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¿µ¾î°íÀü1,063 ·¯µð¾îµå Å°ÇøµÀÇ ½Å¼ºÇÑ ³ª¹« ¾Æ·¡ 1888(English Classics1,063 Under the Deodars by Rudyard Kipling)

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¢º ¿µ¾î°íÀü1,063 ·¯µð¾îµå Å°ÇøµÀÇ ½Å¼ºÇÑ ³ª¹« ¾Æ·¡ 1888(English Classics1,063 Under the Deodars by Rudyard Kipling)Àº 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ ´ÜÆí ¼Ò¼³ ¸ðÀ½Áý(The Collection of Short Stories)ÀÔ´Ï´Ù. Àεµ öµµ µµ¼­°ü ½Ã¸®Áî(Indian Railway Library Series) Á¦4È£(No. 4) ½Å¼ºÇÑ ³ª¹« ¾Æ·¡(Under the Deodars by Rudyard Kipling)·Î ÃÖÃÊ·Î Ãâ°£µÇ¾ú½À´Ï´Ù. ¿ÀƼ½º ÀÌ·¹ÀÇ ±³À°(The Education Of Otis Yeere)ºÎÅÍ ÆÄÁ¬ M. P.ÀÇ °è¸ù(The Enlightenments Of Pagett, M. P.)±îÁö ÃÑ 8ÆíÀÇ ´ÜÆíÀÌ ½Ç·Á ÀÖ½À´Ï´Ù. ²ÙÁØÈ÷ ´ÜÆíÀ» ½á¿Â Å°ÇøµÀÌ ÀÌ ÀÛÇ°¿¡ À̸£·¯ È­ÀÚ°¡ ¿µ±¹Àο¡¼­ ÀεµÀÎ, ¾ÆÇÁ°£ÀÎ(Afghan) µîÀ¸·Î ´Ùº¯È­Çϱ⠽ÃÀÛÇÑ °ÍÀÌ ÁÖ¸ñÇÒ ¸¸ÇÑ Æ¯Â¡ÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¸ñÂ÷(Index)
01. ¿ÀƼ½º ¿¹·¹ÀÇ ±³À°(The Education Of Otis Yeere)
02. ÇÍÀÇ ÀÔ¿¡¼­(At The Pit¡¯s Mouth)
03. ¿þÀÌ»çÀ̵å Äڹ̵ð(A Wayside Comedy)
04. ȯ»óÀÇ ¾ð´ö(The Hill Of Illusion)
05. 2·ù ¿©ÀÚ(A Second-Rate Woman)
06. ¿ÀÁ÷ ¼­ºê¹ßÅÒ(Only A Subaltern)
07. °³ÀÎÀÇ ¹®Á¦¿¡¼­(In The Matter Of A Private)
08. ÆÄÁ¬ M. P.ÀÇ °è¸ù(The Enlightenments Of Pagett, M. P.)

¢º ¾î¸®¼÷Çϱ⿡, À¯È¤ÇÒ ¼ö ¾ø´Â! ¿ÀƼ½º ¿¹·¹ÀÇ ±³À°(The Education Of Otis Yeere) : ÇÏ¿í½ººñ ºÎÀÎ(Mrs. Hauksbee)Àº ¹«·áÇÑ »îÀ» ´Þ·¡±â À§ÇØ ¹®Çаú ¿¹¼ú¿¡ ´ëÇÏ¿© À̾߱âÇÒ ¼ö ÀÖ´Â »ì·Õ(Salon)À» ¿­·Á´Â ¸»·Î¿ì ºÎÀÎ(Mrs. Mallowe)°ú Àº¹ÐÇÑ À̾߱⸦ ³ª´©±â ½ÃÀÛÇÕ´Ï´Ù. ±×³à¿¡°Ô ¼³µæµÈ ¸»·Î¿ì ºÎÀÎÀº »ì·Õ ´ë½Å º¬°¥(Bengal)¿¡¼­¸¸ 10³âÀ» º¸³½ ¾î¸®¼÷ÇÑ Ã»³â ¿ÀƼ½º ¿¹·¹(Otis Yeere)¸¦ ¡®±³À°¡¯Çϱâ·Î °á½ÉÇÕ´Ï´Ù. ¿©ÀÚ¶ó°ï ¸¸³ªº¸±â ¾î·Á¿î ¿ÀÁö¿¡¼­ º¹¹«ÇÑ ¿ÀƼ½º ¿¹·¹´Â °ú¿¬ ±×³àÀÇ ±³À°À» ¹Þ°í, ±×³à°¡ ¿øÇÏ´Â ¸ð¹ü»ýÀÌ µÉ ¼ö ÀÖÀ»±î¿ä? ¿µ±¹ÀεéÀÌ ´õÀ§¸¦ ÇÇÇϱâ À§ÇØ ¸Ó¹°·¶´ø Àεµ ºÏºÎÀÇ ½É¶ó(Shimla)¸¦ ¹è°æÀ¸·Î Çϴ ©¸·ÇÏÁö¸¸, ¿øÃÊÀûÀÎ ÀÛÇ°ÀÔ´Ï´Ù.

