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¿µ¾î°íÀü1,162 Á¶Áö ¹ö³ªµå ¼îÀÇ ºñ»çȸÀû »çȸÁÖÀÇÀÚ 1883(English Classics1,162 An Unsocial Socialist by George Bernard Sh

¿µ¾î°íÀü1,162 Á¶Áö ¹ö³ªµå ¼îÀÇ ºñ»çȸÀû »çȸÁÖÀÇÀÚ 1883(English Classics1,162 An Unsocial Socialist by George Bernard Sh

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¢º ºñ»çȸÀû »çȸÁÖÀÇÀÚ 1883(An Unsocial Socialist by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ û³â ½ÃÀý¿¡ ÁýÇÊÇÑ Ãʱâ ÀÛÇ°(1879~1883)ÀÌÀÚ ±×ÀÇ ´Ù¼¸ ¹ø° ¼Ò¼³(George Bernard Shaw's Fifth Novel)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÏ¿´½À´Ï´Ù.

¢º ÀÛÇ°¿¡´Â ºÎÀ¯ÇÑ ¸¶¸£Å©½ºÁÖÀÇÀÚ(Rich Marxist) ½Ãµå´Ï Æ®·¹Ç»½Ã½º(Sidney Trefusis)¿Í ±×¸¦ »ç¶ûÇÏ´Â Ç¿¡Å¸(Henrietta)°¡ µîÀåÇÕ´Ï´Ù. ½Ãµå´Ï´Â ÇöÀç »çȸ¿¡ °è±Þ°ú ¼ºÀû ÂøÃë·Î ÀÎÇÑ ¹®Á¦°¡ ¸¸¿¬ÇÏ´Ù°í »ý°¢ÇÏ°í, À̸¦ ¹Ù²Ù°Ú´Ù´Â ¾ß½É¿¡ ºÒŸ¿À¸£´Â »çȸÁÖÀÇÀÚ(Socialist)ÀÌÀÚ ¹é¸¸ÀåÀÚÀÇ ¾Æµé(Son of a millionaire)ÀÔ´Ï´Ù. ±×·¯³ª ¹é¸¸ÀåÀÚÀÇ ¾ÆµéÀ̶ó´Â ŸÀÌƲÀº »çȸÁÖÀÇÀÚ½º·´Áö ¾Ê¾Ò°í ÀÌ ¶§¹®¿¡ ÀÚ½ÅÀ» Dz³»±â ³óºÎ(Umble Peasant)·Î Æ÷ÀåÇÏ°í ½Í¾ú½À´Ï´Ù. À̸¦ À§ÇØ ¾î´À ¿©Çб³ ÀαÙÀÇ Á¤¿ø»ç·Î ÆÄ°ßµÈ ½Ãµå´Ï´Â ÀÚ½ÅÀÌ ÀüÇô Á¢ÇØ º¸Áö ¾Ê¾Ò´ø »õ·Î¿î À¯ÇüÀÇ ¿©¼º ? ¾Æ°¡»ç ¿ÍÀϸ®(Agatha Wylie)¿Í ¿î¸íÀûÀ¸·Î ¸¸³ª°Ô µÇ´Âµ¥...?! °ú¿¬ ÀÚ½ÅÀ» »ç¶ûÇÏ´Â Ç¿¡Å¸¿Í ÀÚ½ÅÀ» »ç¶ûÇÏÁö ¾Ê´Â ¾Æ°¡»ç ¿ÍÀϸ® »çÀÌ¿¡¼­ ½Ãµå´ÏÀÇ »îÀº ¾î¶² ¹æÇâÀ¸·Î Èê·¯°¥±î¿ä? ÀÛ°¡ ¹ö³ªµå ¼îÀÇ »çȸÀû Æí°ß¿¡ ´ëÇÑ ºôÄ¢ÇÑ Ç³ÀÚ(a brilliant satire on social prejudice)¸¦ È®ÀÎÇØ º¸½Ã°Ú½À´Ï±î? Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º CHAPTER II. Love cannot keep possession of me: all my strongest powers rise up against it and will not endure it. Forgive me for writing nonsense that you won¡¯t understand, and do not think too hardly of me. I have been as good to you as my selfish nature allowed. Do not seek to disturb me in the obscurity which I desire and deserve. My solicitor will call on your father to arrange business matters, and you shall be as happy as wealth and liberty can make you. We shall meet again?some day. ¢¹ Á¦2Àå. »ç¶ûÀº ³ª¸¦ °è¼Ó »ç·ÎÀâÀ» ¼ö ¾ø½À´Ï´Ù. ³ªÀÇ ¸ðµç °¡Àå °­·ÂÇÑ ÈûÀÌ ±×°Í¿¡ ´ëÇ×ÇÏ¿© ÀϾ¼­ ±×°ÍÀ» °ßµðÁö ¸øÇÒ °ÍÀÔ´Ï´Ù. ´ç½ÅÀÌ ÀÌÇØÇÏÁö ¸øÇÒ ¸»µµ ¾È µÇ´Â ±ÛÀ» ¾´ °ÍÀ» ¿ë¼­ÇÏ°í Àú¸¦ ³Ê¹« °æ¼ÖÇÏ°Ô »ý°¢ÇÏÁö ¸¶½Ê½Ã¿À. ³ª´Â À̱âÀûÀÎ ¼º°ÝÀÌ Çã¶ôÇÏ´Â ÇÑ ´ç½Å¿¡°Ô ÀßÇØÁÖ¾ú½À´Ï´Ù. ³»°¡ ¿øÇÏ°í ¸¶¶¥È÷ ¹Þ¾Æ¾ß ÇÒ ¾îµÒ ¼Ó¿¡¼­ ³ª¸¦ ¹æÇØÇÏ·Á°í ÇÏÁö ¸¶½Ê½Ã¿À. ³ªÀÇ º¯È£»ç°¡ ´ç½ÅÀÇ ¾Æ¹öÁö¿¡°Ô »ç¾÷ ¹®Á¦¸¦ ÇØ°áÇϵµ·Ï ¿äûÇÒ °ÍÀÔ´Ï´Ù. ±×·¯¸é ´ç½ÅÀº ºÎ¿Í ÀÚÀ¯°¡ ´ç½Å¿¡°Ô ÁÙ ¼ö ÀÖ´Â ¸¸Å­ ÇູÇØÁú °ÍÀÔ´Ï´Ù. ¿ì¸®´Â ¾ðÁ¨°¡ ´Ù½Ã ¸¸³¯ °ÍÀÔ´Ï´Ù.

