¢º ¿µ¾î°íÀü1,132 ¿À ÇÀÇ Ã¶ÀúÇÏ°Ô »ç¾÷ÀûÀÎ 1910(English Classics1,132 Strictly Business: More Stories of the Four Million by O. Henry)Àº 19¼¼±â Àª¸®¾ö ½Ãµå´Ï Æ÷ÅÍ(William Sydney Porter, 1862~1910), ÇÊ¸í ¿À Ç(O. Henry)ÀÇ ´ÜÆíÁý(Short Story Collection)ÀÔ´Ï´Ù. öÀúÇÏ°Ô »ç¾÷ÀûÀÎ(Strictly Business)ºÎÅÍ ¡°´ç½ÅÀÌ ¿øÇÏ´Â °Í¡±(¡°What You Want¡±)±îÁö ÃÑ 23ÆíÀÇ ´ÜÆíÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. ¢¹ ¿À Ç´Â Æò»ý 381ÆíÀÇ ´ÜÆíÀ» ºñ·ÔÇØ ½Ã, ³íÇÈ¼Ç µîÀ» ÁýÇÊÇÏ¿´À¸¸ç ±×ÀÇ ÀÛÇ°Àº ¼ö½Ê¿© ±ÇÀÇ ´ÜÆíÁýÀ¸·Î ¹Ì±¹Àº ¹°·Ð ¼¼°è °¢Áö¿¡¼ ÃâÆǵǾú½À´Ï´Ù. ªÀº ºÐ·®ÀÌÁö¸¸, µ¶ÀÚ¸¦ ±ô¦ ³î¶ó°Ô ÇÏ´Â ¹ÝÀü ? Àϸí ÇÃ·Ô Æ®À§½ºÆ®(Plot Twist)´Â ±×ÀÇ Àü¸ÅƯÇãÁÒ! ¢¹ ¿À Ç ´ÜÆíÁý¿¡ ¼ö·ÏµÈ °¢°¢ÀÇ ´ÜÆíÀº µ¶¸³ÀûÀ̸鼵µ, ¹è°æ°ú µîÀåÀι°À» °øÀ¯ÇÑ´Ù´Â Á¡¿¡¼, ´À½¼ÇÏ°Ô³ª¸¶ ¼·Î ¿¬°áµË´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º ¸ñÂ÷(Index)
I. öÀúÇÏ°Ô »ç¾÷ÀûÀÎ(Strictly Business)
II. ¹Ý¦ÀÌ´Â ±Ý(The Gold That Glittered)
III. Á¤±ÛÀÇ ¾Æ±âµé(Babes In The Jungle)
IV. ºÎÈ°ÀÇ ³¯(The Day Resurgent)
V. ´Ù¼¸ ¹ø° ¹ÙÄû(The Fifth Wheel)
VI. ½ÃÀΰú ³óºÎ(The Poet And The Peasant)
VII. ÆòÈÀÇ ·Îºê(The Robe Of Peace)
VIII. ¼Ò³à¿Í Á¢¸ñ(The Girl And The Graft)
IX. ±æµé¿©Áø ÀÚµéÀÇ ºÎ¸§(The Call Of The Tame)
X. ¾Ë ¼ö ¾ø´Â ¼ö·®(The Unknown Quantity)
XI. ÀλýÀº ¿¬±Ø(The Thing¡¯s The Play)
XII. ½Ç¾îÁõÀÇ »êÃ¥(A Ramble In Aphasia)
XIII. ½Ã º¸°í¼(A Municipal Report)
XIV. ÇÁ½ÃÄÉ¿Í ÇÁ½ºÅ°·¹ÀÌÆÛ(Psyche And The Pskyscraper)
XV. ¹Ù±×´ÙµåÀÇ »õ(A Bird Of Bagdad)
XVI. °èÀýÀÇ ÄªÂù(Compliments Of The Season)
XVII. »õ·Î¿î ¾Æ¶óºñ¾ÆÀÇ ¹ã(A Night In New Arabia)
XVIII. ¼Ò³à¿Í ½À°ü(The Girl And The Habit)
XIX. ǪµùÀÇ Áõ°Å(Proof Of The Pudding)
XX. ·ç´ÏÀÇ °ú°Å(Past One At Rooney¡¯s)
XXI. ¸ðÇè°¡µé(The Venturers)
