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¢º Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)ÀÇ »çÈÄÀÎ 1909³â Å丶½º ³Ú½¼ ¾Ø ¼±(Thomas Nelson And Sons, Ltd.) ÃâÆǻ翡¼ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot)ÀÇ ÁÖÀΰø ³²¸ÅÀÇ À̸§À» µý Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)¸¦ û¼Ò³â¿ë µ¿ÈÃ¥À¸·Î Ãâ°£ÇÏ¿´½À´Ï´Ù. ³²¸Å ij¸¯Å͸¦ µû¿À±ä ÇßÀ¸³ª, ¿øÀÛ°ú´Â »ç¹µ ´Ù¸¥ À̾߱â·Î 13°³ÀåÀ¸·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç, 4Á¡ÀÇ Ä®¶ó ÀÏ·¯½ºÆ®°¡ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù.
¢º ¿µ±¹ ºòÅ丮¾Æ ½Ã´ë(1819~1901)¸¦ ¹è°æÀ¸·Î ÇÑ ³óÃÌ ¼Ò¼³(Rural Novel)ÀÇ ÀüÇü : Á¶Áö ¿¤¸®¾ùÀº 1¼¼ºÎÅÍ 21¼¼±îÁö ¿µ±¹ À×±Û·£µå ¿þ½ºÆ®¹Ìµé·£Áî ÁÖÀÇ ÄÚ¹øÆ®¸®(Coventry) ±×¸®ÇÁ ÇϿ콺(Griff House)¿¡¼ °ÅÁÖÇÏ¿´½À´Ï´Ù. ÄÚ¹øÆ®¸®´Â ±×³à¿¡°Ô ³óÃÌ°ú Àü¿øÀÇ ¾Æ¸§´Ù¿ò°ú dz¿ä·Î¿ò°ú µ¿½Ã¿¡ ³óÃÌ »çȸÀÇ ¹®Á¦Á¡°ú Æó¼â¼ºÀ» °¡¸£ÃÄ ÁÖ¾ú°í, ÀÌÈÄ ³óÃÌÀ» ¹è°æÀ¸·Î ÇÑ ÀÛÇ°À» ÀÕ´Þ¾Æ ÁýÇÊÇÏ°Ô ÇÑ ¿øµ¿·ÂÀÌ µÇ¾ú½À´Ï´Ù. ³óÃÌÀ» ¹è°æÀ¸·Î ¿©·¯ ÀÛÇ°À» ¹ßÇ¥ÇÏ¿´À¸³ª, ±× Áß¿¡¼ °¡Àå ´ëÇ¥ÀûÀÎ ÀÛÇ°À¸·Î ¹Ù·Î Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot)À» ²Å½À´Ï´Ù. ¿µ±¹ ºòÅ丮¾Æ ½Ã´ë¸¦(1819~1901) ¹è°æÀ¸·Î ÇÑ ³óÃÌ ¼Ò¼³(Rural Novel)ÀÇ ÀüÇüÀ¸·Î ²ÅÈ÷¸ç, ÀÛÇ° ¼Ó¿¡´Â Áö¸íÀº º¯°æµÇ¾úÀ¸³ª ±×³à°¡ ½ÇÁ¦·Î ¿À·§µ¿¾È »ì¾Ò´ø ¿µ±¹ À×±Û·£µå ¿þ½ºÆ® ¹Ìµé·£Áî ÁÖÀÇ ÄÚ¹øÆ®¸®(Coventry) °÷°÷À» ¿¬»óÄÉ ÇÏ´Â Àå¼Ò·Î °¡µæÇÕ´Ï´Ù.
