¢º ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)Àº ÀÛ°¡ Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)ÀÇ Ã¹ ¹ø° ÀÛÇ°À¸·Î ¼¼ °³ÀÇ ´ÜÆíÀ» ¿«Àº ´ÜÆíÁýÀÔ´Ï´Ù. ¹«¾ùº¸´Ù ±×³àÀÇ À̸§À» ¼¼»ó¿¡ ¾Ë¸®±â ½ÃÀÛÇÑ ÃÖÃÊÀÇ ÀÛÇ°À̶ó´Â Áß¿äÇÑ Àǹ̰¡ ÀÖÁö¿ä! ¢¹ Àª¸®¾ö ºí·¢¿ìµå(William Blackwood, 1776~1834)°¡ â°£ÇÑ ºí·¢¿ìµå ¸Å°ÅÁø(Blackwood's Magazine)À» ÅëÇØ 1857³â ÃÖÃÊ·Î ¹ßÇ¥ÇÏ¿´À¸¸ç, À̵ëÇØ 1858³â ÃâÆÇ»ç ºí·¢¿ìµå ¾Ø ¼±(Blackwood and Sons)¿¡¼ ´ÜÇົÀ¸·Î Ãâ°£µÇ¾ú½À´Ï´Ù. ¢¹ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)À̶õ Á¦¸ñ¿¡¼ ÁüÀÛÇÒ ¼ö ÀÖµí ¼¼ ÆíÀÇ ´ÜÆí ¸ðµÎ ¿µ±¹ÀÇ °¡»óÀÇ Áö¹æµµ½Ã¿¡ ÆÄ°ßµÈ ¼º°øȸ ¸ñȸÀÚ(Anglican clergyman)°¡ Áß¿äÇÑ Ä³¸¯ÅÍ·Î µîÀåÇÑ´Ù´Â °øÅëÁ¡ÀÌ ÀÖ½À´Ï´Ù. ªÀº ´ÜÆíÀÌÁö¸¸, Á¶Áö ¿¤¸®¾ùÀÇ Á¾±³, ³óÃÌÀÇ »çȸ ¹®Á¦, ¿©¼º ¹®Á¦ µî¿¡ ´ëÇÑ Ã¶ÇÐÀÇ ´Ü¸éÀ» ¿³º¼ ¼ö ÀÖ´Â ±ÍÁßÇÑ ÀÛÇ°À¸·Î Æò°¡¹Þ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¢º It came when, at the age of thirty-six she began to write ¡®Amos Barton,¡¯ her first attempt at fiction, and one that fixed her career. The story appeared in ¡®Blackwood¡¯s Magazine,¡¯ and was followed by ¡®Mr. Gilfil¡¯s Love Story¡¯ and ¡®Janet¡¯s Repentance.¡¯ Of the three, ¡®Mr. Gilfil¡¯s Love Story¡¯ is perhaps the most finished and artistic; while ¡®Amos Barton¡¯ has qualities of humour and tenderness that have not often been equalled. ¡®Janet¡¯s Repentance,¡¯ strong though it is, and containing the remarkable sketch of Mr. Tryan, is perhaps less surely attractive. ¢¹ ±×³à°¡ ¼¸¥¿©¼¸ »ì¿¡ ¼Ò¼³¿¡ ´ëÇÑ Ã¹ ½ÃµµÀÌÀÚ ±×³àÀÇ °æ·ÂÀ» °íÁ¤½ÃŲ '¾Æ¸ð½º ¹ÙÆ°'À» ¾²±â ½ÃÀÛÇßÀ» ¶§¿´½À´Ï´Ù. ÀÌ À̾߱â´Â 'ºí·¢¿ìµå ¸Å°ÅÁø'¿¡ ½Ç·È°í, '±æÇÊ ¾¾ÀÇ ·¯ºê ½ºÅ丮'¿Í 'ÀÚ³ÝÀÇ È¸°³'°¡ µÚ¸¦ À̾ú½À´Ï´Ù. ¼¼ ÀÛÇ° Áß '±æÇÊ ¾¾ÀÇ ·¯ºê ½ºÅ丮'´Â ¾Æ¸¶µµ °¡Àå ¿Ï¼ºµµ°¡ ³ô°í ¿¹¼úÀûÀÎ ÀÛÇ°ÀÏ °ÍÀÔ´Ï´Ù. ¹Ý¸é '¾Æ¸ð½º ¹ÙÆ°'Àº Á¾Á¾ µ¿µîÇÏÁö ¾Ê¾Ò´ø À¯¸Ó¿Í ºÎµå·¯¿òÀÇ Æ¯¼ºÀ» °¡Áö°í ÀÖ½À´Ï´Ù. 'ÀÚ³ÝÀÇ È¸°³'´Â °·ÂÇÏÁö¸¸, Æ®¶óÀ̾𠾾ÀÇ ³î¶ó¿î ½ºÄÉÄ¡¸¦ ´ã°í ÀÖ¾î ¾Æ¸¶µµ ´ú ¸Å·ÂÀûÀÏ °ÍÀÔ´Ï´Ù.
