¢º ¿µ¾î°íÀü1,060 ·¯µð¾îµå Å°ÇøµÀÇ ±ºÀÎ ¼Â Á¦2ºÎ 1888(English Classics1,060 Soldiers Three - Part 2 by Rudyard Kipling)Àº 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ µÎ ¹ø° ´ÜÆí ¼Ò¼³ ¸ðÀ½Áý(The Second Collection of Short Stories)ÀÔ´Ï´Ù. Á¦¸ñ ±×´ë·Î Å×·»½º ¸Öº£ÀÌ´Ï(Terence Mulvaney), ½ºÅĸ® ¿À¸£Å׸®½º(Stanley Ortheris), Á¸ ¸®¾î·ÎÀ̵å(John Learoyd) ¼¼ ¸íÀÇ ³²¼ºÀÌ ¾ÆÇÁ°¡´Ï½ºÅº¿¡ Æĺ´µÈ ¿µ±¹±º - Àϸí Åä¹Ì ¾ÜŲ½º(Tommy Atkins)·Î µîÀåÇÏ´Â ¸ðÇè¹°(Adventure)·Î 1888³âºÎÅÍ ¼öÂ÷·Ê °³Á¤ÆÇÀÌ Ãâ°£µÇ¾ú½À´Ï´Ù. ÆǺ»¿¡ µû¶ó ºñ½ÁÇÑ ½Ã±â¿¡ ¹ßÇ¥ÇÑ °³Áîºñ À̾߱â 1888(The Story of the Gadsbys by Rudyard Kipling), Èæ°ú ¹é 1888(In Black and White by Rudyard Kipling) µîÀÌ Ãß°¡µÇ±âµµ ÇÏ¿´½À´Ï´Ù.
¢¹ ¼¼ ¸íÀÇ ±ºÀÎÀ» °øÀ¯ÇÏ´Â ÈļÓÆí ±ºÀÎ ¼Â Á¦2ºÎ 1888(Soldiers Three - Part 2 by Rudyard Kipling)¿¡´Â '»ç¶û-¿À'¿©ÀÚµé'('LOVE-O'WOMEN')ºÎÅÍ ±Ç·ÂÀÇ È¸ÀÇ( A Conference Of The Powers)±îÁö ÃÑ 10ÆíÀÇ ÀÛÇ°ÀÌ ¼ö·ÏµÇ¾úÀ¸¸ç, ÀüÀÛÀÇ 'Å« ÁÖÁ¤¹ðÀÌ Â¡Áýº´'(The Big Drunk Draf')°ú °³ÀÎÀÇ ¹®Á¦¿¡¼(In The Matter Of A Private)°¡ Àç¼ö·ÏµÇ¾ú½À´Ï´Ù. ÈļÓÀÛÀº ÀüÀÛ¿¡ ºñÇØ ºÐ·®ÀÌ Àû±âµµ ÇÏ°Å´Ï¿Í ´ëÁßÀûÀ¸·Îµµ, Æò´ÜÀ¸·ÎºÎÅ͵µ ±×¸® ÁÖ¸ñ¹ÞÁö ¸øÇß½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B
¢º ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ »ïÃÑ»ç(The Three Musketeers, 1888) : Å°ÇøµÀÌ Ã¢Á¶ÇÑ 19¼¼±â Àεµ¿¡¼ È°µ¿ÇÏ´Â ¼¼ ¸íÀÇ ¿µ±¹ÀÎ - Å×·»½º ¸Öº£ÀÌ´Ï(Terence Mulvaney), ½ºÅĸ® ¿À¸£Å׸®½º(Stanley