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¿µ¾î°íÀü1009 ÇöóÅæÀÇ ÀÌ¿Â(English Classics1009 Ion by Plato)


¿µ¾î°íÀü1009 ÇöóÅæÀÇ ÀÌ¿Â(English Classics1009 Ion by Plato)

¿µ¾î°íÀü1009 ÇöóÅæÀÇ ÀÌ¿Â(English Classics1009 Ion by Plato)

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¢º "For not by art does the poet sing, but by power divine."("½ÃÀÎÀº ¿¹¼ú·Î ³ë·¡ÇÏ´Â °ÍÀÌ ¾Æ´Ï¶ó ½ÅÀÇ ÈûÀ¸·Î ³ë·¡ÇÑ´Ù.") : ÇöóÅæÀÇ ÀÌ¿Â(Ion by Plato)Àº ÇöóÅæ(Plato, BC427?~BC347?)ÀÇ Ãʱ⠴ëÈ­Æí(Plato's Early Dialogues)¿¡ ¼ÓÇÏ´Â ÀÛÇ°À¸·Î ±×ÀÇ ½º½Â ¼ÒÅ©¶óÅ×½º(Socrates, BC470?~BC399)¿Í ÀÌ¿Â(Ion)ÀÇ ´ëÈ­·ÏÀÔ´Ï´Ù. ÀÌ¿Â(Ion by Plato)¿¡¼­ ¼ÒÅ©¶óÅ×½º´Â È£¸Þ·Î½ºÀÇ ¼­»ç½Ã¸¦ ¾Ï¼ÛÇÏ´Â ±×ÀÇ ±â¼ú¿¡ ´ëÇØ Àü¹®ÀûÀÎ ·¦¼Òµå(Rhapsode) - À½¾Ç°ú ¹®ÇÐÀ» °çµé¿© ½Ã¸¦ ¾Ï¼ÛÇÏ´Â »ç¶÷, À̿¿¡°Ô Áú¹®ÇÕ´Ï´Ù. ÀÌ¿ÂÀº Àڽſ¡°Ô È£¸Þ·Î½º(Homer)(BC 800?~BC 750?)ÀÇ ÀÛÇ°À» Çؼ®ÇÏ°í °ø¿¬Çϴ Ưº°ÇÑ ´É·ÂÀÌ ÀÖ´Ù°í ÁÖÀåÇÏÁö¸¸, ¼ÒÅ©¶óÅ×½º´Â ±×¿¡°Ô ÀÌ ´É·ÂÀÇ º»ÁúÀ» ¼³¸íÇ϶ó°í ´ã´ëÇÏ°Ô ¿ä±¸Çϴµ¥...?!

¢º "But if you are only a pretender and have no real knowledge of the art, you ruin not only yourself but your art also."("ÇÏÁö¸¸ ´ç½ÅÀÌ »ç±â²ÛÀÏ »ÓÀÌ°í ¿¹¼ú¿¡ ´ëÇÑ ÁøÁ¤ÇÑ Áö½ÄÀÌ ¾ø´Ù¸é ´ç½ÅÀº ´ç½Å ÀڽŻӸ¸ ¾Æ´Ï¶ó ´ç½ÅÀÇ ¿¹¼úµµ ¸ÁÄ¡´Â °ÍÀÔ´Ï´Ù.") : ¼ÒÅ©¶óÅ×½º´Â ÀÌ¿ÂÀÇ ±â¼úÀÌ Áö½ÄÀ̳ª ÀÌÇØÀÇ °á°ú°¡ ¾Æ´Ï¶ó ½Å¼ºÇÑ ¿µ°¨À̳ª ¼ÒÀ¯ÀÇ ÇÑ ÇüÅÂÀÏ »ÓÀ̶ó°í ÁÖÀåÇÕ´Ï´Ù. ¼ÒÅ©¶óÅ×½º¿¡ µû¸£¸é ÀÌ¿ÂÀÇ Àç´ÉÀº ±â¼úÀÇ ¹®Á¦°¡ ¾Æ´Ï¶ó ±×°¡ ¿ÏÀüÈ÷ ÀÌÇØÇϰųª ¼³¸íÇÒ ¼ö ¾ø´Â ¡®½ÅÀÇ ¼±¹°(a gift from the gods)¡¯ÀÔ´Ï´Ù. ÀÌ¿ÂÀº ¼ÒÅ©¶óÅ×½ºÀÇ Æò°¡¿¡ µ¿ÀÇÇϸç ÀÚ½ÅÀ» ½Å¼ºÇÑ ÈûÀ» ÅëÇØ È£¸Þ·Î½ºÀÇ ÀÛÇ°¿¡ ²ø¸®´Â ÀÚ¼®¿¡ ºñÀ¯Çϱ⵵ ÇÕ´Ï´Ù. ¼ÒÅ©¶óÅ×½º´Â ÀÌ°ÍÀÌ È£¸Þ·Î½ºÀÇ ½ÃÀÇ Àǹ̸¦ Çؼ®ÇÏ°í ¼³¸íÇÒ ¼ö ÀÖ´Ù´Â ÀÌ¿ÂÀÇ ±âÁ¸ ÁÖÀå°ú ¸ð¼øµÇ´Â Á¡À» ÁöÀûÇÑ ÈÄ ¿µ°¨, ¿¹¼ú ¹× Áö½ÄÀÇ º»Áú¿¡ ´ëÇÑ Áú¹®À» Ž±¸ÇÕ´Ï´Ù. ¼ÒÅ©¶óÅ×½º´Â ÁøÁ¤ÇÑ Áö½ÄÀº ´Ü¼øÇÑ ¿µ°¨À̳ª °¨Á¤ÀÌ ¾Æ´Ï¶ó ÀÌÇØ¿Í Ã߷п¡ ±âÃÊÇØ¾ß ÇÑ´Ù°í °á·ÐÁþ½À´Ï´Ù.

