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¢º ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)´Â ±×³àÀÇ »çÈÄ¿¡ ³²Æí Á¸ Å©·Î½º(John Walter Cross, 1840~1924)°¡ ±×³àÀÇ ÆíÁö¿Í ¹Ì¿Ï¼º ¿ø°í µîÀ» ¸ð¾Æ ±×³àÀÇ Ã¥ ´ëºÎºÐÀ» Ãâ°£ÇÑ Àª¸®¾ö ºí·¢¿ìµå ¾Ø ¼±(William Blackwood and Sons) ÃâÆǻ縦 ÅëÇØ ¹ßÇ¥ÇÑ ÀÛÇ°ÀÔ´Ï´Ù. Á¶Áö ¿¤¸®¾ùÀ» ´ëÇ¥ÇÏ´Â 7ÆíÀÇ ¼Ò¼³Àº ±×³à »ýÀü¿¡ ¸ðµÎ ¹ßÇ¥µÈ ¹Ù ÀÖ½À´Ï´Ù¸¸ Æò·Ð°¡ÀÌÀÚ ¹ø¿ª°¡, ¼Ò¼³°¡ Á¶Áö ¿¤¸®¾ùÀÇ ¡®°³ÀÎÀûÀÎ »î¡¯, ƯÈ÷ ¸»³âÀÇ ÈçÀûÀÌ ±Ã±ÝÇϽŠºÐµéÀ̶ó¸é »©³õÀ» ¼ö ¾ø´Â ÀÛÇ°À¸·Î, ¹«¾ùº¸´Ù Á¶Áö ¿¤¸®¾ùÀ» ¿¬±¸ÇÏ´Â ÇÐÀÚ¿Í ¿¬±¸ÀÚ¿¡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

¢º ÃÑ 3±ÇÀ¸·Î ÀÌ·ç¾îÁ® ÀÖÀ¸¸ç, Á¦1±Ç ¹«¸í(ÙíÙ£, Unknown), Á¦2±Ç À¯¸í(êóÙ£, Famous), Á¦3±Ç Àϸô(ìíÙÒ, Sunset)·Î ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. Á¦1±Ç Á¦1Àå ±×¸®ÇÁÀÇ »î(Chapter I. AUGUST, 1838, TO MARCH, 1841. Life at Griff)ºÎÅÍ Á¦3±Ç Á¦19Àå Å׿ÀÇÁ¶ó½ºÅ佺 ¼­Ä¡(Chapter XIX. January, 1879, to 22d December, 1880. "Theophrastus Such"?Marriage with Mr. Cross?Death)±îÁö Á¶Áö ¿¤¸®¾ùÀÇ »îÀ» ½Ã°£ ¼ø¼­´ë·Î Àϸñ¿ä¿¬ÇÏ°Ô ¹è¿­ÇÏ¿© µ¶ÀÚµéÀÇ ÀÌÇØ¿Í ÆíÀǸ¦ µ½½À´Ï´Ù.

¢º Á¦2±Ç À¯¸í(êóÙ£, Famous) : Á¦2±ÇÀº 1858³âºÎÅÍ 1866³â±îÁö ¡®¼Ò¼³°¡ Á¶Áö ¿¤¸®¾ù¡¯À¸·Î ´ëÁߵ鿡°Ô °¢ÀÎµÈ ÁÖ¿ä ÀÛÇ°À» ¹ßÇ¥ÇÑ ½Ã±âÀÔ´Ï´Ù. ÀÛÇ° È°µ¿À» ÇÏ´Â Æ´Æ´ÀÌ ÀÌÅ»¸®¾Æ(1860)¿Í ³×´ú¶õµå¿Í ¶óÀÎ °­(1866)À» ¿©ÇàÇϸç, Â÷±â ÀÛÇ°ÀÇ ¿µ°¨À» ¾ò¾ú´Ù´Â Á¡ÀÌ Èï¹Ì·Ó½À´Ï´Ù. ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)ºÎÅÍ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)±îÁö ÇöÀç±îÁöµµ ÀÐÈ÷´Â ±×³àÀÇ ÁÖ¿ä ÀÛÇ°ÀÌ ´ëºÎºÐ ÀÌ ½Ã±â¿¡ ¹ßÇ¥µÇ¾ú½À´Ï´Ù. ±×·¡¼­ Á¦2±ÇÀÇ ºÎÁ¦ ¶ÇÇÑ Á¦1±Ç ¹«¸í(ÙíÙ£, Unknown)¿¡¼­ À¯¸í(êóÙ£, Famous)À¸·Î ¹Ù²î¾ú½À´Ï´Ù. ¢º ´ç´ë ¿µ±¹ÀÇ ´ë¹®È£ Âû½º µðŲ½º(Charles Dickens, 1812~1870), ½ÇÁúÀûÀÎ ³²Æí Á¶Áö Ç ·çÀ̽º(George Henry Lewes, 1817~1878)¿Í ³ª´« »çÀûÀÎ ÆíÁö¿Í ±×³à°¡ Á÷Á¢ ±â·ÏÇÑ µ¶ÀÏ ¿©Çà±â µî Èï¹ÌÁøÁøÇÏ°Ô ´«¿©°Üº¼ ºÎºÐÀÌ °¡Àå ¸¹Àº ÀÛÇ°À̱⵵ ÇÕ´Ï´Ù.

