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¿µ¾î°íÀü1,076 ·¯µð¾îµå Å°ÇøµÀÇ ±³Åë°ú ¹ß°ß 1904(English Classics1,076 Traffics and Discoveries by Rudyard Kipling)


¿µ¾î°íÀü1,076 ·¯µð¾îµå Å°ÇøµÀÇ ±³Åë°ú ¹ß°ß 1904(English Classics1,076 Traffics and Discoveries by Rudyard Kipling)

¿µ¾î°íÀü1,076 ·¯µð¾îµå Å°ÇøµÀÇ ±³Åë°ú ¹ß°ß 1904(English Classics1,076 Traffics and Discoveries by Rudyard Kipling)

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¢º ¿µ¾î°íÀü1,076 ·¯µð¾îµå Å°ÇøµÀÇ ±³Åë°ú ¹ß°ß 1904(English Classics1,076 Traffics and Discoveries by Rudyard Kipling)´Â 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ 11ÆíÀÇ »ê¹®(ߤÙþ), 11ÆíÀÇ ½Ã(ãÌ)¸¦ ¹­Àº ´ÜÇົÀÔ´Ï´Ù. Æ÷·Î(The Captive)ºÎÅÍ ¹Ð ´ï ¾Æ·¡(Below The Mill Dam)±îÁö ÇÑ ÆíÀÇ ½Ã¿Í »ê¹®ÀÌ ÇϳªÀÇ ¼¼Æ®¸¦ ÀÌ·ç¾î ¿¬¼ÓµÇ´Â µ¶Æ¯ÇÑ ¹æ½ÄÀÔ´Ï´Ù. ÀÛÇ°ÀÇ ÁÖÁ¦¿Í ¼ÒÀç´Â ¸Å¿ì ´Ù¾çÇÏÁö¸¸, ÀüüÀûÀ¸·Î ¿µ±¹°ú ¿µ±¹ Á¦±¹ÁÖÀÇ¿¡ ´ëÇÑ Âù¾ç°ú ÁöÁö¸¦ ´ã°í ÀÖ´Â ¾Ö±¹ÀûÀÎ ÁÖÁ¦¸¦ Áñ°Ü ´Ù·ç°í ÀÖ¾î 19¼¼±â ¿µ±¹ÀÎÀÇ ´ëÁßÀûÀÎ Á¤¼­¸¦ ¿³º¼ ¼ö ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¸ñÂ÷(Index)
¢¹ Æ÷·Î(The Captive)
»çÀÌÀÌµå ¾Æ¸Þµå(¿ÍÇϺñ)ÀÇ ¾Ë-¾ÆÅ©»ç-¸ð½ºÅ©¿¡¼­{From The Masjid-Al-Aqsa Of Sayyid Ahmed(Wahabi)}
Æ÷·Î(The Captive)
¢¹ ±ÔÀ²ÀÇ À¯´ë(The Bonds Of Discipline)
Æ÷¼¼À̵·ÀÇ ¹ýÄ¢(Poseidon¡¯s Law)
±ÔÀ²ÀÇ À¯´ë(The Bonds Of Discipline)
¢¹ »çÈ÷ºêÀÇ ÀüÀï(A Sahibs¡¯ War)
´Þ¸®´Â ÀÚµé(The Runners)
»çÈ÷ºêÀÇ ÀüÀï(A Sahibs¡¯ War)
¢¹ ¡°±×µéÀÇ Àû¹ýÇÑ °æ¿ì¡±(¡°Their Lawful Occasions¡±)
´õ Ÿ‡ ¸®Å¸´Ï(The Wet Litany)
¡°±×µéÀÇ ÇÕ¹ýÀûÀÎ °æ¿ì¡±(¡°Their Lawful Occasions¡±)-Á¦1ºÎ(Part I.)
¡°±×µéÀÇ ÇÕ¹ýÀûÀÎ °æ¿ì¡±(¡°Their Lawful Occasions¡±)-Á¦2ºÎ(Part II.)
¢¹ »ç¼³ ±¸¸®ÀÇ ÀÌÇØ(The Comprehension Of Private Copper)
¿ÕÀÇ ÀÓ¹«(The King¡¯s Task)
»ç¼³ ±¸¸®ÀÇ ÀÌÇØ(The Comprehension Of Private Copper)
¢¹ ½ºÆÀ ÅÃƽ½º(Steam Tactics)
ÇÊ¿äÁÖÀÇÀÚ(The Necessitarian)
½ºÆÀ ÅÃƽ½º(Steam Tactics)
¢¹ ¡°¹«¼±¡±(¡°Wireless¡±)
"¹Ù¸£´Ù"¿¡¼­ Ä«½ºÆÄÀÇ ³ë·¡(Kaspar¡¯s Song In ¡°Varda¡±)
"¹«¼±"(¡°Wireless¡±)
¢¹ ²ÞÀÇ ±º´ë(The Army Of A Dream)
¿Ãµå °¡µåÀÇ ³ë·¡(Song Of The Old Guard)
²ÞÀÇ ±º´ë(The Army Of A Dream)-Á¦1ºÎ(Part I.)
²ÞÀÇ ±º´ë(The Army Of A Dream)-Á¦2ºÎ(Part II.)
¢¹ '±×µé'(¡°They¡±)
¾ÆÀ̵éÀÇ ±Íȯ(The Return Of The Children)
"±×µé"(¡°They¡±)
¢¹ ¹Ù¼­½ºÆ® ºÎÀÎ(Mrs. Bathurst)
¶óÀ̵§ÀÇ "ÀÌ·¹´Ï¿ì½º" Á¦3¸· Á¦2½Å¿¡¼­(From Lyden¡¯s ¡°Irenius¡± Act III. Sc. II.)
¹è¼­½ºÆ® ºÎÀÎ(Mrs. Bathurst)
¢¹ ¹Ð ´ï ¾Æ·¡(Below The Mill Dam)
¡°¿ì¸® ¾Æ¹öÁöµµ¡±(¡°Our Fathers Also¡±)
¹Ð ´ï ¾Æ·¡(Below The Mill Dam)

