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¿µ¾î°íÀü1,129 ¿À ÇÀÇ µµ½ÃÀÇ ¸ñ¼Ò¸® 1908(English Classics1,129 The Voice of the City: Further Stories of the Fou


¿µ¾î°íÀü1,129 ¿À ÇÀÇ µµ½ÃÀÇ ¸ñ¼Ò¸® 1908(English Classics1,129 The Voice of the City: Further Stories of the Fou

¿µ¾î°íÀü1,129 ¿À ÇÀÇ µµ½ÃÀÇ ¸ñ¼Ò¸® 1908(English Classics1,129 The Voice of the City: Further Stories of the Fou

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¢º ¿µ¾î°íÀü1,129 ¿À ÇÀÇ µµ½ÃÀÇ ¸ñ¼Ò¸® 1908(English Classics1,129 The Voice of the City: Further Stories of the Four Million by O. Henry)Àº 19¼¼±â Àª¸®¾ö ½Ãµå´Ï Æ÷ÅÍ(William Sydney Porter, 1862~1910), ÇÊ¸í ¿À Ç(O. Henry)ÀÇ ´ÜÆíÁý(Short Story Collection)ÀÔ´Ï´Ù. µµ½ÃÀÇ ¸ñ¼Ò¸®(The Voice of the City)ºÎÅÍ ¸Þ¸àÅä(The Memento)±îÁö ÃÑ 25ÆíÀÇ ´ÜÆíÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. ¢¹ ¿À Ç´Â Æò»ý 381ÆíÀÇ ´ÜÆíÀ» ºñ·ÔÇØ ½Ã, ³íÇÈ¼Ç µîÀ» ÁýÇÊÇÏ¿´À¸¸ç ±×ÀÇ ÀÛÇ°Àº ¼ö½Ê¿© ±ÇÀÇ ´ÜÆíÁýÀ¸·Î ¹Ì±¹Àº ¹°·Ð ¼¼°è °¢Áö¿¡¼­ ÃâÆǵǾú½À´Ï´Ù. ªÀº ºÐ·®ÀÌÁö¸¸, µ¶ÀÚ¸¦ ±ô¦ ³î¶ó°Ô ÇÏ´Â ¹ÝÀü ? Àϸí ÇÃ·Ô Æ®À§½ºÆ®(Plot Twist)´Â ±×ÀÇ Àü¸ÅƯÇãÁÒ! ¢¹ ¿À Ç ´ÜÆíÁý¿¡ ¼ö·ÏµÈ °¢°¢ÀÇ ´ÜÆíÀº µ¶¸³ÀûÀ̸鼭µµ, ¹è°æ°ú µîÀåÀι°À» °øÀ¯ÇÑ´Ù´Â Á¡¿¡¼­, ´À½¼ÇÏ°Ô³ª¸¶ ¼­·Î ¿¬°áµË´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¸ñÂ÷(Index)
I. µµ½ÃÀÇ ¸ñ¼Ò¸®(The Voice of the City)
II. Á¸ ȩŲ½ºÀÇ ¿ÏÀüÇÑ »î(The Complete Life of John Hopkins)
III. ¸¯Æä´ÏÀÇ ¿¬ÀÎ(A Lickpenny Lover)
IV. µµÇãƼÀÇ ´«-¿ÀÇÁ³Ê(Dougherty's Eye-Opener)
V. "¼öÈ®ÇÑ °úÀÏÀÇ ÀÛÀº ¹ÝÁ¡"("Little Speck in Garnered Fruit")
VI. ¼±±¸ÀÚ(The Harbinger)
VII. ÀÚµ¿ ´ë±â Áß(While the Auto Waits)
VIII. °í¹« Äڹ̵ð(A Comedy in Rubber)
IX. õ ´Þ·¯(One Thousand Dollars)
X. µµ½ÃÀÇ Æйè(The Defeat of the City)
XI. ÆĸêÀÇ Ãæ°Ý(The Shocks of Doom)
XII. Ç÷çÅä´Ï¾ÆÀÇ ºÒ(The Plutonian Fire)
XIII. ³×¸Þ½Ã½º¿Í ĵµð¸Ç(Nemesis and the Candy Man)
XIV. ¿øÀ» Á¦°öÇÔ(Squaring the Circle)
XV. Àå¹Ì, °è·«°ú ·Î¸Ç½º(Roses, Ruses and Romance)
XVI. ¹«¼­¿î ¹ãÀÇ µµ½Ã(The City of Dreadful Night)
XVII. ¿µÈ¥ÀÇ ºÎÈ°Àý(The Easter of the Soul)
XVIII. ¹Ùº¸-ų·¯(The Fool-Killer)
XIX. ¾ÆÄ«µð¾ÆÀÇ °úµµ±â(Transients in Arcadia)
XX. ¶ó½ºÄÌ·¯¿Í Àå¹Ì(The Rathskeller and the Rose)
XXI. Ŭ¶ó¸®¿Â ÄÝ(The Clarion Call)
XXII. º¸Çì¹Ì¾Æ¿¡¼­ ÀεµµÊ(Extradited from Bohemia)
XXIII. º¸Çì¹Ì¾ÆÀÇ ºí·¹¼ÂÀÎ(A Philistine in Bohemia)
XXIV. ´É·Â¿¡ µû¶ó °¢ÀÚ¿¡°Ô(From Each According to His Ability)
XXV. ¸Þ¸àÅä(The Memento)