¢º You will not suppose that I have any vulgar wish to fathom your secret. I mention the point as one of great interest to me?not of mere curiosity. If it should ever suit your convenience and inclination to show me the face of the man, or woman, who has written so charmingly, it will be a very memorable occasion to me. If otherwise, I shall always hold that impalpable personage in loving attachment and respect, and shall yield myself up to all future utterances from the same source, with a perfect confidence in their making me wiser and better.?Your obliged and faithful servant and admirer, Charles Dickens.

¢¹ ´ç½ÅÀº ³»°¡ ´ç½ÅÀÇ ºñ¹ÐÀ» ÆÄÇìÄ¡°íÀÚ ÇÏ´Â Àú¼ÓÇÑ ¼Ò¿øÀÌ ÀÖ´Ù°í »ý°¢ÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ³ª´Â ´Ü¼øÇÑ È£±â½ÉÀÌ ¾Æ´Ï¶ó ³ª¿¡°Ô Å« °ü½É°Å¸® Áß Çϳª·Î ±× Á¡À» ¾ð±ÞÇÕ´Ï´Ù. ±×°ÍÀÌ ´ç½ÅÀÇ ÆíÀÇ¿Í ¼ºÇâ¿¡ ¸Â´Â´Ù¸é ±× ³²ÀÚÀÇ ¾ó±¼À» ³ª¿¡°Ô º¸¿©ÁÖ¼¼¿ä. ±×·¸Áö ¾Ê´Ù¸é ³ª´Â Ç×»ó ±× ºÒ°¡»çÀÇÇÑ Àι°À» »ç¶ûÀÇ ¾ÖÂø°ú Á¸°æ½ÉÀ¸·Î ¾È°í °°Àº Ãâó¿¡¼­ ³ª¿À´Â ¸ðµç ¹Ì·¡ÀÇ ¹ß¾ð¿¡ ³ª ÀÚ½ÅÀ» ¹ÙÄ¥ °ÍÀÔ´Ï´Ù. ±×µéÀÌ ³ª¸¦ ´õ Çö¸íÇÏ°í ´õ ³ªÀº »ç¶÷À¸·Î ¸¸µç´Ù´Â ¿ÏÀüÇÑ È®½ÅÀ» °¡Áö°í ÀÖ½À´Ï´Ù. - ´ç½ÅÀÇ Àǹ« ÀÖ°í Ãæ½ÇÇÑ Á¾ÀÌÀÚ ¼þ¹èÀÚ, Âû½º µðŲ½º.

¢º Out we went after breakfast, that we might see as much as possible of the grand old city in one day; and our morning was occupied chiefly in walking about and getting views of striking exteriors. The most interesting things we saw were the Jewish burial-ground (the Alter Friedhof) and the old synagogue. The Friedhof is unique?with a wild growth of grass and shrubs and trees, and a multitude of quaint tombs in all sorts of positions, looking like the fragments of a great building, or as if they had been shaken by an earthquake. We saw a lovely dark-eyed Jewish child here, which we were glad to kiss in all its dirt. Then came the sombre old synagogue, with its smoked groins, and lamp forever burning. An intelligent Jew was our cicerone, and read us some Hebrew out of the precious old book of the law. Munich to Dresden, 1858.

