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¿µ¾î°íÀü1042 Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(English Classics1042 Silas Marner by George Eliot)

¿µ¾î°íÀü1042 Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(English Classics1042 Silas Marner by George Eliot)

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¢º »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)Àº Á¶Áö ¿¤¸®¾ùÀÇ ¼¼ ¹ø° ÀåÆí ¼Ò¼³·Î, Àª¸®¾ö ºí·¢¿ìµå(William Blackwood, 1776~1834)°¡ 1861³â ÃâÆÇÇÏ¿´½À´Ï´Ù. ¿µ±¹ÀÇ ³óÃÌ ¸¶À»À» ¹è°æÀ¸·Î ÇÑ ³óÃÌ ¼Ò¼³(Rural Novel)ÀÌÀÚ °¡Á· °ü°è¸¦ ÁÖ¿ä ¸ðƼºê·Î ´Ù·é °¡Á¤ ¼Ò¼³(Novel on family affairs)ÀÔ´Ï´Ù. ¹Ï¾ú´ø À̵é·ÎºÎÅÍ ¹è½Å´çÇÏ°í ÀÚ½ÅÀÇ °íÇâ¿¡¼­ ÂѰܳ­ ÇÏÃþ¹Î Á÷Á¶°øÀÌ ½Ã°ñ ¸¶À»¿¡ ¿îµÐÇÏ´ø Áß¿¡ ¾î¸° ¼Ò³à¸¦ ÀÔ¾çÇÏ°í ÀÌ·Î ÀÎÇÏ¿© »îÀÇ È°·ÂÀ» µÇã´Â´Ù´Â À̾߱â´Â Çö´ëÀο¡°Ô °¨¼º°ú Èú¸µÀ» ¼±»çÇϱ⿡ ºÎÁ·ÇÔÀÌ ¾ø½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

¢º ÇÏ·ç¾Æħ¿¡ ¹Ï¾ú´ø Ä£±¸µµ, »ç¶ûÇÏ´Â ¿¬Àεµ ÀÒÀº Á÷Á¶°ø(òÄðãÍï), »çÀÏ·¯½º ¸Å³Ê(Silas Marner) : ÀÌ À̾߱â´Â ÁÖÀΰøÀÎ ¶óº§·Î¿¡(Raveloe)¶ó´Â °¡»óÀÇ ¸¶À»¿¡ »ç´Â ÀºµÐÀûÀÎ Á÷Á¶°ø »çÀÏ·¯½º ¸Å³Ê(Silas Marner)¸¦ Áß½ÉÀ¸·Î Àü°³µË´Ï´Ù. »çÀÏ·¯½º ¸Å³Ê´Â Àü °íÇâ¿¡¼­ µµµÏÁúÀ» Çß´Ù´Â ´©¸íÀ» ¾´ ºñ¿îÀÇ Àι°ÀÔ´Ï´Ù. ÀÌ·Î ÀÎÇÏ¿© ÀÚ½ÅÀÌ ¹Ï¾ú´ø Ä£±¸ Àª¸®¾ö µ¥ÀÎ(William Dane)Àº ¹°·Ð »ç¶ûÇÏ´Â ¿©ÀÚ¸¶Àú ÀÒÀº »çÀÏ·¯½º´Â ·£ÅÏ ¾ßµå(Lantern Yard)¸¦ ¶°³³´Ï´Ù. ´ëü »çÀÏ·¯½º¿¡°Ô´Â ¾î¶² ¾ï¿ïÇÑ ÀÏÀÌ ÀÖ¾ú´ø °ÍÀϱî¿ä?!

¢º Poor Marner went out with that despair in his soul?that shaken trust in God and man, which is little short of madness to a loving nature. In the bitterness of his wounded spirit, he said to himself, ¡°She will cast me off too.¡± And he reflected that, if she did not believe the testimony against him, her whole faith must be upset as his was. To people accustomed to reason about the forms in which their religious feeling has incorporated itself, it is difficult to enter into that simple, untaught state of mind in which the form and the feeling have never been severed by an act of reflection.

