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¿µ¾î°íÀü1043 Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(English Classics1043 Romola by George Eliot)

¿µ¾î°íÀü1043 Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(English Classics1043 Romola by George Eliot)

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¢º ·Î¸ô¶ó 1862(Romola by George Eliot)´Â Á¶Áö ¿¤¸®¾ùÀÇ ³× ¹ø° ÀåÆí ¼Ò¼³·Î, 1862³âºÎÅÍ À̵ëÇرîÁö ÄÜÈú ¸Å°ÅÁø(Cornhill Magazine)¿¡¼­ 14ºÎÀÛÀ¸·Î ¿¬ÀçÇÑ ÈÄ, °°Àº ÇØ ½º¹Ì½º ¿¤´õ ¾Ø ÄÄÆÛ´Ï(Smith, Elder & Co.,)¿¡¼­ 3±ÇÀÇ ´ÜÇົÀ¸·Î Ãâ°£ÇÏ¿´½À´Ï´Ù. ·Î¸ô¶ó 1862(Romola by George Eliot)´Â 19¼¼±â ¿µ±¹ÀÇ ³óÃÌÀ» ¹è°æÀ¸·Î ÇÏ´Â Á¶Áö ¿¤¸®¾ùÀÇ ¼Ò¼³°ú ¿ÏÀüÈ÷ °áÀÌ ´Ù¸£´Ù´Â Á¡ÀÌ Æ¯Â¡À¸·Î, Á¶Áö ¿¤¸®¾ùÀÇ ÀÌÅ»¸®¾Æ ¸£³×»ó½º ½Ã´ë¸¦ ¹è°æÀ¸·Î ÇÏ´Â ¿ª»ç ¼Ò¼³(Historical novel)ÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

¢º ¼Ò¼³Àº Å©¸®½ºÅäÆÛ ÄÝ·³¹ö½º(Christopher Columbus, 1450~1506)°¡ ½Å´ë·úÀ» ÇâÇØ ¶°³­ 1492³â, ÀÌÅ»¸®¾Æ ÇÇ·»Ã¼¸¦ ¹è°æÀ¸·Î ÆîÃÄÁý´Ï´Ù. ·Î¸ô¶ó µ¥ ¹Ù¸£µð(Romola de' Bardi)´Â ÇÇ·»Ã¼ÀÇ Àú¸íÇÑ ÇÐÀÚ ¹Ù¸£µµ µ¥ ¹Ù¸£µð(Bardo de' Bardi)ÀÇ µþÀÔ´Ï´Ù. Áö¼º°ú ¹Ì¸ð¸¦ °®Ãá ·Î¸ô¶ó´Â ¾Æ¹öÁöÀÇ ¿¬±¸¸¦ µ½´Â ÀþÀº ÀÌÅ»¸®¾Æ°è ±×¸®½º û³â ÇÐÀÚ Æ¼Åä ¸á·¹¸¶(Tito Melema)¿Í »ç¶û¿¡ ºüÁö°Ô µÇ¾ú´Âµ¥¡¦. ¾Æ¹öÁöÀÇ ¸íÀ» ¾î±â°í µµ¹Ì´Ïīȸ ¼ö»ç°¡ µÈ ³²¸Å µð³ë µ¥ ¹Ù¸£µð(Dino de' Bardi), Àϸí ÇÁ¶ó ·çÄ«(Fra Luca)ÀÇ °æ°í¿¡µµ ºÒ±¸ÇÏ°í, ƼÅä¿Í ¾àÈ¥ÇÕ´Ï´Ù. ¹ú½áºÎÅÍ ºÒ±æÇÑ ¿¹°¨ÀÌ µé±â ½ÃÀÛÇϴ±º¿ä.

¢º ¡°Dearest Godfather,?If I could have been any good to your life by staying I would not have gone away to a distance. But now I am gone. Do not ask the reason; and if you love my father, try to prevent any one from seeking me. I could not bear my life at Florence. I cannot bear to tell any one why. Help to cover my lot in silence. I have asked that my bridal chest should be sent to you: when you open it, you will know the reason. Please to give all the things that were my mother¡¯s to my cousin Brigida, and ask her to forgive me for not saying any words of parting to her.¡±