¢¹ ¿ì¸®´Â ÇÏ·ç ¸¸¿¡ ¿õÀåÇÏ°í ¿À·¡µÈ µµ½Ã¸¦ °¡´ÉÇÑ ÇÑ ¸¹ÀÌ º¼ ¼ö ÀÖµµ·Ï ¾Æħ ½Ä»ç ÈÄ ¹ÛÀ¸·Î ³ª°¬½À´Ï´Ù. ±×¸®°í ¿ì¸®ÀÇ ¾ÆħÀº ÁÖ·Î °É¾î ´Ù´Ï¸ç ´«¿¡ ¶ç´Â ¿Ü°üÀ» º¸´Â µ¥ ¹Ù»¦½À´Ï´Ù. ¿ì¸®°¡ º» °¡Àå Èï¹Ì·Î¿î °ÍÀº À¯´ëÀÎ ¸ÅÀåÁö(Alter Friedhof)¿Í ¿À·¡µÈ ȸ´çÀ̾ú½À´Ï´Ù. ÇÁ¸®µåÈ£ÇÁ´Â µ¶Æ¯ÇÕ´Ï´Ù. Ç®°ú °ü¸ñ, ³ª¹«°¡ ¹«¼ºÇÏ°Ô ÀÚ¶ó°í ÀÖ°í, ¸ðµç Á¾·ùÀÇ À§Ä¡¿¡ ÀÖ´Â ¼ö¸¹Àº Áø±âÇÑ ¹«´ýÀÌ ¸¶Ä¡ °Å´ëÇÑ °Ç¹°ÀÇ ÆÄÆíó·³ º¸À̰ųª ÁöÁøÀ¸·Î Èçµé¸° °Íó·³ º¸ÀÔ´Ï´Ù. ¿ì¸®´Â ¿©±â¿¡¼­ »ç¶û½º·¯¿î °ËÀº ´«ÀÇ À¯´ëÀÎ ¾ÆÀ̸¦ º¸¾Ò´Âµ¥, ¿ì¸®´Â ±× ¸ðµç Èë ¼Ó¿¡¼­ Å°½ºÇÏ°Ô µÇ¾î ±â»¼½À´Ï´Ù. ±×·± ´ÙÀ½ »çŸ±¸´Ï ¿¬±â°¡ ³ª°í ·¥ÇÁ°¡ ¿µ¿øÈ÷ Ÿ¿À¸£´Â ħ¿ïÇÏ°í ¿À·¡µÈ ȸ´çÀÌ ¿Ô½À´Ï´Ù. ÁöÀûÀÎ À¯´ëÀÎÀº ¿ì¸®ÀÇ ½Ã¼­·ÐÀ̾ú°í ±ÍÁßÇÑ ¿À·¡µÈ À²¹ý Ã¥¿¡¼­ È÷ºê¸®¾î¸¦ ÀоîÁÖ¾ú½À´Ï´Ù. ¹ÀÇî¿¡¼­ µå·¹½ºµ§±îÁö, 1858³â.

¢º The Florentine winds, being of a grave and earnest disposition, have naturally a disgust for trivial dilettanti foreigners, and seize on the peculiarly feeble and worthless with much virulence. In consequence we had a sad history for nearly a week?Pater doing little else than nurse me, and I doing little else but feel eminently uncomfortable, for which, as you know, I have a faculty "second to none." I feel very full of thankfulness for all the creatures I have got to love?all the beautiful and great things that are given me to know; and I feel, too, much younger and more hopeful, as if a great deal of life and work were still before me. Letter to Charles L. Lewes, 17th May, 1861.