¢º ¡°¹«¼±¡± 1902(¡°Wireless¡± by Rudyard Kipling) : ÀÛÇ°¿¡ µîÀåÇÏ´Â È­ÀÚ´Â ´ÜÆÄ ¶óµð¿À(short-wave radio)¸¦ ÅëÇØ ¼ö¸¶ÀÏ ¶³¾îÁø À̵é°ú ±³·ù¸¦ ½ÃµµÇÕ´Ï´Ù. ±×¿Í Åë½Å¿¡ ¼º°øÇÑ À̵éÀº Á¤Ã¼ºÒ¸íÀÇ È­ÇÐ ¹°Áú(the chemicals)À» »ç¿ëÇØ Ä¬Å×ÀÏÀ» ¸¸µé°í Àִµ¥, È­ÀÚ´Â ÀüÆĸ¦ ÅëÇØ ±×µé¿¡°Ô ¾à°£ÀÇ Á¶·ÂÀ» ÁÙ ¼ö ÀÖ½À´Ï´Ù. ¼ÎÀÌ³Ê ¾¾(Mr Shaynor)´Â ÀÚ½ÅÀÌ ¸¸µé¾î³½ ĬÅ×ÀÏÀ» ¸¶½Å ÈÄ È²È¦°æ¿¡ ºüÁ® ÇÑ ÆíÀÇ ½Ã¸¦ ½á³»·Á °¡´Âµ¥...?! °ú¿¬ ±×ÀÇ ½Ã´Â ¾î¶² ³»¿ëÀ» ´ã°í ÀÖÀ»±î¿ä?! ©¸·ÇÑ ºÐ·®ÀÇ ´ÜÆí( Short story)ÀÌÁö¸¸, ¹«¼±À» ÅëÇØ ³¸¼± ÀÌ¿Í ¼ÒÅëÇÑ´Ù´Â Èï¹Ì·Î¿î ¹ß»óÀ» ¸ðƼºê·Î »ïÀº ÀÛÇ°ÀÔ´Ï´Ù.

