¢º ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)Àº Á¶Áö ¿¤¸®¾ùÀÇ ¿ø¼÷ÇÑ 6¹ø° ¼Ò¼³ÀÌÀÚ ´ëÇ¥ÀÛÀÎ µ¿½Ã¿¡ ¿µ±¹¿¡¼µµ ¼Õ²ÅÈ÷´Â °ÉÀÛ(her best work and one of the great English novels)À¸·Î ÀÎÁ¤¹Þ´Â ÀÛÇ°ÀÔ´Ï´Ù. 1871³âºÎÅÍ 1872³â±îÁö Àª¸®¾ö ºí·¢¿ìµå ¾Ø ¼±(William Blackwood & Sons)¿¡¼ ¹«·Á ¿©´ü ±Ç(Book), 78 Àå(Prelude + 76 Chapter + Finale)ÀÇ ¹æ´ëÇÑ ºÐ·®À¸·Î Ãâ°£ÇÏ¿´½À´Ï´Ù. 19¼¼±â ¿µ±¹¿¡¼´Â ¼Ò¼³ÀÌ µ¶ÀÚµéÀÇ °ü½É»ç¿Í ÀûÀýÇÑ °¡°ÝÀ» °¨¾ÈÇØ ´ëü·Î 3±ÇÀ¸·Î Ãâ°£µÇ¾ú±â ¶§¹®¿¡ ÀÛ°¡ÀÇ ÀÔÀå¿¡¼µµ, ÃâÆÇ»çÀÇ ÀÔÀå¿¡¼µµ 8±ÇÀ̶õ ¸·´ëÇÑ ºÐ·®Àº ÀûÁö ¾ÊÀº ºÎ´ãÀ̾ú½À´Ï´Ù. Çö´ë¿¡´Â Á¶Áö ¿¤¸®¾ùÀÇ ´ëÇ¥ÀÛÀ¸·Î, ±×³àÀÇ ÀÛÇ° Áß °¡Àå ¸¹ÀÌ ¹ø¿ªµÇ¾ú°í, °¡Àå ½±°Ô ±¸¸ÅÇÒ ¼ö ÀÖ´Â ÀÛÇ°À̱⵵ ÇÏÁö¸¸, µ¿½Ã¿¡ ¾ÐµµÀûÀÎ ºÐ·®À¸·Î ÀÎÇÏ¿© Á¶Áö ¿¤¸®¾ù ÀÔ¹®ÀÚÀÇ °¡Àå Å« À庮À̱⵵ ÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¢º ¹Ìµé¸¶Ä¡(Middlemarch)´Â ¿©ÁÖÀΰø À̸§ÀÌ ¾Æ´Ï¶ó, ºÎÁ¦ ½Ã°ñ »ýÈ°ÀÇ ¿¬±¸(A Study of Provincial Life)¿¡¼ ÁüÀÛÇÒ ¼ö ÀÖµí ¿µ±¹ ¾îµò°¡¿¡ À§Ä¡ÇÑ °¡»óÀÇ ³óÃÌ ¸¶À»À» ¶æÇÏ´Â Áö¸íÀÔ´Ï´Ù. 1829³âºÎÅÍ 1832³â »çÀÌ, ¿µ±¹ÀÇ ½Ã°ñ¸¶À» ¹Ìµé¸¶Ä¡(Middlemarch)¸¦ ¹è°æÀ¸·Î, ¿©¼¸ ¸íÀÇ ³²³à ? 19¼¼ °í¾Æ ¼Ò³à µµ·Î½Ã¾Æ ºê·è(Dorothea Brooke)°ú ¸ñ»ç ¿¡µå¿öµå ij¼Òº»(Edward Casaubon), ÀÇ»ç Å׸£Æ¼¿ì½º ¸®µå°ÔÀÌÆ®(Tertius Lydgate)¿Í ¸¶À» ½ÃÀåÀÇ ¾Æµé ·ÎÀú¸Õµå ºóÄ¡(Rosamond Vincy), ±×¸®°í °£È£»ç ¸Þ¸® °¡¾²(Mary Garth)¿Í ¸¶À» ½ÃÀåÀÇ ¾Æµé ÇÁ·¹µå ºóÄ¡(Fred Vincy) µî ¿©·¯ ±º»óÀÌ µîÀåÇÕ´Ï´Ù.