¢º Ç÷νº °(the River Floss)°ú ¸®Çà °(River Ripple)ÀÌ ±³Â÷ÇÏ´Â ¼¼ÀÎÆ® ¿À±×(the village of St Ogg) ¸¶À»ÀÇ µµ¸£ÄÚÆ® ¹°¹æ¾Ñ°£(Dorlcote Mill)À» ¿î¿µÇÏ´Â Åø¸®¹ö °¡Á·ÀÌ µîÀåÇÕ´Ï´Ù. ¾Æ¹öÁö Á¦·¹¹Ì Åø¸®¹ö(Jeremy Tulliver)´Â ¾ÆÀ̵éÀ» »ç¶ûÇÏÁö¸¸, »ç¾÷¿¡´Â ¿µ ¼ö¿ÏÀ» ¹ßÈÖÇÏÁö ¸øÇØ °á±¹ ¸ÁÇÏ°í ¸»ÁÒ. º£½Ã Åø¸®¹ö(Bessy Tulliver)¿ÍÀÇ »çÀÌ¿¡ ¿Àºü Åè Åø¸®¹ö(Tom Tulliver)¿Í ¿©µ¿»ý ¸Å±â Åø¸®¹ö(Maggie Tulliver) ³²¸Å¸¦ µÎ¾ú½À´Ï´Ù.
¢º Åè Åø¸®¹ö(Tom Tulliver)´Â Çʸ³ ¿þÀÌÄÄ(Philip Wakem) ºÎÄ£°úÀÇ °¥µîÀ» ºñ·ÔÇØ ¹Ù²î¾î°¡´Â ¼¼»ó¿¡ ÀûÀÀÇÏÁö ¸øÇÏ°í °á±¹ ÆÄ»ê, ¼ûÀ» °ÅµÎ°Ô µÈ ¾Æ¹öÁö¸¦ Ãß¾ïÇϸç, ¿À·ÎÁö ¼º°ø¸¸À» Ãß±¸ÇÏ°Ô µË´Ï´Ù. Åè¿¡°Ô Çб³ °øºÎ´Â »çÄ¡ÀÏ »Ó, Çо÷Á¶Â÷ Æ÷±âÇÏ°í °¡¹®ÀÇ Àç°ÇÀ» À§ÇØ Çå½ÅÇÏÁö¿ä.
¢º ¡°You know what is my feeling on that subject, Maggie. There is no need for my repeating anything I said a year ago. While my father was living, I felt bound to use the utmost power over you, to prevent you from disgracing him as well as yourself, and all of us. But now I must leave you to your own choice. You wish to be independent; you told me so after my father¡¯s death. My opinion is not changed. If you think of Philip Wakem as a lover again, you must give up me.¡±
¢¹ "±× ÁÖÁ¦¿¡ ´ëÇÑ ³» °¨Á¤ÀÌ ¾î¶²Áö ¾ËÀݾÆ, ¸Å±â. ³»°¡ 1³â Àü¿¡ Çß´ø ¸»À» ¹Ýº¹ÇÒ ÇÊ¿ä´Â ¾ø¾î. ¾Æ¹öÁö°¡ »ì¾Æ°è½Ã´Â µ¿¾È, ³ª´Â ¾Æ¹öÁö»Ó¸¸ ¾Æ´Ï¶ó ¿©·¯ºÐ°ú ¿ì¸® ¸ðµÎ¸¦ ¸ð¿åÇÏ´Â °ÍÀ» ¸·±â À§ÇØ ¿©·¯ºÐ¿¡°Ô ÃÖ°íÀÇ ÈûÀ» »ç¿ëÇØ¾ß ÇÑ´Ù°í ´À²¸. ÇÏÁö¸¸ ÀÌÁ¦ ´Ï ¼±Åÿ¡ ¸Ã±æ°Ô. ´ç½ÅÀº µ¶¸³Çϱ⸦ ¿øÇÏÁö¸¸, ¾Æ¹öÁö°¡ µ¹¾Æ°¡½Å ÈÄ¿¡ Àú¿¡°Ô ±×·¸°Ô ¸»¾¸Çϼ̾î. ³» ÀÇ°ßÀº º¯ÇÏÁö ¾Ê¾Æ. Çʸ³ ¿þÀÌÅ©¸¦ ´Ù½Ã ¾ÖÀÎÀ¸·Î »ý°¢ÇÑ´Ù¸é ³ª¸¦ Æ÷±âÇØ."