¢º For reasons of my own, I was deeply interested in Marconi experiments at their outset in England; and it was of a piece with Mr. Cashell¡¯s unvarying thoughtfulness that, when his nephew the electrician appropriated the house for a long-range installation, he should, as I have said, invite me to see the result. ¢¹ ³ª ÀÚ½ÅÀÇ ÀÌÀ¯·Î, ³ª´Â ¿µ±¹¿¡¼­ óÀ½À¸·Î ¸¶¸£ÄÚ´Ï ½ÇÇè¿¡ ±íÀº °ü½ÉÀ» °¡Á³½À´Ï´Ù. Àü±â ±â¼úÀÚÀÎ ±×ÀÇ Á¶Ä«°¡ ±× ÁýÀ» Àå°Å¸® ¼³Ä¡¸¦ À§ÇØ ¹èÁ¤ÇßÀ» ¶§, ³»°¡ ¸»ÇßµíÀÌ ±× °á°ú¸¦ º¸µµ·Ï Àú¸¦ ÃÊ´ëÇÑ °ÍÀº ij½© ¾¾ÀÇ º¯ÇÔ¾ø´Â »ç·Á ±íÀ½ÀÌ ´ã±ä ºÎºÐÀ̾ú½À´Ï´Ù.

¢º ¡°No! That¡¯s where so many people make the mistake. The Hertzian waves wouldn¡¯t be strong enough to work a great heavy Morse instrument like ours. They can only just make that dust cohere, and while it coheres (a little while for a dot and a longer while for a dash) the current from this battery?the home battery¡±?he laid his hand on the thing?¡°can get through to the Morse printing-machine to record the dot or dash. Let me make it clearer. Do you know anything about steam?¡± ¢¹ "¾Æ´Ï¿ä! ¸¹Àº »ç¶÷µéÀÌ ½Ç¼öÇÏ´Â °÷ÀÔ´Ï´Ù. Ç츣ġ¾È Æĵ¿Àº ¿ì¸®¿Í °°Àº Å©°í ¹«°Å¿î ¸ð½º ¾Ç±â¸¦ ÀÛµ¿½ÃÅ°±â¿¡ ÃæºÐÈ÷ °­ÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ±×µéÀº ´ÜÁö ±× ¸ÕÁö¸¦ ¹¶Ä¡°Ô ÇÒ ¼ö ÀÖÀ» »ÓÀÌ°í, ¸ÕÁö°¡ ¹¶Ä¡´Â µ¿¾È(Á¡Àº Àá½Ã µ¿¾È, ´ë½Ã´Â Á¶±Ý ´õ ±æ°Ô) ÀÌ ¹èÅ͸®, Áï °¡Á¤¿ë ¹èÅ͸®¿¡¼­ ³ª¿À´Â Àü·ù°¡ Èê·¯³ª¿É´Ï´Ù.¡± ¸ð½º Àμ⠱â°è¸¦ ÅëÇØ Á¡ ¶Ç´Â Á¡¼±À» ±â·ÏÇÕ´Ï´Ù. ´õ ¸íÈ®ÇÏ°Ô ÇÏ°Ú½À´Ï´Ù. Áõ±â¿¡ ´ëÇØ ¾Æ´Â °ÍÀÌ ÀÖ½À´Ï±î?¡±

