본서는 이러한 태권도인들의 갈증을 해소하기 위하여 출발하였다. 음악에 맞춘 태권도 수련프로그램을 처음 활용하여 보는 대학생, 그리고 태권도 안무에 대하여 전반적인 이해를 얻고자 하는 태권도 지도자들을 돕기 위하여 구성되었다. 태권도 안무란 무엇인지 그 개념과 특징을 설명하면서 1장을 시작하였고, 2장과 3장에서는 태권도 안무에 있어 매우 중요한 음악에 관하여 설명하고 구성 동작 및 활용방법을 제시하였다. 이어 4장은 태권도 안무를 어떻게 지도하여야하는지 그 방법을 설명한 내용이며, 마지막으로 5장에서 교육대상과 수련목적에 따른 태권도 지도안을 제시하여 실제 강의로 활용할 수 있도록 하였다.
경희대학교 일반대학원 체육학 박사, 홍익대학교 일반대학원 문화예술경영 박사를 취득했고, 전주대학교 경기지도학과 태권도전공 교수이다. 스포츠(전문) 지도사 1급, 2급(태권도), 스포츠(생활) 지도사 1급, 2급(태권도), 스포츠(생활) 지도사 2급(에어로빅, 수영), 중등(체육)교원 2급(교육부)등을 취득했다.
2018~2019년 스포츠지도사 구술출제위원
WTA 국기원 품새실기강사
2009년~2011년 WT세계태권도품새선수권대회 1위
2012년 아시아태권도품새선수권대회 1위
Ⅰ 태권도 안무의 이해</br>1. 태권도 안무의 형성배경 ·········································································3</br>2. 태권도 안무의 정의 ················································································5</br>3. 태권도 안무의 목적과 방향성 ······························································14</br>4. 태권도 안무의 특징과 효과 ··································································15</br>5. 태권도 안무의 분류 ··············································································19</br></br>Ⅱ 음악에 따른 태권도 안무 구성법</br>1. 음악의 이해 및 구성 ············································································25</br>2. 음악에 따른 작품 구성법 ·····································································31</br>3. 음악분석의 필요성 및 방법 ··································································36</br>4. 음악편집과 효과음 ················································································40</br>5. 어도비 오디션을 이용한 음악편집의 실제 ···········································42</br></br>Ⅲ 동작에 따른 태권도 안무 구성법</br>1. 동작의 이해 및 구성 ············································································47</br>2. 발동작 구성법 ·······················································································48</br>3. 발차기 구성법 ·······················································································59</br>4. 손동작 구성법 ·······················································································68</br>5. 공간사용별 동작 분류 ···········································································86</br>6. 대형과 대형변화 ····················································································88</br>7. 공간적 안무 적용법 ··············································································94</br>8. 호흡으로 표현하는 안무 적용법 ·························································100</br></br>Ⅳ 태권도 안무 지도법</br>1. 커뮤니케이션과 큐사인 ·······································································103</br>2. 태권도 안무 지도 및 연습방법 ··························································106</br>3. 태권도 안무 지도 시 유의점 ······························································109</br>4. 태권도 안무 지도 시 전체적인 주의점 ············································112</br>Ⅴ 태권도 안무의 실제</br>1. 강의 계획서 ························································································117</br>2. 안무교안 작성지 ·················································································123</br>3. 평가방법 ······························································································139</br>