¢º Her finely touched spirit had still its fine issues, though they were not widely visible. Her full nature, like that river of which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
¢¹ ±×³àÀÇ ¼¶¼¼ÇÏ°Ô °¨µ¿À» ¹ÞÀº Á¤½Å¿¡´Â ¾ÆÁ÷ ´«¿¡ Àß ¶çÁö ¾Ê´Â ¹Ì¼¼ÇÑ ¹®Á¦°¡ ÀÖ¾ú½À´Ï´Ù. ±×³àÀÇ ¿ÂÀüÇÑ ¼ºÇ°Àº °í·¹½º°¡ ±× ÈûÀ» ²ªÀº ±× °°ú °°ÀÌ Áö»ó¿¡ Å« À̸§ÀÌ ¾ø´Â ¼ö·Î¿¡¼ ½Ã°£À» º¸³Â½À´Ï´Ù. ±×·¯³ª ±×³àÀÇ Á¸Àç°¡ ÁÖº¯ »ç¶÷µé¿¡°Ô ¹ÌÄ¡´Â ¿µÇâÀº Çì¾Æ¸± ¼ö ¾øÀ» Á¤µµ·Î È®»êµÇ¾ú½À´Ï´Ù. ´ç½Å°ú ³»°¡ ±×·¨´ø °Í¸¸Å ºÒÇàÇÏÁö ¾ÊÀº °ÍÀº Ãæ½ÇÇÏ°Ô ¼ûÀº »îÀ» »ì¾Ò°í ¹æ¹®ÇÏÁö ¾ÊÀº ¹«´ý¿¡¼ ¾È½ÄÀ» ÃëÇÑ »ç¶÷µéÀÇ Àý¹Ý ¶§¹®ÀÔ´Ï´Ù.
¢º ±×µéÀÌ ¼·Î ¸¸³ª »ç¶ûÇÏ°í, ½Î¿ì´Â »ç¶û À̾߱⸦ Áß½ÉÀ¸·Î ´ç´ë ¿µ±¹ÀÇ Á¦1Â÷ ¼±°Å¹ý °³Á¤¾È(The First Reform Bill), öµµÀÇ Ãʱ⠺μ³(early railways), Àª¸®¾ö 4¼¼ÀÇ ÁïÀ§(the accession of King William IV) µî°ú °°Àº ¿ª»çÀûÀÎ »ç°Ç°ú Á¾±³¿Í À§¼±, À¯»ê »ó¼ÓÀ» µÑ·¯½Ñ °¥µî, ¿©¼º ¹®Á¦ µî Æò¹üÇÑ ¼Ò½Ã¹ÎµéÀÇ »îÀ» ¶§·Ð dzÀÚÀûÀ¸·Î, ¶§·Ð Àû³ª¶óÇÏ°Ô ±×·Á³Â½À´Ï´Ù.
¢º ÀÛÇ°¿¡¼ °¡Àå ´«¿©°ÜºÁ¾ßÇÒ Ä³¸¯ÅÍ´Â ÀÇ¹Ì ÀÖ´Â »îÀ» °¥¸ÁÇÏ°í ¼¼»óÀ» º¯È½ÃÅ°°í ½Í¾î ÇÏ´Â ÁöÀûÀÌ°í ÀÌ»óÁÖÀÇÀûÀÎ ÀþÀº ¿©¼º µµ·Î½Ã¾Æ ºê·è(Dorothea Brooke)ÀÔ´Ï´Ù. ±×³à´Â ÇнÄÀ» °®ÃèÀ¸³ª Àڽź¸´Ù ³ªÀÌ°¡ ¸¹Àº ¿¡µå¿öµå ij¼Òº»(Edward Casaubon)°ú °áÈ¥Çϱ⸦ ¹Ù¶óÁö¸¸, ±×³à´Â °ð ±ú´Ý°Ô µË´Ï´Ù. ±×¿ÍÀÇ °áÈ¥Àº ±×³à°¡ »ó»óÇÏ´ø »ç¶û°ú ¿¬¾Ö¿Í´Â ÀüÇô ¹«°üÇÑ ±æÀ̶ó´Â °ÍÀ»¡¦¡¦.
