¢º Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)Àº Á¶Áö ¿¤¸®¾ùÀÌ À×±Û·£µå¿Í ¿þÀÏÁîÀÇ ¼±°Å Á¦µµ¸¦ ´ë´ëÀûÀ¸·Î º¯°æÇÑ Á¦1Â÷ °³Çõ¹ý(Reform Act 1832)À» ¼ÒÀç·Î ¿µ±¹ÀÇ ÀÛÀº ½Ã°ñ¸¶À»¿¡¼ ÀÏ¾î³ ¹®Á¦¸¦ ´Ù·é »çȸ¼Ò¼³(Social novel)ÀÔ´Ï´Ù. 1866³â Àª¸®¾ö ºí·¢¿ìµå ¾Ø ¼±(William Blackwood & Sons)¿¡¼ Ãâ°£µÇ¾ú½À´Ï´Ù. 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡°¡ Çù¼ÒÇÑ ³²³àÀÇ ·Î¸Ç½º¿¡ ÇÑÁ¤µÇ¾î ÀÖ´Ù´Â ºñÆÇÀ» ¹Þ±âµµ ÇÏÁö¸¸, Á¶Áö ¿¤¸®¾ùÀº ÀÚ½ÅÀÇ Á¤Ä¡ÀûÀÎ ½Å³äÀ» °ú°¨ÇÏ°Ô ÀÛÇ°ÀÇ ¼ÒÀç·Î ´Ù·ç¾ú´Ù´Â Á¡¿¡¼ (ÀÛÇ°ÀÇ ¿Ï¼ºµµ¿Í º°°³·Î) ÀϺΠÆò·Ð°¡µéÀÇ ±ØÂùÀ» ¹Þ¾Ò½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¢º Áßµ¿¿¡¼ ¿À·£ ±â°£ ¹«¿ª¾÷¿¡ Á¾»çÇÑ Çì·Ñµå Æ®¶õ½æ(Harold Transome)Àº ¿µ±¹ ÁߺÎÀÇ °¡»óÀÇ ¸¶À» Æ®·¹ºñ ¸¶±×³ª(Treby Magna)·Î µ¹¾Æ¿Â ÁöÁÖ(a local landowner)ÀÔ´Ï´Ù. ±×´Â Å丮´çÀ» ÁöÁöÇÏ´Â °¡Á·ÀÇ ÀüÅë(Tory traditions)¿¡µµ ºÒ±¸ÇÏ°í, ³ë¾² ·Î¾Ï¼Å(North Loamshire) ±¹È¸ÀÇ¿ø ¼±°Å¿¡ Ã⸶ÇÏ¸ç ±ÞÁøÆÄ(Radical)ÀÇ ³ë¼±À» °È±â ½ÃÀÛÇÕ´Ï´Ù. ¾î¸Ó´Ï¿ÍÀÇ ¸¶Âû¿¡µµ ºÒ±¸ÇÏ°í, °¡Á· ´ë¸®ÀÎ ¸ÅÆ© Àú¹Î(Matthew Jermyn)Àº ±×¸¦ ´ç¼±½ÃÅ°±â À§ÇØ µ¿ºÐ¼ÁÖÇÕ´Ï´Ù.
¢º "Never forget places and people?how they look and what can be done with them. All the country round here lies like a map in my brain. A deuced pretty country too; but the people were a stupid set of old Whigs and Tories. I suppose they are much as they were."
¢¹ "Àå¼Ò¿Í »ç¶÷µé, ±×µéÀÌ ¾î¶»°Ô »ý°å´ÂÁö, ±×¸®°í ±×µé·Î ¹«¾ùÀ» ÇÒ ¼ö ÀÖ´ÂÁö Àý´ë ÀØÁö ¸¶¼¼¿ä. ÀÌ ÁÖº¯ÀÇ ¸ðµç ³ª¶ó°¡ ³» ¸Ó¸´¼Ó¿¡ ÁöµµÃ³·³ ³õ¿© ÀÖ½À´Ï´Ù. ¼ÓÀº ¿¹»Û ³ª¶óµµ ¸¶Âù°¡ÁöÀÔ´Ï´Ù. ÇÏÁö¸¸ »ç¶÷µéÀº ´ÄÀº ÈÖ±×´ç°ú Å丮´çÀÇ ¾î¸®¼®Àº Áý´ÜÀ̾ú½À´Ï´Ù. ³ª´Â ±×µéÀÌ ¿¹Àü°ú °°´Ù°í »ý°¢ÇÕ´Ï´Ù."
