<¿µ¾î·Î Àд °íÀü _ ¾÷Åæ ½ÌŬ·¹¾îÀÇ 2Ãþ °µµ>
2Ãþ °µµ¹Ê 1913³â¿¡ óÀ½ ÃâÆÇµÈ ¾÷Åæ ½ÌŬ·¹¾îÀÇ ´Ü¸·±ØÀ¸·Î ÁÖÀΰøÀº °µµ Æä·¯µ¥ÀÌ·Î, ÁýÀ» Åдٰ¡ ºÙÀâÈù µµµÏÀÇ À̾߱â´Ù. Æз¯µ¥ÀÌ´Â µ¿Á¤½ÉÀÌ ¸¹Àº ij¸¯ÅÍÀÌ¸ç ±×°¡ ¹üÁË¿¡ ºüÁö°Ô µÈ ÀÌÀ¯¿¡ ´ëÇÑ ½ºÅ丮¸¦ ´ã¾Ò´Ù.
2Ãþ °Á¶´Â Àß ¾²¿©Áø ¸Å·ÂÀûÀÎ ¿¬±ØÀ¸·Î ÀÛ°¡´Â Æä·¯µ¥À̸¦ °ø°¨ÇÒ ¼ö Àִ ij¸¯ÅÍ·Î ¸¸µé¾ú´Ù. ÀÌ ´Ü¸·±Ø¿¡¼ »ç¶÷µéÀÌ ¹üÁË¿¡ ºüÁö´Â ÀÌÀ¯¿¡ ´ëÇØ ¸»ÇÏ°í ÀÖÀ¸¸ç, »îÀ» ¹Ù²Ù°í ½Í¾îÇÏ´Â »ç¶÷µé¿¡°Ô Èñ¸ÁÀÇ ¸Þ½ÃÁö¸¦ Àü´ÞÇÏ°í ÀÖ´Ù.
ÀÌ À̾߱⿡¼´Â ¹üÁË¿Í Çü¹úÀÇ º»Áú, Èñ¸ÁÀÇ Á߿伺°ú ±¸¿øÀÇ Èû¿¡ ´ëÇØ ÁÖ·Î Àü´ÞÇÏ°í ÀÖÀ¸¸ç, ¿À´Ã³¯¿¡µµ ¿©ÀüÈ÷ ÁÁÀº °íÀü ¿¬±ØÀ̶ó°í ÇÒ ¼ö ÀÖ´Ù.
ÀÌ ¿¬±ØÀº 1913³â ´º¿å½ÃÀÇ ÇÁ·Îºó½ºÅ¸¿î Ç÷¹ÀÌÇϿ콺¿¡¼ ÃÊ¿¬µÇ¾ú°í À¯¸íÇÑ ¾ð·ÐÀÎÀÌÀÚ Á¤Ä¡ È°µ¿°¡ÀÎ John Reed°¡ °¨µ¶À» ¸Ã¾Ò´Ù. ÀÌ ¿¬±ØÀº ¿¬±ØÀº À¯¸íÇÑ ¾ð·ÐÀÎÀÌÀÚ Á¤Ä¡ È°µ¿°¡À̱⵵ ÇÑ John Reed°¡ °¨µ¶Çß½À´Ï´Ù.
¿¬±ØÀº »ó¾÷ÀûÀÎ ¼º°øÀ» °ÅµÎ¾úÀ¸¸ç ÃÊ¿¬ ÀÌÈÄ ¸î ³â µ¿¾È ¿©·¯ ¹ø À翬µÇ¾úÀ¸¸ç, TV¿Í ¿µÈ·Îµµ °¢»öµÇ¾ú´Ù.
The Second-Story Man is a one-act play by Upton Sinclair, first published in 1913, in which the main character is Faraday, a robber, who is caught robbing a house. Faraday is a sympathetic character and has a story about why he fell for crime.
The Second-Story Man is a well-written and engaging play in which the writers have made Faraday a relatable character. This one-act play talks about why people fall into crime and delivers a message of hope to those who want to change their lives.
The story mainly conveys the nature of crime and punishment, the importance of hope and the power of salvation, and is still a good classic play today.
The play premiered at New York City's Provincetown Playhouse in 1913 and was directed by renowned journalist and political activist John Reed. this play
The play was directed by John Reed, a well-known journalist and also a political activist.
The play was a commercial success and has been reenacted several times in the years since its premiere, and has also been adapted for TV and film.
¿ä¾à
¿¬±ØÀº Æз¯µ¥ÀÌ°¡ 2Ãþ â¹®À¸·Î ¿Ã¶ó°¡¸é¼ ½ÃÀ۵ȴÙ. ±×´Â µµ±¸°¡ ´ã±ä °¡¹æÀ» µé°í ±× ÁýÀ» Åбâ À§ÇØ ¿Ã¶ó°¡°í ÀÖ¾ú´Ù. ¿©¼ºÀÇ ÁýÁÖÀÎÀº Æä·¯µ¥À̸¦ º¸°í ³î¶ú°í, Æä·¯µ¥ÀÌ´Â ÀÌ ¿©¼ºÀÇ ¸ñ¼Ò¸®¸¦ µéÀ¸¸ç ¸ØÃß°Ô µÈ´Ù.
Æä·¯µ¥ÀÌ´Â Àڽſ¡ ´ëÇØ ¿½ÉÈ÷ ¼³¸íÇÏ·Á°í ÇßÁö¸¸ ³î¶õ ¿©ÀÚ´Â µéÀ¸·Á°í ÇÏÁö ¾Ê¾Ò°í, °æÂû¿¡°Ô ½Å°íÇÏ¸é¼ Æä·¯µ¥À̴ üÆ÷¸¦ ´çÇÏ°Ô µÈ´Ù. °á±¹ Æä·¯µ¥ÀÌ´Â °¨¿Á¿¡ °¤È÷°Ô µÇ¾ú´Ù. ÇÏÁö¸¸ Æä·¯µ¥ÀÌ´Â ¸ðµç Èñ¸ÁÀÌ »ç¶óÁ³´Ù°í »ý°¢ÇÏ°í, ÀÚ½ÅÀÇ ÀλýÀ» ¹Ù²Ù±â·Î °á½ÉÀ» ÇÏ°í ´Ù½Ã´Â µµµÏÁúÀ» ÇÏÁö ¾Ê°Ú´Ù°í ´ÙÁüÇÑ´Ù.
Summary
The play begins with Faraday climbing up to a second-story window. He was going up to rob the house with a bag of tools. The woman's landlord is surprised to see Faraday, and Faraday stops when he hears the woman's voice.
Faraday tried hard to explain himself, but the startled woman refused to listen, and Faraday was arrested while reporting to the police. Eventually, Faraday ended up in prison. But Faraday thinks all his hope is gone, and he decides to change his life and vows never to steal again.
CONTENTS
The Second-Story Man by Upton Sinclair