¢º ¿µ¾î°íÀü1,059 ·¯µð¾îµå Å°ÇøµÀÇ ±ºÀÎ ¼Â 1888(English Classics1,059 Soldiers Three by Rudyard Kipling)Àº 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ µÎ ¹ø° ´ÜÆí ¼Ò¼³ ¸ðÀ½Áý(The Second Collection of Short Stories)ÀÔ´Ï´Ù. Á¦¸ñ ±×´ë·Î Å×·»½º ¸Öº£ÀÌ´Ï(Terence Mulvaney), ½ºÅĸ® ¿À¸£Å׸®½º(Stanley Ortheris), Á¸ ¸®¾î·ÎÀ̵å(John Learoyd) ¼¼ ¸íÀÇ ³²¼ºÀÌ ¾ÆÇÁ°¡´Ï½ºÅº¿¡ Æĺ´µÈ ¿µ±¹±º - Àϸí Åä¹Ì ¾ÜŲ½º(Tommy Atkins)·Î µîÀåÇÏ´Â ¸ðÇè¹°(Adventure)·Î 1888³âºÎÅÍ ¼öÂ÷·Ê °³Á¤ÆÇÀÌ Ãâ°£µÇ¾ú½À´Ï´Ù. ÆǺ»¿¡ µû¶ó ºñ½ÁÇÑ ½Ã±â¿¡ ¹ßÇ¥ÇÑ °³Áîºñ À̾߱â 1888(The Story of the Gadsbys by Rudyard Kipling), Èæ°ú ¹é 1888(In Black and White by Rudyard Kipling) µîÀÌ Ãß°¡µÇ±âµµ ÇÏ¿´½À´Ï´Ù.
¢¹ ¼¼ ¸íÀÇ ±ºÀÎÀ» °øÀ¯ÇÏ´Â ÈļÓÆí ±ºÀÎ ¼Â Á¦2ºÎ 1888(Soldiers Three - Part 2 by Rudyard Kipling)¿¡´Â ÀüÀÛÀÇ 'Å« ÁÖÁ¤¹ðÀÌ Â¡Áýº´'(The Big Drunk Draf')°ú °³ÀÎÀÇ ¹®Á¦¿¡¼(In The Matter Of A Private). ÀÌ Àç¼ö·ÏµÈ °ÍÀ» Æ÷ÇÔÇØ ÃÑ 10ÆíÀÇ ÀÛÇ°ÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. ÈļÓÀÛÀº ÀüÀÛ¿¡ ºñÇØ ºÐ·®ÀÌ Àû±âµµ ÇÏ°Å´Ï¿Í ´ëÁßÀûÀ¸·Îµµ, Æò´ÜÀ¸·ÎºÎÅ͵µ ±×¸® ÁÖ¸ñ¹ÞÁö ¸øÇß½À´Ï´Ù.
¢¹ º»¼´Â 1895³â ÆÇÀ¸·Î ±â°è¿¡¼ ¿Â ½Å(The God From The Machine)ºÎÅÍ ¼ºº® À§¿¡¼(On The City Wall)±îÁö ÃÑ 27ÆíÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. 10¹ø° ÀÛÇ° ¸£¿£º¸ÀÌ(L'Envoi)´Â 6¿¬ 24ÇàÀÇ ½Ã(ãÁ)·Î ·çºñ(Ruby), ¼Ò±Ý¹°(Brine), ÁøÁÖ(Pearl), ÁøÈë(clay) µîÀ» ¼ÒÀç·Î »ý¸íÀ» âÁ¶ÇÏ°í, °íÅëÀ» ºÒ¾î³Ö´Â ½ÅÀÇ ±âÀûÀ» Àΰ£ÀÇ ½Ã¼±¿¡¼ »ýµ¿°¨ ÀÖ°Ô ±×·Á³»°í ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ »ïÃÑ»ç(The Three Musketeers, 1888) : Å°ÇøµÀÌ Ã¢Á¶ÇÑ 19¼¼±â Àεµ¿¡¼ È°µ¿ÇÏ´Â ¼¼ ¸íÀÇ ¿µ±¹ÀÎ - Å×·»½º ¸Öº£ÀÌ´Ï(Terence Mulvaney), ½ºÅĸ® ¿À¸£Å׸®½º(Stanley Ortheris), Á¸ ¸®¾î·ÎÀ̵å(John Learoyd)´Â ´ÜÆí ¼Ò¼³ »ïÃÑ»ç(The Three Musketeers, 1888)¸¦ ºñ·ÔÇØ ¾ð´ö¿¡¼ µé·Á¿Â ÆòÁö À̾߱â 1888(Plain Tales from the Hills), ±ºÀÎ ¼Â 1888(Soldiers Three), ±ºÀÎ ¼Â Á¦2ºÎ 1888(Soldiers Three - Part 2), ³ªÀÇ µ¿Æ÷ À̾߱Ⱑ µÇ´Â: ÀλýÀÇ ÇÚµðĸ 1891(Life's Handicap: Being Stories of Mine Own People) µî Å°ÇøµÀÇ ¼ö¸¹Àº ÀÛÇ°¿¡ ¿¬´Þ¾Æ µîÀåÇϴ ij¸¯Åͱº(ÏØ)À¸·Î, Å°Çøµ ¾Öµ¶ÀÚ¿Í ¿¬±¸Àڵ鿡°Õ ¡®Å°Çøµ ¼¼°è°ü¡¯À» ÀÌÇØÇϱâ À§ÇÑ ÁÖ¿ä ¿¬±¸ ´ë»óÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù. ¢¹ ¾ÆÀÏ·£µå Ãâ½ÅÀÇ Å×·»½º ¸Öº£ÀÌ´Ï(Terence Mulvaney)´Â ¹ø¿ª±â·Îµµ ¿Å±æ ¼ö ¾ø´Â °ÅÄ£ »çÅõ¸®¸¦ ±¸»çÇÏ´Â ÃÌ»ç¶÷À¸·Î, ¼Â Áß¿¡¼ µëÁ÷ÇÑ ¸®´õ ¿ªÇÒÀ» ¼öÇàÇÕ´Ï´Ù. ¿µ±¹±ºÀÇ ÀüÅëÀ» ÁöÁöÇÏ´Â ¸ð¹üÀûÀÎ ±ºÀÎÀÌÁö¸¸, ¼úÀ» Áö³ªÄ¡°Ô Áñ±ä´Ù´Â Áö±ØÈ÷ ±ºÀÎ´Ù¿î ´ÜÁ¡µµ ÀÖ½À´Ï´Ù. Ãâ»ê Áß »ç¸ÁÇÑ ¾ÆµéÀ» ±×¸®¿öÇϸ鼵µ Çå½ÅÀûÀÎ ¾Æ³» µð³ª »þµå(Dinah Shadd)¸¦ ±×¸®¿öÇÏ´Â ÀÔüÀûÀΠij¸¯ÅÍÁÒ. ¢¹ ½ºÅĸ® ¿À¸£Å׸®½º(Stanley Ortheris)´Â ¼Â Áß °¡Àå Àþ°í, ÀÛÀº ±ºÀÎÀ¸·Î À°¹ÚÀü¿¡ ´Ù¼Ò Ãë¾àÇÏÁö¸¸, »ç°Ý¿¡ ´ÉÇÑ Àι°ÀÔ´Ï´Ù. ÀÔ´ëÇϱâ Àü¿¡ ·±´øÀÇ ¹ÚÁ¦»ç(taxidermist)¶õ µ¶Æ¯Çϸ鼵µ Àü¹®ÀûÀÎ ¾÷Á¾¿¡¼ ±Ù¹«ÇÏ¿´À¸¸ç ¸¶À½ ÇÑ ±¸¼®¿¡ ÇÏ·ç »¡¸® ¿µ±¹À¸·Î µ¹¾Æ°¡°í ½Í´Ù´Â Çâ¼ö°¡ £°Ô ¹è¾î ÀÖ½À´Ï´Ù. ¢¹ À×±Û·£µå ºÏºÎ ¿äÅ©¼Å Ãâ½ÅÀÇ ¿äÅ©¼Å¸Ç(Yorkshireman) Á¸ ¸®¾î·ÎÀ̵å(John Learoyd)´Â ¼Â Áß °¡Àå µ¢Ä¡°¡ Å©Áö¸¸, Á¶¿ëÇÏ°í, ÇൿÀÌ ´À¸´ÇØ Å©°Ô ÁÖ¸ñ¹ÞÁö ¾Ê´Â Àι°ÀÔ´Ï´Ù. ¼ö´Ù½º·´Áö ¾ÊÀº ij¸¯ÅÍÀ̱⠶§¹®¿¡ µ¶ÀÚµéÀº ¿ÀÈ÷·Á ±×ÀÇ ¹è°æ¿¡ ´ëÇØ, »î¿¡ ´ëÇØ ±Ã±ÝÇØÁö°Ô µÇ´Â Àι°À̶ö±î¿ä?