¢º "I am, at least, Harold. You are the first of your family that ever talked of being a Radical. I did not think I was taking care of our old oaks for that. I always thought Radicals' houses stood staring above poor sticks of young trees and iron hurdles."
¢¹ "Àú´Â, Àû¾îµµ, Çì·ÑµåÀÔ´Ï´Ù. ´ç½ÅÀº ´ç½ÅÀÇ °¡Á· Áß ±ÞÁøÁÖÀÇÀÚ¶ó°í ¸»ÇÑ Ã¹ ¹ø° »ç¶÷ÀÔ´Ï´Ù. ³ª´Â ±×°Í ¶§¹®¿¡ ³»°¡ ¿ì¸®ÀÇ ¿À·¡µÈ ¶±°¥³ª¹«¸¦ µ¹º¸°í ÀÖ´Ù°í »ý°¢ÇÏÁö ¾Ê¾Ò½À´Ï´Ù. Àú´Â Ç×»ó ±ÞÁøÁÖÀÇÀÚµéÀÇ ÁýÀÌ ºÒ½ÖÇÑ ¾î¸° ³ª¹«¿Í öÁ¦ Àå¾Ö¹° À§¿¡ ¼ ÀÖ´Ù°í »ý°¢Çß½À´Ï´Ù."
¢º ¾î¸Ó´Ï¿Í ÇÔ²² ³«ÇâÇÑ Æ縯½º ȦƮ(Felix Holt)´Â ½ºÇÁ·Ï½ºÅÏ(Sproxton) ±¤ºÎµé¿¡°Ô ±ÞÁøÆÄ°¡ ¸ÆÁÖ¸¦ ´ëÁ¢ÇÏ´Â Àå¸éÀ» ¸ñ°ÝÇÏ°í, Æ®·¹ºñ ¸¶±×³ª¿¡¼ ¿½ÉÈ÷ ¼±°Å ¿îµ¿ ÁßÀÎ Çì·²µå Æ®¶õ½æ¿¡°Ô Ç×ÀÇÇϴµ¥¡¦¡¦. À̸¦ Àº±ÙÈ÷ ¹æÁ¶ÇÏ°í ÀÖ´Â ¸ÅÆ© Àú¹Î(Matthew Jermyn)Àº ¼±°Å ¿îµ¿À» ³õ°í Æ®¶õ½æ°ú Ãæµ¹ÇÕ´Ï´Ù.
¢º "A lawyer may well envy your command of language, Mr. Holt," said Jermyn, pocketing his bills again, and shutting up his pencil; "but he would not be satisfied with the accuracy?a?of your terms. You must permit me to check your use of the word 'bribery.' The essence of bribery is, that it should be legally proved; there is not such a thing?a?in rerum natura?a?as unproved bribery. There has been no such thing as bribery at Sproxton, I'll answer for it. The presence of a body of stalwart fellows on?a?the Liberal side will tend to preserve order; for we know that the benefit clubs from the Pitchley district will show for Debarry. Indeed, the gentleman who has conducted the canvass at Sproxton is experienced in Parliamentary affairs, and would not exceed?a?the necessary measures that a rational judgment would dictate.¡°
¢¹ "º¯È£»ç´Â ´ç½ÅÀÇ ¾ð¾î ±¸»ç·ÂÀ» ºÎ·¯¿öÇÒ ¼ö ÀÖ½À´Ï´Ù, ȦƮ ¾¾." Àú¹ÎÀÌ ´Ù½Ã û±¸¼¸¦ ÁÖ¸Ó´Ï¿¡ ³Ö°í ¿¬ÇÊÀ» ´ÝÀ¸¸ç ¸»Çß½À´Ï´Ù. "ÇÏÁö¸¸ ±×´Â ´ç½ÅÀÇ ¿ë¾îÀÇ Á¤È®¼º¿¡ ¸¸Á·ÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ´ç½ÅÀº '³ú¹°'À̶ó´Â ´Ü¾î¸¦ »ç¿ëÇÏ´Â °ÍÀ» Á¦°¡ È®ÀÎÇϵµ·Ï Çã¶ôÇØ¾ß ÇÕ´Ï´Ù. ³ú¹°ÁËÀÇ º»ÁúÀº ¹ýÀûÀ¸·Î