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¢º ¿µ¾î°íÀü1,056 ·¯µð¾îµå Å°ÇøµÀÇ µÎ·Á¿î ¹ãÀÇ µµ½Ã 1885(English Classics1,056 The City of Dreadful Night by Rudyard Kipling)´Â 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ ÀÛÇ°À¸·Î ÀÏ·¯½ºÆ®·¹ÀÌÅÍ Âû½º D. Æз±µå(Charles D. Farrand)ÀÇ »ðÈ­ µÎ Á¡ÀÌ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. Å°ÇøµÀº 1865³â ¿µ±¹ÀÌ Áö¹èÇÏ´ø Àεµ Á¦±¹ ¹³¹ÙÀÌ(Mumbai)¿¡¼­ Ãâ»ýÇÑ ÀÛ°¡·Î½á (ºñ·Ï Àεµ¿¡¼­ ¸Ó¹® ±â°£ÀÌ ±æÁö´Â ¾Ê¾ÒÀ½¿¡µµ ºÒ±¸ÇÏ°í) Æò»ý Àεµ¸¦ ºñ·ÔÇÑ ¾Æ½Ã¾Æ¸¦ ¹è°æÀ¸·Î, ÀεµÀÎÀ» Æ÷ÇÔÇÑ ¾Æ½Ã¾ÆÀÎÀÌ ÁÖÀΰøÀ¸·Î È°¾àÇÏ´Â ÀÛÇ°À» ´Ù¼ö ¹ßÇ¥ÇÏ¸ç ¡®À̱¹ÀûÀÎ ¾Æ½Ã¾Æ¸¦ ±×¸° Àεµ Å»ýÀÇ ¿µ±¹ÀÛ°¡¡¯·Î½á ´ëÁßÀûÀÎ Àα⸦ ´©·È½À´Ï´Ù. µÎ·Á¿î ¹ãÀÇ µµ½Ã 1885(The City of Dreadful Night) ¶ÇÇÑ ÀεµÀÇ ¾îµò°¡ ȤÀº ĶĿŸ(Calcutta)¸¦ ¹è°æÀ¸·Î ÇÏ´Â (µüÈ÷ ¿¬°áµÈ´Ù°í º¼ ¼ö ¾ø´Â) 8ÆíÀÇ Â©¸·ÇÑ ±ÛÀ» ¸ðÀº ÀÛÇ°ÁýÀ¸·Î µÎ ÆíÀÇ »ðÈ­¿Í ÇÑ ÆíÀÇ ½Ã°¡ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ÀÏ·¯½ºÆ®·¹ÀÌÅÍ Âû½º D. Æз±µå(Charles D. Farrand)¿¡ ´ëÇؼ­´Â ¾Ë·ÁÁø °ÍÀÌ °ÅÀÇ ¾øÀ¸³ª, Àεµ¸¦ ¹è°æÀ¸·Î ÇÑ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ µÎ ÀÛÇ° - µÎ·Á¿î ¹ãÀÇ µµ½Ã 1885(The City of Dreadful Night by Rudyard Kipling)¿Í »ç·« Çã°¡Áõ 1891(Letters of Marque by Rudyard Kipling)ÀÇ »ðÈ­¸¦ ±×·È½À´Ï´Ù. ¼ö³âÀÇ ½Ã°£ÀÌ È帣±ä ÇßÀ¸³ª, ±×¸²Ã¼°¡ ¿ÏÀüÈ÷ ´Þ¶óÁö±â ¶§¹®¿¡ µÎ ÀÛÇ°À» ÇÔ²² ºñ±³ÇØ º¸½Ã¸é ´õ´õ¿í Èï¹Ì·Î¿ï °ÍÀÔ´Ï´Ù.