¢º Çö´ëÀÇ µ¶ÀÚ¶ó¸é ·¯µð¾îµå Å°ÇøµÀÇ ÀÛÇ°¿¡ µîÀåÇÏ´Â ÀεµÀÎ, Áßµ¿ÀÎ, ¾ÆÇÁ¸®Ä«ÀÎ µîÀÇ À¯»öÀÎÁ¾°ú ±×µéÀÇ ¹®È´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚ(Racist)ÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚ(White Supremacist)ÀÎ Å°ÇøµÀÇ ½Ã¼±À¸·Î öÀúÈ÷ ŸÀÚÈµÈ ¹Ì°³ÀÎÀÌÀÚ ¾ß¸¸ÀÎ(backwoodsmen and barbarians)À¸·Î ±×·ÁÁø´Ù´Â Á¡¿¡ À¯ÀÇÇϽñ⠹ٶø´Ï´Ù. Å°ÇøµÀº ½Åü°Ë»ç¿¡¼ ºÎÀû°Ý ÆÇÁ¤À» ¹Þ¾Æ ±º´ë¿¡ ÀÔ¿µÇÏÁö ¸øÇÑ ¹Ù ÀÖÀ¸¸ç, ÀÌ·Î ÀÎÇÏ¿© ÀÚ½ÅÀÇ ±ÛÀ» ÅëÇؼ³ª¸¶ ¾Ö±¹ÀûÀÎ ¸é¸ð¸¦ °ú½ÃÇÏ¿´½À´Ï´Ù. Çö´ëÀÇ ½ÃÁ¡¿¡¼´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚÀ̶ó°í ºñÆǹÞÁö¸¸, ±× ¶ÇÇÑ 19¼¼±â ¿µ±¹ÀÇ Á¦±¹ÁÖÀǸ¦ ´©±¸º¸´Ù ¿·ÄÈ÷ Âù¾çÇÑ ¡®Æò¹üÇÑ ¿µ±¹ÀΡ¯À¸·Î½á ´ç´ë ´ëÁßÀÇ ¿å¸ÁÀ» Àß Àо ´ëÁßÀÛ°¡¶ó°í ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×°¡ 1907³â 41¼¼¶õ ¿ª´ë ÃÖ¿¬¼ÒÀÇ ³ªÀÌ·Î ¿µ¿¹·Î¿î ³ëº§¹®ÇлóÀ» ¼ö»óÇÑ °Í ¶ÇÇÑ ´ç´ë ¹®ÇаèÀÇ Å°Çøµ¿¡ ´ëÇÑ ±àÁ¤ÀûÀÎ Æò°¡¸¦ ¹Ý¿µÇÑ °ÍÀÔ´Ï´Ù.
¢º THE BIG DRUNK DRAF'. 'An' do you know how they did? That bhoy, so I was tould by letter from Bombay, bullydamned 'em down to the dock, till they cudn't call their sowls their own. From the time they left me oi till they was 'tween decks, not wan av thim was more than dacintly dhrunk. An', by the Holy Articles av War, whin they wint aboard they cheered him till they cudn't spake, an' that, mark you, has not come about wid a draf in the mim'ry av livin' man! You look to that little orf'cer bhoy. He has bowils. 