¢º ²ÞÀÇ ±º´ë 1904(The Army Of A Dream by Rudyard Kipling) : ¿µ±¹ÀÇ À°±º Àå±³°¡ ÀÚ½ÅÀÇ ±º´ë ŸÀλçÀ̵ΠÅ×ÀÏ-Æ®À§½ºÅÍ(Tyneside Tail-twisters)¿¡ È­ÀÚ¸¦ ÃÊûÇÕ´Ï´Ù. È­ÀÚ´Â ±º´ëÀÇ ¼Ó»ìÀ» »ô»ôÀÌ µé¿©´Ùº¸¸ç, ¿µ±¹±ºÀÇ Æ¯¼ºÀ» ÆľÇÇϱ⠽ÃÀÛÇÕ´Ï´Ù. Áö¿ª »çȸ¿Í ±¹°¡ÀÇ ¹æ¾î ±â´ÉÀ» °®Ãá ½Ã¹Î ¹Îº´´ëÀÎ µ¿½Ã¿¡ ÇØ¿Ü ½Ä¹ÎÁö¿¡ ÆİߵDZâ À§ÇÑ Æ¯¼ö ºÎ´ë±îÁö »ìÆ캸¸ç, È­ÀÚ´Â ÀÌ»óÀûÀÎ ±º»ç ½Ã½ºÅÛ¿¡ ´ëÇÑ °í¹ÎÀ» ½ÃÀÛÇÕ´Ï´Ù. ¾î¸° ¼Ò³âÀ» ´ë»óÀ¸·Î ÇÑ ±âÃÊ ÈÆ·ÃÀ» ºñ·ÔÇØ À°±º°ú Çرº °£ÀÇ ¿¬°è, ¹Î°£Àΰú ±ºÀÎ °£ÀÇ Çù·Â µî ¿µ±¹ Á¦±¹ÁÖÀÇÀÇ Åä´ë¸¦ À§ÇÑ ÀÛ°¡ Å°ÇøµÀÇ ´ÜÆíÀûÀÎ °³Çõ¾ÈÀÌ Á¦½ÃµË´Ï´Ù. ÀÌ ¶§¹®¿¡ ´ÜÆí ¼Ò¼³ÀÌ ¾Æ´Ï¶ó, ¿µ±¹ÀÇ Á¦±¹ÁÖÀǸ¦ À§ÇÑ Á¤Ä¡Àû ¼±Àü¹°(political propaganda)À̶õ ºñ¾Æ³É°Å¸²À» ÇÇÇÒ ¼ö ¾ø¾ú½À´Ï´Ù¸¸¡¦¡¦.

¢º For one thing, it¡¯s a fair test of wind and muscle, and for another it saves time at the docks. We¡¯ll suppose this first company to be drawn up on the dock-head and those five others still in the troop-train. How would you get their kit into the ship?¡± ¢¹ ¡°ÇÑ °¡Áö´Â ¹Ù¶÷°ú ±ÙÀ°¿¡ ´ëÇÑ °øÁ¤ÇÑ Å×½ºÆ®ÀÌ°í ´Ù¸¥ Çϳª´Â ºÎµÎ¿¡¼­ ½Ã°£À» Àý¾àÇÕ´Ï´Ù. ¿ì¸®´Â ÀÌ Ã¹ ¹ø° Áß´ë°¡ µµÅ© Çìµå¿¡ ¹èÄ¡µÇ°í ³ª¸ÓÁö 5°³ Áß´ë´Â ¾ÆÁ÷ º´·Â ¿­Â÷¿¡ ÀÖ´Ù°í °¡Á¤ÇÕ´Ï´Ù. Å°Æ®¸¦ ¾î¶»°Ô ¹è¿¡ ³ÖÀ» ¼ö ÀÖ½À´Ï±î?¡±