¢º MY DEAR MR. CASAUBON,?I am very grateful to you for loving me, and thinking me worthy to be your wife. I can look forward to no better happiness than that which would be one with yours. If I said more, it would only be the same thing written out at greater length, for I cannot now dwell on any other thought than that I may be through life. Yours devotedly, DOROTHEA BROOKE.
¢¹ Ä£¾ÖÇÏ´Â Ä«¼Òº» ¾¾,?Àú¸¦ »ç¶ûÇØÁֽðí, Á¦°¡ ´ç½ÅÀÇ ¾Æ³»°¡ µÉ ÀÚ°ÝÀÌ ÀÖ´Ù°í »ý°¢ÇØÁּż °¨»çÇÕ´Ï´Ù. Àú´Â ´ç½Å°ú ÇÔ²²ÇÏ´Â Çູº¸´Ù ´õ ÁÁÀº ÇູÀ» ±â´ëÇÒ ¼ö ¾ø½À´Ï´Ù. ³»°¡ ´õ ¸¹ÀÌ ¸»ÇÑ´Ù¸é, ±×°ÍÀº ´ÜÁö ´õ ±æ°Ô ¾²ÀÎ °°Àº °ÍÀÏ »ÓÀÔ´Ï´Ù. ¿Ö³ÄÇÏ¸é ³ª´Â ÀÌÁ¦ ³»°¡ »îÀ» ÅëÇØ ÀÖÀ»Áöµµ ¸ð¸¥´Ù´Â °Í ÀÌ¿ÜÀÇ ´Ù¸¥ »ý°¢¿¡ ¿¬¿¬ÇÒ ¼ö ¾ø±â ¶§¹®ÀÔ´Ï´Ù. ´ç½ÅÀÇ Çå½ÅÀûÀÎ µµ·ÎÅ×¾Æ ºê·è.
¢º Àþ°í ¾ß½ÉÂù ÀÇ»ç Å׸£Æ¼¿ì½º ¸®µå°ÔÀÌÆ®(Tertius Lydgate)´Â Áøº¸ÀûÀÎ ¾ÆÀ̵ð¾î¿Í ÀÇ·á °³ÇõÀÇ ²ÞÀ» °¡Áö°í ¹Ìµé¸¶Ä¡¿¡ µµÂøÇÕ´Ï´Ù. ºÎÀ¯ÇÑ ¸¶À» ½ÃÀåÀÇ µþ ·Î»ç¸óµå ºóÄ¡(Rosamond Vincy)´Â Çнİú Àç»êÀ» °®Ãá ±×¸¦ ÅëÇØ Àڽſ¡ ´ëÇÑ ³·Àº Æò°¡¸¦ ±Øº¹ÇÏ°íÀÚ Çϴµ¥¡¦¡¦. ÀçÁ¤Àû ¾î·Á¿ò¿¡ ºüÁø ¸®µå°ÔÀÌÆ®ÀÇ °ç¿¡¼ ·Î»ç¸óµå´Â ÀÚ½ÅÀÇ Ç㿵½É°ú »çȸÀû ÁöÀ§¿¡ ´ëÇÑ °¥±¸¸¦ ä¿ï ¼ö ¾ø¾ú½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í, ÀÇÇÐÀÇ ±æÀ» °È°íÀÚ ÇÏ´Â ¸®µå°ÔÀÌÆ®¿Í ·Î»ç¸óµå´Â °ú¿¬ ÈÇÕÇÒ ¼ö ÀÖÀ»±î¿ä?
