸¸ç, Èʳ¯ ¼ÒÅ©¶óÅ×½º¸¦ ÁÖÀΰøÀ¸·Î ÇÏ´Â 30¿© ÆíÀÇ ¡®ÇöóÅæÀÇ ´ëÈ­Æí¡¯À» ÅëÇØ ½º½Â¿¡ ´ëÇÑ Á¸°æ½ÉÀ» Ç¥ÇöÇÏ¿´½À´Ï´Ù. ÀÌ´Â ±×ÀÇ Á¦ÀÚ ¾Æ¸®½ºÅäÅÚ·¹½º°¡ ½º½Â ÇöóÅæÀ» ºñÆÇÇÔÀ¸·Î½á ÀÚ½ÅÀÇ Ã¶ÇÐÀ» ´Ùµë¾î °£ °Í°ú´Â ´ëÁ¶µÇ´Â ´ë¸ñÀÔ´Ï´Ù. ¼ÒÅ©¶óÅ×½º°¡ ÇöóÅæÀ» ¸¸³ª±â Àü¿¡ ²Ù¾ú´Ù´Â ¡®¹éÁ¶ ²Þ¡¯ ÀÏÈ­µµ À¯¸íÇÕ´Ï´Ù. ±×´Â ¾î´À ³¯ ¹«¸­¿¡ ¾ÉÇô ³õ¾Ò´ø ¹éÁ¶°¡ °©ÀÚ°¡ Çϴ÷Π³¯¾Æ°¡ ¹ö¸®´Â ²ÞÀ» ²Ù¾ú´Âµ¥¡¦¡¦. ÇöóÅæÀ» ¸¸³ªÀÚ ³î¶ó¿òÀ» ±ÝÄ¡ ¸øÇÏ¿´½À´Ï´Ù. ¾Æ´Ï, ÀÚ³×°¡ ¹Ù·Î ±× ¹éÁ¶·Î±º!!

¢º SOCRATES: Yes, indeed, but that was no answer to the question: nobody asked what was the quality, but what was the nature, of the art, and by what name we were to describe Gorgias. And I would still beg you briefly and clearly, as you answered Chaerephon when he asked you at first, to say what this art is, and what we ought to call Gorgias: Or rather, Gorgias, let me turn to you, and ask the same question,?what are we to call you, and what is the art which you profess?

¢¹ ¼ÒÅ©¶óÅ×½º: ¿¹, ±×·¸½À´Ï´Ù. ±×·¯³ª ±×°ÍÀº Áú¹®¿¡ ´ëÇÑ ´ë´äÀÌ ¾Æ´Ï¾ú½À´Ï´Ù. ¾Æ¹«µµ Áú(òõ)ÀÌ ¹«¾ùÀÎÁö ¹¯Áö ¾Ê¾Ò½À´Ï´Ù. ±×·¯³ª ¿¹¼úÀÇ º»Áú°ú º»ÁúÀÌ ¹«¾ùÀÎÁö, °í¸£±â¾Æ½º¸¦ ¾î¶² À̸§À¸·Î ¹¦»çÇØ¾ß ÇÏ´ÂÁö ¹¯Áö ¾Ê¾Ò½À´Ï´Ù. ±×¸®°í óÀ½¿¡ Ä«ÀÌ·¹ÆùÀÌ ´ç½Å¿¡°Ô ÀÌ ¿¹¼úÀÌ ¹«¾ùÀÎÁö, ±×¸®°í ¿ì¸®°¡ °í¸£±â¾Æ½º¶ó°í ºÒ·¯¾ß ÇÒ °ÍÀÌ ¹«¾ùÀÎÁö ¹°¾úÀ» ¶§ ´ç½ÅÀÌ ´ë´äÇß´ø °Íó·³ ³ª´Â ¿©ÀüÈ÷ ´ç½Å¿¡°Ô ª°í ¸íÈ®ÇÏ°Ô °£Ã»ÇÒ °ÍÀÔ´Ï´Ù. °°Àº Áú¹®, ¿ì¸®´Â ´ç½ÅÀ» ¹«¾ùÀ̶ó°í ºÎ¸£°í ´ç½ÅÀÌ °ø¾ðÇÏ´Â ¿¹¼úÀº ¹«¾ùÀԴϱî?

¢º GORGIAS: A marvel, indeed, Socrates, if you only knew how rhetoric comprehends and holds under her sway all the inferior arts. Let me offer you a striking example of this. On several occasions I have been with my brother Herodicus or some other physician to see one of his patients, who would not allow the physician to give him medicine, or apply the knife or hot iron to him; and I have persuaded him to do for me what he would not do for the physician just by the use of rhetoric.

¢¹ °í¸£±â¾Æ½º: ¼ÒÅ©¶óÅ×½º¿©, ´ç½ÅÀÌ ¼ö»çÇÐÀÌ ¾î¶»°Ô ¸ðµç ¿­µîÇÑ ¿¹¼úÀ» ÀÌÇØÇÏ°í Áö¹èÇÏ´ÂÁö¸¦ ¾È´Ù¸é ÂüÀ¸·Î ³î¶ó¿î ÀÏÀÔ´Ï´Ù. ÀÌ°Í¿¡ ´ëÇÑ ³î¶ó¿î ¿¹¸¦ µé¾î º¸°Ú½À´Ï´Ù. ¿©·¯ Â÷·Ê ³ª´Â ³» ÇüÁ¦ Çì·ÎµðÄí½º³ª ´Ù¸¥ ÀÇ»ç¿Í ÇÔ²² ±×ÀÇ È¯ÀÚ Áß ÇÑ ¸íÀ» ¸¸³ª·¯ °¬´Âµ¥, ±×´Â Àǻ簡 ±×¿¡°Ô ¾àÀ» Áְųª Ä®À̳ª ¶ß°Å¿î ´Ù¸®¹Ì¸¦ ´ë´Â °ÍÀ» Çã¶ôÇÏÁö ¾Ê¾Ò½À´Ï´Ù. ±×¸®°í ³ª´Â ´ÜÁö ¼ö»çÇÐÀ» »ç¿ëÇÏ¿© ±×°¡ Àǻ翡°Ô ÇÏÁö ¾ÊÀ» ÀÏÀ» ³ª¿¡°Ô Çϵµ·Ï ±×¸¦ ¼³µæÇß½À´Ï´Ù.