¢º I. THE VOICE OF THE CITY. Twenty-five years ago the school children used to chant their lessons. The manner of their delivery was a singsong recitative between the utterance of an Episcopal minister and the drone of a tired sawmill. I mean no disrespect. We must have lumber and sawdust. ¢¹ I. µµ½ÃÀÇ ¸ñ¼Ò¸®(The Voice of the City). 25³â Àü¿¡ Çб³ ¾ÆÀ̵éÀº ±×µéÀÇ ¼ö¾÷À» ¿Ü¿ì°ï Çß½À´Ï´Ù. ±×µéÀÇ Àü´Þ ¹æ½ÄÀº ÁÖ±³ ¸ñ»çÀÇ ¹ß¾ð°ú ÇÇ°ïÇÑ Á¦Àç¼ÒÀÇ À®À®°Å¸®´Â ¼Ò¸® »çÀÌÀÇ ³ë·¡ ³¶¼ÛÀ̾ú½À´Ï´Ù. ³ª´Â ¹«·ÊÇÏÁö ¾Ê´Ù´Â °ÍÀ» ÀǹÌÇÕ´Ï´Ù. ¸ñÀç¿Í Åé¹äÀÌ ÀÖ¾î¾ß ÇÕ´Ï´Ù.

¢º VIII. A COMEDY IN RUBBER. One may hope, in spite of the metaphorists, to avoid the breath of the deadly upas tree; one may, by great good fortune, succeed in blacking the eye of the basilisk; one might even dodge the attentions of Cerberus and Argus, but no man, alive or dead, can escape the gaze of the Rubberer. ¢¹ VIII. °í¹« Äڹ̵ð(A Comedy in Rubber). ÀºÀ¯°¡µé¿¡µµ ºÒ±¸ÇÏ°í Ä¡¸íÀûÀÎ ¿ìÆĽº ³ª¹«ÀÇ ¼û°áÀ» ÇÇÇϱ⸦ Èñ¸ÁÇÒ ¼ö ÀÖ½À´Ï´Ù. Å« Çà¿îÀ¸·Î ¹Ù½Ç¸®½ºÅ©ÀÇ ´«À» °Ë°Ô ¸¸µå´Â µ¥ ¼º°øÇÒ ¼ö ÀÖ½À´Ï´Ù. Äɸ£º£·Î½º(Cerberus)¿Í ¾Æ¸£°í½º(Argus)ÀÇ °ü½ÉÀ» ÇÇÇÒ ¼öµµ ÀÖÁö¸¸, »ê »ç¶÷À̵ç Á×Àº »ç¶÷ÀÌµç °í¹«°øÀÇ ½Ã¼±À» ÇÇÇÒ ¼ö´Â ¾ø½À´Ï´Ù.

¢º XIX. TRANSIENTS IN ARCADIA. There is a hotel on Broadway that has escaped discovery by the summer-resort promoters. It is deep and wide and cool. Its rooms are finished in dark oak of a low temperature. Home-made breezes and deep-green shrubbery give it the delights without the inconveniences of the Adirondacks. One can mount its broad staircases or glide dreamily upward in its aerial elevators, attended by guides in brass buttons, with a serene joy that Alpine climbers have never attained. There is a chef in its kitchen who will prepare for you brook trout better than the White Mountains ever served, sea food that would turn Old Point Comfort?"by Gad, sah!"?green with envy, and Maine venison that would melt the official heart of a game warden. ¢¹ XIX. ¾ÆÄ«µð¾ÆÀÇ °úµµ±â(Transients in Arcadia). ºê·Îµå¿þÀÌ¿¡´Â ¿©¸§ ÈÞ¾çÁö È«º¸ ´ã´çÀڵ鿡 ÀÇÇØ ¹ß°ßµÇÁö ¾ÊÀº È£ÅÚÀÌ ÀÖ½À´Ï´Ù. ±í°í ³ÐÀ¸¸ç ½Ã¿øÇÕ´Ï´Ù. °´½ÇÀº ³·Àº ¿ÂµµÀÇ Â£Àº Âü³ª¹«·Î ¸¶°¨µÇ¾î ÀÖ½À´Ï´Ù. Áý¿¡¼­ ¸¸µç »êµé¹Ù¶÷°ú £Àº ³ì»öÀÇ °ü¸ñÀÌ ¾Æµð·Ð´ìÀÇ ºÒÆíÇÔ ¾øÀÌ Áñ°Å¿òÀ» ÁÝ´Ï´Ù. ³ÐÀº °è´ÜÀ» ¿À¸£°Å³ª ¾Æµð·Ð´ì½Ä ¿¤¸®º£ÀÌÅ͸¦ Ÿ°í ²Þ°áó·³ È°°øÇÒ ¼ö ÀÖÀ¸¸ç, Ȳµ¿ ´ÜÃ߸¦ Âù ¾È³»¿øµéµµ ÀÖ¾î ¾ËÆÄÀÎ µî¹Ý°¡µéÀº °áÄÚ ¾òÀ» ¼ö ¾ø¾ú´ø °í¿äÇÑ Áñ°Å¿òÀ» ´©¸± ¼ö ÀÖ½À´Ï´Ù. Áֹ濡´Â È­ÀÌÆ® ¸¶¿îƾ½º°¡ Á¦°øÇÑ °Íº¸´Ù ´õ Àß ±¸¿î ¼Û¾î¸¦ ÁغñÇØ ÁÙ ¿ä¸®»ç°¡ ÀÖ°í, ¿Ãµå Æ÷ÀÎÆ® ÄÄÆ÷Æ®(Gad, sah!)¸¦ ³ì»öÀ¸·Î ¹Ù²Ù¾î ÁÙ Çػ깰 ¿ä¸®»ç°¡ ÀÖÀ¸¸ç, °ÔÀÓ °ü¸®ÀÎÀÇ °ø½ÄÀûÀÎ ¸¶À½À» ³ìÀÏ ¸ÞÀÎ »ç½¿°í±âµµ ÀÖ½À´Ï´Ù.