Ortheris), Á¸ ¸®¾î·ÎÀ̵å(John Learoyd)´Â ´ÜÆí ¼Ò¼³ »ïÃÑ»ç(The Three Musketeers, 1888)¸¦ ºñ·ÔÇØ ¾ð´ö¿¡¼ µé·Á¿Â ÆòÁö À̾߱â 1888(Plain Tales from the Hills), ±ºÀÎ ¼Â 1888(Soldiers Three), ±ºÀÎ ¼Â Á¦2ºÎ 1888(Soldiers Three - Part 2), ³ªÀÇ µ¿Æ÷ À̾߱Ⱑ µÇ´Â: ÀλýÀÇ ÇÚµðĸ 1891(Life's Handicap: Being Stories of Mine Own People) µî Å°ÇøµÀÇ ¼ö¸¹Àº ÀÛÇ°¿¡ ¿¬´Þ¾Æ µîÀåÇϴ ij¸¯Åͱº(ÏØ)À¸·Î, Å°Çøµ ¾Öµ¶ÀÚ¿Í ¿¬±¸Àڵ鿡°Õ ¡®Å°Çøµ ¼¼°è°ü¡¯À» ÀÌÇØÇϱâ À§ÇÑ ÁÖ¿ä ¿¬±¸ ´ë»óÀÌ ¾Æ´Ò ¼ö ¾ø½À´Ï´Ù. ¢¹ ¾ÆÀÏ·£µå Ãâ½ÅÀÇ Å×·»½º ¸Öº£ÀÌ´Ï(Terence Mulvaney)´Â ¹ø¿ª±â·Îµµ ¿Å±æ ¼ö ¾ø´Â °ÅÄ£ »çÅõ¸®¸¦ ±¸»çÇÏ´Â ÃÌ»ç¶÷À¸·Î, ¼Â Áß¿¡¼ µëÁ÷ÇÑ ¸®´õ ¿ªÇÒÀ» ¼öÇàÇÕ´Ï´Ù. ¿µ±¹±ºÀÇ ÀüÅëÀ» ÁöÁöÇÏ´Â ¸ð¹üÀûÀÎ ±ºÀÎÀÌÁö¸¸, ¼úÀ» Áö³ªÄ¡°Ô Áñ±ä´Ù´Â Áö±ØÈ÷ ±ºÀÎ´Ù¿î ´ÜÁ¡µµ ÀÖ½À´Ï´Ù. Ãâ»ê Áß »ç¸ÁÇÑ ¾ÆµéÀ» ±×¸®¿öÇϸ鼵µ Çå½ÅÀûÀÎ ¾Æ³» µð³ª »þµå(Dinah Shadd)¸¦ ±×¸®¿öÇÏ´Â ÀÔüÀûÀΠij¸¯ÅÍÁÒ. ¢¹ ½ºÅĸ® ¿À¸£Å׸®½º(Stanley Ortheris)´Â ¼Â Áß °¡Àå Àþ°í, ÀÛÀº ±ºÀÎÀ¸·Î À°¹ÚÀü¿¡ ´Ù¼Ò Ãë¾àÇÏÁö¸¸, »ç°Ý¿¡ ´ÉÇÑ Àι°ÀÔ´Ï´Ù. ÀÔ´ëÇϱâ Àü¿¡ ·±´øÀÇ ¹ÚÁ¦»ç(taxidermist)¶õ µ¶Æ¯Çϸ鼵µ Àü¹®ÀûÀÎ ¾÷Á¾¿¡¼ ±Ù¹«ÇÏ¿´À¸¸ç ¸¶À½ ÇÑ ±¸¼®¿¡ ÇÏ·ç »¡¸® ¿µ±¹À¸·Î µ¹¾Æ°¡°í ½Í´Ù´Â Çâ¼ö°¡ £°Ô ¹è¾î ÀÖ½À´Ï´Ù. ¢¹ À×±Û·£µå ºÏºÎ ¿äÅ©¼Å Ãâ½ÅÀÇ ¿äÅ©¼Å¸Ç(Yorkshireman) Á¸ ¸®¾î·ÎÀ̵å(John Learoyd)´Â ¼Â Áß °¡Àå µ¢Ä¡°¡ Å©Áö¸¸, Á¶¿ëÇÏ°í, ÇൿÀÌ ´À¸´ÇØ Å©°Ô ÁÖ¸ñ¹ÞÁö ¾Ê´Â Àι°ÀÔ´Ï´Ù. ¼ö´Ù½º·´Áö ¾ÊÀº ij¸¯ÅÍÀ̱⠶§¹®¿¡ µ¶ÀÚµéÀº ¿ÀÈ÷·Á ±×ÀÇ ¹è°æ¿¡ ´ëÇØ, »î¿¡ ´ëÇØ ±Ã±ÝÇØÁö°Ô µÇ´Â Àι°À̶ö±î¿ä?
