¢º ¿µ¾î°íÀü1,096 ·¯µð¾îµå Å°ÇøµÀÇ Á¦1Â÷ ¼¼°è´ëÀü ÁßÀÇ ¾ÆÀÏ·£µå °æºñ´ë Á¦1´ë´ë 1923{English Classics1,096 The Irish Guards in the Great War, Volume 1 (of 2). The First Battalion by Kipling}Àº 19¼¼±â ¿µ±¹ÀÇ ¼Ò¼³°¡ °â ½ÃÀÎ ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)ÀÇ ±º´ë¹°(Rudyard Kipling¡¯s Military Books)ÀÔ´Ï´Ù. 1907³â ³ëº§¹®Çлó(Nobel Prize in Literature)À» ¼ö»óÇÑ Å°ÇøµÀº ´ç´ëÀÇ ¹®Çа¡·Î½á ±¹Á¦ÀûÀÎ ¸í¼ºÀ» ¶³Ä¡°í ÀÖ¾ú°í, Á¦1Â÷ ¼¼°è´ëÀü(World War I, 1914~1918) ´ç½Ã ¿µ±¹°ú µ¿¸Í±¹ÀÇ ÃÊûÀ¸·Î ½Åº´ ÈƷüҺÎÅÍ Àü¼±±îÁö ÀüÀï ÇöÀåÀ» µÎ·ç »ìÆ캼 ¼ö ÀÖ¾ú½À´Ï´Ù. À̸¦ ¹ÙÅÁÀ¸·Î ÇÁ¶û½º Àü¼±À» ½ÃÂûÇÑ ÈÄ ¹®¸íÀÇ ÃÖÀü¼±¿¡¼: ÇÁ¶û½º ÀüÀï 1915(France at War: On the Frontier of Civilization by Rudyard Kipling)¸¦, ¿µ±¹ ½Åº´ ÈƷüҸ¦ °ü¶÷ÇÑ ÈÄ ½Å±º(ãæÏÚ) 1915(The New Army in Training by Rudyard Kipling)¸¦, Àá¼öÇÔ°ú ¼±¹ÚÀ» ž½ÂÇÑ ÈÄ Çرº¿¡ °üÇÑ ÇØÀü(úîú) 1916(Sea Warfare by Rudyard Kipling)À» ¹ßÇ¥ÇÏ´Â µî ¹æ´ëÇÑ ºÐ·®ÀÇ ±â»ç¸¦ ²ÙÁØÈ÷ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.
¢º Á¦1Â÷ ¼¼°è´ëÀü ÁßÀÇ ¾ÆÀÏ·£µå °æºñ´ë Á¦1´ë´ë 1923{The Irish Guards in the Great War, Volume 1 (of 2). The First Battalion by Kipling}Àº Á¦¸ñ ±×´ë·Î Á¦1Â÷ ¼¼°è´ëÀü(World War I, 1914~1918)¿¡ ÂüÀüÇÑ ¾ÆÀÏ·£µå °æºñ´ë Á¦1´ë´ë(The Irish Guards The First Battalion)¿¡ °üÇÑ Ã¥À¸·Î ´ë´ëÀÇ ¸ðÁýºÎÅÍ ÈÆ·Ã, ÇÁ¶û½º Àü¼±À¸·Î Æĺ´, ·ç ÀüÅõ (Battle of Loos, 1915)¸¦ ºñ·ÔÇÑ ÁÖ¿ä ÀüÅõ, ÂüÈ£Àü µî ´Ù¾çÇÑ ¼ÒÀ縦 dzºÎÇÏ°Ô ´Ù·ç°í ÀÖ´Â ¸£Æ÷(Reportage)ÀÌÀÚ ÀüÀï±â·Ï¹°·Î °¡Ä¡°¡ ³ô½À´Ï´Ù. ÀÛ°¡´Â ÀÌ ÀÛÇ°À» À§ÇØ ±â·Ïº¸°ü¼ÒÀÇ ¼ö¸¹Àº ÀÚ·á´Â ¹°·Ð ÂüÀü¿ë»çµéÀÇ »çÀûÀÎ ÆíÁö¿Í ¹®¼, ÀÎÅÍºä µîÀ» Ãæ½ÇÇÏ°Ô ¼öÁýÇÏ°í, °ËÅäÇÏ¿´½À´Ï´Ù.
