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¿µ¾î°íÀü1,163 Á¶Áö ¹ö³ªµå ¼îÀÇ ±âÀûÀûÀÎ º¹¼ö 1885(English Classics1,163 The Miraculous Revenge by George Bernard Shaw

¿µ¾î°íÀü1,163 Á¶Áö ¹ö³ªµå ¼îÀÇ ±âÀûÀûÀÎ º¹¼ö 1885(English Classics1,163 The Miraculous Revenge by George Bernard Shaw

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¢º ±âÀûÀûÀÎ º¹¼ö 1885(The Miraculous Revenge by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ÇÊü·Î ÁýÇÊÇÑ ´ÜÆí ¼Ò¼³(Short Stories)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÏ¿´½À´Ï´Ù.

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¢º ½Å¾ÓÀ» °®Áö ¾Ê¾Ò´ø ¾î´À ÁËÀÎÀÌ ÀÖ½À´Ï´Ù. ±× ÁËÀÎÀº ¸¶À» ÁֹεéÀÇ ¹Ý´ë¿¡µµ ºÒ±¸ÇÏ°í, Á×Àº ÈÄ¿¡ ±³È¸ ¹¦Áö¿¡ ¹¯Çû½À´Ï´Ù. ±×·±µ¥ ±× ÁËÀÎÀÌ ¹¯Èù ÈÄ ¹¦Áö¿¡´Â ÀÌÇØÇÒ ¼ö ¾ø´Â ±â¹¦ÇÑ ÀÏÀÌ ¹ú¾îÁö±â ½ÃÀÛÇϴµ¥...?! ¸¶À» Áֹεé·ÎºÎÅÍ ºÒÆíÇÑ ´ëÁ¢À» ¹ÞÀº Á¦³ë´Â ÀÌ Çö»óÀ» ÀÌ¿ëÇÏ¿©, ¿ÀÈ÷·Á ¸¶À» Áֹε鿡°Ô º¹¼öÇÒ °ÍÀ» °á½ÉÇÕ´Ï´Ù. °ú¿¬ Á¦³ë´Â ÁËÀÎÀÇ ½Ã½ÅÀ» ¾î¶»°Ô »ç¿ëÇÏ·Á´Â °ÍÀϱî¿ä?! ±×¾ß¸»·Î Àΰ£ÀÇ À̼ºÀ» ³Ñ¾î¼± ±âÀûÀûÀÎ º¹¼ö 1885(The Miraculous Revenge by George Bernard Shaw)ÀÇ °á¸»ÀÌ ±Ã±ÝÇϽôٸé, Àϵ¶À» ±ÇÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º I arrived in Dublin on the evening of the fifth of August, and drove to the residence of my uncle, the Cardinal Archbishop. He is like most of my family, deficient in feeling, and consequently averse to me personally. He lives in a dingy house, with a side-long view of the portico of his cathedral from the front windows, and of a monster national school from the back. My uncle maintains no retinue. The people believe that he is waited upon by angels. When I knocked at the door, an old woman, his only servant, opened it, and informed me that her master was then officiating at the cathedral, and that he had directed her to prepare dinner for me in his absence. ¢¹ ³ª´Â 8¿ù 5ÀÏ Àú³á ´õºí¸°¿¡ µµÂøÇÏ¿© ´ëÁÖ±³ Ãß±â°æÀ̽Š»ïÃÌÀÇ °ÅÁÖÁö·Î Â÷¸¦ ¸ô°í °¬½À´Ï´Ù. ±× »ç¶÷Àº ´ëºÎºÐÀÇ ³» °¡Á·°ú ¸¶Âù°¡Áö·Î °¨Á¤ÀÌ ºÎÁ·ÇÏ°í °á°úÀûÀ¸·Î ³ª¸¦ °³ÀÎÀûÀ¸·Î ½È¾îÇÕ´Ï´Ù. ±×´Â ¾Õ â¹®¿¡¼­ ´ë¼º´çÀÇ Çö°üÀÌ ¿·À¸·Î º¸ÀÌ°í µÚ¿¡¼­ ±«¹° ±¹¸³ Çб³°¡ º¸ÀÌ´Â ¿ìÁßÃæÇÑ Áý¿¡ »ì°í ÀÖ½À´Ï´Ù. ³» »ïÃÌÀº ¼öÇà¿øÀ» À¯ÁöÇÏÁö ¾Ê½À´Ï´Ù. »ç¶÷µéÀº ±×°¡ õ»çµéÀÇ ½ÃÁßÀ» ¹Þ°í ÀÖ´Ù°í ¹Ï½À´Ï´Ù. ³»°¡ ¹®À» µÎµå·ÈÀ» ¶§, ±×ÀÇ À¯ÀÏÇÑ ÇÏÀÎÀÎ ÇÑ ³ëÆÄ°¡ ¹®À» ¿­¾ú°í, ±×³àÀÇ ÁÖÀÎÀÌ ´ç½Ã ´ë¼º´ç¿¡¼­ Áַʸ¦ ¸Ã°í ÀÖÀ¸¸ç, ÁÖÀÎÀÌ ¾ø´Â µ¿¾È ³ª¸¦ À§ÇØ Àú³á ½Ä»ç¸¦ ÁغñÇ϶ó°í ±×³à¿¡°Ô Áö½ÃÇß´Ù´Â °ÍÀ» ¾Ë·ÁÁÖ¾ú½À´Ï´Ù.