¢¹ "Ä£¾ÖÇÏ´Â ´ëºÎ´Ô²², ¸¸¾à Á¦°¡ ³²¾Æ¼­ ´ç½ÅÀÇ »î¿¡ Á¶±ÝÀÌ¶óµµ µµ¿òÀÌ µÉ ¼ö ÀÖ¾ú´Ù¸é Àú´Â ¸Ö¸® ¶°³ªÁö ¾Ê¾ÒÀ» °ÍÀÔ´Ï´Ù. ÇÏÁö¸¸ Áö±ÝÀº »ç¶óÁ³½À´Ï´Ù. ÀÌÀ¯¸¦ ¹¯Áö ¸¶½Ê½Ã¿À. ±×¸®°í Á¦ ¾Æ¹öÁö¸¦ »ç¶ûÇϽŴٸé, ¾Æ¹«µµ Àú¸¦ ã´Â °ÍÀ» ¸·À¸½Ê½Ã¿À. Àú´Â Ç÷η»½º¿¡¼­ÀÇ Á¦ »îÀ» °ßµô ¼ö ¾ø¾ú½À´Ï´Ù. ³ª´Â ´©±¸¿¡°Ôµµ ±× ÀÌÀ¯¸¦ ¸»ÇÒ ¼ö ¾ø½À´Ï´Ù. ³» ¿î¸íÀ» ħ¹¬ ¼Ó¿¡ µ¤¾îÁÖ´Â °ÍÀ» µµ¿ÍÁÖ¼¼¿ä. ³ª´Â ³ªÀÇ ½ÅºÎ »óÀÚ¸¦ ³Ê¿¡°Ô º¸³» ´Þ¶ó°í ºÎŹÇß½À´Ï´Ù. ³×°¡ ±×°ÍÀ» ¿­¸é, ³Ê´Â ±× ÀÌÀ¯¸¦ ¾Ë ¼ö ÀÖÀ» °ÍÀÔ´Ï´Ù. Á¦ ¾î¸Ó´ÏÀÇ ¸ðµç °ÍÀ» Á¦ »çÃÌ ºê¸®±â´Ù¿¡°Ô ÀüÇØÁֽðí, ±×³à¿¡°Ô À̺°ÀÇ ¸»À» ÇÏÁö ¾ÊÀº °ÍÀ» ¿ë¼­ÇØ´Þ¶ó°í ºÎŹÇØÁÖ¼¼¿ä.¡±

¢º ·Î¸ô¶ó¿Í ƼÅä°¡ ¸Î¾îÁøÁö 1³â ¹ÝÀÌ Áö³­ 1494³â 11¿ù, ÇÁ¶û½º-ÀÌÅ»¸®¾Æ ÀüÀï(Italian War of 1494~1495)ÀÌ ¹ß¹ßÇÕ´Ï´Ù. ÇÇ·»Ã¼°¡ ÇÁ¶û½º ħ·«ÀÚµé·Î ÀÎÇØ ¾¦´ë¹çÀÌ µÈ °¡¿îµ¥ ƼÅä´Â ÀÚ½ÅÀÇ ¾ç¾Æ¹öÁö ¹ß´Ù»ç¸£ Ä®º¸(Baldassarre Calvo)¿Í ¸¶ÁÖÄ¡°Ô µË´Ï´Ù. °®Àº °í»ý¿¡µµ ºÒ±¸ÇÏ°í, ¸ñ¼ûÀ» °ÇÁø ³¡¿¡ ¾ç¾ÆµéÀ» ¸¸³­ ¹ß´Ù»ç¸£´Â °øÆ÷¿¡ Áú·Á ±×¿ÍÀÇ °ü°è¸¦ ºÎÀÎÇϴ ƼÅäÀÇ ¸ð½ÀÀ» º¸°í ºÐ³ëÇÕ´Ï´Ù. °¡±î½º·Î Å»Ãâ¿¡ ¼º°øÇÑ ¹ß´Ù»ç¸£´Â ¾ç¾Æµé ƼÅä¿¡ ´ëÇÑ ¿øÇÑÀ¸·Î ºÒŸ¿À¸£±â ½ÃÀÛÇÕ´Ï´Ù.

¢º The two men looked at each other, silent as death: Baldassarre, with dark fierceness and a tightening grip of the soiled worn hands on the velvet-clad arm; Tito, with cheeks and lips all bloodless, fascinated by terror. It seemed a long while to them?it was but a moment.