¢¹ ºÒ½ÖÇÑ ¸¶³Ê´Â ¿µÈ¥¿¡ Àý¸ÁÀ» Ç°°í ³ª°¬½À´Ï´Ù. ±×°ÍÀº »ç¶ûÇÏ´Â º»¼º¿¡ ´ëÇÑ ±¤±â³ª ´Ù¸§¾ø´Â ½Å°ú Àΰ£¿¡ ´ëÇÑ ½Å·Ú¸¦ Èçµé¾ú½À´Ï´Ù. ±×ÀÇ »óó ÀÔÀº ¿µÈ¥ÀÇ ¾²¶ó¸² ¼Ó¿¡¼­, ±×´Â È¥À㸻·Î "±×³àµµ ³ª¸¦ ÂѾƳ¾ °ÍÀÔ´Ï´Ù."¶ó°í ¸»Çß½À´Ï´Ù ±×¸®°í ±×´Â ¸¸¾à ±×³à°¡ ±×¿¡°Ô ºÒ¸®ÇÑ Áõ¾ðÀ» ¹ÏÁö ¾Ê¾Ò´Ù¸é, ±×³àÀÇ ¸ðµç ¹ÏÀ½Àº ±×ÀÇ °Íó·³ È­°¡ ³µÀ» °ÍÀ̶ó°í »ý°¢Çß½À´Ï´Ù. ±×µéÀÇ Á¾±³Àû °¨Á¤ÀÌ ±× ÀÚü·Î ÅëÇÕµÈ ÇüÅ¿¡ ´ëÇÑ À̼º¿¡ Àͼ÷ÇÑ »ç¶÷µé¿¡°Ô, ±× ÇüÅÂ¿Í °¨Á¤ÀÌ ¹Ý¼ºÀÇ Çൿ¿¡ ÀÇÇØ ´ÜÀýµÈ ÀûÀÌ ¾ø´Â ´Ü¼øÇÏ°í ±³À°¹ÞÁö ¾ÊÀº Á¤½Å »óÅ·Πµé¾î°¡´Â °ÍÀº ¾î·Æ½À´Ï´Ù.

¢º ¶óº§·Î¿¡(Raveloe)¿¡ Á¤ÂøÇÑ »çÀÏ·¯½º´Â ¼÷·ÃµÈ ¸®³Ù Á÷Á¶°ø(linen weaver)À¸·Î ÀÏÇÏ¸ç ¾î·ÆÁö ¾Ê°Ô »ý°è¸¦ À̾°¡Áö¸¸, Áֹεé°úÀÇ Á¢ÃËÀ» ²¨¸³´Ï´Ù. ±× ´©±¸µµ ¹ÏÀ» ¼ö ¾ø°Ô µÈ »çÀÏ·¯½º´Â ¿À·ÎÁö ÀÚ½ÅÀÌ ¹ø ±ÝÈ­¿¡ Ž´ÐÇÏ°Ô µÇ´Âµ¥, ¾î·Æ»ç¸® ¸ðÀº ±Ý¸¶Àú ¾î´À ³¯ µµµÏ¸Â°í¾ß ¸¶´Âµ¥...?! ±×³ªÀú³ª »çÀÏ·¯½º ¸Å³Ê°¡ µµµÏ¸ÂÀº ±ÝÈ­´Â ´ëü ´©°¡, ¾ðÁ¦, ¾î¶»°Ô °¨ÂÊ°°ÀÌ ÈÉÄ£ °ÍÀϱî¿ä?! ÀÛ°¡ÀÇ ¶±¹äÀº ±Ç¹Ì¿¡¼­ È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º He rose and placed his candle unsuspectingly on the floor near his loom, swept away the sand without noticing any change, and removed the bricks. The sight of the empty hole made his heart leap violently, but the belief that his gold was gone could not come at once?only terror, and the eager effort to put an end to the terror. He passed his trembling hand all about the hole, trying to think it possible that his eyes had deceived him; then he held the candle in the hole and examined it curiously, trembling more and more.

¢¹ ±×´Â ÀϾ¼­ ¾Æ¹« »ý°¢ ¾øÀÌ ÃкÒÀ» º£Æ² ±ÙóÀÇ ¹Ù´Ú¿¡ ³õ°í, ¾Æ¹«·± º¯È­µµ ´«Ä¡ äÁö ¸øÇÑ Ã¤ ¸ð·¡¸¦ ¾µ¾î¹ö¸®°í º®µ¹À» Ä¡¿ü½À´Ï´Ù. ºó ±¸¸ÛÀ» º¸°í ±×ÀÇ ½ÉÀåÀº ½ÉÇÏ°Ô ¶Ù¾úÁö¸¸, ±×ÀÇ ±ÝÀÌ »ç¶óÁ³´Ù´Â ¹ÏÀ½Àº ´Ü¹ø¿¡ ¿Ã ¼ö ¾ø¾ú½À´Ï´Ù. ´ÜÁö °øÆ÷¿Í ±× °øÆ÷¸¦ ³¡³»·Á´Â ¿­¸ÁÀÇ ³ë·Â»ÓÀ̾ú½À´Ï´Ù. ±×´Â ±×ÀÇ ´«ÀÌ ±×¸¦ ¼Ó¿´À» °¡´É¼ºÀÌ ÀÖ´Ù°í »ý°¢ÇÏ·Á°í ±×ÀÇ ¶³¸®´Â ¼ÕÀ» ±¸¸Û ¿©±âÀú±â·Î ³Ñ°å½À´Ï´Ù. ±×¸®°í ±×´Â ±¸¸Û¿¡ ÀÖ´Â ÃкÒÀ» µé°í È£±â½É ÀÖ°Ô ±×°ÍÀ» °Ë»çÇß°í, Á¡Á¡ ´õ ¶³·È½À´Ï´Ù.