¢º Çö´ëÀÇ µ¶ÀÚ¶ó¸é ·¯µð¾îµå Å°ÇøµÀÇ ÀÛÇ°¿¡ µîÀåÇÏ´Â ÀεµÀÎ, Áßµ¿ÀÎ, ¾ÆÇÁ¸®Ä«ÀÎ µîÀÇ À¯»öÀÎÁ¾°ú ±×µéÀÇ ¹®È­´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚ(Racist)ÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚ(White Supremacist)ÀÎ Å°ÇøµÀÇ ½Ã¼±À¸·Î öÀúÈ÷ ŸÀÚÈ­µÈ ¹Ì°³ÀÎÀÌÀÚ ¾ß¸¸ÀÎ(backwoodsmen and barbarians)À¸·Î ±×·ÁÁø´Ù´Â Á¡¿¡ À¯ÀÇÇϽñ⠹ٶø´Ï´Ù. Å°ÇøµÀº ½Åü°Ë»ç¿¡¼­ ºÎÀû°Ý ÆÇÁ¤À» ¹Þ¾Æ ±º´ë¿¡ ÀÔ¿µÇÏÁö ¸øÇÑ ¹Ù ÀÖÀ¸¸ç, ÀÌ·Î ÀÎÇÏ¿© ÀÚ½ÅÀÇ ±ÛÀ» ÅëÇؼ­³ª¸¶ ¾Ö±¹ÀûÀÎ ¸é¸ð¸¦ °ú½ÃÇÏ¿´½À´Ï´Ù. Çö´ëÀÇ ½ÃÁ¡¿¡¼­´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚÀ̶ó°í ºñÆǹÞÁö¸¸, ±× ¶ÇÇÑ 19¼¼±â ¿µ±¹ÀÇ Á¦±¹ÁÖÀǸ¦ ´©±¸º¸´Ù ¿­·ÄÈ÷ Âù¾çÇÑ ¡®Æò¹üÇÑ ¿µ±¹ÀΡ¯À¸·Î½á ´ç´ë ´ëÁßÀÇ ¿å¸ÁÀ» Àß Àо ´ëÁßÀÛ°¡¶ó°í ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×°¡ 1907³â 41¼¼¶õ ¿ª´ë ÃÖ¿¬¼ÒÀÇ ³ªÀÌ·Î ¿µ¿¹·Î¿î ³ëº§¹®ÇлóÀ» ¼ö»óÇÑ °Í ¶ÇÇÑ ´ç´ë ¹®ÇаèÀÇ Å°Çøµ¿¡ ´ëÇÑ ±àÁ¤ÀûÀÎ Æò°¡¸¦ ¹Ý¿µÇÑ °ÍÀÔ´Ï´Ù.

¢º ÀÛÇ°¿¡ µîÀåÇϴ ĶÅÍÄ«(Calcutta), Èı۸®(Hugli) µîÀÇ Àεµ Áö¸íÀº ÇöÀç ÄÝīŸ(Kolkata), Èı۸®(Hooghly)·Î Åë¿ëµË´Ï´Ù.

¢º ¸ñÂ÷(Index)
Á¦1Àå. ½ÇÁ¦ »ì¾ÆÀÖ´Â µµ½Ã.(Chapter I. A Real Live City.)
Á¦2Àå. ¾ß¸¸ÀÎÀÇ ¹Ý¼º.(Chapter II. The Reflections of a Savage.)
Á¦3Àå. ½ÅµéÀÇ È¸ÀÇ.(Chapter III. The Council of the Gods.)
Á¦4Àå. Èı۸® °­µÏ¿¡¼­.(Chapter IV. On the Banks of the Hugli.)
Á¦5Àå. ĶĿŸ °æÂû°ú ÇÔ²².(Chapter V. With the Calcutta Police.)
Á¦6Àå. ¹«¼­¿î ¹ãÀÇ µµ½Ã.(Chapter VI. The City of Dreadful Night.)
Á¦7Àå. ´õ ±í°Ô ´õ ±í°Ô.(Chapter VII. Deeper and Deeper Still.)
Á¦8Àå. ·ç½Ã¾Æ¿¡ °üÇÏ¿©.(Chapter VIII. Concerning Lucia.)