¢º SOCRATES: In my opinion then, Gorgias, the whole of which rhetoric is a part is not an art at all, but the habit of a bold and ready wit, which knows how to manage mankind: this habit I sum up under the word ¡°flattery¡±; and it appears to me to have many other parts, one of which is cookery, which may seem to be an art, but, as I maintain, is only an experience or routine and not an art:?another part is rhetoric, and the art of attiring and sophistry are two others: thus there are four branches, and four different things answering to them.

¢¹ ¼ÒÅ©¶óÅ×½º: ±×·¸´Ù¸é ³» »ý°¢¿¡´Â °í¸£±â¾Æ½º, ¼ö»çÇÐÀÌ ÇÑ ºÎºÐÀ» ÀÌ·ç´Â Àüü´Â ¿¹¼úÀÌ ¾Æ´Ï¶ó Àηù¸¦ °ü¸®ÇÏ´Â ¹æ¹ýÀ» ¾Æ´Â ´ë´ãÇÏ°í ±â¹ÎÇÑ ÀçÄ¡ - ¡®¾Æ÷¡¯ÀÇ ½À°üÀÔ´Ï´Ù.; ±×¸®°í ±×°ÍÀº ³ª¿¡°Ô ¸¹Àº ´Ù¸¥ ºÎºÐÀ» °¡Áö°í ÀÖ´Â °Íó·³ º¸ÀÔ´Ï´Ù. ±× Áß Çϳª´Â ¿ä¸®Àε¥, ±×°ÍÀº ¿¹¼úó·³ º¸ÀÏ ¼ö ÀÖÁö¸¸, Á¦°¡ ÁÖÀåÇϵíÀÌ, ´ÜÁö °æÇèÀ̳ª ÀÏ»óÀÏ »ÓÀÌ¸ç ¿¹¼úÀÌ ¾Æ´Õ´Ï´Ù. ¿ÊÂ÷¸²ÀÇ ±â¼ú°ú ±Ëº¯Àº ´Ù¸¥ µÎ °¡ÁöÀÔ´Ï´Ù. µû¶ó¼­ ³× °¡Áö°¡ ÀÖ°í ±×°Íµé¿¡ ´ë´äÇÏ´Â ³× °¡Áö ´Ù¸¥ °ÍµéÀÌ ÀÖ½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 14°¡Áö Å°¿öµå·Î Àд ÇöóÅæ(Plato, BC427?~BC347?)
01. ¡°¼­¾ç öÇÐÀº ¸ðµÎ ÇöóÅæÀÇ °¢ÁÖ¿¡ ºÒ°úÇÏ´Ù.¡±(¡°It consists of a series of footnotes to Plato.)¡± ft. ¾ËÇÁ·¹µå ³ë½º È­ÀÌÆ®Çìµå(Alfred North Whitehead, 1861~1947)
02. ÇöóÅæÁÖÀÇ(Platonism)ÀÇ Ã¢½ÃÀÚ
03. ¼­¾ç ÃÖÃÊ °íµî ±³À° ±â°ü(The first institution of higher learning in the Western world) ¾ÆÄ«µ¥¸ÞÀ̾Æ(Akad?mei?) ¼³¸³ÀÚ
04. ÇöóÅæÀÇ ´ëÈ­Æí(Plato's Dialogues)
05. ±¹°¡·Ð(The Republic, BC375)
06. ´Üµ· 20¹Ì³ª(Twenty Minas)¿¡ ³ë¿¹·Î Æȸ° ´ëÇÐÀÚ
07. ¹ÙƼĭ ¶óÆÄ¿¤·Î(Raffaello Sanzio da Urbino)ÀÇ ¾ÆÅ×³× Çдç(Scuola di Atene, 1511)
08. öÇÐÀÚ ÇöóÅæÀÇ »ç¶û?! ÇöóÅä´Ð ·¯ºê(Platonic Love)
09. Á¤´Ù¸éü(ïáÒýØüô÷, Platonic Solid)
10. ÇöóÅæÀÇ Åμö¿°(Plato's Beard)
11. ÇöóÅæÀÇ ¹®Á¦(Plato's Problem) VS ¿ÀÀ£ÀÇ ¹®Á¦(Orwell¡¯s Problem)
12. ±×¸®½º ½ºÄ«ÀÌ TV(Skai TV) À§´ëÇÑ ±×¸®½ºÀÎ 100ÀÎ(100 Greatest Greeks)(2009) 9À§
13. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ÇöóÅæ(Plato)
14. ÇöóÅæ(Plato) ¾î·Ï(Quotes)(199)
¢º ÇöóÅæÀÇ °í¸£±â¾Æ½º(Gorgias by Plato)
Introduction
¢¹ Gorgias
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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