¢º ÇÑÆí ´©±ºÁöµµ ¸ð¸¦ ¾Æ¹öÁö¿Í ¾ÆÆí Áßµ¶¿¡ ºüÁø ¾î¸Ó´Ï »çÀÌ¿¡¼­ ¾î·Æ°Ô ÀÚ¶ó´Â µÎ »ì¹è±â ¼Ò³à°¡ ÀÖ½À´Ï´Ù. Ãß¿î °Ü¿ï³¯ ¾Æ¹öÁö¸¦ ¸¸³ª·¯ °¡´Â ±æ¿¡ ¾î¸Ó´Ï¸¦ ÀÒÀº ¼Ò³à´Â ´ÙÇàÈ÷µµ »çÀÏ·¯½ºÀÇ ´«¿¡ ¶ë´Ï´Ù. ±æ°¡¿¡ ¾²·ÁÁ® »ç¸ÁÇÑ ¾î¸Ó´Ï¸¦ È®ÀÎÇÑ »çÀÏ·¯½º´Â ¹«½¼ ÀÌÀ¯¿¡¼­ÀÎÁö ¼±¶æ ±×³à¸¦ Å°¿ì±â·Î ÇÏ°í, ¿¡ÇǶó´Â À̸§À» Áö¾îÁÝ´Ï´Ù. »îÀÇ °¡Àå ¼ÒÁßÇÑ Àο¬°ú µ·¸¶Àú ÀÒÀº »çÀÏ·¯½º´Â ¿ª¼³ÀûÀ¸·Î ¾Æ¹« °Íµµ °¡ÁöÁö ¸øÇÑ ¼Ò³à ¿¡ÇÇ¿Í ÇÔ²² »ì¸é¼­ »îÀÇ »õ·Î¿î ¸ñÀû°ú ±â»ÝÀ» ã°Ô µË´Ï´Ù. ¿¡ÇÇ´Â ¼ºÀåÇϸ鼭 »çÀÏ·¯½ºÀÇ »îÀÇ ºûÀÌ µÇ°í, ±×µéÀÇ À¯´ë°¨Àº ±úÁöÁö ¾Ê½À´Ï´Ù. ¶óº§·Î¿¡ ¸¶À» »ç¶÷µéµµ ¼Ò³à¸¦ ²¸¾È°í, Áö¿ª»çȸÀÇ ¿ÂÁ¤°ú ÁöÁö°¡ »çÀÏ·¯½ºÀÇ »óó¹ÞÀº ¿µÈ¥À» Ä¡À¯ÇÏ´Â µ¥ µµ¿òÀÌ µË´Ï´Ù.

¢º ºÎÀ¯ÇÑ Ä£¾Æ¹öÁö °íµåÇÁ¸® Ä«½º(Godfrey Cass) VS ¿ÜÅçÀÌ ¾ç¾Æ¹öÁö »çÀÏ·¯½º ¸Å³Ê(Silas Marner) : ÇÑÆí, ÀÌ ¼Ò¼³¿¡´Â ºÎÀ¯ÇÏÁö¸¸ µµ´öÀûÀ¸·Î °áÇÔÀÌ ÀÖ´Â ÀþÀºÀÌ °íµåÇÁ¸® Ä«½º(Godfrey Cass)°¡ µîÀåÇÕ´Ï´Ù. °á·ÐÀûÀ¸·Î °íµåÇÁ¸®´Â ºñ¹Ð¸®¿¡ ¸ô¸® ÆÄ·»(Molly Farren)À̶ó´Â ÇÏÃþ °è±ÞÀÇ ¿©¼º°ú °áÈ¥ÇÑ ¿¡ÇÇÀÇ Ä£¾Æ¹öÁöÀÔ´Ï´Ù. ±×´Â ¸ô¸® ÆÄ·»ÀÌ ÀÚ½ÅÀÇ ¾ÆÀ̸¦ ³º¾Ò´Ù´Â °ÍÀ» ¾Ë°í ÀÖ¾úÁö¸¸, ºÎÀûÀýÇÑ °ü°è¸¦ ¼û±â±â À§ÇØ À̸¦ ºñ¹Ð·Î ÇÏ¿´½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ¸ô¸®´Â ´õ´õ¿í Àý¸Á¿¡ ºüÁ³°í, ¾ÆÆí¿¡ Áßµ¶µÈ »óÅ¿¡¼­ ±æ°¡¿¡ ¾²·ÁÁ® ¼ûÀ» °ÅµÎ°í ¸»¾Ò½À´Ï´Ù¡¦¡¦.