¢º ¿µ±¹·É ÀεµÀÇ ¿©¸§¼öµµ(Summer Capital of The British Raj)ÀÌÀÚ ¾ð´öÀÇ ¿©¿Õ(The Queen of Hills), ½É¶ó(Shimla) : Àεµ ºÏºÎ È÷¸¶ÂûÇÁ¶óµ¥½Ã ÁÖ(Himachal Pradesh)ÀÇ ÁÖµµ ½É¶ó(Shimla)´Â 1Â÷ÀûÀ¸·Î 2,000¹ÌÅÍ°¡ ³Ñ´Â ÇØ¹ß°íµµ·Î ÀÎÇÏ¿© ¹«´õ¿î Àεµ¿¡¼­ ÄèÀûÇÑ ±âÈÄ¿Í ½Å¼±ÇÑ °ø±â·Î À¯¸íÇÑ °í»ê µµ½Ã·Î, ¾Þ±Û·Î-³×ÆÈ ÀüÀï(1814~1816) ÀÌÈÄ ¿µ±¹ÀεéÀÌ °ÅÁÖÇϱ⠽ÃÀÛÇÏ¿´½À´Ï´Ù. 25km©÷ÀÇ ÀÛÀº µµ½ÃÁö¸¸ ¿µ±¹ÀεéÀº ¸Å³â ¿©¸§ ÄÝīŸÀÇ ¼öµµ ±â´ÉÀ» ½É¶ó·Î ¿Å±æ Á¤µµ·Î °øÀ» µé¿´À¸¸ç, À̸¦ À§ÇØ 96§°¿¡ ´ÞÇÏ´Â »ê¾Ç öµµ Ä®¶ó-½É¶ó ³ë¼±(Kalka?Shimla Railway)À» ¼³Ä¡ÇÏ¿´½À´Ï´Ù. ½É¶ó¶õ Áö¸íÀº ÈùµÎ±³ ½ÅÈ­¿¡ µîÀåÇÏ´Â ¿©½Å Ä®¸®(K?l?)ÀÇ È­½Å ½Ã¾ß¸»¶ó µ¥ºñ(Shyamala Devi)¿¡¼­ À¯·¡ÇÏ¿´À¸¸ç, ȯ»óÀûÀÎ Àý°æÀ» ÀÚ¶ûÇϴ öµµ ³ë¼±Àº 2008³â À¯³×½ºÄÚ ¼¼°è¹®È­À¯»ê¿¡ µîÀçµÇ¾ú½À´Ï´Ù.

¢º This is the history of a failure; but the woman who failed said that it might be an instructive tale to put into print for the benefit of the younger generation. The younger generation does not want instruction, being perfectly willing to instruct if any one will listen to it. None the less, here begins the story where every right-minded story should begin, that is to say at Simla, where all things begin and many come to an evil end. ¢¹ ÀÌ°ÍÀº ½ÇÆÐÀÇ ¿ª»çÀÔ´Ï´Ù. ±×·¯³ª ½ÇÆÐÇÑ ¿©¼ºÀº ÀþÀº ¼¼´ëÀÇ ÀÌÀÍÀ» À§ÇØ ÃâÆÇÇÏ´Â °ÍÀÌ ±³ÈÆÀûÀÎ À̾߱Ⱑ µÉ ¼ö ÀÖ´Ù°í ¸»Çß½À´Ï´Ù. ÀþÀº ¼¼´ë´Â °¡¸£Ä§À» ¿øÇÏÁö ¾Ê°í ´©°¡ µé¾îÁֱ⸸ ÇÏ¸é ±â²¨ÀÌ °¡¸£Ä¡·Á ÇÕ´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í ¿Ã¹Ù¸¥ »ý°¢À» °¡Áø ¸ðµç À̾߱Ⱑ ½ÃÀ۵Ǿî¾ß ÇÏ´Â °÷, Áï ¸ðµç °ÍÀÌ ½ÃÀÛµÇ°í ¸¹Àº »ç¶÷µéÀÌ »ç¾ÇÇÑ °á¸»À» ¸ÂÀÌÇÏ´Â ½É¶ó(Shimla)¿¡¼­ À̾߱Ⱑ ½ÃÀ۵˴ϴÙ.