¢º "The god speaks first, and then the poet; for he is enthralled and not in his right mind, like a lover who is not himself, but inspired."("½ÅÀÌ ¸ÕÀú ¸»ÇÏ°í ±× ´ÙÀ½¿¡ ½ÃÀÎÀÌ ¸»ÇÑ´Ù. ±×´Â ÀÚ½ÅÀÌ ¾Æ´Ï¶ó ¿µ°¨À» ¹ÞÀº ¿¬ÀÎó·³ Á¦Á¤½ÅÀÌ ¾Æ´Ñ ¸¶À½¿¡ »ç·ÎÀâÇô Àֱ⠶§¹®ÀÌ´Ù.") : ¼ÒÅ©¶óÅ×½º´Â ¶ÇÇÑ ¿¹¼úÀû Àç´ÉÀÌ ½Å¼ºÇÑ ¼ÒÀ¯ÀÇ ÇÑ ÇüŶó´Â »ý°¢¿¡ µµÀüÇÏ¿© ÁøÁ¤ÇÑ ¿¹¼ú¿¡´Â ±â¼úÀûÀÎ ±â¼ú°ú ÁÖÁ¦¿¡ ´ëÇÑ Áö½ÄÀÌ ¸ðµÎ ÇÊ¿äÇÏ´Ù°í ÁÖÀåÇÕ´Ï´Ù. ±×´Â È£¸Þ·Î½ºÀÇ ÀÛÇ°¿¡ ´ëÇÑ Àü¹®°¡¶ó´Â ÀÌ¿ÂÀÇ ÁÖÀåÀÌ ÁøÁ¤ÇÑ ÀÌÇغ¸´Ù´Â ±×ÀÇ ¿­Á¤°ú ¿­Á¤¿¡ ´õ ±â¹ÝÀ» µÎ°í ÀÖ´Ù°í Æò°¡ÇÏ¿´½À´Ï´Ù. ±Ã±ØÀûÀ¸·Î ÀÌ¿Â(Ion by Plato)Àº Áö½Ä°ú ÀÌÇظ¦ Ãß±¸ÇÏ´Â µ¥ À־ ºñÆÇÀû »ç°í¿Í À̼ºÀÇ Á߿伺À» °­Á¶ÇÕ´Ï´Ù. ¶ÇÇÑ ¿¹¼úÀû ¿µ°¨¿¡´Â ½ÅÀûÀÎ ¿µ°¨À̳ª Á¤¼­Àû ¿­Á¤¿¡¸¸ ÀÇÁ¸Çϱ⺸´Ù´Â ±â¼úÀûÀÎ ±â¼ú°ú ÁÖÁ¦¿¡ ´ëÇÑ ±íÀº ÀÌÇØ°¡ ¼ö¹ÝµÇ¾î¾ß ÇÔÀ» ½Ã»çÇÕ´Ï´Ù. °á·ÐÀÌ ¸íÈ®ÇÏÁö ¾ÊÀº °á¸»¿¡µµ ºÒ±¸ÇÏ°í ÀÌ¿Â(Ion by Plato)Àº ÇϳªÀÇ ±Ù¿øÀûÀÎ È­µÎ¿¡ ´ëÇÑ Å½±¸¸¦ À§ÇØ »ó´ë¹æ¿¡°Ô Áú¹®ÇÏ°í, À̸¦ ¹Ý¹ÚÇÏ¸ç °ËÁõÇØ ³ª°¡´Â ¼ÒÅ©¶óÅ×½ºÀÇ ´ëÈ­¹ý(Socratic Dialog)À» Ãæ½ÇÇÏ°Ô º¸¿©ÁÖ´Â ÀÛÇ°ÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

