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¿µ¾î°íÀü1034 Åäºñ¾Æ½º ½º¸ô·¿ÀÇ ¶õ½½·Ô ±×¸®ºê½º °æÀÇ ¸ðÇè 1760(English Classics1034 The Adventures of Sir Launcelot Greaves

¿µ¾î°íÀü1034 Åäºñ¾Æ½º ½º¸ô·¿ÀÇ ¶õ½½·Ô ±×¸®ºê½º °æÀÇ ¸ðÇè 1760(English Classics1034 The Adventures of Sir Launcelot Greaves

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¢º INTRODUCTION by G. H. MAYNADIER. There is little more to say of Sir Launcelot Greaves, except in the way of literary history. The given name of the hero may or may not be significant. It is safe to say that if a Sir Launcelot had appeared in fiction one or two generations earlier, had the fact been recognised (which is not indubitable) that he bore the name of the most celebrated knight of later Arthurian romance, he would have been nothing but a burlesque figure. But in 1760, literary taste was changing. Romanticism in literature had begun to come to the front again, as Smollett had already shown by his romantic leanings in Count Fathom. With it there came interest in the Middle Ages and in the most popular fiction of the Middle Ages, the ¡°greatest of all poetic subjects,¡± according to Tennyson, the stories of Arthur and his Knights of the Round Table, which, for the better part of a century, had been deposed from their old-time place of honour. These stories, however, were as yet so imperfectly known?and only to a few?that the most to be said is that some connection between their reviving popularity and the name of Smollett¡¯s knight-errant hero is not impossible.

¢¹ G. H. ¸ÞÀ̳ʵð¾îÀÇ ¼Ò°³. ¹®ÇлçÀÇ ¹æ½ÄÀ» Á¦¿ÜÇÏ°í´Â ·Ð¼¿·Ô ±×¸®ºê½º °æ¿¡ ´ëÇØ ´õ ¸»ÇÒ °ÍÀÌ °ÅÀÇ ¾ø½À´Ï´Ù. ¿µ¿õÀÇ À̸§Àº Àǹ̰¡ ÀÖÀ» ¼öµµ ÀÖ°í ¾øÀ» ¼öµµ ÀÖ½À´Ï´Ù. ¸¸¾à ÇÑ µÎ ¼¼´ë Àü¿¡ ·Ð¼¿·Ô °æÀÌ ¼Ò¼³¿¡ µîÀåÇß´Ù¸é, ¸¸¾à ±×°¡ ÈÄ´ë ¾Æ¼­ ·Î¸Ç½º¿¡¼­ °¡Àå À¯¸íÇÑ ±â»çÀÇ À̸§À» °¡Áö°í ÀÖ´Ù´Â »ç½ÇÀ» ÀνÄÇß´Ù¸é, ±×´Â ´ÜÁö ¿µ¿õÀûÀÎ Àι°À̾úÀ» °ÍÀÔ´Ï´Ù. ±×·¯³ª 1760³â¿¡ ¹®ÇÐÀû ÃëÇâÀÌ º¯ÇÏ°í ÀÖ¾ú½À´Ï´Ù. ½º¸ô·¿ÀÌ ÀÌ¹Ì Æм¶ ¹éÀÛÀÇ ³¶¸¸ÁÖÀÇ ¼ºÇâÀ» ÅëÇØ º¸¿©ÁÖ¾úµíÀÌ ¹®ÇÐÀÇ ³¶¸¸ÁÖÀÇ°¡ ´Ù½Ã Àü¸é¿¡ ³ª¿À±â ½ÃÀÛÇß½À´Ï´Ù. ±×°Í°ú ÇÔ²² Áß¼¼¿Í Áß¼¼ÀÇ °¡Àå Àαâ ÀÖ´Â ¼Ò¼³ÀÎ Å״Ͻ¼(Tennyson)¿¡ µû¸£¸é, ¾Æ¼­¿Í ±×ÀÇ ¿øŹÀÇ ±â»çµéÀÇ À̾߱â´Â, ÇÑ ¼¼±âÀÇ ´ëºÎºÐ µ¿¾È, ±×µéÀÇ ¿À·¡µÈ ¸í¿¹ÀÇ ÀÚ¸®¿¡¼­ ÂѰܳµ´ø, "¸ðµç ½ÃÀû ÁÖÁ¦ Áß °¡Àå À§´ëÇÑ(greatest of all poetic subjects)" ¼Ò¼³¿¡ ´ëÇÑ °ü½ÉÀÌ »ý°å½À´Ï´Ù. ±×·¯³ª ÀÌ À̾߱âµéÀº ¾ÆÁ÷±îÁö ºÒ¿ÏÀüÇÏ°Ô ¾Ë·ÁÁ® ÀÖ¾ú°í, ¼Ò¼ö¿¡°Ô¸¸ ¾Ë·ÁÁ® ÀÖ¾ú±â ¶§¹®¿¡, ±×µéÀÇ ºÎÈ°ÇÏ´Â Àαâ¿Í ½º¸ô·¿ÀÇ ±â»ç Ãâ½Å ¿µ¿õÀÇ À̸§ »çÀÌ¿¡ ¾î¶² ¿¬°ü¼ºÀÌ ÀÖÀ» ¼ö ¾ø´Ù´Â °ÍÀÌ °¡Àå Áß¿äÇÕ´Ï´Ù.