¢º Çö´ëÀÇ µ¶ÀÚ¶ó¸é ·¯µð¾îµå Å°ÇøµÀÇ ÀÛÇ°¿¡ µîÀåÇÏ´Â ÀεµÀÎ, Áßµ¿ÀÎ, ¾ÆÇÁ¸®Ä«ÀÎ µîÀÇ À¯»öÀÎÁ¾°ú ±×µéÀÇ ¹®È´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚ(Racist)ÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚ(White Supremacist)ÀÎ Å°ÇøµÀÇ ½Ã¼±À¸·Î öÀúÈ÷ ŸÀÚÈµÈ ¹Ì°³ÀÎÀÌÀÚ ¾ß¸¸ÀÎ(backwoodsmen and barbarians)À¸·Î ±×·ÁÁø´Ù´Â Á¡¿¡ À¯ÀÇÇϽñ⠹ٶø´Ï´Ù. Å°ÇøµÀº ½Åü°Ë»ç¿¡¼ ºÎÀû°Ý ÆÇÁ¤À» ¹Þ¾Æ ±º´ë¿¡ ÀÔ¿µÇÏÁö ¸øÇÑ ¹Ù ÀÖÀ¸¸ç, ÀÌ·Î ÀÎÇÏ¿© ÀÚ½ÅÀÇ ±ÛÀ» ÅëÇؼ³ª¸¶ ¾Ö±¹ÀûÀÎ ¸é¸ð¸¦ °ú½ÃÇÏ¿´½À´Ï´Ù. Çö´ëÀÇ ½ÃÁ¡¿¡¼´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚÀ̶ó°í ºñÆǹÞÁö¸¸, ±× ¶ÇÇÑ 19¼¼±â ¿µ±¹ÀÇ Á¦±¹ÁÖÀǸ¦ ´©±¸º¸´Ù ¿·ÄÈ÷ Âù¾çÇÑ ¡®Æò¹üÇÑ ¿µ±¹ÀΡ¯À¸·Î½á ´ç´ë ´ëÁßÀÇ ¿å¸ÁÀ» Àß Àо ´ëÁßÀÛ°¡¶ó°í ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×°¡ 1907³â 41¼¼¶õ ¿ª´ë ÃÖ¿¬¼ÒÀÇ ³ªÀÌ·Î ¿µ¿¹·Î¿î ³ëº§¹®ÇлóÀ» ¼ö»óÇÑ °Í ¶ÇÇÑ ´ç´ë ¹®ÇаèÀÇ Å°Çøµ¿¡ ´ëÇÑ ±àÁ¤ÀûÀÎ Æò°¡¸¦ ¹Ý¿µÇÑ °ÍÀÔ´Ï´Ù.
¢º 'LOVE-O'WOMEN'. The horror, the confusion, and the separation of the murderer from his comrades were all over before I came. There remained only on the barrack-square the blood of man calling from the ground. The hot sun had dried it to a dusky gold-beater-skin film, cracked lozenge-wise by the heat, and as the wind rose each lozenge, rising a little, curled up at the edges as if it were a dumb tongue. Then a heavier gust blew all away down wind in grains of dark-coloured dust. It was too hot to stand in the sunshine before breakfast. The men were all in barracks talking the matter over. A knot of soldiers' wives stood by one of the entrances to the married quarters, while inside a woman shrieked and raved with wicked filthy words.
¢¹ '»ç¶û-¿À'¿©ÀÚµé'('LOVE-O'WOMEN'). °øÆ÷, È¥¶õ, »ìÀÎÀÚ¿Í ±×ÀÇ µ¿ÁöÀÇ ºÐ¸®´Â ³»°¡ ¿À±â Àü¿¡ ¸ðµÎ ³¡³µ½À´Ï´Ù. ¸·»ç ±¤Àå¿¡´Â ¶¥¿¡¼ ºÎ¸£´Â Àΰ£ÀÇ ÇǸ¸ ³²¾Æ ÀÖ¾ú½À´Ï´Ù. ¶ß°Å¿î žçÀº ±×°ÍÀ» ¸»·Á¼ °Å¹«½º¸§ÇÑ ±Ý¹Ú °¡Á× Çʸ§À¸·Î ¸¸µé¾ú°í, ¿¿¡ ÀÇÇØ ¸¶¸§¸ð²Ã ¸ð¾çÀ¸·Î °¥¶óÁ³°í, ¹Ù¶÷ÀÌ ºÒÀÚ °¢ ¸¶¸§¸ð²ÃÀÌ Á¶±Ý¾¿ ¼Ú¾Æ¿Ã¶ó ¸» ¸øÇÏ´Â Çôó·³ °¡ÀåÀÚ¸®°¡ ¸»·Á ÀÖ¾ú½À´Ï´Ù. ±×·± ´ÙÀ½ ´õ ¹«°Å¿î µ¹Ç³ÀÌ ¾îµÎ¿î »öÀÇ ¸ÕÁö ¾Ë°»ÀÌ·Î ¹Ù¶÷À» Ÿ°í ³¯¾Æ°¬½À´Ï´Ù. ¾Æħ ½Ä»ç Àü¿¡ ÇÞºû¿¡ ¼ Àֱ⿡´Â ³Ê¹« ´õ¿ü½À´Ï´Ù. ³²ÀÚµéÀº ¸ðµÎ ¸·»ç¿¡¼ ±× ¹®Á¦¿¡ ´ëÇØ À̾߱âÇÏ°í ÀÖ¾ú½À´Ï´Ù. ÇÑ ¹«¸®ÀÇ º´»ç ºÎÀεéÀÌ ±âÈ¥ ¼÷¼Ò ÀÔ±¸¿¡ ¼ ÀÖ¾ú°í, ±× ¾È¿¡¼ ÇÑ ¿©¼ºÀÌ ºñ¸íÀ» Áö¸£¸ç »ç¾ÇÇÏ°í ÃßÀâÇÑ ¸»·Î ¿±¤Çß½À´Ï´Ù.
