¢º Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)´Â ¡®Á¶Áö ¿¤¸®¾ù »ýÀü¿¡ ¹ßÇ¥ÇÑ ¸¶Áö¸· ÀÛÇ°¡¯ÀÔ´Ï´Ù. Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡(Theophrastus Such)¶õ À̸§ÀÇ ³ª·¹ÀÌÅÍ°¡ µîÀåÇØ 18ÆíÀÇ ¿ø°í¸¦ ¹®ÇÐ ¿¡¼¼ÀÌÀÇ Çü½ÄÀ¸·Î ¹Àº ÀÛÇ°À¸·Î Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÀüÀûÀÎ ¸ñ¼Ò¸®¿Í »çȸ ºñÆÇÀûÀΠdzÀÚ¸¦ ±¸¼®±¸¼® Áñ±æ ¼ö ÀÖ´Â ½ÇÇèÀûÀÎ ÀÛÇ°ÀÔ´Ï´Ù. ±×³àÀÇ ´ëºÎºÐÀÇ ÀÛÇ°À» Ãâ°£ÇÑ Àª¸®¾ö ºí·¢¿ìµå ¾Ø ¼±(William Blackwood & Sons)¿¡¼ 1879³â Ãâ°£ÇÏ¿´½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¢º 1879³âÀº ½ÇÁúÀûÀÎ ³²ÆíÀÌ¿´´ø Á¶Áö Ç ·çÀ̽º(George Henry Lewes, 1817~1878)°¡ »ç¸ÁÇÑ Á÷ÈÄ¿´±â ¶§¹®¿¡ Á¶Áö ¿¤¸®¾ùÀº ÀÛÇ°À» ÁýÇÊÇϱ⿡ ½â ÁÁÀº »óȲÀº ¾Æ´Ï¾ú½À´Ï´Ù. ÀÛ°¡ ½º½º·Îµµ ÀÛ°¡·Î½áÀÇ »îÀ» ÇÔ²² ÇÑ µ¿¹ÝÀÚ¸¦ ÀÒÀº ½½ÇÄ¿¡¼ ÀÚÀ¯·ÓÁö ¾Ê¾Ò°í, µ¶ÀÚ¿Í Æò·Ð°¡µé ¶ÇÇÑ Â÷±âÀÛ¿¡ ´ëÇØ ±â´ë°¡ ³ôÁö ¾ÊÀº »óȲÀÌ¿´½À´Ï´Ù.
¢º III. ¿¬±¸¸¦ Àå·ÁÇÏ´Â ¹æ¹ý(III. How We Encourage Research) : ÀÛ°¡´Â ³í¶õÀÇ ¿©Áö°¡ ÀÖ´Â ¿¬±¸¿¡ Âü¿©ÇÑ °á°ú¿Í ±×°ÍÀÌ ¸Ó¸Õ(Merman)À̶ó´Â °³Àο¡°Ô ¹ÌÄ¡´Â ¿µÇâ¿¡ ´ëÇØ À̾߱âÇÕ´Ï´Ù. ´Ù¾çÇÑ °ü½É»ç¸¦ °¡Áø Àü´ÞÀÚÀÎ ¸Ó¸ÕÀº °í´ë ¹®¸í°ú °ü·ÃµÈ »õ·Î¿î ¾ÆÀ̵ð¾î¿¡ ÁýÂøÇÏ°Ô µË´Ï´Ù. ±×ÀÇ ¿Á¤Àº ±×·¥Çª½º(Grampus)¶ó´Â Àú¸íÇÑ ÇÐÀÚÀÇ À̷п¡ ÀÌÀǸ¦ Á¦±âÇϴ åÀ» ÃâÆÇÇÏ´Â µ¥±îÁö À̾îÁöÁö¸¸, ¸Ó¸ÕÀÇ ¿¬±¸´Â Ȥµ¶ÇÑ ºñÆÇ°ú Á¶·Õ¿¡ Á÷¸éÇÏ°Ô µÇ°í, ±×´Â ÀÚ½ÅÀÇ »ý°¢À» ¿ËÈ£ÇÏ´Â µ¥ ¸ðµç ½Ã°£°ú ¿¡³ÊÁö¸¦ ½ñ°Ô µÇ´Âµ¥¡¦¡¦. ³í¶õÀÇ ¿©Áö°¡ ÀÖ´Â ¿¬±¸¸¦ Ãß±¸ÇÒ ¶§ °³ÀÎÀÌ Á÷¸éÇÒ ¼ö ÀÖ´Â µµÀü°ú Èñ»ý, ±×¸®°í ±×·Î ÀÎÇÑ °³ÀÎÀû ÇÇÇØ¿¡ ´ëÇÑ Á¶Áö ¿¤¸®¾ùÀÇ Ç³ÀÚ ±ÛÀÔ´Ï´Ù.