¢º The Sad Fortunes Of The Rev. Amos Barton(¾Æ¸ð½º ¹ÙÆ° ¸ñ»çÀÇ ½½Ç ¿î¸í) : ¢¹ ¾Æ¸ð½º ¹ÙÆ° ¸ñ»ç(The Rev. Amos Barton)´Â ½¦ÆÛÅæ ±³±¸ ±³È¸(the parish church of Shepperton)¿¡ ¹ß·É¹ÞÀº ½ÅÀÔ Å¥·¹ÀÌÅÍ(the new curate)ÀÔ´Ï´Ù. ³¸¼± ¸¶À»¿¡ µµÂøÇÑ ¸ñ»ç¿Í ±×ÀÇ ¾Æ³» ¹Ð¸®(Milly)´Â È£ÀÇÀûÀÌÁö ¾ÊÀº ¸¶À» ºÐÀ§±â¿¡µµ ºÒ±¸ÇÏ°í, Á¤Åë ±âµ¶±³ÀÇ º¸±ÞÀ» À§ÇØ °í±ººÐÅõÇÏÁö¸¸¡¦¡¦. ¢¹ ¹Ð¸®´Â ÀӽŠÁß¿¡µµ ³²µ¿»ýÀÇ °áÈ¥¿¡ ¹Ý´ëÇÑ Ä³ÄݶóÀΠü¸¦¶ó½ºÅ° ¹éÀÛºÎÀÎ(Countess Caroline Czerlaski)ÀÌ Àá½Ã ¸Ó¹«¸£´Â °ÍÀ» Çã¶ôÇÏ´Â µî Ä£ÀýÇÔÀ» º£Ç®Áö¸¸, Á¶»êÀ¸·Î ÀÎÇØ ¾ÆÀ̸¦ ÀÒ´Â ¾ÆÇÄÀ» °Þ½À´Ï´Ù. ¾ÆÀÌ¿¡ ÀÌ¾î ¾Æ³»±îÁö ÀÒÀº ¸ñ»ç´Â ÀÚ½ÅÀÇ ½½Ç ¿î¸íÀ» °¨³»ÇϱⰡ ½±Áö ¾Ê½À´Ï´Ù¡¦¡¦. ¢¹ ±ØµµÀÇ ½½ÇÄÀ» °ÞÀº ¸ñ»ç¿¡°Ô ¸¶À» »ç¶÷µéÀº Â÷Ãû Á¸°æ½É°ú µ¿Á¤½ÉÀÌ ¼¯ÀÎ ½Ã¼±À» º¸³»±â ½ÃÀÛÇÏÁö¸¸, ±×ÀÇ ÀÚ¸®´Â °ð »õ·Î¿î ¸ñ»çÀÇ ºÎÀÓÀ¸·Î »ç¶óÁú À§±â¿¡ óÇÕ´Ï´Ù. ¾Õ±æÀÌ ¸·¸·ÇØÁø ¸ñ»ç´Â °ú¿¬ ¾î¶² ¼±ÅÃÀ» ÇØ¾ß ÇÒ±î¿ä?
