ÄÜÅÙÃ÷ »ó¼¼º¸±â
¿µ¾î°íÀü1,160 Á¶Áö ¹ö³ªµå ¼îÀÇ ºÒÇÕ¸®ÇÑ ¸Åµì 1880(English Classics1,160 The Irrational Knot by George Bernard Shaw)


¿µ¾î°íÀü1,160 Á¶Áö ¹ö³ªµå ¼îÀÇ ºÒÇÕ¸®ÇÑ ¸Åµì 1880(English Classics1,160 The Irrational Knot by George Bernard Shaw)

¿µ¾î°íÀü1,160 Á¶Áö ¹ö³ªµå ¼îÀÇ ºÒÇÕ¸®ÇÑ ¸Åµì 1880(English Classics1,160 The Irrational Knot by George Bernard Shaw)

<Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw>,< 1856~1950)> Àú | Å׸¶¿©Çà½Å¹® TTN Theme Travel News Korea

Ãâ°£ÀÏ
2023-10-01
ÆÄÀÏÆ÷¸Ë
ePub
¿ë·®
45 M
Áö¿ø±â±â
PC½º¸¶Æ®ÆùÅÂºí¸´PC
ÇöȲ
½Åû °Ç¼ö : 0 °Ç
°£·« ½Åû ¸Þ¼¼Áö
ÄÜÅÙÃ÷ ¼Ò°³
¸ñÂ÷
ÇÑÁÙ¼­Æò

ÄÜÅÙÃ÷ ¼Ò°³

¢º ºÒÇÕ¸®ÇÑ ¸Åµì 1880(The Irrational Knot by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ 24»ìÀÇ Ã»³â ½ÃÀý¿¡ ÁýÇÊÇÑ Ãʱâ ÀÛÇ°(1879~1883)ÀÔ´Ï´Ù. ºÒÇÕ¸®ÇÑ ¸Åµì(The Irrational Knot)À̶õ ¾ð¶æ ÀÌÇØÇϱ⠾î·Á¿î Á¦¸ñÀº ¿µ±¹ÀÇ ½ÅºÐ Á¦µµ¿Í °áÈ¥ »ýÈ°ÀÌ ¡®ºÒÇÕ¸®ÇÏ°Ô¡¯ ²¿¿© ÀÖ´Ù´Â °ÍÀ» ¹ö³ªµå ¼î ƯÀ¯ÀÇ ³Ã¼Ò¸¦ ´ã¾Æ dzÀÚÇÑ °ÍÀÔ´Ï´Ù. °ú¿¬ 24»ìÀÇ ÀþÀº ÀÛ°¡´Â µ¶Àڵ鿡°Ô ¾îµð¼­ºÎÅÍ ½ÃÀ۵ǴÂÁöµµ ¸ð¸¦ ¸ÅµìÀ» Ç®¾î³¾ ¼ö ÀÖ´Â ÁöÇý¸¦ ¼±¹°ÇÒ ¼ö ÀÖÀ»±î¿ä? Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ÀÛÇ°¿¡´Â »ó·ùÃþ ¿©¼º ¸¶¸®¾È ¸°µå(Marian Lind)¿Í ³ëµ¿ÀÚ Ãâ½ÅÀÇ °ÅºÎ ¿¡µå¿öµå Äڳ(Edward Conolly)¸¦ ºñ·ÔÇØ ´Ù¾çÇÑ Àι°±º»óÀÌ µîÀåÇÕ´Ï´Ù. ¿¡µå¿öµå´Â ³ëµ¿ÀÚ Ãâ½ÅÀÓ¿¡µµ ºÒ±¸ÇÏ°í, Àü±â ¸ðÅÍ(Electric Motor)¸¦ ¹ß¸íÇÔÀ¸·Î½á ±âÁ¸ÀÇ Áõ±â ±â°ü(Steam Engines)À» ´ëüÇÏ´Â ½ÅÈï »ê¾÷°¡·Î ±ÞºÎ»óÇÑ °ÅºÎÀÔ´Ï´Ù. µÎ »ç¶÷ÀÇ °áÈ¥ »ýÈ°Àº °èÃþ¿¡ ´ëÇÑ ¼±ÀÔ°ß°ú ¾ÐµµÀûÀÎ Àç·ÂÀÇ Â÷ÀÌ µîÀ¸·Î ÀÎÇØ ¼øźÇÒ ¼ö ¾ø¾ú°í, °á±¹ ¸¶¸®¾ÈÀº ´Ù¸¥ ³²ÀÚ¿Í ÇÔ²² ¿¡µå¿öµå¸¦ ¶°³ª´Â µµÇǸ¦ ¼±ÅÃÇÕ´Ï´Ù. ±×·¯³ª ¸¶¸®¾ÈÀÌ ¼±ÅÃÇÑ ³²ÀÚ ¶ÇÇÑ ½â ÁÁÀº ³²ÀÚ´Â ¾Æ´Ï¾ú°í ±×³à´Â ¶Ç ´Ù½Ã ¹ö¸²¹Þ¾Ò½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í Äڳ´Â ÀÚ½ÅÀÌ »ç¶ûÇÏ´Â ¸¶¸®¾ÈÀ» ÇâÇØ È­ÇØÀÇ ¼Õ±æÀ» ³»¹ÐÁö¸¸¡¦¡¦. °ú¿¬ ¸¶¸®¾ÈÀÇ ¼±ÅÃÀº ¹«¾ùÀϱî¿ä?!

¢º PREFACE. TO THE AMERICAN EDITION OF 1905. This novel was written in the year 1880, only a few years after I had exported myself from Dublin to London in a condition of extreme rawness and inexperience concerning the specifically English side of the life with which the book pretends to deal. Everybody wrote novels then. It was my second attempt; and it shared the fate of my first. That is to say, nobody would publish it, though I tried all the London publishers and some American ones. And I should not greatly blame them if I could feel sure that it was the book¡¯s faults and not its qualities that repelled them. ¢¹ ¸Ó¸®¸». 1905³â ¹Ì±¹ ÆÇ. ÀÌ ¼Ò¼³Àº 1880³â¿¡ ¾²¿©Á³½À´Ï´Ù. ÀÌ ¼Ò¼³Àº ÀÌ Ã¥ÀÌ º¸¿©ÁÖ°í ÀÖ´Â »îÀÇ ±¸Ã¼ÀûÀ¸·Î ¿µ±¹ÀûÀÎ Ãø¸é¿¡ °üÇØ ±Øµµ·Î ¼ø¼öÇÏ°í °æÇèÀÌ ¾ø´Â »óÅ¿¡¼­ ´õºí¸°¿¡¼­ ·±´øÀ¸·Î ³» ÀÚ½ÅÀ» ³»º¸³½ Áö ºÒ°ú ¸î ³â ÈÄ¿´½À´Ï´Ù. ´Ù·ç´Â. ±×¶© ´Ùµé ¼Ò¼³À» ½è¾î¿ä. ±×°ÍÀº ³ªÀÇ µÎ ¹ø° ½Ãµµ¿´½À´Ï´Ù. ±×¸®°í ±×°ÍÀº ³» ù ¹ø° ¿î¸íÀ» °øÀ¯Çß½À´Ï´Ù. Áï, ³ª´Â ·±´øÀÇ ¸ðµç ÃâÆÇ»ç¿Í ÀϺΠ¹Ì±¹ ÃâÆǻ縦 ½ÃµµÇØ º¸¾ÒÁö¸¸ ¾Æ¹«µµ ±×°ÍÀ» ÃâÆÇÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ±×¸®°í ±×µéÀ» Çø¿ÀÇÏ°Ô ¸¸µç °ÍÀº Ã¥ÀÇ Æ¯¼º ¶§¹®ÀÌ ¾Æ´Ï¶ó ±× Ã¥ÀÇ °áÁ¡ ¶§¹®À̶ó°í È®½ÅÇÒ ¼ö ÀÖ´Ù¸é ±×µéÀ» Å©°Ô ºñ³­Çؼ­´Â ¾È µË´Ï´Ù.