¢º III. HOW WE ENCOURAGE RESEARCH. The serene and beneficent goddess Truth, like other deities whose disposition has been too hastily inferred from that of the men who have invoked them, can hardly be well pleased with much of the worship paid to her even in this milder age, when the stake and the rack have ceased to form part of her ritual. Some cruelties still pass for service done in her honour: no thumb-screw is used, no iron boot, no scorching of flesh; but plenty of controversial bruising, laceration, and even lifelong maiming. Less than formerly; but so long as this sort of truth-worship has the sanction of a public that can often understand nothing in a controversy except personal sarcasm or slanderous ridicule, it is likely to continue. The sufferings of its victims are often as little regarded as those of the sacrificial pig offered in old time, with what we now regard as a sad miscalculation of effects.
¢¹ III. ¿¬±¸¸¦ Àå·ÁÇÏ´Â ¹æ¹ý. °í¿äÇÏ°í ÀÚºñ·Î¿î Áø¸®ÀÇ ¿©½Å Áø¸®´Â ±×µéÀ» ºÒ·¯³½ »ç¶÷µéÀÇ ¼ºÇ°¿¡¼ ³Ê¹« ¼º±ÞÇÏ°Ô Ãß·ÐµÈ ´Ù¸¥ ½Åµé°ú ¸¶Âù°¡Áö·Î ÀÌ ¿Â°ÇÇÑ ½Ã´ë¿¡µµ ±×³à¿¡°Ô ¹ÙÃÄÁø ¸¹Àº ¼þ¹è¿¡ °ÅÀÇ ¸¸Á·ÇÒ ¼ö ¾ø½À´Ï´Ù. ·¢Àº ±×³àÀÇ ÀǽÄÀÇ ÀϺθ¦ Çü¼ºÇÏ´Â °ÍÀ» Áß´ÜÇß½À´Ï´Ù. ÀϺΠÀÜÀÎÇÑ ÇàÀ§´Â ¿©ÀüÈ÷ ±×³à¸¦ ±â¸®±â À§ÇØ ÇàÇØÁö´Â ºÀ»ç·Î ÅëÇÕ´Ï´Ù. ±×·¯³ª ³í¶õÀÇ ¿©Áö°¡ ¸¹Àº Ÿ¹Ú»ó, ¿»ó, ½ÉÁö¾î Æò»ý µ¿¾ÈÀÇ ºÎ»ó. ÀÌÀüº¸´Ù Àû½À´Ï´Ù. ±×·¯³ª ÀÌ·± Á¾·ùÀÇ Áø¸® ¼þ¹è°¡ °³ÀÎÀûÀÎ ºóÁ¤°Å¸²À̳ª ºñ¹æÀûÀÎ Á¶·Õ ¿Ü¿¡´Â ³íÀï¿¡¼ Á¾Á¾ ¾Æ¹«°Íµµ ÀÌÇØÇÒ ¼ö ¾ø´Â ´ëÁßÀÇ Á¦À縦 ¹Þ´Â ÇÑ ±×°ÍÀº °è¼ÓµÉ °Í °°½À´Ï´Ù. Èñ»ý¾çÀÇ °íÅëÀº Á¾Á¾ ¿¾³¯¿¡ ¹ÙÃÄÁø Èñ»ý µÅÁöÀÇ °íÅ븸Š´ë¼ö·ÓÁö ¾Ê°Ô ¿©°ÜÁö¸ç, Áö±Ý ¿ì¸®´Â ±× °á°ú¸¦ ½½ÇÁ°Ô À߸ø °è»êÇÑ °ÍÀ¸·Î °£ÁÖÇÕ´Ï´Ù.