¢¹ µÎ ³²ÀÚ´Â Á×À½Ã³·³ ¸»¾øÀÌ ¼­·Î¸¦ ¹Ù¶óº¸¾Ò½À´Ï´Ù. ¹ß´Ù»ç·¹(Baldassarre)´Â ¾îµÓ°í ¸Í·ÄÇßÀ¸¸ç º§ºªÀ» ÀÔÀº ÆÈÀ» ´õ·¯¿öÁø ³°Àº ¼ÕÀ¸·Î ²Ë ¿òÄÑÁã¾ú½À´Ï´Ù. ƼÅä´Â »´°ú ÀÔ¼úÀÌ ¿ÂÅë ÇͱⰡ ¾ø°í °øÆ÷¿¡ »ç·ÎÀâÇô ÀÖ¾ú½À´Ï´Ù. ±×µé¿¡°Ô´Â ±ä ½Ã°£Ã³·³ ´À²¸Á³½À´Ï´Ù. ±×°ÍÀº ÇÑ ¼ø°£¿¡ ºÒ°úÇß½À´Ï´Ù.

¢º ¾ç±¹ °£ÀÇ °Ý·ÄÇÑ ÀüÀï ¼Ó¿¡¼­ ÇÑ°« °³ÀÎÀÏ »ÓÀÎ ·Î¸ô¶ó¿Í ƼÅäÀÇ »îÀº º¹Àâ´Ù´ÜÇÏ°Ô ±³Â÷Çϱ⠽ÃÀÛÇÕ´Ï´Ù. Á¾±³ °³Çõ°¡ Áö·Ñ¶ó¸ð »çº¸³ª·Ñ¶ó(Girolamo Savonarola, 1452~1498)ÀÇ ºÎ»ó°ú ¸ÞµðÄ¡ °¡¹®(Medicis)ÀÇ ±Ç·Â ÅõÀïÀ¸·Î, ´ç½ÃÀÇ Á¤Ä¡Àû, Á¾±³Àû °Ýº¯À» ¹è°æÀ¸·Î, ·Î¸ô¶ó´Â ½±Áö ¾ÊÀº ¼±Åÿ¡ ¸ô¸®°Ô µË´Ï´Ù. ÀÌ ¿ÍÁß¿¡ ƼÅäÀÇ Áø¸é¸ñÀ» ¾Ë°Ô µÈ ·Î¸ô¶ó´Â ±×¸¦ ¶°³µ°í, »çº¸³ª·Ñ¶ó(Savonarola)¸¦ Àû±ØÀûÀ¸·Î ÈÄ¿øÇÏ°í, ÇÇ·»Ã¼ÀÇ ÁöÄ¡°í º´µç ÀÚµéÀ» µ¹º¸¸ç È¥¶õÇÑ ÇÏ·çÇϷ縦 Ãæ½ÇÇÏ°Ô º¸³»°íÀÚ ³ë·ÂÇÕ´Ï´Ù. °ú¿¬ ÀüÀïÀÇ È­¿°¿¡ ÈÛ½ÎÀÎ ·Î¸ô¶óÀÇ ¿î¸íÀº ¾îµð·Î ÇâÇÒ´ÂÁö¡¦.

¢º But these intentions could not be avowed: he must appear frankly to await the trial, and to trust in its issue. That dissidence between inward reality and outward seeming was not the Christian simplicity after which he had striven through years of his youth and prime, and which he had preached as a chief fruit of the Divine life. In the stress and heat of the day, with cheeks burning, with shouts ringing in the ears, who is so blest as to remember the yearnings he had in the cool and silent morning and know that he has not belied them?

¢¹ ±×·¯³ª ÀÌ·¯ÇÑ Àǵµ´Â °ø¾ðÇÒ ¼ö ¾ø¾ú½À´Ï´Ù. ±×´Â ÀçÆÇÀ» ±â´Ù¸®°í ÀÖ°í ±× ÀïÁ¡À» ½Å·ÚÇϱâ À§ÇØ ¼ÖÁ÷ÇÏ°Ô ³ªÅ¸³ª¾ß Çß½À´Ï´Ù. ³»Àû ½ÇÀç¿Í ¿Ü¾ç »çÀÌÀÇ ºÒÀÏÄ¡´Â ±×°¡ Àþ°í ÇÑâÀÏ ¶§±îÁö Ãß±¸Çß´ø ±×¸®½ºµµÀÎÀÇ ´Ü¼øÇÔÀÌ ¾Æ´Ï¾ú°í, ±×°¡ ½Å¼ºÇÑ »ý¸íÀÇ ÁÖ¿ä ¿­¸Å¶ó°í ¼³±³Çß´ø °ÍÀÔ´Ï´Ù. ÇÏ·çÀÇ ½ºÆ®·¹½º¿Í ´õÀ§ ¼Ó¿¡¼­ »´ÀÌ È­²ö°Å¸®°í ±Í¿¡¼­ ¼Ò¸®°¡ ¿ï¸®´Â °¡¿îµ¥ ¼­´ÃÇÏ°í °í¿äÇÑ ¾Æħ¿¡ °¡Á³´ø ±×¸®¿òÀ» ±â¾ïÇÏ°í ±×°ÍÀ» ¹ÏÁö ¾Ê¾Ò´Ù´Â °ÍÀ» ¾Æ´Â ±× ´©°¡ º¹ÀÌ ÀÖ½À´Ï±î?