¢º I seriously suggest that The Irrational Knot may be regarded as an early attempt on the part of the Life Force to write A Doll¡¯s House in English by the instrumentality of a very immature writer aged 24. And though I say it that should not, the choice was not such a bad shot for a stupid instinctive force that has to work and become conscious of itself by means of human brains. If we could only realize that though the Life Force supplies us with its own purpose, it has no other brains to work with than those it has painfully and imperfectly evolved in our heads, the peoples of the earth would learn some pity for their gods; and we should have a religion that would not be contradicted at every turn by the thing that is giving the lie to the thing that ought to be. ¢¹ ³ª´Â ºÒÇÕ¸®ÇÑ ¸Åµì 1880(The Irrational Knot by George Bernard Shaw)ÀÌ 24¼¼ÀÇ ¸Å¿ì ¹Ì¼º¼÷ÇÑ ÀÛ°¡¸¦ µµ±¸·Î ÇÏ¿© »ý¸íÀÇ ÈûÀÌ ¿µ¾î·Î ÀÎÇüÀÇ Áý(A Doll's House, 1879)À» ¾²·Á´Â Ãʱ⠽õµ·Î °£ÁÖµÉ ¼ö ÀÖ´Ù°í ÁøÁöÇÏ°Ô Á¦¾ÈÇÕ´Ï´Ù. Àΰ£ÀÇ µÎ³ú¸¦ ÅëÇØ ½º½º·Î¸¦ ÀνÄÇÏ°í ÀÛµ¿ÇØ¾ß ÇÏ´Â ¾î¸®¼®Àº º»´ÉÀû Èû¿¡°Ô´Â ±×·¸°Ô ³ª»Û ±âȸ´Â ¾Æ´Ï¾ú½À´Ï´Ù. »ý¸í·ÂÀÌ ¿ì¸®¿¡°Ô ±× ¸ñÀûÀ» Á¦°øÇÏÁö¸¸, »ý¸í·ÂÀÌ ¿ì¸® ¸Ó¸´¼Ó¿¡¼­ °íÅ뽺·´°í ºÒ¿ÏÀüÇÏ°Ô ÁøÈ­ÇÑ ³ú ¿Ü¿¡´Â »ç¿ëÇÒ ¼ö ÀÖ´Â ³ú°¡ ¾ø´Ù´Â »ç½ÇÀ» ±ú´ÞÀ» ¼ö¸¸ ÀÖ´Ù¸é, Áö±¸ÀÇ »ç¶÷µéÀº ±×µéÀÇ ½Å¿¡ ´ëÇØ ¾î´À Á¤µµ µ¿Á¤½ÉÀ» ¹è¿ï °ÍÀÔ´Ï´Ù. ±×¸®°í ¿ì¸®´Â ¸¶¶¥È÷ ÀÖ¾î¾ß ÇÒ °Í¿¡ °ÅÁþÀ» ÁÖ´Â °Í¿¡ ÀÇÇØ ¸ðµç ¸é¿¡¼­ ¸ð¼øµÇÁö ¾Ê´Â Á¾±³¸¦ °¡Á®¾ß ÇÕ´Ï´Ù.

¢º CHAPTER I. ¡°Why! Surely we should hide the failings of those we love? I can understand now how your musical and electrical tastes became mixed up; but you should not confuse your duties. But please excuse me:¡± (Conolly¡¯s eyes had opened a little wider) ¡°I am lecturing you, without the least right to. It is a failing of mine which you must not mind.¡± ¢¹ Á¦1Àå. ¡°¿Ö! ´ç¿¬È÷ ¿ì¸®´Â ¿ì¸®°¡ »ç¶ûÇÏ´Â »ç¶÷µéÀÇ °áÁ¡À» ¼û°Ü¾ß ÇÒ±î¿ä? ÀÌÁ¦ ³ª´Â ´ç½ÅÀÇ À½¾ÇÀû ÃëÇâ°ú ÀüÀÚÀû ÃëÇâÀÌ ¾î¶»°Ô È¥ÇյǾú´ÂÁö ÀÌÇØÇÒ ¼ö ÀÖ½À´Ï´Ù. ±×·¯³ª ´ç½ÅÀÇ Àǹ«¸¦ È¥µ¿Çؼ­´Â ¾ÈµË´Ï´Ù. ÇÏÁö¸¸ ½Ç·ÊÇÕ´Ï´Ù.¡± (Äڳ´Â ´«À» Á¶±Ý ´õ Å©°Ô ¶¹´Ù.) ¡°³ª´Â ´ç½Å¿¡°Ô ÃÖ¼ÒÇÑÀÇ ±Ç¸®µµ ¾øÀÌ °­ÀÇÇÏ°í ÀÖ½À´Ï´Ù. ±×°ÍÀº ´ç½ÅÀÌ ½Å°æ¾²Áö ¸»¾Æ¾ß ÇÒ ³ªÀÇ °áÁ¡ÀÔ´Ï´Ù.¡±