¢º µÎ·Á¿î ¹ãÀÇ µµ½Ã(The City of Dreadful Night)À̶õ Á¦¸ñÀ¸·Î °Ë»öÇϸé, Å°Çøµº¸´Ù´Â ½ºÄÚƲ·£µå ½ÃÀÎ Á¦ÀÓ½º Åè½¼(James Thomson, 1834~1882)ÀÇ µ¿¸íÀÇ ÀÛÇ°ÀÌ °¡Àå ¸ÕÀú ¶å´Ï´Ù. ÀÛÇ°¿¡ µîÀåÇÏ´Â È­ÀÚ´Â µµ½Ã¸¦ ¹èȸÇϸç Àý¸Á°ú ȯ¸êÀ» ±¸ÇöÇÏ´Â ´Ù¾çÇÑ Àå¸é°ú Àι°À» ¸¸³ª´Âµ¥, ±×°¡ ¹èȸÇÏ´Â µµ½Ã´Â ¾îµÒ¿¡ ½Î¿© ÀÖ°í °íÅë ¹Þ´Â ¿µÈ¥µéÀÌ °ÅÁÖÇÏ´Â ¿µ¿øÇÑ ¹ãÀÇ Àå¼Ò·Î ±×·ÁÁý´Ï´Ù. Å°ÇøµÀÇ ÀÛÇ°º¸´Ù 10³â ÀÌ»ó ¸ÕÀú ¹ßÇ¥µÇ¾ú±â ¶§¹®¿¡, ¾Æ¸¶µµ Å°ÇøµÀÌ Á¦ÀÓ½º Åè½¼ÀÇ ÀÛÇ°À» Àаí, ÀÌ¿¡ ¿µ°¨À» ¾ò¾î µ¿¸íÀÇ Á¦¸ñÀ¸·Î ±ÛÀ» ¾²Áö ¾Ê¾ÒÀ»±î ½Í³×¿ä. 6³â ÈÄ Ãâ°£ÇÑ ²¨Á®¹ö¸° ºÒºû 1891(The Light That Failed by Rudyard Kipling)¿¡´Â Á¦ÀÓ½º Åè½¼(James Thomson, 1834~1882)ÀÇ µÎ·Á¿î ¹ãÀÇ µµ½Ã(The City of Dreadful Night, 1874)°¡ µÎ Â÷·Ê ¾ð±ÞµË´Ï´Ù.

¢º CHAPTER I. A REAL LIVE CITY. Now, whether all this genial diatribe be the outcome of an unbiased mind or the result first of sickness caused by that ferocious stench, and secondly of headache due to day-long smoking to drown the stench, is an open question. Anyway, Calcutta is a fearsome place for a man not educated up to it. ...At present it is remarkably like sleeping with a corpse.

¢¹ Á¦1Àå. ½ÇÁ¦ »ì¾ÆÀÖ´Â µµ½Ã.(Chapter I. A Real Live City.) ÀÌÁ¦, ÀÌ ¸ðµç »ó³ÉÇÑ ºñ³­ÀÌ ÆíÆÄÀûÀÌÁö ¾ÊÀº ¸¶À½ÀÇ °á°úÀÎÁö ¾Æ´Ï¸é ¸ÕÀú ±× Áöµ¶ÇÑ ¾ÇÃë·Î ÀÎÇÑ Áúº´ÀÇ °á°úÀÎÁö, ±×¸®°í µÎ ¹ø°·Î ¾ÇÃ븦 ¾ø¾Ö±â À§ÇØ ÇÏ·ç Á¾ÀÏ Èí¿¬À¸·Î ÀÎÇÑ µÎÅëÀÇ °á°úÀÎÁö´Â °ø°³ÀûÀÎ Áú¹®ÀÔ´Ï´Ù. ¾î·µç ĶĿŸ´Â ±³À°À» ¹ÞÁö ¸øÇÑ »ç¶÷¿¡°Ô ¹«½Ã¹«½ÃÇÑ °÷ÀÔ´Ï´Ù. ...ÇöÀç´Â ³î¶ø°Ôµµ ½Ãü¿Í ÇÔ²² ÀÚ´Â °Í°ú °°½À´Ï´Ù.

¢º CHAPTER III. THE COUNCIL OF THE GODS. He is academical like the others, but not half so good a speaker. All this is dreary beyond words. Why do they talk and talk about owners and occupiers and burgesses in England and the growth of autonomous institutions when the city, the great city, is here crying out to be cleansed? What has England to do with Calcutta¡¯s evil, and why should Englishmen be forced to wander through mazes of unprofitable argument against men who cannot understand the iniquity of dirt?