¢º The husband was now advancing towards the dear mound from which he was so soon to be parted, perhaps for ever. He stood a few minutes reading over and over again the words on the tombstone, as if to assure himself that all the happy and unhappy past was a reality. For love is frightened at the intervals of insensibility and callousness that encroach by little and little on the dominion of grief, and it makes efforts to recall the keenness of the first anguish. ¢¹ ³²ÆíÀº ÀÌÁ¦ ¾î¼¸é ¿µ¿øÈ÷ Çì¾îÁú ¼ö ÀÖ´Â ¼ÒÁßÇÑ ¾ð´öÀ» ÇâÇØ ³ª¾Æ°¡°í ÀÖ¾ú½À´Ï´Ù. ±×´Â ¸¶Ä¡ ¸ðµç ÇູÇÏ°í ºÒÇàÇß´ø °ú°Å°¡ Çö½ÇÀ̶ó´Â °ÍÀ» ½º½º·Î È®½ÅÇϱâ À§ÇØ ¸î ºÐ µ¿¾È ºñ¼®¿¡ ÀÖ´Â ´Ü¾îµéÀ» ¹Ýº¹Çؼ ÀÐÀ¸¸ç ¼ ÀÖ¾ú½À´Ï´Ù. »ç¶ûÀº ½½ÇÄÀÇ Áö¹è±ÇÀ» Á¶±Ý¾¿ Àá½ÄÇÏ´Â ¹«°¨°¢°ú ³Ã´ãÇÔÀÇ °£°Ý¿¡ °ÌÀ» ¸Ô°í, ù ¹ø³úÀÇ ¿¹¸®ÇÔÀ» ¶°¿Ã¸®·Á°í ³ë·ÂÇϱ⠶§¹®ÀÔ´Ï´Ù.
¢º Mr. Gilfil¡¯s Love Story(±æÇÊ ¾¾ÀÇ ·¯ºê½ºÅ丮) : ¢¹ ½¦ÆÛÅæÀÇ ±³±¸ ¸ñ»ç(the vicar of Shepperton) ¸ÞÀÌ³Êµå ±æÇÊ(Maynard Gilfil)Àº û³â ½ÃÀý Ä«Å׸®³ª »ç¸£Æ¼(Caterina Sarti), Àϸí Ƽ³ª(Tina)¸¦ ¿·ÄÈ÷ »ç¶ûÇÏ¿´½À´Ï´Ù. Å©¸®½ºÅäÆÛ ½¦ºê·¼ °æ(Sir Christopher Cheverel)°ú ½¦ºê·¼ ºÎÀÎ(Lady Cheverel)ÀÌ Å°¿ì´Â ±×³à´Â ¾Æ¹öÁö¸¦ ÀÒÀº ÀÌÅ»¸®¾Æ °í¾ÆÁÒ. ¢¹ ±×·¯³ª Ƽ³ª´Â ±æÇÊÀÌ ¾Æ´Ï¶ó, Å©¸®½ºÅäÆÛ ½¦ºê·¼ °æÀÇ »ó¼ÓÀÚ ¾ÈÅä´Ï ¿ÍÀ̺ê·Î ¼±Àå(Captain Anthony Wybrow)¿¡°Ô °ü½ÉÀÌ ÀÖ¾ú´Âµ¥¡¦¡¦. ¢¹ ¿ÍÀ̺ê·Î´Â ÀÌ¹Ì Å©¸®½ºÅäÆÛ ½¦ºê·¼ °æÀÌ Á¤ÇØ ³õÀº ½ÅºÎ º£¾ÆÆ®¸®½º ¾Ö¼Å ¾ç(Miss Beatrice Assher)ÀÌ ÀÖÀ½¿¡µµ ºÒ±¸ÇÏ°í, Ƽ³ªÀÇ °ü½ÉÀ» µüÈ÷ °ÅÀýÇÏÁö ¾Ê°í Áñ±â´Â ¸ð½ÀÀ» º¸¿©ÁÖ´ø Áß¿¡¡¦¡¦. ³µ¥¾øÀÌ »ç¸ÁÇÕ´Ï´Ù!! ¢¹ °ú¿¬ ±æÇÊ ¾¾´Â »ç¶ûÇÏ´Â ³²ÀÚ¸¦ ÇÏ·ç¾Æħ¿¡ ÀÒÀº Ƽ³ªÀÇ »ç¶ûÀ» ÀïÃëÇÒ ¼ö ÀÖÀ»±î¿ä?