¢º CHAPTER XI. ¡°Oh, my brethren, this hypocrisy is the curse and danger of our age. The Atheist, no longer an execration, an astonishment, a curse, and a reproach, poses now as the friend of man and the champion of right. Those who incur the last and most terrible curse in this book, do so in the name of that truth for which they profess to be seeking. Art, profanely veiling its voluptuous nakedness with the attributes of religion, disguises folly so subtly that it seems like virtue in the slothful eyes of those who neglect continually to watch and pray.¡± ¢¹ Á¦11Àå. ¡°¿À, ÇüÁ¦ ¿©·¯ºÐ, ÀÌ·¯ÇÑ À§¼±Àº ¿ì¸® ½Ã´ëÀÇ ÀúÁÖÀÌÀÚ À§ÇèÀÔ´Ï´Ù. ´õ ÀÌ»ó ÀúÁÖ, °æ¾Ç, ÀúÁÖ, Ä¡¿åÀÌ ¾Æ´Ñ ¹«½Å·ÐÀÚ´Â ÀÌÁ¦ Àΰ£ÀÇ Ä£±¸ÀÌÀÚ Á¤ÀÇÀÇ ¼öÈ£ÀÚ·Î ÀÚóÇÕ´Ï´Ù. ÀÌ Ã¥¿¡¼­ ¸¶Áö¸·ÀÌÀÚ °¡Àå ²ûÂïÇÑ ÀúÁÖ¸¦ ¹ÞÀº »ç¶÷µéÀº ±×µéÀÌ Ã£°í ÀÖ´Ù°í °ø¾ðÇÏ´Â Áø¸®ÀÇ À̸§À¸·Î ±×·¸°Ô ÇÏ´Â °ÍÀÔ´Ï´Ù. Á¾±³ÀÇ ¼Ó¼ºÀ¸·Î dz¸¸ÇÑ Àû³ª¶óÇÔÀ» ¸ðµ¶ÀûÀ¸·Î °¡¸®´Â ¿¹¼úÀº ¾î¸®¼®À½À» ³Ê¹«³ª ±³¹¦ÇÏ°Ô À§ÀåÇÏ¿© ²÷ÀÓ¾øÀÌ ±ú¾î ±âµµÇÏ´Â ÀÏÀ» ¼ÒȦÈ÷ ÇÏ´Â »ç¶÷µéÀÇ °ÔÀ¸¸¥ ´«¿¡´Â ¹Ì´öó·³ º¸ÀÔ´Ï´Ù.¡±

¢º CHAPTER XXI. Marian obeyed; and the doctor, whose manner was kind, though different to that of the London physicians to whom she was accustomed, presently left the room and went upstairs. Eliza was howling like an animal. The sound irritated Marian even at that pass: she despised the whole Irish race on its account. She could hardly keep her temper as she said: ¡°Is Miss Conolly seriously hurt?¡± ¡°Oa, blessed hour! she¡¯s kilt. Her head¡¯s dhreepin wid blood.¡± ¢¹ Á¦21Àå. ¸¶¸®¾ÈÀº ¼øÁ¾Çß½À´Ï´Ù. ±× ÀÇ»ç´Â ±×³à¿¡°Ô Àͼ÷Çß´ø ·±´ø ÀÇ»çµé°ú´Â ´Þ¶úÁö¸¸ ŵµ´Â Ä£ÀýÇß°í, °ð ¹æÀ» ¶°³ª À§ÃþÀ¸·Î ¿Ã¶ó°¬´Ù. ¿¤¸®ÀÚ´Â Áü½Âó·³ ¿ïºÎ¢°í ÀÖ¾ú½À´Ï´Ù. ±× ¼Ò¸®´Â ½ÉÁö¾î ¸¶¸®¾ÈÀ» Â¥Áõ³ª°Ô Çß½À´Ï´Ù. ±×³à´Â ±× ¶§¹®¿¡ Àüü ¾ÆÀÏ·£µå ÀÎÁ¾À» °æ¸êÇß½À´Ï´Ù. ±×³à´Â ´ÙÀ½°ú °°ÀÌ ¸»Çϸ鼭 È­¸¦ ÂüÀ» ¼ö°¡ ¾ø¾ú½À´Ï´Ù. ¡°Äڳ ¾¾´Â ¸¹ÀÌ ´ÙÃƳª¿ä?¡± ¡°¾Æ, Ãູ¹ÞÀº ½Ã°£À̱º¿ä! ±×³à´Â ųƮÀÔ´Ï´Ù. ±×³àÀÇ ¸Ó¸®´Â ÇÇ°¡ È帣°í ÀÖ¾î¿ä.¡±

¸ñÂ÷

-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,160 Á¶Áö ¹ö³ªµå ¼îÀÇ ºÒÇÕ¸®ÇÑ ¸Åµì 1880(English Classics1,160 The Irrational Knot by George Bernard Shaw)
Preface
¢º THE IRRATIONAL KNOT
¢¹ Book I
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
¢¹ Book II
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
¢¹ Book III
Chapter XII
Chapter XIII
Chapter XIV
Chapter XV
Chapter XVI
Chapter XVII
¢¹ Book IV
Chapter XVIII
Chapter XIX
Chapter XX
Chapter XXI
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(2,034)