¢º ÀÌ¿¡ ¹ÝÇØ ¸Å±â Åø¸®¹ö(Maggie Tulliver)´Â °¡³ÇÑ Áý¾È ÇüÆí ¶§¹®¿¡ Çо÷À» À̾°¡Áö ¸øÇÏ´Â »óȲ¿¡¼ À¯ÀÏÇÑ Ãë¹ÌÀÎ µ¶¼·Î Èûµç ½Ã±â¸¦ °ßµ®³»·Á ÇÑ ¾î¸° ¼Ò³àÀÔ´Ï´Ù. ¿ÀºüÀÇ Áõ¿À¿¡µµ ºÒ±¸ÇÏ°í, °ö»çµîÀÌ(hunchbacked) Ä£±¸ÀÎ Çʸ³ ¿þÀÌÄÄ(Philip Wakem)°ú ¸ô·¡ ¸¸³µ°í, ÁöÀûÀÎ ±×¿Í ´ëȸ¦ ³ª´©¸ç ¿ìÁ¤À» ³Ñ¾î¼± ¹«¾ð°¡¸¦ ´À³¢°Ô µË´Ï´Ù. ±×³à¿Í Çʸ³ÀÇ °ü°è´Â ¾ç °¡¹®¿¡¼ °áÄÚ ¿ë³³ÇÒ ¼ö ¾ø´Â °ÍÀ̾ú°í, ÀÌ·Î ÀÎÇÏ¿© ¸Å±â´Â ¿ÀºüÀÎ ÅèÀÇ ºÐ³ë¸¦ ÇÇÇÒ ¼ö ¾ø¾ú½À´Ï´Ù.
¢º ¡°So I will submit to what I acknowledge and feel to be right. I will submit even to what is unreasonable from my father, but I will not submit to it from you. You boast of your virtues as if they purchased you a right to be cruel and unmanly, as you¡¯ve been to-day. Don¡¯t suppose I would give up Philip Wakem in obedience to you. The deformity you insult would make me cling to him and care for him the more.¡±
¢¹ ¡°±×·¡¼ ³ª´Â ³»°¡ ÀÎÁ¤ÇÏ°í ¿Ç´Ù°í ´À³¢´Â °Í¿¡ º¹Á¾ÇÒ °ÍÀÔ´Ï´Ù. ³ª´Â ³» ¾Æ¹öÁö¿¡°Ô¼´Â ¹«¸®ÇÑ ÀÏÀÌ¶óµµ º¹Á¾ÇÒ °ÍÀ̳ª ´ç½Å¿¡°Ô¼´Â º¹Á¾ÇÏÁö ¾Ê°Ú½À´Ï´Ù. ´ç½ÅÀº ¿À´Ãó·³ ÀÜÀÎÇÏ°í ³²ÀÚ´äÁö ¸øÇÒ ±Ç¸®¸¦ »çÁØ °Íó·³ ¹Ì´öÀ» ÀÚ¶ûÇÕ´Ï´Ù. ³»°¡ ´ç½Å¿¡°Ô ¼øÁ¾Çϱâ À§ÇØ Çʸ³ ¿þÀÌÄÄÀ» Æ÷±âÇÒ °ÍÀ̶ó°í »ý°¢ÇÏÁö ¸¶½Ê½Ã¿À. ´ç½ÅÀÌ ¸ð¿åÇÏ´Â ±âÇüÀº ³»°¡ ±×¿¡°Ô ÁýÂøÇÏ°í ±×¸¦ ´õ µ¹º¸°Ô ¸¸µé °ÍÀÔ´Ï´Ù.¡±
¢º ÇÑÆí ÀÌ¿ô ¸¶À»ÀÇ »çÃÌ ·ç½Ã µò(Lucy Deane)Àº ¸Å±â¸¦ ÃÊ´ëÇÕ´Ï´Ù. ¸Å±â ¶ÇÇÑ »õ·Î¿î ¸¶À» ¼¼ÀÎÆ® ¿À±×(St Ogg)¿¡¼ ¸¸³ ½ºÅ×ÆÇ °Ô½ºÆ®(Stephen Guest)¿¡°Ô »ö´Ù¸¥ ¸Å·ÂÀ» ´À³§´Ï´Ù. Ç÷νº °º¯À» µû¶ó º¸Æ®¸¦ Ÿ·¯ °£ ½ºÅ×ÆÇÀº ÀÏÇàÀ¸·ÎºÎÅÍ ¸Ö¸® ¶³¾îÁø Æ´À» Ÿ ¸Å±â¿¡°Ô ±¸È¥ÇÏ°í, Àç·ÂÀ» °®Ãá ±×ÀÇ ±¸È¥À» ¼±¶æ °ÅÀýÇÏÁö ¸øÇÑ ¸Å±â´Â öºÎÁö ½ÃÀýÀÇ ¿¬Àΰú »õ·Î¿î ¿¬ÀÎ »çÀÌ¿¡¼ °í¹Î¿¡ ºüÁö°Ô µÇ´Âµ¥¡¦. °ú¿¬ ±×³àÀÇ ¼±ÅÃÀº ¹«¾ùÀϱî¿ä?!