¢º JUDSON AND THE EMPIRE. One of the many beauties of a democracy is its almost superhuman skill in developing troubles with other countries and finding its honour abraded in the process. A true democracy has a large contempt for all other lands that are governed by Kings and Queens and Emperors, and knows little and thinks less of their internal affairs. All it regards is its own dignity, which is its King, Queen, and Knave. So, sooner or later, an international difference ends in the common people, who have no dignity, shouting the common abuse of the street, which also has no dignity, across the seas in order to vindicate their own dignity. The consequences may or may not be war, but the chances do not favour peace.
¢º Àúµå½¼°ú Á¦±¹(JUDSON AND THE EMPIRE). ¹ÎÁÖÁÖÀÇÀÇ ¸¹Àº ¾Æ¸§´Ù¿ò Áß Çϳª´Â ´Ù¸¥ ³ª¶ó¿ÍÀÇ ¹®Á¦¸¦ ¹ßÀü½ÃÅ°°í ±× °úÁ¤¿¡¼ ¸í¿¹°¡ ¼Õ»óµÇ´Â °ÍÀ» ¹ß°ßÇÏ´Â °ÅÀÇ ÃÊÀÎÀûÀÎ ±â¼úÀÔ´Ï´Ù. ÁøÁ¤ÇÑ ¹ÎÁÖÁÖÀÇ´Â ¿Õ°ú ¿Õºñ, ȲÁ¦°¡ ÅëÄ¡ÇÏ´Â ´Ù¸¥ ¸ðµç ³ª¶ó¸¦ Å©°Ô °æ¸êÇÏ¸ç ³»ºÎ ¹®Á¦¿¡ ´ëÇØ °ÅÀÇ ¾ËÁö ¸øÇÏ°í ´ú »ý°¢ÇÕ´Ï´Ù. ±×°ÍÀÌ °í·ÁÇÏ´Â ¸ðµç °ÍÀº ÀÚ½ÅÀÇ Á¸¾ö¼º, Áï ¿Õ, ¿©¿Õ, ¾ÇÀÎÀÔ´Ï´Ù. ±×¸®ÇÏ¿© Á¶¸¸°£ ±¹Á¦Àû Â÷ÀÌ´Â Ç°À§ ¾ø´Â ¼¹ÎµéÀÌ ÀÚ½ÅÀÇ Á¸¾ö¼ºÀ» ¿ËÈ£Çϱâ À§ÇØ ¹Ù´Ù °Ç³Ê, ¿ª½Ã Ç°À§ ¾ø´Â °Å¸®ÀÇ ¸¸ÇàÀ» ¿ÜÄ¡´Â °ÍÀ¸·Î ³¡ÀÌ ³³´Ï´Ù. ±× °á°ú´Â ÀüÀïÀÏ ¼öµµ ÀÖ°í ¾Æ´Ò ¼öµµ ÀÖÁö¸¸ ±âȸ´Â ÆòÈ¿¡ À¯¸®ÇÏÁö ¾Ê½À´Ï´Ù.
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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man's Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation's Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐȱ¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,060 ·¯µð¾îµå Å°ÇøµÀÇ ±ºÀÎ ¼Â Á¦2ºÎ 1888(English Classics1,060 Soldiers Three - Part 2 by Rudyard Kipling)
01. 'Love-O'Women'
02. The Big Drunk Draf'
03. The Mutiney Of The Mavericks
04. The Man Who Was
05. Only A Subaltern
06. In The Matter Of A Private
07. The Lost Legion
08. The Drums Of The Fore And Aft
09. Judson And The Empire
10. A Conference Of The Powers
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë(Seoul University) ±ÇÀåµµ¼ 100
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A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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