¢º CHAPTER XI. ¡°Oh, it¡¯s the most ridiculous thing I ever heard of in my life,¡± she exclaimed. ¡°A man that lives by himself in a place down by the Riverside Road like a toy savings bank?don¡¯t you know the things I mean??called Sallust¡¯s House, says there is a right of way through our new pleasure ground. As if anyone could have any right there after all the money we have spent fencing it on three sides, and building up the wall by the road, and levelling, and planting, and draining, and goodness knows what else! And now the man says that all the common people and tramps in the neighborhood have a right to walk across it because they are too lazy to go round by the road. Sir Charles has gone to see the man about it. Of course he wouldn¡¯t do as I wanted him.¡± ¢¹ Á¦11Àå. ¡°¿À, ³» Àλý¿¡¼­ µé¾îº» °Í Áß °¡Àå ¿ì½º²Î½º·¯¿î ÀÏÀ̱º¿ä.¡± ±×³à°¡ ¼Ò¸®ÃƽÀ´Ï´Ù. ¡°¸®¹ö»çÀÌµå ±æ ¾Æ·¡ Àå³­°¨ ÀúÃàÀºÇà °°Àº °÷¿¡ »ì·ç½ºÆ®ÀÇ ÁýÀ̶ó´Â °÷¿¡ È¥ÀÚ »ç´Â ³²ÀÚ°¡ ¿ì¸®ÀÇ »õ·Î¿î À¯¿øÁö·Î ÅëÇà±ÇÀÌ ÀÖ´Ù°í ¸»ÇÏ´õ±º¿ä. ¸¶Ä¡ ¿ì¸®°¡ »ï¸é¿¡ ¿ïŸ¸®¸¦ Ä¡°í, ±æ°¡¿¡ º®À» ½×°í, ¼öÆòÀ» ¸ÂÃß°í, ½É°í, ¹°À» »©´Â µ¥ µéÀÎ ¸ðµç µ·À» ´Ù ¾²°í ³ª¸é ´©±¸µç °Å±â¿¡ ±Ç¸®°¡ ÀÖÀ» ¼ö ÀÖ´Ù´Â µíÀÌ, ½ÅÀº ±× ¹Û¿¡ ¹«¾ùÀÌ ÀÖ´ÂÁö ¾Ë°í °è½Ê´Ï´Ù! ±×¸®°í ÀÌÁ¦ ±× ³²ÀÚ´Â µ¿³×ÀÇ ¸ðµç ¼­¹Î°ú ºÎ¶ûÀÚµéÀº ³Ê¹« °ÔÀ¸¸¥ ³ª¸ÓÁö ±æÀ» µ¹¾Æ´Ù´Ò ¼ö ¾ø±â ¶§¹®¿¡ °É¾î¼­ °Ç³Ê°¥ ±Ç¸®°¡ ÀÖ´Ù°í ¸»ÇÕ´Ï´Ù. Âû½º °æÀº ±× »ç¶÷À» ¸¸³ª·¯ °¬½À´Ï´Ù. ¹°·Ð ±× »ç¶÷Àº ³»°¡ ¿øÇÏ´Â ´ë·Î ÇØÁÖÁö ¾ÊÀ» °Å¿¹¿ä.¡±