ÀÔÁõµÇ¾î¾ß ÇÑ´Ù´Â °ÍÀÔ´Ï´Ù. ÀÔÁõµÇÁö ¾ÊÀº ³ú¹°ÁË¿Í °°Àº °ÍÀº ¾ø½À´Ï´Ù. ½ºÇÁ·Ï½ºÅÏ¿¡¼ ³ú¹° ¼ö¼ö´Â ¾ø¾ú½À´Ï´Ù. Á¦°¡ Ã¥ÀÓÁö°Ú½À´Ï´Ù. ÀÚÀ¯´ç ÃøÀº Áú¼¸¦ À¯ÁöÇÏ´Â °æÇâÀÌ ÀÖÀ» °ÍÀÔ´Ï´Ù. ÇÇÄ¡¸® Áö¿ªÀÇ ÀÚ¼± Ŭ·´ÀÌ µ¥¹Ù¸®¸¦ À§ÇØ ³ªÅ¸³¯ °ÍÀ̶ó´Â °ÍÀ» ¾Ë°í Àֱ⠶§¹®ÀÔ´Ï´Ù. ½ÇÁ¦·Î, ½ºÇÁ·Ï½ºÅÏ¿¡¼ À¯¼¼¸¦ ÁøÇàÇÑ ½Å»ç´Â ÀÇȸ ¾÷¹«¿¡ °æÇèÀÌ ÀÖÀ¸¸ç, ÇÕ¸®ÀûÀÎ ÆÇ´ÜÀÌ Áö½ÃÇÏ´Â ÇÊ¿äÇÑ Á¶Ä¡¸¦ ÃÊ°úÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù."
¢º ÀÛÀº ¸¶À» Æ®·¹ºñ ¸¶±×³ª¿¡¼ ¼±°ÅÀÏ ±¤ºÎµéÀº ¼ú¿¡ ÃëÇØ Æøµ¿À» ÀÏÀ¸Åµ´Ï´Ù!! ¾î󱸴Ͼø°Ôµµ Æøµ¿À» ¸·À¸·Á´Â Æ縯½º ȦƮ´Â °æÂû°ü »ìÇØÀÇ ÇøÀÇ·Î ±â¼ÒµÇ°í, Çì·²µå Æ®¶õ½æ ¶ÇÇÑ °á±¹ µå¹è¸® ¸ñ»ç(Rev. Augustus Debarry)¿¡°Ô ÆйèÇÏ°í¾ß ¸»ÁÒ.
¢º ±×·¯³ª À̾߱â´Â ³¡³ªÁö ¾Ê½À´Ï´Ù. Çì·²µå Æ®¶õ½æÀÇ Àç»ê °ü¸®ÀÎ Àú¹Î(Jermyn)ÀÇ È¾·É, ±×ÀÇ ºÎµ¿»êÀÇ ±Ç¸®¸¦ °¡Áø ¿¡½º´õ ¸®¿Â(Esther Lyon), Çì·²µå Æ®¶õ½æÀÇ ¾ÆÀÌ·Î ¹àÇôÁø Àú¹Î(Jermyn), Æ縯½º ȦƮÀÇ Ã»È¥±îÁö¡¦¡¦. ¿ª½Ã³ª 19¼¼±â ¿µ±¹¿¡¼µµ Ãâ»ýÀÇ ºñ¹Ð°ú °áÈ¥Àº ¼Ò¼³¿¡¼ »©³õÀ» ¼ö ¾ø´Â ¶±¹äÀ̾ú³ª º¾´Ï´Ù. °ú¿¬ Æ®·¹ºñ ¸¶±×³ª´Â Æò¿ÂÇÑ ÀÏ»óÀ» µÇãÀ» ¼ö ÀÖÀ»±î¿ä?
¢º In the ages since Adam's marriage, it has been good for some men to be alone, and for some women also. But Esther was not one of these women: she was intensely of the feminine type, verging neither toward the saint nor the angel. She was "a fair divided excellence, whose fullness of perfection" must be in marriage. And, like all youthful creatures, she felt as if the present conditions of choice were final. It belonged to the freshness of her heart that, having had her emotions strongly stirred by real objects, she never speculated on possible relations yet to come. It seemed to her that she stood at the first and last parting of the ways. And, in one sense she was under no illusion. It is only in that freshness of our time that the choice is possible which gives unity to life, and makes the memory a temple where all relics and all votive offerings, all worship and all grateful joy, are an unbroken history sanctified by one religion.