¢º But there was a cry on the hearth: the child had awaked, and Marner stooped to lift it on his knee. It clung round his neck, and burst louder and louder into that mingling of inarticulate cries with ¡°mammy¡± by which little children express the bewilderment of waking. Silas pressed it to him, and almost unconsciously uttered sounds of hushing tenderness, while he bethought himself that some of his porridge, which had got cool by the dying fire, would do to feed the child with if it were only warmed up a little.

¢¹ ÇÏÁö¸¸ º®³­·Î¿¡¼­´Â ¾ÆÀÌ°¡ ±ú¾î³µ°í, ¸¶³Ê´Â ¹«¸­ À§¿¡¼­ ±×°ÍÀ» µé¾î ¿Ã¸®·Á°í ¸öÀ» ¼÷¿´½À´Ï´Ù. ±×°ÍÀº ±×ÀÇ ¸ñ¿¡ µé·¯ºÙ¾ú°í, "¾ö¸¶"¿Í ¸»·Î Ç¥ÇöµÇÁö ¾Ê´Â ¿ïÀ½¼Ò¸®°¡ µÚ¼¯¿© Á¡Á¡ ´õ Å©°Ô ÅÍÁ® ³ª¿Ô°í, ¾î¸° ¾ÆÀ̵éÀº ±ú¾î³µÀ» ¶§ÀÇ ´çȤ°¨À» Ç¥ÇöÇß½À´Ï´Ù. »çÀÏ·¯½º´Â ±×°ÍÀ» ±×¿¡°Ô ´Ù±×ÃÆ°í, °ÅÀÇ ¹«ÀǽÄÀûÀ¸·Î ¼ûÀ» ½¬´Â ºÎµå·¯¿òÀÇ ¼Ò¸®¸¦ ³Â°í, ±×´Â Á׾´Â ºÒ¿¡ ÀÇÇØ Â÷°¡¿öÁø ±×ÀÇ Á×À» Á¶±Ý¸¸ µ¥¿öÁö¸é ¾ÆÀ̸¦ ¸ÔÀÏ ¼ö ÀÖÀ» °ÍÀ̶ó°í ½º½º·Î »ý°¢Çß½À´Ï´Ù.

¢º ¸ðµç °ÍÀ» °¡Áø ³²ÀÚ °íµåÇÁ¸®¿Í °íÇâ¿¡¼­ ÂѰܳ­ À̹æÀÎ »çÀÏ·¯½ºÀÇ ´©ÃßÇÑ »îÀº ¿¡ÇǶõ ¼Ò³à·Î ÀÎÇÏ¿© ±ØÀûÀ¸·Î ±³Â÷ÇÕ´Ï´Ù. ¸ô¸® ÆÄ·»ÀÇ Á×À½À» ¸ø º» ôÇÏ°í, ³½½Ã ·¥¹ÌÅÍ(Nancy Lammeter)¿Í ´ë¿ÜÀûÀ¸·Î °áÈ¥±îÁö Ä¡·é °íµåÇÁ¸®´Â ¿¡ÇÇ°¡ ¾î¿©»Û ¾Æ°¡¾¾·Î ¼ºÀåÇÑ ÀÌÈÄ Ã¤¼®Àå¿¡¼­ »çÀÏ·¯½ºÀÇ ±ÝÈ­¸¦ ¿òÄÑÁã°í ¼ûÁø ´ø½ºÅº Ä«½º(Dunstan Cass)ÀÇ ÇØ°ñÀÌ ¹ß°ßµÈ ÀÌÈÄ! °á±¹ ¾ç½ÉÀÇ °¡Ã¥À» À̱âÁö ¸øÇÏ°í, °á±¹ ¿¡ÇÇ¿¡°Ô Áø½ÇÀ» ¹àÈ÷±â·Î °á½ÉÇÕ´Ï´Ù. °ú¿¬ ¿¡ÇÇ´Â ÀÚ½ÅÀÇ Ä£¾Æ¹öÁö¿Í ¾ç¾Æ¹öÁö »çÀÌ¿¡¼­ ¾î¶² ¼±ÅÃÀ» ÇÒ±î¿ä?

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼­ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼­ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼­±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °­º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼­Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
¢¹ Part One.
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX.
Chapter X.
Chapter XI.
Chapter XII.
Chapter XIII.
Chapter XIV.
Chapter XV.
¢¹ Part Two.
Chapter XVI.
Chapter XVII.
Chapter XVIII.
Chapter XIX.
Chapter XX.
Chapter XXI.
¢¹ Conclusion.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
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A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
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