¢º Å°ÇøµÀº ¾ÆÀÏ·£µå °æºñ´ë(The Irish Guards)¿¡¼ º¹¹«ÇÏ´ø Áß ·ç ÀüÅõ (Battle of Loos, 1915)¿¡¼ ºÒ°ú 18¼¼ÀÇ ³ªÀÌ·Î »ç¸ÁÇÑ ÀÚ½ÅÀÇ ¾Æµé Á¸(John Kipling, 1897~1915)À» Ã߸ðÇϱâ À§ÇØ ÀÌ ÀÛÇ°À» ÁýÇÊÇÏ¿´À¸¸ç, ´ç½Ã º¹¹«ÇÑ Àå±³¿Í º´»çµéÀÇ ¸í´ÜÀ» »ç¸ÁÀÚ ¸í´Ü°ú ÇÔ²² °ÔÁ¦ ÇÏ¿´½À´Ï´Ù. Á¸ Å°ÇøµÀº ½Ã·ÂÀÌ ÁÁÁö ¾Ê¾ÒÀ½¿¡µµ ºÒ±¸ÇÏ°í, ¡®³ëº§¹®Çлó ¼ö»óÀÚ¡¯ ¾Æ¹öÁöÀÇ ¾ÐµµÀûÀÎ ÀθÆÀ¸·Î ÀÔ´ëÇÒ ¼ö ÀÖ¾ú´Ù³×¿ä.
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¢º INTRODUCTION. These volumes try to give soberly and with what truth is possible, the experiences of both battalions of the Irish Guards from 1914 to 1918. The point of view is the battalions¡¯, and the facts mainly follow the Regimental Diaries, supplemented by the few private letters and documents which such a war made possible, and by some tales that have gathered round men and their actions. ¢¹ ¼Ò°³(INTRODUCTION). ÀÌ Ã¥µéÀº 1914³âºÎÅÍ 1918³â±îÁö ¾ÆÀÏ·£µå ±ÙÀ§´ëÀÇ µÎ ´ë´ëÀÇ °æÇèÀ» ³ÃÁ¤ÇÏ°Ô ±×¸®°í °¡´ÉÇÑ Áø½Ç·Î Á¦°øÇÏ·Á°í ³ë·ÂÇÕ´Ï´Ù. °üÁ¡Àº ´ë´ë'À̸ç, »ç½ÇÀº ÁÖ·Î ¿¬´ëÀÏÁö¸¦ µû¸£¸ç, ±×·¯ÇÑ ÀüÀïÀ» °¡´ÉÇÏ°Ô ÇÑ ¼Ò¼öÀÇ »çÀûÀÎ ÆíÁö¿Í ¹®¼, ±×¸®°í »ç¶÷µé°ú ±×µéÀÇ Çൿ¿¡ ´ëÇÑ ¸î¸î À̾߱â·Î º¸¿ÏµË´Ï´Ù.
¢º It is for the sake of these initiated that the compiler has loaded his records with detail and seeming triviality, since in a life where Death ruled every hour, nothing was trivial, and bald references to villages, billets, camps, fatigues, and sports, as well as hints of tales that can never now fully be told, carry each their separate significance to each survivor, intimate and incommunicable as family jests. ¢¹ Á×À½ÀÌ ¸Å ½Ã°£À» Áö¹èÇÏ´Â »î¿¡¼ »ç¼ÒÇÑ °ÍÀº ¾Æ¹«°Íµµ ¾ø¾ú°í ¸¶À», ºô·¿, Ä·ÇÁ, ÇÇ·Î, ½ºÆ÷Ã÷¿¡ ´ëÇÑ ´ë¸Ó¸® ÂüÁ¶, Áö±ÝÀº ¿ÏÀüÈ÷ ¸»ÇÒ ¼ö ¾ø´Â À̾߱âÀÇ ÈùÆ®»Ó¸¸ ¾Æ´Ï¶ó °¡Á· ³ó´ãó·³ Ä£¹ÐÇÏ°í Àü´ÞÇÒ ¼ö ¾ø´Â °¢ »ýÁ¸ÀÚ¿¡°Ô °¢°¢ÀÇ º°µµÀÇ Àǹ̸¦ Àü´ÞÇÕ´Ï´Ù.