¢¹ ¾Æ´ãÀÌ °áÈ¥ÇÑ ÀÌÈÄ·Î, ¾î¶² ³²ÀÚµéÀº È¥ÀÚ ÀÖ´Â °ÍÀÌ ÁÁ¾Ò°í, ¾î¶² ¿©ÀÚµéÀº È¥ÀÚ ÀÖ´Â °Íµµ ÁÁ¾Ò½À´Ï´Ù. ±×·¯³ª ¿¡½º´õ´Â ÀÌ ¿©ÀÚµé °¡¿îµ¥ ÇÑ »ç¶÷ÀÌ ¾Æ´Ï¾ú½À´Ï´Ù. ¿¡½º´õ´Â ¼ºÀÚ³ª õ»ç¿¡°Ô °¡±îÀÌ °¡Áö ¾Ê°í, ¸Å¿ì ¿©¼ºÀûÀΠŸÀÔÀ̾ú½À´Ï´Ù. ±×³à´Â "¿Ïº®ÇÔÀÇ Ã游ÇÔÀÌ °áÈ¥¿¡ ÀÖÀ½¿¡ Ʋ¸²¾ø´Â °øÆòÇÏ°Ô ºÐÇÒµÈ ¿ì¼öÇÑ »ç¶÷"À̾ú½À´Ï´Ù. ±×¸®°í ¸ðµç ÀþÀº »ý¸íüµéó·³, ±×³à´Â ¼±ÅÃÀÇ ÇöÀç Á¶°ÇÀÌ ÃÖÁ¾ÀûÀÎ °Íó·³ ´À²¼½À´Ï´Ù. ½ÇÁ¦ »ç¹°¿¡ ÀÇÇØ °¨Á¤ÀÌ °ÇÏ°Ô µ¿¿äµÈ ±×³à´Â ¾ÆÁ÷ ¹Ì·¡ÀÇ °¡´ÉÇÑ °ü°è¿¡ ´ëÇØ ÀüÇô ÃßÃøÇÏÁö ¾Ê¾Ò´ø ±×³àÀÇ ¸¶À½ÀÇ ½Å¼±ÇÔ¿¡ ¼ÓÇß½À´Ï´Ù. ±×³à¿¡°Ô´Â ±×³à°¡ óÀ½ÀÌÀÚ ¸¶Áö¸· À̺°¿¡ ¼ ÀÖ´Â °Íó·³ º¸¿´½À´Ï´Ù. ±×¸®°í ¾î¶² Àǹ̿¡¼ ±×³à´Â Âø°¢¿¡ ºüÁ® ÀÖÁö ¾Ê¾Ò½À´Ï´Ù. ¿ì¸® ½Ã´ëÀÇ ½Å¼±ÇÔ ¼Ó¿¡¼ »î¿¡ ÅëÀϼºÀ» ºÎ¿©ÇÏ´Â ¼±ÅÃÀÌ °¡´ÉÇÏ°í, ±â¾ïÀ» ¸ðµç À¯¹°°ú ¸ðµç ºÀÇå¹°, ¸ðµç ¿¹¹è¿Í °¨»çÇÑ ±â»ÝÀÌ ÇÑ Á¾±³¿¡ ÀÇÇØ ½Å¼ºÈµÈ ²÷¾îÁöÁö ¾Ê´Â ¿ª»ç°¡ µÇ´Â ¼ºÀüÀ¸·Î ¸¸µå´Â °ÍÀÔ´Ï´Ù.
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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
Introduction.
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX.
Chapter X.
Chapter XI.
Chapter XII.
Chapter XIII.
Chapter XIV.
Chapter XV.
Chapter XVI.
Chapter XVII.
Chapter XVIII.
Chapter XIX.
Chapter XX.
Chapter XXI.
Chapter XXII.
Chapter XXIII.
Chapter XXIV.
Chapter XXV.
Chapter XXVI.
Chapter XXVII.
Chapter XXVIII.
Chapter XXIX.
Chapter XXX.
Chapter XXXI.
Chapter XXXII.
Chapter XXXIII.
Chapter XXXIV.
Chapter XXXV.
Chapter XXXVI.
Chapter XXXVII.
Chapter XXXVIII.
Chapter XXXIX.
Chapter XL.
Chapter XLI.
Chapter XLII.
Chapter XLIII.
Chapter XLIV.
Chapter XLV.
Chapter XLVI.
Chapter XLVII.
Chapter XLVIII.
Chapter XLIX.
Chapter L.
Chapter LI.
Epilogue.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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