¢¹ ÇÇ·»Ã¼ ¹Ù¶÷Àº ½É°¢ÇÏ°í ÁøÁöÇÑ ±âÁúÀ» °¡Áö°í Àֱ⠶§¹®¿¡, ÀÚ¿¬½º·´°Ô »ç¼ÒÇÑ µô·¹¸¶¿¡ ºüÁø ¿Ü±¹Àε鿡°Ô Çø¿À°¨À» °¡Áö°í ÀÖÀ¸¸ç, ƯÀÌÇÏ°Ô ¾àÇÏ°í °¡Ä¡ ¾ø´Â »ç¶÷µéÀ» ¸Å¿ì µ¶ÇÏ°Ô ºÙÀâ½À´Ï´Ù. ±× °á°ú ¿ì¸®´Â °ÅÀÇ ÀÏÁÖÀÏ µ¿¾È ½½Ç ¿ª»ç¸¦ °Þ¾ú½À´Ï´Ù. ¾Æ¹öÁö´Â Àú¸¦ °£È£ÇÏ´Â °Í ¿Ü¿¡´Â °ÅÀÇ ÇÏÁö ¾Ê¾Ò°í, Àú´Â ´Ù¸¥ ÀÏÀº °ÅÀÇ ÇÏÁö ¾Ê¾ÒÁö¸¸ ¸Å¿ì ºÒÆíÇÏ°Ô ´À³§´Ï´Ù. ¾Æ½Ã´Ù½ÃÇÇ, Àú´Â "´©±¸¿¡°Ôµµ µÚÁöÁö ¾Ê´Â" ´É·ÂÀ» °¡Áö°í ÀÖ½À´Ï´Ù. Àú´Â Á¦°¡ »ç¶ûÇÏ°Ô µÈ ¸ðµç »ý¸íüµé, Áï Á¦°Ô ÁÖ¾îÁø ¸ðµç ¾Æ¸§´ä°í À§´ëÇÑ °Íµé¿¡ ´ëÇØ ¸Å¿ì °¨»çÇÔÀ» ´À³§´Ï´Ù. ±×¸®°í Àú´Â ¶ÇÇÑ, ÈξÀ ´õ Àþ°í Èñ¸ÁÀûÀÔ´Ï´Ù. ¸¶Ä¡ ¸¹Àº »î°ú ÀÏÀÌ ¾ÆÁ÷ Á¦ ¾Õ¿¡ ÀÖ´Â °Íó·³ ´À²¸Áý´Ï´Ù. Âû½º L.¿¡°Ô º¸³»´Â ÆíÁö. ·çÀ̽º, 1861³â 5¿ù 17ÀÏ.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 29°¡Áö Å°¿öµå·Î Àд Á¶Áö ¿¤¸®¾ù(George Eliot, 1819~1880)
01. Á¶Áö ¿¤¸®¾ùÀÌ ¿©ÀÚ?! À¯¸íÇØÁø ÀÌÈÄ¿¡µµ ³²¼ºÀûÀÎ ÇʸíÀ» °íÁýÇÑ 19¼¼±â ¿µ±¹ÀÇ ¿©¼º ÀÛ°¡
01-1. 19¼¼±â À¯·´¿¡¼­ ¿©¼ºÀº ÀÚ½ÅÀÇ º»¸íÀ¸·Î ÀÛÇ°À» Ãâ°£ÇÒ ¼ö ¾ø¾ú³ª¿ä?!
01-2. 19¼¼±â À¯·´¿¡¼­ È°µ¿ÇÑ ¿©¼ºÀÛ°¡ÀÇ Çʸí(Pen Name)
01-3. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ÀÚ½ÅÀÇ ÀÛÇ°ÀÌ µ¶Àڵ鿡°Ô ¡®¿©¼ºÀÛ°¡ÀÇ »·ÇÑ ·Î¸Ç½º¡¯·Î ºñÃçÁö±æ ½È¾îÇß´ø °Í ¾Æ´Ò±î¿ä?
01-4. ¸Þ¸® ¾Ø ¿¡¹ø½º´Â ±×Àú ÀÚ½ÅÀÇ »î°ú ÀÛ°¡¸¦ ºÐ¸®ÇÏ°í ½Í¾ú´ø °Í ¾Æ´Ò±î¿ä?
02. À¯ºÎ³²°ú 24³â°£ µ¿°ÅÇÑ ÈÄ 61¼¼ÀÇ ³ªÀÌ·Î 21¼¼ ¿¬Çϳ²°ú °áÈ¥ÇÑ ½ºÄµµé ¸ÞÀÌÄ¿?!
03. ½Åµ¥·¼¶ó ÄÞÇ÷º½º(Cinderella Complex)´Â °³³ª Áà¹ö·Á!
04. Á¶Áö ¿¤¸®¾ù ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀº ¹Ýµå½Ã ºÒÇà¿¡ ºüÁø´Ù?!
05. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼­±¸¹®ÇÐÁ¤Àü(The Western Canon)(1994) 15À§
06. ÇØ·²µå ºí·ë(Harold Bloom, 1930~2019)ÀÇ ¼¼°è¹®ÇÐÀÇ ÃµÀçµé »ç¶÷ÀÌ ¾Ë¾Æ¾ß ÇÒ ¸ðµç °Í(Genius : A Mosaic of One Hundred Exemplary Creative Minds, 2008) Á¦8Àå VIII. È£µå Hod À§¾ö
07. Á¶Áö ¿¤¸®¾ùÀÇ ÁÖ¿ä ÀÛÇ°(Works by George Eliot)
07-1. Á¶Áö ¿¤¸®¾ùÀÇ ¸ñ»çÀÇ »ýÈ° 1857(Scenes of Clerical Life by George Eliot)
07-2. Á¶Áö ¿¤¸®¾ùÀÇ ¾Æ´ã ºñµå 1859(Adam Bede by George Eliot)
07-3. Á¶Áö ¿¤¸®¾ùÀÇ ¹þ°ÜÁø º£ÀÏ 1859(The Lifted Veil by George Eliot)
07-4. Á¶Áö ¿¤¸®¾ùÀÇ Ç÷νº °­º¯ÀÇ ¹°¹æ¾Ñ°£ 1860(The Mill on the Floss by George Eliot) & Åè°ú ¸Å±â Åø¸®¹ö 1909(Tom and Maggie Tulliver by George Eliot)
07-5. Á¶Áö ¿¤¸®¾ùÀÇ »çÀÏ·¯½º ¸Å³Ê 1861(Silas Marner by George Eliot)
07-6. Á¶Áö ¿¤¸®¾ùÀÇ ·Î¸ô¶ó 1862(Romola by George Eliot)
07-7. Á¶Áö ¿¤¸®¾ùÀÇ ÀÚÄßÀÇ ÇüÁ¦ 1864(Brother Jacob by George Eliot)
07-8. Á¶Áö ¿¤¸®¾ùÀÇ Áøº¸ÁÖÀÇÀÚ, Æ縯½º ȦƮ 1866(Felix Holt, the Radical by George Eliot)
07-9. Á¶Áö ¿¤¸®¾ùÀÇ ¸®»ç°¡ ¿ÕÀ» »ç¶ûÇÑ ¹æ¹ý 1869(How Lisa Loved the King by George Eliot)
07-10. Á¶Áö ¿¤¸®¾ùÀÇ ¹Ìµé¸¶Ä¡ 1871(Middlemarch by George Eliot)
07-11. Á¶Áö ¿¤¸®¾ùÀÇ ´Ù´Ï¿¤ µ¥·Ð´Ù 1876(Daniel Deronda by George Eliot)
07-12. Á¶Áö ¿¤¸®¾ùÀÇ Å׿ÀÇÁ¶ó½ºÅ佺 ¼­Ä¡ÀÇ Àλó 1879(Impressions of Theophrastus Such by George Eliot)
07-13. Á¶Áö ¿¤¸®¾ùÀÇ Á¶Áö ¿¤¸®¾ù ¿¡¼¼ÀÌ 1883(The Essays of "George Eliot" by George Eliot)
07-14. Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î 3ºÎÀÛ 1885(George Eliot's Life, as Related in Her Letters and Journals. by George Eliot)
08. Á¶Áö ¿¤¸®¾ùÀ» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP22(TOP22 Places to meet George Eliot)
09. Á¶Áö ¿¤¸®¾ù ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¿¤¸®¾ù(Audio Books of George Eliot)
11. Á¶Áö ¿¤¸®¾ù ¾î·Ï(George Eliot Quotes)(157)
¢º Á¶Áö ¿¤¸®¾ùÀÇ ÆíÁö¿Í Àú³Î·Î Àд Á¶Áö ¿¤¸®¾ùÀÇ »î Á¦2±Ç À¯¸í(êóÙ£) 1860(George Eliot's Life, as Related in Her Letters and Journals. Vol. 2/3 by George Eliot)
George Eliot's Works.
Preface.
Introductory Sketch of Childhood.
Chapter VIII. JANUARY, 1858, TO DECEMBER, 1858. Success of "Scenes of Clerical Life"?"Adam Bede"
Chapter IX. JANUARY, 1859, TO MARCH, 1860. "The Mill on the Floss"
Chapter X. MARCH TO JUNE, 1860. First Journey to Italy
Chapter XI. JULY, 1860, TO DECEMBER, 1861. "Silas Marner"?"Romola" begun
Chapter XII. JANUARY, 1862, TO DECEMBER, 1865. "Romola"?"Felix Holt"
Chapter XIII. JANUARY, 1866, TO DECEMBER, 1866. Tour in Holland and on the Rhine
Footnotes:
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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