¹ÚÀÎȯÀº ÈĹݱ⠵¿ÀÎÀ¸·Î ÁÖ·Î ¸ð´õ´ÏÁò °æÇâÀÇ ÀÛÇ°À» ¹ßÇ¥Çϸ鼵µ ÀڽŸ¸ÀÇ µµ½ÃÀûÀÎ ºñ¾Ö¿Í Àλý¿¡ ´ëÇÑ °í³ú¸¦ ÀÛÇ° ¼Ó¿¡ ±×·Á³»°í ÀÖ´Ù. ¡¶¹ÚÀÎȯ ½ÃÁý¡·¿¡´Â ±×·¯ÇÑ ÀÛ°¡ÀÇ Æ¯Â¡À» »ìÆ캼 ¼ö ÀÖ´Â ¹æ´ëÇÑ ¾çÀÇ ½Ã¸¦ ¸ð¾Æ ¼ö·ÏÇß´Ù.
¿øº» ±×´ë·Î ½Ç°í,
¿µ¹®À¸·Îµµ ¹ø¿ªÇÏ¿´´Ù.
Park In-hwan mainly presents modernist works as a driver in the second half of the year, but depicts his own urban sorrow and anguish about life in his work. Park In-hwan's Poetry Collection contains a vast amount of poems that can examine the characteristics of such writers.
I'll put it in the original,
It was also translated into English.
3¡¤1ÀýÀÇ ³ë·¡
Song of March 1st
°¡À»ÀÇ À¯È¤
Temptation of Autumn
°Å¸®
Street
5¿ùÀÇ ¹Ù¶÷
The Wind of May
15ÀÏ°£
For 15 Days
1950³âÀÇ ¸¸°¡
Manchuria in 1950
1953³âÀÇ ¿©ÀÚ¿¡°Ô
To Women in 1953
°ËÀº °
The Black River
°ËÀº ½ÅÀÌ¿©
Oh, Black God,
°í¸£Å°ÀÇ ´Þ¹ã
Gorky's Moonlit Night
°íÇâ¿¡ °¡¼
Going Back to My Hometown
±¸¸§
Clouds
±âÀüÀÎ Çö´ë
Miraculous Modernity
³ªÀÇ »ý¾Ö¿¡ È帣´Â ½Ã°£µé
The Flowing Times of My Life
³«ÇÏ
The Fall
³²Ç³
South Wind
´«À» ¶ß°íµµ
Even with my eyes open
´Ù¸® À§ÀÇ »ç¶÷
The person on the bridge
¸ñ¸¶¿Í ¼÷³à
The Horse and the Lady
¹«µµÈ¸
The Ball
¹®Á¦µÇ´Â °Í
The Problematic Thing
¹Ì·¡ÀÇ Ã¢ºÎ(óÞÜþ)
The Prostitute of the Future
¹Ì½ºÅÍ ¸ð(Ù·)ÀÇ »ý°ú »ç
Mr. Mo's Life and Death
¹ãÀÇ ³ë·¡
Song of the Night
¹ãÀÇ ¹Ì¸ÅÀå(Ú±ØØí÷)
Unburied in the Night