¢º ½º½Â ¼ÒÅ©¶óÅ×½º¸¦ À§ÇÑ Âù°¡, ÇöóÅæÀÇ ´ëÈ­Æí(Plato's Dialogues) : ºÎÀ¯ÇÑ ºÎ¸ð¸¦ µÐ ÇöóÅæÀº ´ç½Ã ¾ÆÅ׳׿¡¼­ ¼±Ç³ÀûÀÎ Àα⸦ ²ø´ø ºñ±Ø °æ¿¬´ëȸ¿¡ Âü¼®Çϱâ À§ÇØ Á÷Á¢ ºñ±ØÀ» ÁýÇÊÇÏ¿´½À´Ï´Ù. ±×·¯´ø Áß µð¿À´Ï¼Ò½º ±ØÀå ¾Õ¿¡¼­ ÀڽŸ¸ÀÇ ¹®´ä¹ýÀ¸·Î ¾ÆÅ×³× ½Ã¹Îµé¿¡°Ô ±ú´ÞÀ½À» Àü´ÞÇÏ´Â ¼ÒÅ©¶óÅ×½º¸¦ ¸¸³µ°í, À̴ û³â ÇöóÅæ¿¡°Ô Å« Ãæ°ÝÀ» ÁÖ¾ú½À´Ï´Ù. ±Þ±â¾ß ÀÚ½ÅÀÇ ÀÛÇ°À» ¸ðµÎ ºÒÅ¿ö ¹ö¸° ÈÄ ¼ÒÅ©¶óÅ×½ºÀÇ Á¦ÀÚ·Î ÀÔ¹®ÇÏ¿´À¸¸ç, Èʳ¯ ¼ÒÅ©¶óÅ×½º¸¦ ÁÖÀΰøÀ¸·Î ÇÏ´Â 30¿© ÆíÀÇ ¡®ÇöóÅæÀÇ ´ëÈ­Æí¡¯À» ÅëÇØ ½º½Â¿¡ ´ëÇÑ Á¸°æ½ÉÀ» Ç¥ÇöÇÏ¿´½À´Ï´Ù. ÀÌ´Â ±×ÀÇ Á¦ÀÚ ¾Æ¸®½ºÅäÅÚ·¹½º°¡ ½º½Â ÇöóÅæÀ» ºñÆÇÇÔÀ¸·Î½á ÀÚ½ÅÀÇ Ã¶ÇÐÀ» ´Ùµë¾î °£ °Í°ú´Â ´ëÁ¶µÇ´Â ´ë¸ñÀÔ´Ï´Ù. ¼ÒÅ©¶óÅ×½º°¡ ÇöóÅæÀ» ¸¸³ª±â Àü¿¡ ²Ù¾ú´Ù´Â ¡®¹éÁ¶ ²Þ¡¯ ÀÏÈ­µµ À¯¸íÇÕ´Ï´Ù. ±×´Â ¾î´À ³¯ ¹«¸­¿¡ ¾ÉÇô ³õ¾Ò´ø ¹éÁ¶°¡ °©ÀÚ°¡ Çϴ÷Π³¯¾Æ°¡ ¹ö¸®´Â ²ÞÀ» ²Ù¾ú´Âµ¥¡¦¡¦. ÇöóÅæÀ» ¸¸³ªÀÚ ³î¶ó¿òÀ» ±ÝÄ¡ ¸øÇÏ¿´½À´Ï´Ù. ¾Æ´Ï, ÀÚ³×°¡ ¹Ù·Î ±× ¹éÁ¶·Î±º!!