¢º CHAPTER XVI. ¡°Take care,¡± she said. ¡°I may change my mind and be in earnest, too; and then how will you feel, Mr. Trefusis?¡± ¡°I think, under our altered relations, you had better call me Sidney.¡± ¡°I think we had better drop the joke. It was in rather bad taste, and I should not have made it, perhaps.¡± ¡°It would be an execrable joke; therefore I have no intention of regarding it as one. You shall be held to your offer, Agatha. Are you in love with me?¡± ¢¹ Á¦16Àå. ¡°Á¶½ÉÇϼ¼¿ä.¡± ±×³à°¡ ¸»Çß½À´Ï´Ù. ¡°³ªµµ ¸¶À½À» ¹Ù²Ü ¼öµµ ÀÖ°í ÁøÁöÇÏ°Ô ¸»ÇÒ ¼öµµ ÀÖ½À´Ï´Ù. ±×·¯¸é ±âºÐÀÌ ¾î¶°½Ç °Ì´Ï±î, Æ®·¹Ç»½Ã½º ¾¾?¡± "¿ì¸® °ü°è°¡ ¹Ù²î¾úÀ¸´Ï ³ª¸¦ ½Ãµå´Ï¶ó°í ºÒ·¯ÁÖ´Â °Ô ÁÁÀ» °Í °°¾Æ¿ä." ¡°³» »ý°¢¿£ ³ó´ãÀ» ±×¸¸µÎ´Â °Ô ÁÁÀ» °Í °°¾Æ¿ä. ¸ÀÀÌ Á» º°·Î¿©¼­ ¸¸µéÁö ¸»¾Ò¾î¾ß ÇßÀ» °Í °°¾Æ¿ä.¡± ¡°±×°ÍÀº ÇüÆí¾ø´Â ³ó´ãÀÌ µÉ °ÍÀÔ´Ï´Ù. ±×·¯¹Ç·Î ³ª´Â ±×°ÍÀ» Çϳª·Î °£ÁÖÇÒ »ý°¢ÀÌ ¾ø½À´Ï´Ù. ´ç½ÅÀº ´ç½ÅÀÇ Á¦¾ÈÀ» ¹Þ¾ÆµéÀÏ °ÍÀÔ´Ï´Ù, ¾Æ°¡»ç. ´ç½ÅÀº ³ª¸¦ »ç¶ûÇմϱî?"

