¢º ¿µ¾î°íÀü1,077 ·¯µð¾îµå Å°ÇøµÀÇ ¼±â 2000³â À̾߱â: ¾ß°£ ¿ìÆí¹° 1905(English Classics1,077 With the Night Mail: A Story of 2000 A.D. by Rudyard Kipling)´Â 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ Èñ±ÍÇÑ °ø»ó°úÇмҼ³(Science Fiction) Áß ÇϳªÀÔ´Ï´Ù. ´ë¼¾çÀ» °¡·ÎÁú·¯ ¿µ±¹°ú ¹Ì±¹À» Á¤±âÀûÀ¸·Î ¿¬°áÇÏ´Â 20¼¼±âÀÇ ¿ìÆí¹° ºñÇ༱À» ¼ÒÀç·Î ´Ù·ð´Ù´Â Á¡¿¡¼ ½ºÆÀÆãÅ©(Steampunk)·Î ºÐ·ùÇÒ ¼ö ÀÖÀ¸¸ç, »ö´Ù¸£¸é¼µµ µ¶Æ¯ÇÑ ÀÛÇ°À» ã´Â ½ÇÇèÀûÀÎ µ¶ÀÚ¿¡°Ô ÃßõÇÕ´Ï´Ù. ¹Ù´Ù¸¦ ¹«´ë·Î ÇÑ ÇØ¾ç ¼Ò¼³¿¡ Æødz¿ì°¡ ¹Ýµå½Ã µîÀåÇÏµí ¸ðÇè¹°(Adventure)À» Áñ°Ü ¾´ Å°Çøµ´ä°Ô ¼±â 2000³â À̾߱â: ¾ß°£ ¿ìÆí¹° 1905(With the Night Mail: A Story of 2000 A.D. by Rudyard Kipling)¿¡µµ ´ëÀÚ¿¬¿¡ ¸Â¼ ½Î¿ì´Â ºñÇ༱ÀÇ À§±â¿Í ÀÓ¹«¸¦ ¹«»çÈ÷ ¼öÇàÇϱâ À§ÇØ °í±ººÐÅõÇÏ´Â ½Â¹«¿øµéÀÇ ´ë¸³°ú °¥µîÀ» µå¶ó¸¶Æ½ÇÏ°Ô ¹¦»çÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ °ø»ó°úÇмҼ³(Science Fiction)Àº ·¯µð¾îµå Å°ÇøµÀÇ °ø»ó°úÇÐ À̾߱âµé(The Science Fiction Stories of Rudyard Kipling, 1902)À̶õ ÆíÁýº»À¸·Î 1902³âºÎÅÍ ²ÙÁØÈ÷ Ãâ°£µÇ°í ÀÖ½À´Ï´Ù. ±¹³» ¹ÌÃâ°£ÀÛÀ¸·Î, ¼ö·Ï ÀÛÇ°Àº ´ÙÀ½°ú °°½À´Ï´Ù. ¿äÁ¤µéÀÇ °ø¼ºÀü(The Fairies' Siege, 1901)Àº À¯ÀÏÇÏ°Ô ¼Ò¼³ÀÌ ¾Æ´Ñ ½Ã(Poetry)ÀÔ´Ï´Ù. ¢¹ ¾ß°£ ¿ìÆí¹°(With the Night Mail, 1905), ºñÀü¹®°¡(Unprofessional, 1930), ÀÚ±â ÀÚ½ÅÀ» ¹ß°ßÇÑ ¹è(The Ship That Found Herself, 1992), ¿äÁ¤µéÀÇ °ø¼ºÀü(The Fairies' Siege, 1901), ¾Ë¶óÀÇ ´«(The Eye of Allah, 1926), °°Àº ¹è¿¡¼(In the Same Boat, 1911), A.B.C¸¸Å ½¬¿î(As Easy as A.B.C., 1912), »ç½ÇÀÇ ¹®Á¦(A Matter of Fact, 1892), "¹«¼±"("Wireless", 1902), .007(1897).