¢º SOCRATES: I often envy the profession of a rhapsode, Ion; for you have always to wear fine clothes, and to look as beautiful as you can is a part of your art. Then, again, you are obliged to be continually in the company of many good poets; and especially of Homer, who is the best and most divine of them; and to understand him, and not merely learn his words by rote, is a thing greatly to be envied. And no man can be a rhapsode who does not understand the meaning of the poet. For the rhapsode ought to interpret the mind of the poet to his hearers, but how can he interpret him well unless he knows what he means? All this is greatly to be envied.

¢¹ ¼ÒÅ©¶óÅ×½º: ³ª´Â Á¾Á¾ ·¦¼ÒµåÀÇ Á÷¾÷À» ºÎ·¯¿öÇÕ´Ï´Ù, ÀÌ¿Â. ¿Ö³ÄÇÏ¸é ´ç½ÅÀº Ç×»ó ÁÁÀº ¿ÊÀ» ÀÔ¾î¾ß ÇÏ°í ´ç½ÅÀÌ ÇÒ ¼ö ÀÖ´Â ÇÑ ¾Æ¸§´ä°Ô º¸ÀÌ´Â °ÍÀÌ ´ç½Å ¿¹¼úÀÇ ÀϺÎÀ̱⠶§¹®ÀÔ´Ï´Ù. ±×¸®°í ´Ù½Ã, ´ç½ÅÀº °è¼ÓÇؼ­ ¸¹Àº ÈǸ¢ÇÑ ½ÃÀεé°ú ÇÔ²² ÀÖ¾î¾ß ÇÕ´Ï´Ù. ƯÈ÷ È£¸Þ·Î½º´Â ±×µé Áß °¡Àå ÈǸ¢ÇÏ°í °¡Àå ½Å¼ºÇÕ´Ï´Ù. ±×ÀÇ ¸»À» ±â°èÀûÀ¸·Î ¹è¿ì´Â °ÍÀÌ ¾Æ´Ï¶ó ±×¸¦ ÀÌÇØÇÏ´Â °ÍÀº ¸Å¿ì ºÎ·¯¿öÇÒ ÀÏÀÔ´Ï´Ù. ±×¸®°í ½ÃÀÎÀÇ Àǹ̸¦ ÀÌÇØÇÏÁö ¸øÇÏ´Â »ç¶÷Àº ±¤±â°¡ µÉ ¼ö ¾ø½À´Ï´Ù. ±¤½Ã°îÀº ½ÃÀÎÀÇ ¸¶À½À» ûÁß¿¡°Ô Çؼ®ÇØ¾ß ÇÏÁö¸¸ ±×°¡ ÀǹÌÇÏ´Â ¹Ù¸¦ ¾ËÁö ¸øÇÑ´Ù¸é ¾î¶»°Ô ±×¸¦ Àß Çؼ®ÇÒ ¼ö ÀÖ°Ú½À´Ï±î? ÀÌ ¸ðµç °ÍÀº Å©°Ô ºÎ·¯¿öÇÒ ÀÏÀÔ´Ï´Ù.

¢º SOCRATES: I perceive, Ion; and I will proceed to explain to you what I imagine to be the reason of this. The gift which you possess of speaking excellently about Homer is not an art, but, as I was just saying, an inspiration; there is a divinity moving you, like that contained in the stone which Euripides calls a magnet, but which is commonly known as the stone of Heraclea. This stone not only attracts iron rings, but also imparts to them a similar power of attracting other rings; and sometimes you may see a number of pieces of iron and rings suspended from one another so as to form quite a long chain: and all of them derive their power of suspension from the original stone. In like manner the Muse first of all inspires men herself; and from these inspired persons a chain of other persons is suspended, who take the inspiration.