¢º ¡°Yes, I do. But they will believe me. I will confess everything. Lucy will believe me?she will forgive you, and?and?oh, some good will come by clinging to the right. Dear, dear Stephen, let me go!?don¡¯t drag me into deeper remorse. My whole soul has never consented; it does not consent now.¡±
¢¹ "³× Àúµµ ±×·¸½À´Ï´Ù. ±×·¯³ª ±×µéÀº ³ª¸¦ ¹ÏÀ» °ÍÀÔ´Ï´Ù. ³ª´Â ¸ðµç °ÍÀ» °í¹éÇÒ °ÍÀÔ´Ï´Ù. ·ç½Ã´Â ³ª¸¦ ¹ÏÀ» °ÍÀÔ´Ï´Ù. ±×³à´Â ´ç½ÅÀ» ¿ë¼ÇÒ °ÍÀÔ´Ï´Ù. Ä£¾ÖÇÏ´Â ½ºÆ¼ºì, Àú¸¦ ³öÁÖ¼¼¿ä! Àú¸¦ ´õ ±íÀº ÈÄȸ ¼ÓÀ¸·Î ²ø¾îµéÀÌÁö ¸¶¼¼¿ä. ³» ¿µÈ¥Àº µ¿ÀÇÇÑ ÀûÀÌ ¾ø½À´Ï´Ù. Áö±ÝÀº µ¿ÀÇÇÏÁö ¾Ê½À´Ï´Ù.¡±
¢º °í½É ³¡¿¡ ½ºÅ×ÆÇÀÇ ¸¶À½À» °ÅÀýÇÑ ¸Å±â´Â ¿Àºü¿¡°Ô µ¹¾Æ°¡Áö¸¸¡¦¡¦. ÀÌ¿ô ¸¶À»¿¡¼ µé·Á¿À´Â ±×³àÀÇ »ç°í ¼Ò½Ä°ú ³µ¥¾ø´Â °áÈ¥ ¼Ò½ÄÀ» µéÀº ¿ÀºüÀÇ ºÐ³ë´Â È°È° ºÒŸ¿Ã¶ú½À´Ï´Ù. ÀÌ·± À§±â¿¡µµ ºÒ±¸ÇÏ°í, Ç÷νº °ÀÇ ¹ü¶÷À̶õ ´ëÀç¾Ó ¾Õ¿¡¼ ³²¸Å´Â ÇÕ½ÉÇØ ·ç½Ã µò°ú ±×³àÀÇ °¡Á·À» ±¸Çϱâ À§ÇØ ¹è¸¦ Ÿ°í ÃâÇ×ÇÕ´Ï´Ù. ±×·¯³ª µ¶ÀÚµéÀÇ ¾î¾ÈÀÌ º¡º¡ÇÏ°Ôµµ ³²¸Å´Â ºñ±ØÀûÀÎ ¿î¸í¿¡¼ ºüÁö°í¾ß ¸¶´Âµ¥...?! ¿Ö Ã¥ Á¦¸ñÀÌ ¸Å±â¿Í Çʸ³ ȤÀº ¸Å±â¿Í ½ºÅ×ÆÇÀÌ ¾Æ´ÑÁö ÀÌÇØÇÒ ¼ö ÀÖ¾ú½À´Ï´Ù¸¸, Çѱ¹ÀÇ µå¶ó¸¶ ¿£µùÀÌ ÀÌ·± ½ÄÀÌ¿´´Ù¸é, ¹æ¼Û±¹ °Ô½ÃÆÇ¿¡ ¾ÇÇÃÀÌ ¼ö¸¸ °³´Â ´Þ·ÈÀ» °ÍÀÔ´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot)
¢¹ BOOK FIRST. BOY AND GIRL.