¢º Á¦18Àå. Çö´ëÀÇ HEP! HEP! HEP!(XVIII. The Modern Hep! Hep! Hep!)¿¡ µîÀåÇÏ´Â HEP! HEP!Àº À¯´ëÀο¡ ´ëÇÑ µ¶ÀÏÀÎÀÇ ±¸È£·Î °æ¸êÀûÀÎ Àǹ̸¦ ´ã°í ÀÖ½À´Ï´Ù. µ¶ÀÏ¿¡¼ À¯·¡ÇÏ¿´À¸³ª °ð À¯·´ °¢ÁöÀÇ ¹ÝÀ¯´ëÁÖÀÇ ½ÃÀ§´ëÀÇ ±¸È£·Î È®»êµÈ ¿ë¾î·Î ´ç´ë À¯·´ÀÎÀÇ À¯´ëÀο¡ ´ëÇÑ Áõ¿À½ÉÀ» ´ëÇ¥Çϴ ǥÇöÀ̱⵵ ÇÕ´Ï´Ù. ¢º Á¶Áö ¿¤¸®¾ùÀÇ ÀüÀÛ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)¿¡¼ Áß¿äÇÑ ¼ÒÀç·Î Á¦½ÃÇÑ ¹Ù ÀÖ´Â À¯´ëÀΰú À¯´ëÁÖÀÇ¿¡ ´ëÇÑ ÀÛ°¡ÀÇ »ç»óÀû ¹è°æÀ» ÀÌÇØÇÒ ¼ö ÀÖ´Â ÀåÀÔ´Ï´Ù.
¢º XVIII. THE MODERN HEP! HEP! HEP! To discern likeness amidst diversity, it is well known, does not require so fine a mental edge as the discerning of diversity amidst general sameness. The primary rough classification depends on the prominent resemblances of things: the progress is towards finer and finer discrimination according to minute differences. Yet even at this stage of European culture one's attention is continually drawn to the prevalence of that grosser mental sloth which makes people dull to the most ordinary prompting of comparison?the bringing things together because of their likeness. The same motives, the same ideas, the same practices, are alternately admired and abhorred, lauded and denounced, according to their association with superficial differences, historical or actually social: even learned writers treating of great subjects often show an attitude of mind not greatly superior in its logic to that of the frivolous fine lady who is indignant at the frivolity of her maid.