¢º In these hopes, and in the enjoyment of Tina¡¯s nestling affection, Mr. Gilfil tasted a few months of perfect happiness. She had come to lean entirely on his love, and to find life sweet for his sake. Her continual languor and want of active interest was a natural consequence of bodily feebleness, and the prospect of her becoming a mother was a new ground for hoping the best. But the delicate plant had been too deeply bruised, and in the struggle to put forth a blossom it died. ¢¹ ÀÌ·¯ÇÑ Èñ¸Á°ú Ƽ³ªÀÇ Áý¿äÇÑ ¾ÖÁ¤À» ¸¸³£ÇÏ¸ç ±æÇÊ ¾¾´Â ¸î ´Þ°£ÀÇ ¿Ïº®ÇÑ ÇູÀ» ¸Àº¸¾Ò½À´Ï´Ù. ±×³à´Â ±×ÀÇ »ç¶û¿¡ ÀüÀûÀ¸·Î ±â´ë°Ô µÇ¾ú°í, ±×¸¦ À§ÇØ »îÀÌ ´ÞÄÞÇÏ´Ù´Â °ÍÀ» ¾Ë°Ô µÇ¾ú½À´Ï´Ù. ±×³àÀÇ Áö¼ÓÀûÀÎ ³ª¸¥ÇÔ°ú Àû±ØÀûÀÎ °ü½ÉÀÇ ºÎÁ·Àº ½ÅüÀû ¼è¾àÀÇ ÀÚ¿¬½º·¯¿î °á°ú¿´°í, ±×³à°¡ ¾î¸Ó´Ï°¡ µÉ ¼ö ÀÖ´Ù´Â Àü¸ÁÀº ÃÖ°í¸¦ Èñ¸ÁÇÏ´Â »õ·Î¿î ¹è°æÀ̾ú½À´Ï´Ù. ÇÏÁö¸¸ ±× ¼¶¼¼ÇÑ ½Ä¹°Àº ³Ê¹« ±íÀº »óó¸¦ ÀÔ¾ú°í, ²ÉÀ» ÇÇ¿ì±â À§ÇÑ ÅõÀï¿¡¼ ±×°ÍÀº Á×¾ú½À´Ï´Ù.
¢º Janet¡¯s Repentance(ÀÚ³ÝÀÇ È¸°³) : ¢¹ ¹Ðºñ(Milby) ¸¶À» ÆеðÆ÷µå ÄÚ¸óÀÇ ¾È½ÄÀÇ ¿¹¹è´ç(the chapel of ease at Paddiford Common)¿¡ ºÎÀÓÇÑ Æ®¶óÀ̾ð ¸ñ»ç(Reverend Edgar Tryan)´Â ¹Ðºñ ÁֹεéÀÌ ±âÁ¸ÀÇ Å¥·¹ÀÌÅÍ(the old curate, Mr Crewe)¸¦ ÁöÁöÇÏ´Â ÆÄ¿Í ½ÅÀÔÀÎ ÀÚ½ÅÀ» ÁöÁöÇÏ´Â ÆÄ·Î ¾çºÐµÇ¾î ÀÖ´Ù´Â °ÍÀ» ¹ß°ßÇÕ´Ï´Ù. ¢¹ º¯È£»ç ·Î¹öÆ® µ©ÇÁ½ºÅÍ(the lawyer Robert Dempster)´Â ¹Ì½ºÅÍ Å©·ç(Mr Crewe)¸¦ ÁöÁöÇÏ´Â Á¤´çÀ» À̲øÁö¸¸, ¼ú¿¡ ÃëÇÏ¸é ¾Æ³» ÀÚ³ÝÀ» ÇдëÇÏ°ï ÇÕ´Ï´Ù. ÀÚ³ÝÀº ³²ÆíÀÇ ¼ú¹ö¸©¿¡µµ ºÒ±¸ÇÏ°í, Å©·ç ¸ñ»ç¸¦ ¹«ºñÆÇÀûÀ¸·Î ÁöÁöÇÏ´Â °ÍÀ» µ½°ï Çß½À´Ï´Ù. ¢¹ ±×·¯³ª ¾î´À ³¯ ÀÚ³ÝÀº ¼ú¿¡ ÃëÇÑ ³²ÆíÀ» ÇÇÇØ ¿¹¹è´ç¿¡ ¸Ó¹°·Á, ÀÚ½ÅÀ» Á¤¼º²¯ µ¹ºÁÁØ ¸ñ»ç¿¡°Ô °í¸¶¿òÀ» ´À³¢±â ½ÃÀÛÇϴµ¥...?! ºÒÀÇÀÇ »ç°í·Î ºÎ»óÀ» ÀÔ°í, º´»ó¿¡¼ Á׾´Â ³²ÆíÀÌ ¸¶Ä§³» ¼ûÀ» °ÅµÎÀÚ, ÀÚ³ÝÀÇ ¸ñ»ç¿¡ ´ëÇÑ È£ÀÇ´Â ÇÑÃþ ´õ Ä¿Á®¸¸ °©´Ï´Ù. °ú¿¬ Àڳݰú ¸ñ»ç´Â ¾î¶² ¿î¸íÀ» ¸ÂÀÌÇÒ±î¿ä?!