¢º I have been waiting eagerly for this invitation and I follow Captain Hodgson from the control-platform, stooping low to avoid the bulge of the tanks. We know that Fleury's gas can lift anything, as the world-famous trials of '89 showed, but its almost indefinite powers of expansion necessitate vast tank room. Even in this thin air the lift-shunts are busy taking out one-third of its normal lift, and still "162" must be checked by an occasional downdraw of the rudder or our flight would become a climb to the stars. Captain Purnall prefers an overlifted to an underlifted ship; but no two captains trim ship alike. "When I take the bridge," says Captain Hodgson, "you'll see me shunt forty per cent. of the lift out of the gas and run her on the upper rudder. With a swoop upwards instead of a swoop downwards, as you say. Either way will do. It's only habit. Watch our dip-dial! Tim fetches her down once every thirty knots as regularly as breathing.¡° ¢¹ ³ª´Â ÀÌ Ãʴ븦 °£ÀýÈ÷ ±â´Ù¸®°í ÀÖ¾ú°í ÅÊÅ©ÀÇ ÆØâÀ» ÇÇÇϱâ À§ÇØ ¸öÀ» ³·Ãß°í Á¦¾î Ç÷§Æû¿¡¼ È£Áö½¼ ´ëÀ§¸¦ µû¶ó°¬½À´Ï´Ù. ¿ì¸®´Â Ç÷ڸ®ÀÇ °¡½º°¡ 89³âÀÇ ¼¼°èÀûÀ¸·Î À¯¸íÇÑ ½Ãµµ¿¡¼ º¸¿©ÁÖµíÀÌ ¹«¾ùÀÌµç µé¾î ¿Ã¸± ¼ö ÀÖ´Ù´Â °ÍÀ» ¾Ë°í ÀÖÁö¸¸ °ÅÀÇ ¹«ÇÑÇÑ ÆØâ·ÂÀ¸·Î ÀÎÇØ ³ÐÀº ÅÊÅ© °ø°£ÀÌ ÇÊ¿äÇÕ´Ï´Ù. ÀÌ Èñ¹ÚÇÑ °ø±â ¼Ó¿¡¼µµ ¸®ÇÁÆ® ¼ÇÆ®´Â Á¤»óÀûÀÎ ¸®ÇÁÆ®ÀÇ 1/3À» »©´À¶ó ¹Ù»Ú°í ¿©ÀüÈ÷ "162"´Â ¶§¶§·Î ¹æÇ⟸¦ ³»¸®¸é¼ È®ÀÎÇØ¾ß ÇÕ´Ï´Ù. ±×·¸Áö ¾ÊÀ¸¸é ¿ì¸®ÀÇ ºñÇàÀº º°À» ÇâÇÑ µî¹ÝÀÌ µÉ °ÍÀÔ´Ï´Ù. Ǫ¸£³¯ ¼±ÀåÀº ºÎ¾çµÈ ¹èº¸´Ù ºÎ¾çµÈ ¹è¸¦ ¼±È£ÇÕ´Ï´Ù. ±×·¯³ª µÎ ¸íÀÇ ¼±ÀåÀÌ ¹è¸¦ ¶È°°ÀÌ ´ÙµëÁö´Â ¾Ê½À´Ï´Ù. "³»°¡ ´Ù¸®¸¦ ÀâÀ» ¶§"¶ó°í È£Áö½¼ ¼±ÀåÀº ¸»ÇÕ´Ï´Ù. ¸»ÇغÁ. ¾î´À ÂÊÀÌµç »ó°ü¾ø¾î. ½À°üÀÏ »ÓÀ̾ß. µö´ÙÀ̾óÀ» Á¶½ÉÇØ! ÆÀÀº ¼û ½¬´Â °Íó·³ ±ÔÄ¢ÀûÀ¸·Î 30³ëÆ®¸¶´Ù ÇÑ ¹ø¾¿ ±×³à¸¦ ²ø¾î³»¸®Áö¡°
¢º She comes up nobly, but the laterals buffet her left and right like the pinions of angry angels. She is jolted off her course in four ways at once, and cuffed into place again, only to be swung aside and dropped into a new chaos. We are never without a corposant grinning on our bows or rolling head over heels from nose to midships, and to the crackle of electricity around and within us is added once or twice the rattle of