¢º Çö´ëÀÇ µ¶ÀÚ¶ó¸é ·¯µð¾îµå Å°ÇøµÀÇ ÀÛÇ°¿¡ µîÀåÇÏ´Â ÀεµÀÎ, Áßµ¿ÀÎ, ¾ÆÇÁ¸®Ä«ÀÎ µîÀÇ À¯»öÀÎÁ¾°ú ±×µéÀÇ ¹®È­´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚ(Racist)ÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚ(White Supremacist)ÀÎ Å°ÇøµÀÇ ½Ã¼±À¸·Î öÀúÈ÷ ŸÀÚÈ­µÈ ¹Ì°³ÀÎÀÌÀÚ ¾ß¸¸ÀÎ(backwoodsmen and barbarians)À¸·Î ±×·ÁÁø´Ù´Â Á¡¿¡ À¯ÀÇÇϽñ⠹ٶø´Ï´Ù. Å°ÇøµÀº ½Åü°Ë»ç¿¡¼­ ºÎÀû°Ý ÆÇÁ¤À» ¹Þ¾Æ ±º´ë¿¡ ÀÔ¿µÇÏÁö ¸øÇÑ ¹Ù ÀÖÀ¸¸ç, ÀÌ·Î ÀÎÇÏ¿© ÀÚ½ÅÀÇ ±ÛÀ» ÅëÇؼ­³ª¸¶ ¾Ö±¹ÀûÀÎ ¸é¸ð¸¦ °ú½ÃÇÏ¿´½À´Ï´Ù. Çö´ëÀÇ ½ÃÁ¡¿¡¼­´Â ÀÎÁ¾Â÷º°ÁÖÀÇÀÚÀÌÀÚ ¹éÀοì¿ùÁÖÀÇÀÚÀ̶ó°í ºñÆǹÞÁö¸¸, ±× ¶ÇÇÑ 19¼¼±â ¿µ±¹ÀÇ Á¦±¹ÁÖÀǸ¦ ´©±¸º¸´Ù ¿­·ÄÈ÷ Âù¾çÇÑ ¡®Æò¹üÇÑ ¿µ±¹ÀΡ¯À¸·Î½á ´ç´ë ´ëÁßÀÇ ¿å¸ÁÀ» Àß Àо ´ëÁßÀÛ°¡¶ó°í ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×°¡ 1907³â 41¼¼¶õ ¿ª´ë ÃÖ¿¬¼ÒÀÇ ³ªÀÌ·Î ¿µ¿¹·Î¿î ³ëº§¹®ÇлóÀ» ¼ö»óÇÑ °Í ¶ÇÇÑ ´ç´ë ¹®ÇаèÀÇ Å°Çøµ¿¡ ´ëÇÑ ±àÁ¤ÀûÀÎ Æò°¡¸¦ ¹Ý¿µÇÑ °ÍÀÔ´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man's Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼­ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation's Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐÈ­±¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,076 ·¯µð¾îµå Å°ÇøµÀÇ ±³Åë°ú ¹ß°ß 1904(English Classics1,076 Traffics and Discoveries by Rudyard Kipling)
¢¹ The Captive
From The Masjid-Al-Aqsa Of Sayyid Ahmed(Wahabi)
The Captive
¢¹ The Bonds Of Discipline
Poseidon¡¯s Law
The Bonds Of Discipline
¢¹ A Sahibs¡¯ War
The Runners
A Sahibs¡¯ War
¢¹ ¡°Their Lawful Occasions¡±
The Wet Litany
¡°Their Lawful Occasions¡±-Part I.
¡°Their Lawful Occasions¡±-Part II.
¢¹ The Comprehension Of Private Copper
The King¡¯s Task
The Comprehension Of Private Copper
¢¹ Steam Tactics
The Necessitarian
Steam Tactics
¢¹ ¡°Wireless¡±
Kaspar¡¯s Song In ¡°Varda¡±
¡°Wireless¡±
¢¹ The Army Of A Dream
Song Of The Old Guard
The Army Of A Dream-Part I.
The Army Of A Dream-Part II.
¢¹ ¡°They¡±
The Return Of The Children
¡°They¡±
¢¹ Mrs. Bathurst
From Lyden¡¯s ¡°Irenius¡± Act III. Sc. II.
Mrs. Bathurst
¢¹ Below The Mill Dam
¡°Our Fathers Also¡±
Below The Mill Dam
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
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