¢º As regards other readers, the compiler dares no more than hope that some of those who have no care for old history, or that larger number who at present are putting away from themselves odious memories, may find a little to interest, or even comfort, in these very details and flatnesses that make up the unlovely, yet superb, life endured for their sakes. ¢¹ ´Ù¸¥ µ¶ÀÚµé°ú °ü·ÃÇÏ¿©, ÄÄÆÄÀÏ·¯´Â °¨È÷ ¿À·¡µÈ ¿ª»ç¸¦ ÀüÇô ½Å°æ ¾²Áö ¾Ê´Â »ç¶÷µé, ¶Ç´Â ÇöÀç ±×µé ÀÚ½ÅÀ¸·ÎºÎÅÍ Ãß¾ÇÇÑ ±â¾ïÀ» °£Á÷ÇÏ°í ÀÖ´Â ´õ ¸¹Àº »ç¶÷µéÀÌ »ç¶û½º·´Áö ¾ÊÁö¸¸ ÃÖ°íÀÎ ÀÌ·¯ÇÑ ¼¼ºÎ »çÇ×°ú ÆòźÇÔ¿¡¼ ¾à°£ÀÇ Èï¹Ì¸¦ ã°Å³ª, ±×µéÀ» À§ÇØ Âü¾Ò´ø »î, ½ÉÁö¾î À§¾ÈÀ» ãÀ» ¼ö ÀÖ´Ù´Â Èñ¸Á¿¡ Áö³ªÁö ¾Ê½À´Ï´Ù,
¢º Loos. The field of battle presented an extraordinary effect of dispersion and detachment. Gas, smoke, and the continuous splash and sparkle of bombs marked where the lines were in actual touch, but behind and outside this inferno stretched a desolation of emptiness, peopled with single figures ¡°walking about all over the place,¡± as one observer wrote, with dead and wounded on the ground, and casualties being slowly conveyed to dressing-stations?every one apparently unconcerned beneath shell-fire, which in old-time battles would have been reckoned heavy, but which here, by comparison, was peace. ¢¹ ·ç ÀüÅõ(Loos). ÀüÀåÀº ºÐ»ê°ú ÀÌÅ»À̶ó´Â ³²´Ù¸¥ È¿°ú¸¦ ³ªÅ¸³Â½À´Ï´Ù. °¡½º, ¿¬±â, ±×¸®°í ¼±ÀÌ ½ÇÁ¦·Î ´ê´Â °÷À» Ç¥½ÃÇÏ´Â ÆøźÀÇ ¿¬¼ÓÀûÀÎ ¹°º¸¶ó¿Í ºÒ²ÉÀÌ ÀÖ¾úÁö¸¸, ÇÑ °üÂûÀÚ°¡ ¾´ °Íó·³ ÀÌ Áö¿ÁÀÇ µÚ¿Í ¹Ù±ù¿¡´Â °øÇãÇÔÀÇ È²ÆóÇÔÀÌ ÆîÃÄÁ® ÀÖ¾ú½À´Ï´Ù. ¶¥¿¡ Á×°í ºÎ»óÀ» ÀÔ°í ºÎ»óÀÚµéÀÌ ÃµÃµÈ÷ µå·¹½Ì ½ºÅ×À̼ÇÀ¸·Î À̼۵ǰí ÀÖ½À´Ï´Ù. ¿¹ÀüÀÇ ÀüÅõ¿¡¼´Â ¹«°Å¿î °ÍÀ¸·Î °£ÁֵǾúÀ» Æ÷ź ¾Æ·¡¿¡¼ ¸ðµç »ç¶÷ÀÌ ºÐ¸íÈ÷ ¹«°ü½ÉÇßÁö¸¸ ¿©±â¿¡¼´Â ºñ±³ÇÏ¿© ÆòÈ¿´½À´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд ·¯µð¾îµå Å°Çøµ(Rudyard Kipling, 1865~1936)
01. Àεµ º½º£ÀÌ(Bombay) Å»ýÀÇ ¿µ±¹ ÀÛ°¡ Á¶ÁöÇÁ ·¯µð¾îµå Å°Çøµ(Joseph Rudyard Kipling)
02. ·¯µð¾îµå Å°ÇøµÀÇ ÁÖ¿ä ÀÛÇ°(Works by Rudyard Kipling)
02-1. ÇÏ¾á ¹°°³(The White Seal, 1893)
02-2. ¿ÕÀÌ µÇ·Á´ø »ç³ªÀÌ(The Man Who Would Be King, 1888)
02-3. ¹éÀÎÀÇ Áü(The White Man¡¯s Burden : The United States and the Philippine Islands, 1899)
02-4. Á¤±ÛºÏ(The Jungle Book, 1894) & Á¤±ÛºÏ µÎ ¹ø° À̾߱â(The Second Jungle Book, 1895)
02-5. ¸¸¾à¿¡(If, 1910)
03. ÇÏÄËÅ©·ÎÀÌÃ÷(Hakenkreuz)? ½º¹Ù½ºÆ¼Ä«(Svastika)!