¢º CHAPTER XVIII. ¡°Do not say so, Gertrude. I watch every step you take with anxiety; and I do not believe you are indifferent to the worthiness of my conduct. Believe me, love is an overrated passion; it would be irremediably discredited but that young people, and the romancers who live upon their follies, have a perpetual interest in rehabilitating it. No relation involving divided duties and continual intercourse between two people can subsist permanently on love alone. Yet love is not to be despised when it comes from a fine nature. There is a man who loves you exactly as you think I ought to love Agatha?and as I don¡¯t love her.¡± ¢¹ Á¦18Àå. ¡°±×·¸°Ô ¸»ÇÏÁö ¸¶¼¼¿ä, °ÅÆ®·çµå. ³ª´Â ´ç½ÅÀÌ ÃëÇÏ´Â ¸ðµç ¹ß°ÉÀ½À» ºÒ¾ÈÇÏ°Ô ÁöÄѺ¾´Ï´Ù. ±×¸®°í ³ª´Â ´ç½ÅÀÌ ³» ÇൿÀÇ °¡Ä¡¿¡ ¹«°ü½ÉÇÏ´Ù°í ¹ÏÁö ¾Ê½À´Ï´Ù. Àú¸¦ ¹ÏÀ¸¼¼¿ä. »ç¶ûÀº °ú´ëÆò°¡µÈ ¿­Á¤ÀÔ´Ï´Ù. ±×°ÍÀº ȸº¹ÇÒ ¼ö ¾øÀ» Á¤µµ·Î ºÒ½ÅÀ» ¹ÞÀ» °ÍÀÌÁö¸¸ ÀþÀºÀ̵é°ú ±×µéÀÇ ¾î¸®¼®À½¿¡ µû¶ó »ì¾Æ°¡´Â ·Î¸Ç¼­µé(romancers)Àº ±×°ÍÀ» ȸº¹ÇÏ´Â µ¥ ²÷ÀÓ¾ø´Â °ü½ÉÀ» °¡Áö°í ÀÖ½À´Ï´Ù. µÎ »ç¶÷ »çÀÌÀÇ ºÐÇÒµÈ Àǹ«¿Í Áö¼ÓÀûÀÎ ¼º±³¸¦ Æ÷ÇÔÇÏ´Â ¾î¶² °ü°èµµ »ç¶û¸¸À¸·Î´Â ¿µ±¸ÀûÀ¸·Î Á¸ÀçÇÒ ¼ö ¾ø½À´Ï´Ù. ±×·¯³ª »ç¶ûÀº °í¿î º»¼º¿¡¼­ ³ª¿Ã ¶§ ¸ê½Ã¹Þ¾Æ¼­´Â ¾È µË´Ï´Ù. ³»°¡ ¾Æ°¡»ç¸¦ »ç¶ûÇØ¾ß ÇÑ´Ù°í ´ç½ÅÀÌ »ý°¢ÇÏ´Â °Í°ú ¶È°°Àº ¹æ½ÄÀ¸·Î ´ç½ÅÀ» »ç¶ûÇÏ´Â ³²ÀÚ°¡ ÀÖ½À´Ï´Ù. ±×¸®°í ³ª´Â ±×³à¸¦ »ç¶ûÇÏÁö ¾Ê½À´Ï´Ù.¡±

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,162 Á¶Áö ¹ö³ªµå ¼îÀÇ ºñ»çȸÀû »çȸÁÖÀÇÀÚ 1883(English Classics1,162 An Unsocial Socialist by George Bernard Shaw)
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX.
Chapter X.
Chapter XI.
Chapter XII.
Chapter XIII.
Chapter XIV.
Chapter XV.
Chapter XVI.
Chapter XVII.
Chapter XVIII.
Appendix.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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