¢º As that lady truthfully says, a man is never so happy as when he is talking about himself. From Otis Yeere¡¯s lips Mrs. Hauksbee, before long, learned everything that she wished to know about the subject of her experiment: learned what manner of life he had led in what she vaguely called ¡®those awful cholera districts¡¯; learned, too, but this knowledge came later, what manner of life he had purposed to lead and what dreams he had dreamed in the year of grace ¡®77, before the reality had knocked the heart out of him. Very pleasant are the shady bridle-paths round Prospect Hill for the telling of such confidences. ¢¹ ±× ¿©ÀÚ°¡ Áø½Ç·Î ¸»ÇßµíÀÌ, ³²ÀÚ´Â ÀÚ±â Àڽſ¡ ´ëÇØ ¸»ÇÒ ¶§¸¸Å­ ÇູÇÏÁö ¾Ê½À´Ï´Ù. ¿ÀƼ½º ¿¹·¹ ¾¾ÀÇ ÀÔ¼ú¿¡¼­. ÇÏ¿í½ººñ ºÎÀÎÀº ¾ó¸¶ Áö³ªÁö ¾Ê¾Æ ±×³àÀÇ ½ÇÇè ÁÖÁ¦¿¡ ´ëÇØ ¾Ë°í ½ÍÀº ¸ðµç °ÍÀ» ¾Ë°Ô µÇ¾ú½À´Ï´Ù. ±×³à°¡ ¸·¿¬ÇÏ°Ô '±× ²ûÂïÇÑ ÄÝ·¹¶ó Áö¿ª'À̶ó°í ºÎ¸£´Â °÷¿¡¼­ ±×°¡ ¾î¶² »îÀ» »ì¾Ò´ÂÁöµµ ¾Ë°Ô µÇ¾ú½À´Ï´Ù. ÇÏÁö¸¸ ÀÌ Áö½ÄÀº ³ªÁß¿¡ ¾Ë°Ô µÇ¾ú½À´Ï´Ù. ±×°¡ ¾î¶² »îÀ» »ì°í ½Í¾î Çß´ÂÁö, 77³â ÀºÇýÀÇ ÇØ¿¡ ¾î¶² ²ÞÀ» ²Ù¾ú´ÂÁöµµ ¾Ë°Ô µÇ¾ú½À´Ï´Ù, Çö½ÇÀÌ ±×ÀÇ ½ÉÀåÀ» ¶³¾î¶ß¸®±â Àü¿¡. ±×·¯ÇÑ ÀڽۨÀ» ¸»Çϱâ À§ÇØ ÇÁ·Î½ºÆåÆ® Èú ÁÖº¯ÀÇ ±×´ÃÁø °í»ß±æÀº ¸Å¿ì Áñ°Ì½À´Ï´Ù.

¢º ¡®He did. I don¡¯t remember half he said, I was so angry. Oh, but such a funny thing happened! I can¡¯t help laughing at it now, though I felt nearly ready to cry with rage. He raved and I stormed I¡¯m afraid we must have made an awful noise in our kala juggah. Protect my character, dear, if it¡¯s all over Simla by to-morrow and then he bobbed forward in the middle of this insanity I firmly believe the man¡¯s demented and kissed me.¡¯ ¢¹ '±×°¡ Çß½À´Ï´Ù. ³ª´Â ±×°¡ ¸»ÇÑ °Í Áß Àý¹ÝÀÌ ±â¾ï³ªÁö ¾Ê¾Æ, ³ª´Â ³Ê¹« È­°¡ ³µ¾î¿ä. ¾Æ, ÇÏÁö¸¸ Á¤¸» Àç¹ÌÀÖ´Â ÀÏÀÌ ÀϾ¾î¿ä! ¢¹ ³ª´Â Áö±Ý ±×°ÍÀ» º¸°í ¿ôÁö ¾ÊÀ» ¼ö ¾øÁö¸¸, ³ª´Â È­°¡ ³ª¼­ °ÅÀÇ ¿ï °Í °°Àº ±âºÐÀÌ µé¾ú½À´Ï´Ù. ±×´Â °íÇÔÀ» Áú·¶°í ³ª´Â ¿ì¸®°¡ Ä®¶ó ÁÖ°¡(kala juggah)¿¡¼­ ²ûÂïÇÑ ¼Ò¸®¸¦ ³ÂÀ» °Í °°½À´Ï´Ù. ³» ÀΰÝÀ» ÁöÄÑÁà, ¾ê¾ß, ¸¸¾à ³»ÀϱîÁö ½É¶ó¿¡ ¿ÂÅë µÚµ¤ÀÎ »óÅ¿¡¼­ ±×°¡ ÀÌ ±¤±â ¼Ó¿¡¼­ ¾ÕÀ¸·Î ±îµü°Å·È´Ù¸é, ³ª´Â ±× ³²ÀÚ°¡ ¹ÌÃÆ°í ³ª¿¡°Ô Å°½ºÇß´Ù°í ±»°Ô ¹Ï¾î.'