'Tis not ivry child that wud chuck the Rig'lations to Flanders an' stretch Peg Barney on a wink from a brokin an' dilapidated ould carkiss like mesilf. I'd be proud to serve?¡¯. ¢¹ 'Å« ÁÖÁ¤¹ðÀÌ Â¡Áýº´'(THE BIG DRUNK DRAF'). ±×µéÀÌ ¾î¶»°Ô Çß´ÂÁö ¾Ë¾Æ? º½º£ÀÌ¿¡¼ ¿Â ÆíÁö·Î µéÀº ±× ³à¼®ÀÌ ºÎµÎ±îÁö ±×µéÀ» ±«·ÓÇû¾î. ±×µéÀÌ ±×µéÀÇ ¼Û¾ÆÁö¸¦ Àڱ⠰ÍÀ̶ó°í ºÎ¸£Áö ¾ÊÀ» ¶§±îÁö. ±×µéÀÌ ³ª¸¦ ¶°³¯ ¶§ºÎÅÍ °©ÆÇ »çÀÌ¿¡ ÀÖÀ» ¶§±îÁö ±×´Â ¼ú¿¡ ÃëÇØ ÀÖÁö ¾Ê¾ÒÀÚ. ±×¸®°í ¼ºÀü ±â»ç ´ë ÀüÀï¿¡¼ ½Â¸®ÇßÀ» ¶§, ±×µéÀº ±×µéÀÌ ¸»ÇÏÁö ¾ÊÀ» ¶§±îÁö ±×¸¦ ÀÀ¿øÇß¼Ò. ±×¸®°í ±×°ÍÀº, ³Î ±â¾ïÇØ, ¹Ì¸ð¸® »ýÁ¸ÀÚ¿¡°Ô ³ÐÀº ¡º´ÀÌ µÇÁö ¾Ê¾Ò´Ù! ³Í ±× ÀÛÀº ¿À¼º¸À̸¦ º¸°í ÀÖ¾î. ±×´Â ¹î»ìÀÌ ÀÖÁö. 'Çø°´õ½º·Î °¡´Â ¸®±×' °ü°è¸¦ ¹«½ÃÇÏ°í Æä±× ¹Ù´Ï¸¦ ºê·ÎŲ¿¡¼ ´«ÁþÀ¸·Î ±âÁö°³¸¦ ÄÑ´Â °Ç ¿¹ÀÇ ¾ø´Â ¾ÆÀÌ' '¸Þ½ÇÇÁó·³ ȲÆóÇØÁø ³°Àº Ä«Å°½º. ³ª´Â ºÀ»çÇÏ´Â °ÍÀÌ ÀÚ¶û½º·´´Ù.'
¢º THE WRECK OF THE VISIGOTH. 'It was as well that I reached the mail-boat. There was a compass in it, but the idiots had managed to fill the boat half full of water somehow or another, and none of the crew seemed to know what was required of them. Then the Visigoth went down and took every one with her?ships generally do that; the corpses don't cumber the sea for some time. ¢¹ ºñ½Ã°íÆ®ÀÇ ÀÜÇØ(HE WRECK OF THE VISIGOTH). ³»°¡ ¿ìÆí¼±¿¡ µµÂøÇÑ °Íµµ ´ÙÇàÀ̾ú´Ù. ±× ¾È¿¡´Â ³ªÄ§¹ÝÀÌ ÀÖ¾úÁö¸¸, ¹Ùº¸µéÀº ¾î¶»°Ô Çؼµç ¹°À» ¹ÝÂë ¹è¿¡ °¡µæ ä¿ï ¼ö ÀÖ¾ú°í, ¼±¿øµé Áß ´©±¸µµ ±×µé¿¡°Ô ¹«¾ùÀÌ ÇÊ¿äÇÑÁö ¸ð¸£´Â °Í °°¾Ò´Ù. ±×·¯°í ³ª¼ ¼°íÆ®Á·ÀÌ ³»·Á°¡¼ ¸ðµç »ç¶÷µéÀ» µ¥¸®°í °¬´Ù. ¹èµéÀº º¸Åë ±×·¸°Ô ÇÑ´Ù. ½ÃüµéÀº Çѵ¿¾È ¹Ù´Ù¿¡ °¡¶ó¾ÉÁö ¾Ê´Â´Ù.