¢¹ Á¦3Àå. ½ÅµéÀÇ È¸ÀÇ.(Chapter III. The Council of the Gods.) ±×´Â ´Ù¸¥ »ç¶÷µéó·³ Çб¸ÀûÀÌÁö¸¸ ¸»À» ÀßÇÏ´Â »ç¶÷Àº Àý¹Ýµµ µÇÁö ¾Ê½À´Ï´Ù. ÀÌ ¸ðµç °ÍÀº ¸»·Î Ç¥ÇöÇÒ ¼ö ¾øÀ» Á¤µµ·Î À½¿ïÇÕ´Ï´Ù. µµ½Ã, À§´ëÇÑ µµ½Ã°¡ û¼Ò¸¦ ¿ÜÄ¡°í Àִµ¥ ¿Ö ±×µéÀº ¿µ±¹ÀÇ ¼ÒÀ¯ÁÖ, Á¡À¯ÀÚ, ÀÚÄ¡±¸, ÀÚÄ¡ ±â°üÀÇ ¼ºÀå¿¡ ´ëÇØ À̾߱âÇÏ°í À̾߱âÇմϱî? ¿µ±¹ÀÌ Ä¶Ä¿Å¸ÀÇ ¾Ç°ú ¹«½¼ °ü·ÃÀÌ ÀÖÀ¸¸ç, ¿Ö ¿µ±¹ÀεéÀº ÈëÀÇ »ç¾ÇÇÔÀ» ÀÌÇØÇÒ ¼ö ¾ø´Â »ç¶÷µé¿¡ ´ëÇÑ ¹«ÀÍÇÑ ³íÀïÀÇ ¹Ì·Î¸¦ Çì¸Å¾ß Çմϱî?

¢º CHAPTER VI. THE CITY OF DREADFUL NIGHT. ¡°Remember, if you come here alone, the chances are that you¡¯ll be clubbed, or stuck, or, anyhow, mobbed. You¡¯ll understand that this part of the world is shut to Europeans?absolutely. Mind the steps, and follow on.¡± The vision dies out in the smells and gross darkness of the night, in evil, time-rotten brickwork, and another wilderness of shut-up houses, wherein it seems that people do continually and feebly strum stringed instruments of a plaintive and wailsome nature.

¢¹ Á¦6Àå. ¹«¼­¿î ¹ãÀÇ µµ½Ã.(Chapter VI. The City of Dreadful Night.) ¡°"±â¾ïÇϼ¼¿ä, ¸¸¾à ´ç½ÅÀÌ È¥ÀÚ ÀÌ°÷¿¡ ¿Â´Ù¸é, ´ç½ÅÀº °ïºÀ¿¡ ¸Â°Å³ª, °¤È÷°Å³ª, ¾î·µç, Æøµµ°¡ µÉ °¡´É¼ºÀÌ ÀÖ½À´Ï´Ù. ¿©·¯ºÐÀº ¼¼°èÀÇ ÀÌ Áö¿ªÀÌ À¯·´Àε鿡°Ô ¿ÏÀüÈ÷ Æó¼âµÇ¾î ÀÖ´Ù´Â °ÍÀ» ÀÌÇØÇÒ °ÍÀÔ´Ï´Ù. ´Ü°è¸¦ ÁÖÀÇÇÏ°í, °è¼ÓÇÕ´Ï´Ù.¡± ºñÀüÀº ¹ãÀÇ ³¿»õ¿Í ¿ª°Ü¿î ¾îµÒ ¼Ó¿¡¼­ »ç¶óÁö°í, »ç¾ÇÇÏ°í ½Ã°£ÀÌ ½âÀº º®µ¹ ¼¼°ø¹°°ú Æó¼âµÈ ÁýÀÇ ¶Ç ´Ù¸¥ Ȳ¾ß¿¡¼­ »ç¶óÁý´Ï´Ù. »ç¶÷µéÀº ½½ÇÁ°í Åë°îÀûÀÎ ¼º°ÝÀÇ Çö¾Ç±â¸¦ ²÷ÀÓ¾øÀÌ ¾àÇÏ°Ô ¿¬ÁÖÇÏ´Â °Íó·³ º¸ÀÔ´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man's Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼­ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation's Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐÈ­±¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,056 ·¯µð¾îµå Å°ÇøµÀÇ µÎ·Á¿î ¹ãÀÇ µµ½Ã 1885(English Classics1,056 The City of Dreadful Night by Rudyard Kipling)
Chapter I. A Real Live City.
Chapter II. The Reflections of a Savage.
Chapter III. The Council of the Gods.
Chapter IV. On the Banks of the Hugli.
Chapter V. With the Calcutta Police.
Chapter VI. The City of Dreadful Night.
Chapter VII. Deeper and Deeper Still.
Chapter VIII. Concerning Lucia.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(1,954)