hail?hail that will never fall on any sea. Slow we must or we may break our back, pitch-poling. ¢¹ ±×³à´Â °í»óÇÏ°Ô ¿Ã¶ó¿ÀÁö¸¸ ¿·±¸¸®´Â ¼º³ õ»çÀÇ ³¯°³Ã³·³ Á¿ì·Î ºÎµúĨ´Ï´Ù. ±×³à´Â ÇÑ ¹ø¿¡ ³× °¡Áö ¹æ½ÄÀ¸·Î °æ·Î¸¦ ÀÌÅ»ÇÏ°í ´Ù½Ã Á¦ÀÚ¸®¿¡ ¹¿© ÀÖÁö¸¸ ¿·À¸·Î Èֵѷ¯Á® »õ·Î¿î È¥µ· ¼ÓÀ¸·Î ¶³¾îÁý´Ï´Ù. ¿ì¸®´Â ¹î¸Ó¸®¿¡¼ ¿ôÀ¸¸ç ¸Ó¸®¸¦ ±¼¸®°Å³ª ÄÚ¿¡¼ ¹è Áß¾Ó±îÁö ¸Ó¸®¸¦ ±¼¸®¸ç ¿ì¸® ÁÖº¯°ú ³»ºÎ¿¡¼ Àü±âÀÇ µüµü °Å¸®´Â ¼Ò¸®¿¡ ÇѵΠ¹ø ¿ì¹Ú ¼Ò¸®°¡ ´õÇØÁý´Ï´Ù. õõÈ÷ ÇØ¾ß ÇÕ´Ï´Ù. ±×·¸Áö ¾ÊÀ¸¸é µîÀÌ ºÎ·¯Áú ¼ö ÀÖ½À´Ï´Ù.
¢º We slid off our caps and joined in. When our shadow fell across her great open platforms they looked up and stretched out their hands neighbourly while they sang. We could see the doctors and the nurses and the white-button-like faces of the cot-patients. She passed slowly beneath us, heading northward, her hull, wet with the dews of the night, all ablaze in the sunshine. So took she the shadow of a cloud and vanished, her song continuing. Oh, ye holy and humble men of heart, bless ye the Lord! Praise Him and magnify Him forever. ¢¹ ¿ì¸®´Â ¸ðÀÚ¸¦ ¹þ°í ÇÕ·ùÇß½À´Ï´Ù. ¿ì¸®ÀÇ ±×¸²ÀÚ°¡ ±×³àÀÇ °Å´ëÇÑ °³¹æÇü ´Ü»ó¿¡ µå¸®¿öÁ³À» ¶§ ±×µéÀº ³ë·¡¸¦ ºÎ¸£´Â µ¿¾È À§¸¦ ¿Ã·Á´Ùº¸¸ç ÀÌ¿ôó·³ ¼ÕÀ» »¸¾ú½À´Ï´Ù. ¿ì¸®´Â ÀÇ»çµé°ú °£È£»çµé ±×¸®°í ¾Æ±â ħ´ë ȯÀÚµéÀÇ Èò ´ÜÃß °°Àº ¾ó±¼À» º¼ ¼ö ÀÖ¾ú½À´Ï´Ù. ±×³à´Â ¹ãÀ̽½¿¡ Á¥Àº ¼±Ã¼°¡ ÇÞºû¿¡ Ÿ¿À¸£´Â ä ºÏÂÊÀ¸·Î ÇâÇÏ¸é¼ ÃµÃµÈ÷ ¿ì¸® ¾Æ·¡¸¦ Áö³ª°¬½À´Ï´Ù. ±×·¡¼ ±×³à´Â ±¸¸§ ±×¸²ÀÚ¸¦ Ÿ°í »ç¶óÁ³°í ±×³àÀÇ ³ë·¡´Â °è¼ÓµÇ¾ú½À´Ï´Ù. ¿À, °Å·èÇÏ°í ¸¶À½ÀÌ °â¼ÕÇÑ »ç¶÷µéÀÌ¿©, ÁÖ´ÔÀ» ¼ÛÃàÇϽʽÿÀ! ±×ºÐÀ» Âù¾çÇÏ°í ¿µ¿øÈ÷ ±×ºÐÀ» Âù¾çÇϽʽÿÀ.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man's Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation's Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐȱ¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,077 ·¯µð¾îµå Å°ÇøµÀÇ ¼±â 2000³â À̾߱â: ¾ß°£ ¿ìÆí¹° 1905(English Classics1,077 With the Night Mail: A Story of 2000 A.D. by Rudyard Kipling)
¢¹ With The Night Mail A Story Of 2000 A.D.
With The Night Mail
Aerial Board Of Control Bulletin
Notes
Correspondence
Reviews
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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