¢º ¡°Still,¡± said Rosamond, ¡°I do not think it is a nice profession, dear.¡± We know that she had much quiet perseverance in her opinion. ¡°It is the grandest profession in the world, Rosamond,¡± said Lydgate, gravely. ¡°And to say that you love me without loving the medical man in me, is the same sort of thing as to say that you like eating a peach but don¡¯t like its flavor. Don¡¯t say that again, dear, it pains me.¡±
¢¹ "±×·¡µµ," ·Î»ç¸óµå°¡ ¸»Çß½À´Ï´Ù. "ÀÚ±â¾ß, ³ª´Â ±×°ÍÀÌ ÁÁÀº Á÷¾÷À̶ó°í »ý°¢ÇÏÁö ¾Ê¾Æ¿ä." ¿ì¸®´Â ±×³à°¡ ±×³àÀÇ ÀÇ°ß¿¡ ¸¹Àº Á¶¿ëÇÑ Àγ»½ÉÀ» °¡Áö°í ÀÖ¾ú´Ù´Â °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù. ¸®µå°ÔÀÌÆ®´Â "¼¼»ó¿¡¼ °¡Àå À§´ëÇÑ Á÷¾÷À̾ß, ·Î»ç¸óµå."¶ó°í ¾ö¼÷ÇÏ°Ô ¸»Çß½À´Ï´Ù. "±×¸®°í ´ç½ÅÀÌ ³» ¾È¿¡ ÀÖ´Â Àǻ縦 »ç¶ûÇÏÁö ¾Ê°í ³ª¸¦ »ç¶ûÇÑ´Ù°í ¸»ÇÏ´Â °ÍÀº º¹¼þ¾Æ¸¦ ¸Ô´Â °ÍÀº ÁÁ¾ÆÇÏÁö¸¸ º¹¼þ¾ÆÀÇ ¸ÀÀ» ÁÁ¾ÆÇÏÁö ¾Ê´Â´Ù´Â °Í°ú °°Àº Á¾·ùÀÇ ¸»À̾ß. ´Ù½Ã´Â ±×·± ¸» ÇÏÁö ¸¶, ·Î»ç¸óµå, ±×°Ô ³ª¸¦ ±«·ÓÇô."
¢º ¹ø¿ÜÀûÀ¸·Î 1863³â Àª¸®¾ö ¸ÞÀÌÅ©Çǽº »õÄ¿¸®(William Makepeace Thackeray, 1811~1863), 1870³â Âû½º µðŲ½º(Charles John Huffam Dickens, 1812~1870)°¡ »ç¸ÁÇϸé¼, ±×³à°¡ ¹Ìµé¸¶Ä¡ 1871À» Ãâ°£ÇÒ ´ç½Ã "°¡Àå À§´ëÇÑ »ýÁ¸ÇÑ ¿µ±¹ ¼Ò¼³°¡(The greatest living English novelist)"·Î ±â·ÏµÇ¾ú½À´Ï´Ù.
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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡¥± 1871(Middlemarch by George Eliot)
¢¹ BOOK V. THE DEAD HAND.
Chapter XLIII.
Chapter XLIV.
Chapter XLV.
Chapter XLVI.
Chapter XLVII.
Chapter XLVIII.
Chapter XLIX.
Chapter L.
Chapter LI.
Chapter LII.
Chapter LIII.
¢¹ BOOK VI. THE WIDOW AND THE WIFE.
Chapter LIV.
Chapter LV.
Chapter LVI.
Chapter LVII.
Chapter LVIII.
Chapter LIX.
Chapter LX.
Chapter LXI.
Chapter LXII.
¢¹ BOOK VII. TWO TEMPTATIONS.
Chapter LXIII.
Chapter LXIV.
Chapter LXV.
Chapter LXVI.
Chapter LXVII.
Chapter LXVIII.
Chapter LXIX.
Chapter LXX.
Chapter LXXI.
¢¹ BOOK VIII. SUNSET AND SUNRISE.
Chapter LXXII.
Chapter LXXIII.
Chapter LXXIV.
Chapter LXXV.
Chapter LXXVI.
Chapter LXXVII.
Chapter LXXVIII.
Chapter LXXIX.
Chapter LXXX.
Chapter LXXXI.
Chapter LXXXII.
Chapter LXXXIII.
Chapter LXXXIV.
Chapter LXXXV.
Chapter LXXXVI.
¢¹ FINALE.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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