¢º Á¶Áö ¿¤¸®¾ùÀº 1860³â ½ÇÁúÀûÀÎ ³²Æí Á¶Áö Ç ·çÀ̽º(George Henry Lewes, 1817~1878)¿Í ÇÔ²² ÀÌÅ»¸®¾Æ ÇÇ·»Ã¼¸¦ ¹æ¹®ÇÑ ¹Ù ÀÖ°í, ·Î¸ô¶ó 1862(Romola by George Eliot)ÀÇ ¿µ°¨À» ¾ò¾ú½À´Ï´Ù. À̸¦ ±â³äÇÑ ¸íÆÇÀÌ ÇÇ·»Ã¼ÀÇ °Å¸®¿¡ ºÎÂøµÇ¾î ÀÖ½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼­ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼­ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼­±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °­º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼­Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
Prologue.
Chapter I. The Shipwrecked Stranger
Chapter II. Breakfast for Love
Chapter III. The Barber¡¯s Shop
Chapter IV. First Impressions
Chapter V. The Blind Scholar and his Daughter
Chapter VI. Dawning Hopes
Chapter VII. A Learned Squabble
Chapter VIII. A Face in the Crowd
Chapter IX. A Man¡¯s Ransom
Chapter X. Under the Plane-Tree
Chapter XI. Tito¡¯s Dilemma
Chapter XII. The Prize is nearly Grasped
Chapter XIII. The Shadow of Nemesis
Chapter XIV. The Peasants¡¯ Fair
Chapter XV. The Dying Message
Chapter XVI. A Florentine Joke
Chapter XVII. Under the Loggia
Chapter XVIII. The Portrait
Chapter XIX. The Old Man¡¯s Hope
Chapter XX. The Day of the Betrothal
Chapter XXI. Florence expects a Guest
Chapter XXII. The Prisoners
Chapter XXIII. After-Thoughts
Chapter XXIV. Inside the Duomo
Chapter XXV. Outside the Duomo
Chapter XXVI. The Garment of Fear
Chapter XXVII. The Young Wife
Chapter XXVIII. The Painted Record
Chapter XXIX. A Moment of Triumph
Chapter XXX. The Avenger¡¯s Secret
Chapter XXXI. Fruit is Seed
Chapter XXXII. A Revelation
Chapter XXXIII. Baldassarre makes an Acquaintance
Chapter XXXIV. No Place for Repentance
Chapter XXXV. What Florence was thinking of
Chapter XXXVI. Ariadne discrowns herself
Chapter XXXVII. The Tabernacle Unlocked
Chapter XXXVIII. The Black Marks become Magical
Chapter XXXIX. A Supper in the Rucellai Gardens
Chapter XL. An Arresting Voice
Chapter XLI. Coming Back
Chapter XLII. Romola in her Place
Chapter XLIII. The Unseen Madonna
Chapter XLIV. The Visible Madonna
Chapter XLV. At the Barber¡¯s Shop
Chapter XLVI. By a Street Lamp
Chapter XLVII. Check
Chapter XLVIII. Counter-Check
Chapter XLIX. The Pyramid of Vanities
Chapter L. Tessa Abroad and at Home
Chapter LI. Monna Brigida¡¯s Conversion
Chapter LII. A Prophetess
Chapter LIII. On San Miniato
Chapter LIV. The Evening and the Morning
Chapter LV. Waiting
Chapter LVI. The Other Wife
Chapter LVII. Why Tito was Safe
Chapter LVIII. A Final Understanding
Chapter LIX. Pleading
Chapter LX. The Scaffold
Chapter LXI. Drifting Away
Chapter LXII. The Benediction
Chapter LXIII. Ripening Schemes
Chapter LXIV. The Prophet in his Cell
Chapter LXV. The Trial by Fire
Chapter LXVI. A Masque of the Furies
Chapter LXVII. Waiting by the River
Chapter LXVIII. Romola¡¯s waking
Chapter LXIX. Homeward
Chapter LXX. Meeting Again
Chapter LXXI. The Confession
Chapter LXXII. The Last Silence
Epilogue.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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