¢º Å°Çøµ ¼Ò¼³ÀÌ Àεµ Àü¿ªÀÇ Ã¶µµ¿ª¿¡¼­ ÀýÂù¸®¿¡ ÆǸŵǾú´Ù?! : Å°ÇøµÀº Àεµ¿¡ °ÅÁÖÇÒ ´ç½Ã ÀÚ½ÅÀÇ ÀÛÇ°À» ÆǸÅÇϱâ À§ÇØ ÀεµÀÇ ´ëÇü ¼­Á¡ ÇÁ·£Â÷ÀÌÁî A. H. Èη¯(A. H. Wheeler & Co. Pvt. Ltd.)¿Í Çù·ÂÇÏ¿´À¸¸ç, À̸¦ ÅëÇÏ¿© Àεµ Àü¿ªÀÇ ±âÂ÷¿ª¿¡¼­ Àεµ öµµ µµ¼­°ü ½Ã¸®Áî(Indian Railway Library Series)¸¦ Ãâ°£ÇÏ¿´½À´Ï´Ù. À̸¦ ÅëÇØ Ãâ°£µÈ ù ¹ø° ÀÛÇ°(No. 1)ÀÌ ±ºÀÎ ¼Â(Soldiers Three by Rudyard Kipling)·Î Å°ÇøµÀÇ ºÎÄ£ Á¸ ·Ï¿ìµå Å°Çøµ(John Lockwood Kipling, 1837~1911)ÀÇ »ðÈ­°¡ Æ÷ÇԵǾúÀ¸¸ç, ÀεµÀÇ Ã¶µµ¿ª¿¡¼­ ´Üµ· 1·çÇÇ(´ç½Ã ¿µ±¹ 1ÆÄ¿îµåÀÇ 1/15)¶õ Àú·ÅÇÑ °¡°Ý¿¡ ÀÏȸ¿ë ¿À¶ô²¨¸®(Throwaway)·Î ÆǸŵǾú½À´Ï´Ù. ¢¹ ÀÌÈÄ Á¦2È£(No. 2) °³Áîºñ À̾߱â(The Story of the Gadsbys by Rudyard Kipling), Á¦3È£(No. 3) Èæ°ú ¹é(In Black and White by Rudyard Kipling), Á¦4È£(No. 4) ½Å¼ºÇÑ ³ª¹« ¾Æ·¡(Under the Deodars by Rudyard Kipling), Á¦5È£(No. 5) Àη°ŠÀ¯·É°ú ´Ù¸¥ À¯·É À̾߱âµé(The Phantom 'Rickshaw, and Other Ghost Stories by Rudyard Kipling), Á¦6È£(No. 6) À§ Àª¸® À®Å°¿Í ´Ù¸¥ À̾߱âµé(Wee Willie Winkie, and Other Stories by Rudyard Kipling), Á¦14È£(No. 14) µÎ·Á¿î µµ½ÃÀÇ ¹ã(The City of Dreadful Night and Other Places by Rudyard Kipling) µî Å°ÇøµÀÇ ÀÛÇ°ÀÌ ²ÙÁØÈ÷ ÃâÆǵǾúÀ¸¸ç, Á¦7È£(No. 7) ÀÌ¹Ý ¿Àº£À̾ðÀÇ ´ë·ÉÀÇ ¹üÁË: ¿À´ÃÀÇ À̾߱â; ±×¸®°í ÁüÀÇ ¾Æ³»(The Colonel's Crime: A Story of To-day; and, Jim's Wife by Ivan O'Beirne, 1889)ºÎÅÍ ´Ù¸¥ ÀÛ°¡ÀÇ ÀÛÇ°µµ Ãß°¡µÇ¾ú½À´Ï´Ù. Àεµ öµµ µµ¼­°ü ½Ã¸®Áî´Â ÀÌÈÄ 1893³â Á¦26È£ ÀÚÅÃÀÇ Á¸ ºê¶ó¿î ºÎºÎ(Mr. & Mrs. John Brown at Home by John Brown, 1893)±îÁö Á¤±âÀûÀ¸·Î ¹ßÇàµÇ¾ú½À´Ï´Ù.

¸ñÂ÷

-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man's Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼­ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation's Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐÈ­±¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,063 ·¯µð¾îµå Å°ÇøµÀÇ ½Å¼ºÇÑ ³ª¹« ¾Æ·¡ 1888(English Classics1,063 Under the Deodars by Rudyard Kipling)
01. The Education Of Otis Yeere
02. At The Pit¡¯s Mouth
03. A Wayside Comedy
04. The Hill Of Illusion
05. A Second-Rate Woman
06. Only A Subaltern
07. In The Matter Of A Private
08. The Enlightenments Of Pagett, M.P.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(1,954)