Chapter I. Outside Dorlcote Mill
Chapter II. Mr Tulliver, of Dorlcote Mill, Declares His Resolution about Tom
Chapter III. Mr Riley Gives His Advice Concerning a School for Tom
Chapter IV. Tom Is Expected
Chapter V. Tom Comes Home
Chapter VI. The Aunts and Uncles Are Coming
Chapter VII. Enter the Aunts and Uncles
Chapter VIII. Mr Tulliver Shows His Weaker Side
Chapter IX. To Garum Firs
Chapter X. Maggie Behaves Worse Than She Expected
Chapter XI. Maggie Tries to Run away from Her Shadow
Chapter XII. Mr and Mrs Glegg at Home
Chapter XIII. Mr Tulliver Further Entangles the Skein of Life
¢¹ BOOK SECOND. SCHOOL-TIME.
Chapter I. Tom¡¯s ¡°First Half¡±
Chapter II. The Christmas Holidays
Chapter III. The New Schoolfellow
Chapter IV. ¡°The Young Idea¡±
Chapter V. Maggie¡¯s Second Visit
Chapter VI. A Love-Scene
Chapter VII. The Golden Gates Are Passed
¢¹ BOOK THIRD. THE DOWNFALL.
Chapter I. What Had Happened at Home
Chapter II. Mrs Tulliver¡¯s Teraphim, or Household Gods
Chapter III. The Family Council
Chapter IV. A Vanishing Gleam
Chapter V. Tom Applies His Knife to the Oyster
Chapter VI. Tending to Refute the Popular Prejudice against the Present of a Pocket-Knife
Chapter VII. How a Hen Takes to Stratagem
Chapter VIII. Daylight on the Wreck
Chapter IX. An Item Added to the Family Register
¢¹ BOOK FOURTH. THE VALLEY OF HUMILIATION.
Chapter I. A Variation of Protestantism Unknown to Bossuet
Chapter II. The Torn Nest Is Pierced by the Thorns
Chapter III. A Voice from the Past
¢¹ BOOK FIFTH. WHEAT AND TARES.
Chapter I. In the Red Deeps
Chapter II. Aunt Glegg Learns the Breadth of Bob¡¯s Thumb
Chapter III. The Wavering Balance
Chapter IV. Another Love-Scene
Chapter V. The Cloven Tree
Chapter VI. The Hard-Won Triumph
Chapter VII. A Day of Reckoning
¢¹ BOOK SIXTH. THE GREAT TEMPTATION.
Chapter I. A Duet in Paradise
Chapter II. First Impressions
Chapter III. Confidential Moments
Chapter IV. Brother and Sister
Chapter V. Showing That Tom Had Opened the Oyster
Chapter VI. Illustrating the Laws of Attraction
Chapter VII. Philip Re-enters
Chapter VIII. Wakem in a New Light
Chapter IX. Charity in Full-Dress
Chapter X. The Spell Seems Broken
Chapter XI. In the Lane
Chapter XII. A Family Party
Chapter XIII. Borne Along by the Tide
Chapter XIV. Waking
¢¹ BOOK SEVENTH. THE FINAL RESCUE.
Chapter I. The Return to the Mill
Chapter II. St Ogg¡¯s Passes Judgment
Chapter III. Showing That Old Acquaintances Are Capable of Surprising Us
Chapter IV. Maggie and Lucy
Chapter V. The Last Conflict
¢¹ Conclusion
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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