XXII. °áÅõ(The Duel)
XXIII. ¡°´ç½ÅÀÌ ¿øÇÏ´Â °Í¡±(¡°What You Want¡±)
¢º I. STRICTLY BUSINESS. I suppose you know all about the stage and stage people. You¡¯ve been touched with and by actors, and you read the newspaper criticisms and the jokes in the weeklies about the Rialto and the chorus girls and the long-haired tragedians. And I suppose that a condensed list of your ideas about the mysterious stageland would boil down to something like this: ¢¹ I. öÀúÇÏ°Ô »ç¾÷ÀûÀÎ(Strictly Business). ³ª´Â ´ç½ÅÀÌ ¹«´ë¿Í ¹«´ë »ç¶÷µé¿¡ ´ëÇØ ¸ðµÎ ¾Ë°í ÀÖ´Ù°í »ý°¢ÇÕ´Ï´Ù. ´ç½ÅÀº ¹è¿ìµé¿¡°Ô °¨µ¿À» ¹Þ¾Ò°í ¸®¾ËÅä¿Í ÄÚ·¯½º °É, Àå¹ß ºñ±Ø¿¡ ´ëÇÑ ½Å¹® ºñÆò°ú ÁÖ°£ ³ó´ãÀ» Àоú½À´Ï´Ù. ±×¸®°í ½ÅºñÇÑ ¹«´ë¿¡ ´ëÇÑ ´ç½ÅÀÇ »ý°¢À» ¿ä¾àÇÏ¸é ´ÙÀ½°ú °°ÀÌ ¿ä¾àµÉ °ÍÀÔ´Ï´Ù.
¢º XI. THE THING¡¯S THE PLAY. For she stood with a divided heart. The fresh, unforgettable, virginal love for her bridegroom was hers; the treasured, sacred, honored memory of her first choice filled half her soul. She leaned to that pure feeling. Honor and faith and sweet, abiding romance bound her to it. But the other half of her heart and soul was filled with something else?a later, fuller, nearer influence. And so the old fought against the new. ¢¹ XI. ÀλýÀº ¿¬±Ø(The Thing¡¯s The Play). ±×³à´Â °¥¶óÁø ¸¶À½À¸·Î ¼¹½À´Ï´Ù. ½Å¶û¿¡ ´ëÇÑ ½Å¼±ÇÏ°í ÀØÀ» ¼ö ¾ø´Â ¼ø°áÇÑ »ç¶ûÀº ±×³àÀÇ °ÍÀ̾ú½À´Ï´Ù. ±×³àÀÇ Ã¹ ¹ø° ¼±Åÿ¡ ´ëÇÑ ¼ÒÁßÇÏ°í ½Å¼ºÇÏ¸ç ¸í¿¹·Î¿î ±â¾ïÀÌ ±×³àÀÇ ¿µÈ¥ÀÇ Àý¹ÝÀ» ä¿ü½À´Ï´Ù. ±×³à´Â ±× ¼ø¼öÇÑ ´À³¦¿¡ ±â´ò´Ù. ¸í¿¹¿Í ¹ÏÀ½, ´ÞÄÞÇÏ°í Áö¼ÓÀûÀÎ ·Î¸Ç½º°¡ ±×³à¸¦ °Å±â¿¡ ¹¾ú½À´Ï´Ù. ±×·¯³ª ±×³àÀÇ ¸¶À½°ú ¿µÈ¥ÀÇ ³ª¸ÓÁö Àý¹ÝÀº ´Ù¸¥ °ÍÀ¸·Î ä¿öÁ® ÀÖ¾ú½À´Ï´Ù. ±×·¡¼ ¿¾ »ç¶÷Àº »õ »ç¶÷°ú ½Î¿ü½À´Ï´Ù.