¢¹ Á¦18Àå. Çö´ëÀÇ HEP! HEP! HEP! ´Ù¾ç¼º »çÀÌ¿¡¼ À¯»ç¼ºÀ» ½Äº°ÇÏ´Â °ÍÀº Àß ¾Ë·ÁÁ® ÀÖÁö¸¸, ÀϹÝÀûÀÎ µ¿Àϼº »çÀÌ¿¡¼ ´Ù¾ç¼ºÀ» ½Äº°ÇÏ´Â °Í¸¸Å ÈǸ¢ÇÑ Á¤½ÅÀû ¿ìÀ§°¡ ÇÊ¿äÇÏÁö ¾Ê½À´Ï´Ù. ÀÏÂ÷ÀûÀÎ ´ë·«ÀûÀÎ ºÐ·ù´Â »ç¹°ÀÇ µÎµå·¯Áø À¯»ç¼º¿¡ µû¶ó ´Þ¶óÁý´Ï´Ù. ÁøÇàÀº ¹Ì¼¼ÇÑ Â÷ÀÌ¿¡ µû¶ó Á¡Á¡ ´õ ¹Ì¼¼ÇÑ Â÷º°·Î ÇâÇÕ´Ï´Ù. ÇÏÁö¸¸ À¯·´ ¹®ÈÀÇ ÀÌ ´Ü°è¿¡¼µµ »ç¶÷µéÀÇ °ü½ÉÀº »ç¶÷µéÀ» °¡Àå Æò¹üÇÏ°Ô ºñ±³¸¦ Ã˱¸ÇÏ´Â °Í, Áï À¯»ç¼º ¶§¹®¿¡ »ç¹°À» Çϳª·Î ¸ðÀ¸´Â °Í¿¡ µÐ°¨ÇÏ°Ô ¸¸µå´Â ±× ¡±×·¯¿î Á¤½ÅÀû °ÔÀ¸¸§ÀÇ ¸¸¿¬¿¡ Áö¼ÓÀûÀ¸·Î ²ø¸³´Ï´Ù. µ¿ÀÏÇÑ µ¿±â, µ¿ÀÏÇÑ »ç»ó, µ¿ÀÏÇÑ °üÇàÀº ÇÇ»óÀûÀÎ Â÷ÀÌ¿ÍÀÇ ¿¬°ü¼º¿¡ µû¶ó Á¸°æ°ú Çø¿À, ĪÂù°ú ºñ³À» ¹ø°¥¾Æ ¹ÞÀ¸¸ç, ¿ª»çÀûÀ̰ųª ½ÇÁ¦·Î »çȸÀûÀÔ´Ï´Ù: ½ÉÁö¾î À§´ëÇÑ ÁÖÁ¦¸¦ ´Ù·ç´Â ÇÐ½Ä ÀÖ´Â ÀÛ°¡µéµµ Á¾Á¾ ÇϳàÀÇ °æ¹ÚÇÔ¿¡ ºÐ°³ÇÏ´Â °æ¹ÚÇÏ°í ÈǸ¢ÇÑ ¼÷³àÀÇ ³í¸®º¸´Ù Å©°Ô ¿ì¿ùÇÏÁö ¾ÊÀº ¸¶À½ÀÇ Åµµ¸¦ º¸ÀÔ´Ï´Ù.
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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
I. Looking Inward(³»¸éÀ» µé¿©´Ùº¸±â)
II. Looking Backward(µÚµ¹¾Æº¸±â)
III. How We Encourage Research(¿¬±¸¸¦ Àå·ÁÇÏ´Â ¹æ¹ý)
IV. A Man Surprised At His Originality(ÀÚ½ÅÀÇ µ¶Ã¢¼º¿¡ ³î¶õ ³²ÀÚ)
V. A Too Deferential Man(³Ê¹« °ø¼ÕÇÑ ³²ÀÚ)
VI. Only Temper(¼ºÁú¸¸)
VII. A Political Molecule(Á¤Ä¡ ºÐÀÚ)
VIII. The Watch-Dog Of Knowledge(Áö½ÄÀÇ °¨½Ã°ß)
IX. A Half-Breed(È¥Ç÷)
X. Debasing The Moral Currency(µµ´öÀû ÈÆóÀÇ °¡Ä¡ Ç϶ô)
XI. The Wasp Credited With The Honeycomb(µµ´öÀû ÅëÈÀÇ °¡Ä¡¸¦ ¶³¾î¶ß¸®±â)
XII. "So Young!¡°("³Ê¹« Àþ¾î¿ä!")
XIII. How We Come To Give Ourselves False Testimonials, And Believe In Them(¿ì¸®°¡ ¾î¶»°Ô ¿ì¸® Àڽſ¡°Ô °ÅÁþ Áõ¾ðÀ» ÇÏ°í ±×°ÍµéÀ» ¹Ï°Ô µÇ¾ú´Â°¡)
XIV. The Too Ready Writer(³Ê¹« ÁغñµÈ ÀÛ°¡)
XV. Diseases Of Small Authorship(¼Ò±Ô¸ð ÀúÀÚÀÇ Áúº´)
XVI. Moral Swindlers(µµ´öÀû »ç±â²Û)
XVII. Shadows Of The Coming Race(´Ù°¡¿À´Â ÀÎÁ¾ÀÇ ±×¸²ÀÚ)
XVIII. The Modern Hep! Hep! Hep!(Çö´ëÀÇ HEP! HEP! HEP!)
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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