¢º CHAPTER ONE. The doctor, who had practised aboard a man-of-war in his youth, and was perfectly well acquainted with the captain¡¯s dialect, assured him that if his bottom was damaged he would new pay it with an excellent salve, which he always carried about him to guard against such accidents on the road. But Tom Clarke, who seemed to have cast the eyes of affection upon the landlady¡¯s eldest daughter, Dolly, objected to their proceeding farther without rest and refreshment, as they had already travelled fifty miles since morning; and he was sure his uncle must be fatigued both in mind and body, from vexation, as well as from hard exercise, to which he had not been accustomed. Fillet then desisted, saying, he was sorry to find the captain had any cause of vexation; but he hoped it was not an incurable evil. This expression was accompanied with a look of curiosity, which Mr. Clarke was glad of an occasion to gratify; for, as we have hinted above, he was a very communicative gentleman, and the affair which now lay upon his stomach interested him nearly.

¢¹ Á¦1Àå. Àþ¾úÀ» ¶§ ±ºÇÔ¿¡¼­ ÈÆ·ÃÀ» ¹Þ¾Ò°í ¼±ÀåÀÇ »çÅõ¸®¸¦ ¿Ïº®ÇÏ°Ô ¾Ë°í ÀÖ´ø ÀÇ»ç´Â ¾ûµ¢ÀÌ°¡ ¼Õ»óµÇ¸é Ç×»ó °¡Áö°í ´Ù´Ï´Â ¿ì¼öÇÑ ¿¬°í·Î º¸»óÇÏ°Ú´Ù°í º¸ÁõÇß½À´Ï´Ù. µµ·Î¿¡¼­ ±×·¯ÇÑ »ç°í¸¦ ¹æÁöÇϱâ À§ÇØ ±×¸¦. ±×·¯³ª ¿©ÁÖÀÎÀÇ ¸ºµþ µ¹¸®¿¡°Ô ¾ÖÁ¤ÀÇ ´«À» ´øÁø µí º¸¿´´ø Åè Ŭ¶óÅ©´Â ±×µéÀÌ ¾ÆħºÎÅÍ ÀÌ¹Ì 50¸¶ÀÏÀ» ¿©ÇàÇ߱⠶§¹®¿¡ È޽İú »óÄèÇÔ ¾øÀÌ ´õ ³ª¾Æ°¡´Â °ÍÀ» ¹Ý´ëÇß½À´Ï´Ù. ±×¸®°í ±×´Â ±×ÀÇ »ïÃÌÀÌ ±×°¡ Àͼ÷ÇÏÁö ¾ÊÀº Èûµç ¿îµ¿»Ó¸¸ ¾Æ´Ï¶ó Â¥ÁõÀ¸·Î ÀÎÇØ ½É½Å ¸ðµÎ ÇÇ°ïÇÒ °ÍÀ̶ó°í È®½ÅÇß½À´Ï´Ù. ±×·± ´ÙÀ½ ÇÊ·¿Àº ´Ü³äÇÏ¸ç ¼±ÀåÀÌ È­¸¦ ³¾ ÀÌÀ¯°¡ ÀÖ´Ù´Â °ÍÀ» ¾Ë°Ô µÇ¾î À¯°¨ÀÔ´Ï´Ù. ±×·¯³ª ±×´Â ±×°ÍÀÌ °íÄ¥ ¼ö ¾ø´Â ¾ÇÀÌ ¾Æ´Ï±æ ¹Ù·¶¼ü³ª´õ, ÀÌ Ç¥Á¤Àº È£±â½É ¾î¸° Ç¥Á¤À» µ¿¹ÝÇß°í, Ŭ¶óÅ© ¾¾´Â ¸¸Á·ÇÒ ±âȸ°¡ »ý°Ü¼­ ±â»¼½À´Ï´Ù. À§¿¡¼­ ¾Ï½ÃÇÑ °Íó·³ ±×´Â ¸Å¿ì ÀÇ»ç¼ÒÅëÀÌ Àß µÇ´Â ½Å»ç¿´°í ÀÌÁ¦ ±×ÀÇ ¹î¼Ó¿¡ ³õ¿© ÀÖ´Â »ç°ÇÀÌ ±×¿¡°Ô °ÅÀÇ °ü½ÉÀÌ ÀÖ¾ú½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 15°¡Áö Å°¿öµå·Î Àд Åäºñ¾Æ½º ½º¸ô·¿(Tobias Smollett, 1721~1771)