04. ¿µ¾î±Ç ÃÖÃÊÀÇ ³ëº§ ¹®Çлó ¼ö»óÀÚ(The First English-Language Writer, 1907)ÀÌÀÚ ÃÖ¿¬¼Ò ³ëº§¹®Çлó ¼ö»óÀÚ(The Youngest Recipient, 41¼¼)
05. ¿µ±¹ ·±´ø ¿þ½ºÆ®¹Î½ºÅÍ »ç¿ø(Westminster Abbey) ½ÃÀÎÀÇ ÄÚ³Ê(Poets' Corner)(1936)
06. BBC ¼±Á¤ ¿µ±¹¿¡¼ °¡Àå »ç¶û¹Þ´Â ½ÃÀÎ(The Nation¡¯s Favourite Poet) 23À§(2009)
07. ¼ö¼º(Mercury)ÀÇ Å°Çøµ ºÐȱ¸(Crater Kipling, 2010)
08. ·¯µð¾îµå Å°Çøµ(Rudyard Kipling)À» ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(TOP10 Places to meet Rudyard Kipling)
09. ·¯µð¾îµå Å°Çøµ ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb(Movie and Drama of Rudyard Kipling)
10. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ·¯µð¾îµå Å°Çøµ(Audio Books of Rudyard Kipling)
11. ·¯µð¾îµå Å°Çøµ ¾î·Ï(235 Quotes of Rudyard Kipling)
¢º ¿µ¾î°íÀü1,096 ·¯µð¾îµå Å°ÇøµÀÇ Á¦1Â÷ ¼¼°è´ëÀü ÁßÀÇ ¾ÆÀÏ·£µå °æºñ´ë Á¦1´ë´ë 1923{English Classics1,096 The Irish Guards in the Great War, Volume 1 (of 2). The First Battalion by Kipling}
Introduction
THE IRISH GUARDS IN THE GREAT WAR
¢¹ 1914 Mons to La Bassee
The Retreat from Mons
Villers-Cotterets
The Advance to the Aisne
The Halt at Soupir
The Move Toward the Sea
The Salient and the First Battle of Ypres
¢¹ 1915 La Bassee to Laventie
Neuve Chapelle
Trench-work after Neuve Chapelle
The Battle of Festubert
From Festubert to Loos
Cuinchy
Loos
The Hohenzollern Trenches
After Loos
Laventie
¢¹ 1916 The Salient to the Somme
The Somme
The 15th September
September 25
Rest-Camps and Fatigues
¢¹ 1917 The Somme to Gouzeaucourt
Marking Time
The Somme Advance
The Salient and Boesinghe
Third Ypres and the Broembeek
The Broembeek
The Return to the Somme and Cambrai
Gouzeaucourt
¢¹ 1918 Arras to the Armistice
The March Push
¡°Standing-to¡±
The Beginnings of the End
The Affair of St. Leger
Towards the Canal du Nord
The Crossing of the Canal du Nord
Towards Maubeuge
St. Python
The Break-up
After the Armistice
¢¹ COMMANDING OFFICERS
FOOTNOTES:
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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