¢º XXII. THE DUEL. The gods, lying beside their nectar on ¡¯Lympus and peeping over the edge of the cliff, perceive a difference in cities. Although it would seem that to their vision towns must appear as large or small ant-hills without special characteristics, yet it is not so. Studying the habits of ants from so great a height should be but a mild diversion when coupled with the soft drink that mythology tells us is their only solace. But doubtless they have amused themselves by the comparison of villages and towns; and it will be no news to them (nor, perhaps, to many mortals), that in one particularity New York stands unique among the cities of the world. This shall be the theme of a little story addressed to the man who sits smoking with his Sabbath-slippered feet on another chair, and to the woman who snatches the paper for a moment while boiling greens or a narcotized baby leaves her free. With these I love to sit upon the ground and tell sad stories of the death of Kings. ¢¹ XXII. °áÅõ(The Duel). ¸²Çª½ºÀÇ °¨·Î ¿·¿¡ ´©¿ö Àýº® °¡ÀåÀÚ¸®¸¦ ¿³º¸´Â ½ÅµéÀº µµ½ÃÀÇ Â÷À̸¦ °¨ÁöÇÕ´Ï´Ù. ±×µéÀÇ ´«¿¡´Â µµ½Ã°¡ Ưº°ÇÑ Æ¯Â¡ÀÌ ¾ø´Â Å©°Å³ª ÀÛÀº °³¹ÌÁýÀ¸·Î º¸ÀÏ °Í °°Áö¸¸ ±×·¸Áö ¾Ê½À´Ï´Ù. ¾ÆÁÖ ³ôÀº °÷¿¡¼ °³¹ÌÀÇ ½À¼ºÀ» ¿¬±¸ÇÏ´Â °ÍÀº ½ÅÈ¿¡¼ °³¹ÌÀÇ À¯ÀÏÇÑ À§¾ÈÀ̶ó°í ¸»Çϴ û·®À½·á¿Í ÇÔ²² °¡º¿î ±âºÐ Àüȯ¿¡ ºÒ°úÇÕ´Ï´Ù. ±×·¯³ª ÀǽÉÇÒ ¹Ù ¾øÀÌ ±×µéÀº ¸¶À»°ú µµ½Ã¸¦ ºñ±³ÇÏ´Â °ÍÀ» Áñ°å½À´Ï´Ù. ´º¿åÀÌ ¼¼°èÀÇ µµ½Ãµé Áß¿¡¼ µ¶Æ¯ÇÏ´Ù´Â »ç½ÇÀº ±×µé¿¡°Ô(¾Æ¸¶µµ ¸¹Àº »ç¶÷µé¿¡°Ô) ´º½º°¡ µÇÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ÀÌ°ÍÀº ¾È½ÄÀÏ¿¡ ¹Ì²ô·¯Áø ¹ß·Î ´Ù¸¥ ÀÇÀÚ¿¡ ¾É¾Æ ´ã¹è¸¦ ÇÇ¿ì´Â ³²ÀÚ¿Í Ã¤¼Ò¸¦ ²úÀÌ´Â µ¿¾È Àá½Ã Á¾À̸¦ ³¬¾Æä´Â ¿©ÀÚ ¶Ç´Â ¸¶¾à¿¡ ÃëÇÑ ¾Æ±â°¡ ±×³à¸¦ Ç®¾îÁÖ´Â ÀÛÀº À̾߱âÀÇ ÁÖÁ¦°¡ µÉ °ÍÀÔ´Ï´Ù. À̰͵é°ú ÇÔ²² ³ª´Â ¶¥¿¡ ¾É¾Æ ¿ÕµéÀÇ Á×À½¿¡ ´ëÇÑ ½½Ç À̾߱⸦ ÇÏ´Â °ÍÀ» ÁÁ¾ÆÇÕ´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 14°¡Áö Å°¿öµå·Î Àд ¿À Ç(O. Henry, 1862~1910)
01. 381ÆíÀÇ ´ÜÆíÀ» ÁýÇÊÇÑ ¹Ì±¹ÀÇ ¡®¼¼°è 3´ë ´ÜÆíÀÛ°¡¡¯