¢º 'What did I do? I kept all the boats together, and headed into the track of the coasting steamers. The aggravating thing was the thought that we were close to land as far as a big steamer was concerned, and in the middle of eternity as far as regarded a little boat. The sea looks hugeous big from a boat at night.' ¢¹ '³»°¡ ¹» ¾î·´Âµ¥? ³ª´Â ¸ðµç ¹èµéÀ» Çѵ¥ ¸ð¾Æ ³õ°í, ÇؾÈÀ¸·Î °¡´Â ±â¼±ÀÇ ¼±·Î·Î ÇâÇß´Ù. ´õ ¾ÇÈµÈ °ÍÀº ¿ì¸®°¡ Å« ±â¼±¿¡ °üÇÑ ÇÑ À°Áö¿¡ °¡±õ°í, ¿µ¿øÀÇ ÇÑ°¡¿îµ¥¿¡¼ ÀÛÀº ¹è·Î °£Áֵȴٴ »ý°¢À̾ú´Ù. ¹ã¿¡ ¹è¸¦ º¸¸é ¹Ù´Ù°¡ ¾öû³ª°Ô Ä¿ º¸ÀδÙ.¡®
¢º IN THE MATTER OF A PRIVATE. Thomas isn't a brute, and his business, which is to look after the virtuous people, demands that he shall have his ammunition to his hand. He doesn't wear silk stockings, and he really ought to be supplied with a new Adjective to help him to express his opinions: but, for all that, he is a great man. If you call him 'the heroic defender of the national honour' one day, and a 'brutal and licentious soldiery' the next, you naturally bewilder him, and he looks upon you with suspicion. There is nobody to speak for Thomas except people who have theories to work off on him; and nobody understands Thomas except Thomas, and he does not always know what is the matter with himself. ¢¹ °³ÀÎÀÇ ¹®Á¦¿¡¼(IN THE MATTER OF A PRIVATE). Å丶½º´Â Áü½ÂÀÌ ¾Æ´Ï¸ç °í°áÇÑ »ç¶÷µéÀ» µ¹º¸´Â ±×ÀÇ »ç¾÷Àº ±×°¡ ±×ÀÇ ¼Õ¿¡ ź¾àÀ» °¡Áú °ÍÀ» ¿ä±¸ÇÕ´Ï´Ù. ±×´Â ºñ´Ü ½ºÅ¸Å·À» ½ÅÁö ¾Ê¾Ò°í, ÀÚ½ÅÀÇ ÀÇ°ßÀ» Ç¥ÇöÇÏ´Â µ¥ µµ¿òÀÌ µÇ´Â »õ·Î¿î Çü¿ë»ç°¡ Á¤¸»·Î °ø±ÞµÇ¾î¾ß ÇÕ´Ï´Ù. ÇÏÁö¸¸ ±×·³¿¡µµ ºÒ±¸ÇÏ°í ±×´Â ÈǸ¢ÇÑ »ç¶÷ÀÔ´Ï´Ù. ´ç½ÅÀÌ ±×¸¦ '¿µ¿õÀûÀÎ ±¹°¡¿µ¿¹ÀÇ ¼öÈ£ÀÚ'¶ó°í ºÎ¸£´Ù°¡ ´ÙÀ½ ³¯¿¡´Â 'ÀÜÀÎÇÏ°í À½¶õÇÑ ±ºÀÎ'À̶ó°í ºÎ¸£¸é ´ç¿¬È÷ ±×¸¦ ´çȲÇÏ°Ô ÇÏ°í ±×´Â ´ç½ÅÀ» ÀǽÉÀÇ ´«Ãʸ®·Î ¹Ù¶óº¾´Ï´Ù. ±×¿¡ ´ëÇÑ ÀÌ·ÐÀ» °¡Áö°í ÀÖ´Â »ç¶÷µé ¿Ü¿¡´Â Å丶½º¸¦ ´ëº¯ÇÒ »ç¶÷ÀÌ ¾ø½À´Ï´Ù. ±×¸®°í Å丶½º ¿Ü¿¡´Â ¾Æ¹«µµ Å丶½º¸¦ ÀÌÇØÇÏÁö ¸øÇϸç, Å丶½º°¡ ÀÚ½ÅÀÇ ¹®Á¦°¡ ¹«¾ùÀÎÁö Ç×»ó ¾Æ´Â °ÍÀº ¾Æ´Õ´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man's Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation's Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐȱ¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,059 ·¯µð¾îµå Å°ÇøµÀÇ ±ºÀÎ ¼Â 1888(English Classics1,059 Soldiers Three by Rudyard Kipling)
01. The God From The Machine
02. Of Those Called
03. Private Learoyd's Story
04. The Big Drunk Draf'
05. The Wreck Of The Visigoth
06. The Solid Muldoon
07. With The Main Guard
08. In The Matter Of A Private
09. Black Jack
10. L'Envoi
11. Poor Dear Mamma
12. The World Without
13. The Tents Of Kedar
14. With Any Amazement
15. The Garden Of Eden
16. Fatima
17. The Valley Of The Shadow
18. The Swelling Of Jordan
19. L'Envoi
20. Dray Wara Yow Dee
21. The Judgment Of Dungara
22. At Howli Thana
23. Gemini
24. At Twenty-Two
25. In Flood Time
26. The Sending Of Dana Da
27. On The City Wall
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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A02. ¼¿ï´ë(Seoul University) ±ÇÀåµµ¼ 100
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