¢¹ ¼ÒÅ©¶óÅ×½º: ¾Ë°Ú½À´Ï´Ù, ÀÌ¿Â. ÀÌ¿¡ ´ëÇÑ ÀÌÀ¯°¡ ¹«¾ùÀÎÁö ¼³¸íÇÏ°Ú½À´Ï´Ù. ´ç½ÅÀÌ È£¸Þ·Î½º¿¡ ´ëÇØ ÈǸ¢ÇÏ°Ô ¸»ÇÏ´Â Àç´ÉÀº ¿¹¼úÀÌ ¾Æ´Ï¶ó ¹æ±Ý ¸»ÇßµíÀÌ ¿µ°¨ÀÔ´Ï´Ù. ¿¡¿ì¸®Çǵ¥½º°¡ ÀÚ¼®À̶ó°í ºÎ¸£Áö¸¸ ÀϹÝÀûÀ¸·Î Çì¶óŬ·¹¾ÆÀÇ µ¹·Î ¾Ë·ÁÁ® ÀÖ´Â µ¹¿¡ Æ÷ÇÔµÈ °Í°ú °°ÀÌ ´ç½ÅÀ» ¿òÁ÷ÀÌ´Â ½Å¼ºÀÌ ÀÖ½À´Ï´Ù. ÀÌ µ¹Àº ö °í¸®¸¦ ²ø¾î´ç±æ »Ó¸¸ ¾Æ´Ï¶ó ´Ù¸¥ °í¸®µµ ²ø¾î´ç±â´Â ºñ½ÁÇÑ ÈûÀ» ±×µé¿¡°Ô ºÎ¿©ÇÕ´Ï´Ù. ¶§¶§·Î ´ç½ÅÀº ²Ï ±ä »ç½½À» Çü¼ºÇϱâ À§ÇØ ¼­·Î ¸Å´Þ·Á ÀÖ´Â ¿©·¯ °³ÀÇ Ã¶ Á¶°¢°ú °í¸®¸¦ º¼ ¼ö ÀÖ½À´Ï´Ù. ±×¸®°í ±×°Íµé ¸ðµÎ´Â ¿ø·¡ÀÇ µ¹¿¡¼­ ¼­½ºÆæ¼ÇÀÇ ÈûÀ» ¾ò½À´Ï´Ù. °°Àº ¹æ½ÄÀ¸·Î ¹ÂÁî´Â ¹«¾ùº¸´Ùµµ ¸ÕÀú »ç¶÷µé¿¡°Ô ¿µ°¨À» ÁÝ´Ï´Ù. ÀÌ ¿µ°¨À» ¹ÞÀº »ç¶÷µé·ÎºÎÅÍ ¿µ°¨À» ¹Þ´Â ´Ù¸¥ »ç¶÷µéÀÇ »ç½½ÀÌ Áߴܵ˴ϴÙ.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 14°¡Áö Å°¿öµå·Î Àд ÇöóÅæ(Plato, BC427?~BC347?)
01. ¡°¼­¾ç öÇÐÀº ¸ðµÎ ÇöóÅæÀÇ °¢ÁÖ¿¡ ºÒ°úÇÏ´Ù.¡±(¡°It consists of a series of footnotes to Plato.)¡± ft. ¾ËÇÁ·¹µå ³ë½º È­ÀÌÆ®Çìµå(Alfred North Whitehead, 1861~1947)
02. ÇöóÅæÁÖÀÇ(Platonism)ÀÇ Ã¢½ÃÀÚ
03. ¼­¾ç ÃÖÃÊ °íµî ±³À° ±â°ü(The first institution of higher learning in the Western world) ¾ÆÄ«µ¥¸ÞÀ̾Æ(Akad?mei?) ¼³¸³ÀÚ
04. ÇöóÅæÀÇ ´ëÈ­Æí(Plato's Dialogues)
05. ±¹°¡·Ð(The Republic, BC375)
06. ´Üµ· 20¹Ì³ª(Twenty Minas)¿¡ ³ë¿¹·Î Æȸ° ´ëÇÐÀÚ
07. ¹ÙƼĭ ¶óÆÄ¿¤·Î(Raffaello Sanzio da Urbino)ÀÇ ¾ÆÅ×³× Çдç(Scuola di Atene, 1511)
08. öÇÐÀÚ ÇöóÅæÀÇ »ç¶û?! ÇöóÅä´Ð ·¯ºê(Platonic Love)
09. Á¤´Ù¸éü(ïáÒýØüô÷, Platonic Solid)
10. ÇöóÅæÀÇ Åμö¿°(Plato's Beard)
11. ÇöóÅæÀÇ ¹®Á¦(Plato's Problem) VS ¿ÀÀ£ÀÇ ¹®Á¦(Orwell¡¯s Problem)
12. ±×¸®½º ½ºÄ«ÀÌ TV(Skai TV) À§´ëÇÑ ±×¸®½ºÀÎ 100ÀÎ(100 Greatest Greeks)(2009) 9À§
13. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ÇöóÅæ(Plato)
14. ÇöóÅæ(Plato) ¾î·Ï(Quotes)(199)
¢º ÇöóÅæÀÇ ÀÌ¿Â(Ion by Plato)
Introduction.
¢¹ Ion
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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