02. Æò¹üÇÑ ÀºÇà¿øÀÌ ÇÏ·ç¾Æħ¿¡ ¿ÂµÎ¶ó½º(Honduras)·Î µµÇÇÇÑ È¾·É¹üÀ¸·Î?!(1896)
03. Á׾´Â ¾Æ³»¸¦ ¸¸³ª±â À§ÇØ ÀÚ¼öÇÑ µµ¸ÁÀÚ(1897)
04. ¿ÀÇÏÀÌ¿À ±³µµ¼Ò(Ohio Penitentiary)ÀÇ ¾ß°£ ¾à»ç(Night Druggist, 1898~1901)
05. Àª¸®¾ö ½Ãµå´Ï Æ÷ÅÍ(William Sydney Porter, 1862~1910)°¡ ÇÊ¸í ¿À Ç(O. Henry)¸¦ »ç¿ëÇÑ ÀÌÀ¯´Â?(1899)
06. ´º¿å ¿ùµå ¼±µ¥ÀÌ ÀâÁö(New York World Sunday Magazine)(1902)
07. ¿À Ç°¡ ½ÅÁ¶¾î(Newly Coined Word) ¹Ù³ª³ª °øȱ¹(Banana Republic, 1904)À» â½ÃÇß´Ù?!
08. ¿À Ç ¾î¿öµå(O. Henry Award, 1918)
09. ¸¶¸±¸° ¸Õ·Î(Marilyn Monroe, 1926~1962)°¡ Ã⿬ÇÑ ¿øÀÛ ¿µÈ ¿À ÇÀÇ Ç® ÇϿ콺(O. Henry's Full House, 1952)
10. ·¯½Ã¾Æ¿Í ¹Ì±¹ÀÇ Åº»ý 100ÁÖ³â(1962) & 150Áֳ⠱â³ä¿ìÇ¥(2012)
11. ¿À Ç¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP8(8 Places to meet O. Henry)
12. ¿À Ç ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶ in IMDb(Movie and Drama of O. Henry)
13. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ¿À Ç(Audio Books of O. Henry)
14. ¿À Ç ¾î·Ï 57¼±(57 Quotes of O. Henry)
¢º ¿µ¾î°íÀü1,132 ¿À ÇÀÇ Ã¶ÀúÇÏ°Ô »ç¾÷ÀûÀÎ 1910(English Classics1,132 Strictly Business: More Stories of the Four Million by O. Henry)
I. Strictly Business
II. The Gold That Glittered
III. Babes In The Jungle
IV. The Day Resurgent
V. The Fifth Wheel
VI. The Poet And The Peasant
VII. The Robe Of Peace
VIII. The Girl And The Graft
IX. The Call Of The Tame
X. The Unknown Quantity
XI. The Thing¡¯s The Play
XII. A Ramble In Aphasia
XIII. A Municipal Report
XIV. Psyche And The Pskyscraper
XV. A Bird Of Bagdad
XVI. Compliments Of The Season
XVII. A Night In New Arabia
XVIII. The Girl And The Habit
XIX. Proof Of The Pudding
XX. Past One At Rooney¡¯s
XXI. The Venturers
XXII. The Duel
XXIII. ¡°What You Want¡±
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼ 100À§(Top 100 Books)
A02. ¼¿ï´ë(Seoul University) ±ÇÀåµµ¼ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼ 100¼±
A05. ¼¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea µµ¼¸ñ·Ï(1,970)