01. Åäºñ¾Æ½º ½º¸ô·¿ÀÇ ÀÛÇ°À» Àоî¾ß ÇÏ´Â 5°¡Áö ÀÌÀ¯(5 Reasons to Read Tobias Smollett's Works)
02. Åäºñ¾Æ½º ½º¸ô·¿ÀÇ »î(Life of Tobias Smollett)
03. ÇÇÄ«·¹½ºÅ© ¼Ò¼³(Picaresque)ÀÇ ´ë°¡
04. Åäºñ¾Æ½º ½º¸ô·¿ÀÇ ÁÖ¿ä ÀÛÇ°(Works by Tobias Smollett)
04-1. ·Î´õ¸¯ ·£´ýÀÇ ¸ðÇè 1748(The Adventures of Roderick Random by Tobias Smollett)
04-2. Æä·¯±×¸° ÇÇŬÀÇ ¸ðÇè 1751(The Adventures of Peregrine Pickle by Tobias Smollett)
04-3. Æ丣µð³­µå ¹éÀÛ ÆдýÀÇ ¸ðÇè 1753(The Adventures of Ferdinand Count Fathom by Tobias Smollett)
04-4. ¶õ½½·Ô ±×¸®ºê½º °æÀÇ ¸ðÇè 1760(The Adventures of Sir Launcelot Greaves by Tobias Smollett)
04-5. ÇÁ¶û½º¿Í ÀÌÅ»¸®¾Æ ¿©Çà 1766(Travels through France and Italy by Tobias Smollett)
04-6. ÇèÇÁ¸® Ŭ¸µÄ¿ÀÇ Å½Çè 1771(The Expedition of Humphry Clinker by Tobias Smollett)
05. Åäºñ¾Æ½º ½º¸ô·¿ÀÇ À¯»ê°ú ¿µÇâ·Â(Legacy and Influence of Tobias Smollett)
06. Åäºñ¾Æ½º ½º¸ô·¿ÀÇ ¼ö¿ë°ú ºñÆÇ(Reception and Criticism of Tobias Smollett)
07. Åäºñ¾Æ½º ½º¸ô·¿À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(Places to meet Tobias Smollett)
08. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Åäºñ¾Æ½º ½º¸ô·¿(Audio Books of Tobias Smollett)
09. Åäºñ¾Æ½º ½º¸ô·¿ ¾î·Ï(Tobias Smollett Quotes)(15)
¢º Åäºñ¾Æ½º ½º¸ô·¿ÀÇ ¶õ½½·Ô ±×¸®ºê½º °æÀÇ ¸ðÇè 1760(The Adventures of Sir Launcelot Greaves by Tobias Smollett)
Detailed Contents
Introduction
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX.
Chapter X.
Chapter XI.
Chapter XII.
Chapter XIII.
Chapter XIV.
Chapter XV.
Chapter XVI.
Chapter XVII.
Chapter XVIII.
Chapter XIX.
Chapter XX.
Chapter XXI.
Chapter XXII.
Chapter XXIII.
Chapter XXIV.
Chapter XXV.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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