¢º Where should she go? In what place would this demon that had re-entered her be scared back again? She walks rapidly along the street in the direction of the church. She is soon at the gate of the churchyard; she passes through it, and makes her way across the graves to a spot she knows?a spot where the turf was stirred not long ago, where a tomb is to be erected soon. It is very near the church wall, on the side which now lies in deep shadow, quite shut out from the rays of the westering sun by a projecting buttress. ¢¹ ±×³à´Â ¾îµð·Î °¡¾ß Çմϱî? ±×³à¿¡°Ô ´Ù½Ã µé¾î¿Â ÀÌ ¾Ç¸¶´Â ¾îµð¼ ´Ù½Ã °ÌÀ» Áý¾î¸Ô¾úÀ»±î¿ä? ±×³à´Â ±³È¸ ¹æÇâÀ¸·Î ±æÀ» µû¶ó ºü¸£°Ô °È½À´Ï´Ù. ±×³à´Â °ð ±³È¸ ¹¦ÁöÀÇ ¹® ¾Õ¿¡ µµÂøÇÕ´Ï´Ù. ±×³à´Â ±×°÷À» Áö³ª ¹«´ýÀ» °¡·ÎÁú·¯ ¾ó¸¶ Àü¿¡ Àܵð¹çÀ» ÈÖÁ£°í ¹«´ýÀÌ °ð ¼¼¿öÁú °÷ÀÎ ±×³à°¡ ¾Æ´Â °÷À¸·Î °©´Ï´Ù. ±×°ÍÀº ±³È¸ º® ±Ùó¿¡ ÀÖÀ¸¸ç, Áö±ÝÀº ±íÀº ±×´Ã¿¡ ³õ¿© ÀÖ°í, µ¹ÃâµÈ ¹öÆÀ¸ñ¿¡ ÀÇÇØ ¼ÂÊÀ¸·Î ÇâÇϴ žçÀÇ ±¤¼±À¸·ÎºÎÅÍ ¿ÏÀüÈ÷ Â÷´ÜµÇ¾î ÀÖ½À´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
Introduction.
¢¹ The Sad Fortunes Of The Rev. Amos Barton(¾Æ¸ð½º ¹ÙÆ° ¸ñ»çÀÇ ½½Ç ¿î¸í)
AB-Chapter 1.
AB-Chapter 2.
AB-Chapter 3.
AB-Chapter 4.
AB-Chapter 5.
AB-Chapter 6.
AB-Chapter 7.
AB-Chapter 8.
AB-Chapter 9.
AB-Chapter 10.
AB-Conclusion.
¢¹ Mr. Gilfil¡¯s Love Story(±æÇÊ ¾¾ÀÇ ·¯ºê½ºÅ丮)
MG-Chapter 1.
MG-Chapter 2.
MG-Chapter 3.
MG-Chapter 4.
MG-Chapter 5.
MG-Chapter 6.
MG-Chapter 7.
MG-Chapter 8.
MG-Chapter 9.
MG-Chapter 10.
MG-Chapter 11.
MG-Chapter 12.
MG-Chapter 13.
MG-Chapter 14.
MG-Chapter 15.
MG-Chapter 16.
MG-Chapter 17.
MG-Chapter 18.
MG-Chapter 19.
MG-Chapter 20.
MG-Chapter 21.
MG-Epilogue.
¢¹ Janet¡¯s Repentance(ÀÚ³ÝÀÇ È¸°³)
JR-Chapter 1.
JR-Chapter 2.
JR-Chapter 3.
JR-Chapter 4.
JR-Chapter 5.
JR-Chapter 6.
JR-Chapter 7.
JR-Chapter 8.
JR-Chapter 9.
JR-Chapter 10.
JR-Chapter 11.
JR-Chapter 12.
JR-Chapter 13.
JR-Chapter 14.
JR-Chapter 15.
JR-Chapter 16.
JR-Chapter 17.
JR-Chapter 18.
JR-Chapter 19.
JR-Chapter 20.
JR-Chapter 21.
JR-Chapter 22.
JR-Chapter 23.
JR-Chapter 24.
JR-Chapter 25.
JR-Chapter 26.
JR-Chapter 27.
JR-Chapter 28.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë(Seoul University) ±ÇÀåµµ¼ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼±
A05. ¼¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(1,887)