¸ñÂ÷

-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 14°¡Áö Å°¿öµå·Î Àд ¿À Ç(O. Henry, 1862~1910)
01. 381ÆíÀÇ ´ÜÆíÀ» ÁýÇÊÇÑ ¹Ì±¹ÀÇ ¡®¼¼°è 3´ë ´ÜÆíÀÛ°¡¡¯
02. Æò¹üÇÑ ÀºÇà¿øÀÌ ÇÏ·ç¾Æħ¿¡ ¿ÂµÎ¶ó½º(Honduras)·Î µµÇÇÇÑ È¾·É¹üÀ¸·Î?!(1896)
03. Á׾´Â ¾Æ³»¸¦ ¸¸³ª±â À§ÇØ ÀÚ¼öÇÑ µµ¸ÁÀÚ(1897)
04. ¿ÀÇÏÀÌ¿À ±³µµ¼Ò(Ohio Penitentiary)ÀÇ ¾ß°£ ¾à»ç(Night Druggist, 1898~1901)
05. Àª¸®¾ö ½Ãµå´Ï Æ÷ÅÍ(William Sydney Porter, 1862~1910)°¡ ÇÊ¸í ¿À Ç(O. Henry)¸¦ »ç¿ëÇÑ ÀÌÀ¯´Â?(1899)
06. ´º¿å ¿ùµå ¼±µ¥ÀÌ ÀâÁö(New York World Sunday Magazine)(1902)
07. ¿À Ç°¡ ½ÅÁ¶¾î(Newly Coined Word) ¹Ù³ª³ª °øÈ­±¹(Banana Republic, 1904)À» â½ÃÇß´Ù?!
08. ¿À Ç ¾î¿öµå(O. Henry Award, 1918)
09. ¸¶¸±¸° ¸Õ·Î(Marilyn Monroe, 1926~1962)°¡ Ã⿬ÇÑ ¿øÀÛ ¿µÈ­ ¿À ÇÀÇ Ç® ÇϿ콺(O. Henry's Full House, 1952)
10. ·¯½Ã¾Æ¿Í ¹Ì±¹ÀÇ Åº»ý 100ÁÖ³â(1962) & 150Áֳ⠱â³ä¿ìÇ¥(2012)
11. ¿À Ç¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP8(8 Places to meet O. Henry)
12. ¿À Ç ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶ in IMDb(Movie and Drama of O. Henry)
13. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ¿À Ç(Audio Books of O. Henry)
14. ¿À Ç ¾î·Ï 57¼±(57 Quotes of O. Henry)
¢º ¿µ¾î°íÀü1,129 ¿À ÇÀÇ µµ½ÃÀÇ ¸ñ¼Ò¸® 1908(English Classics1,129 The Voice of the City: Further Stories of the Four Million by O. Henry)
I. The Voice of the City
II. The Complete Life of John Hopkins
III. A Lickpenny Lover
IV. Dougherty's Eye-Opener
V. "Little Speck in Garnered Fruit"
VI. The Harbinger
VII. While the Auto Waits
VIII. A Comedy in Rubber
IX. One Thousand Dollars
X. The Defeat of the City
XI. The Shocks of Doom
XII. The Plutonian Fire
XIII. Nemesis and the Candy Man
XIV. Squaring the Circle
XV. Roses, Ruses and Romance
XVI. The City of Dreadful Night
XVII. The Easter of the Soul
XVIII. The Fool-Killer
XIX. Transients in Arcadia
XX. The Rathskeller and the Rose
XXI. The Clarion Call
XXII. Extradited from Bohemia
XXIII. A Philistine in Bohemia
XXIV. From Each According to His Ability
XXV. The Memento
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
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