¢º "Now for my reasons for sending you to Wicklow. First, for your own sake. If you stay in town, or in any place where excitement can be obtained by any means, you will be in Swift's Hospital in a week. You must live in the country, under the eye of one upon whom I can depend. And you must have something to do to keep you out of mischief and away from your music and painting and poetry, which, Sir John Richard writes to me, are dangerous for you in your present morbid state. Second, because I can entrust you with a task which, in the hands of a sensible man might bring discredit on the Church. In short, I want you to investigate a miracle.¡° ¢¹ "³»°¡ ´ç½ÅÀ» À§Å¬·Î·Î º¸³½ ÀÌÀ¯´Â ´ÙÀ½°ú °°½À´Ï´Ù. ù°, ´ç½Å ÀÚ½ÅÀ» À§Çؼ­ÀÔ´Ï´Ù. ´ç½ÅÀÌ ½Ã³»¿¡ Àְųª ¾î¶² ¼ö´ÜÀ¸·Îµç ÈïºÐÀ» ´À³¥ ¼ö ÀÖ´Â °÷¿¡ ¸Ó¹«¸£¸é ÀÏÁÖÀÏ ¾È¿¡ ½ºÀ§ÇÁÆ® º´¿ø¿¡ ÀÔ¿øÇÏ°Ô µÉ °ÍÀÔ´Ï´Ù. ´ç½ÅÀº »ì¾Æ ÀÖ¾î¾ß ÇÕ´Ï´Ù. ½Ã°ñ¿¡¼­, ³»°¡ ÀÇÁöÇÒ ¼ö ÀÖ´Â »ç¶÷ÀÇ ´« ¾Æ·¡¼­. ±×¸®°í ´ç½ÅÀº Àå³­À¸·ÎºÎÅÍ ´ç½ÅÀ» º¸È£ÇÏ°í Á¸ ¸®Ã³µå °æÀÌ ³ª¿¡°Ô À§ÇèÇÑ À½¾Ç°ú ±×¸²°ú ½Ã·ÎºÎÅÍ ¸Ö¸® ¶³¾îÁ® ÀÖµµ·Ï ¹º°¡¸¦ ÇØ¾ß ÇÕ´Ï´Ù. ´ç½ÅÀº ÇöÀç º´ÀûÀÎ »óÅ¿¡ ÀÖ½À´Ï´Ù. µÑ°, ºÐº° ÀÖ´Â »ç¶÷ÀÇ ¼Õ¿¡ ±³È¸¿¡ ºÒ½ÅÀ» °¡Á®¿Ã ¼ö ÀÖ´Â ÀÓ¹«¸¦ ´ç½Å¿¡°Ô ¸Ã±æ ¼ö Àֱ⠶§¹®ÀÔ´Ï´Ù. °£´ÜÈ÷ ¸»Çؼ­, ³ª´Â ´ç½ÅÀÌ ±âÀûÀ» Á¶»çÇØ Áֱ⸦ ¹Ù¶ø´Ï´Ù.¡°

¢º "My Dear Uncle, "The miracle is genuine. I have affected perfect credulity in order to throw the Hickeys and countryfolk off their guard with me. I have listened to their method of convincing the sceptical strangers. I have examined the ordnance maps, and cross-examined the neighboring Protestant gentlefolk. I have spent a day upon the ground on each side of the water, and have visited it at midnight. I have considered the upheaval theories, subsidence theories, volcanic theories, and tidal wave theories which the provincial savants have suggested. ¢¹ ¡°»ç¶ûÇÏ´Â »ïÃÌ,¡± ±âÀûÀº ÁøÂ¥ÀÔ´Ï´Ù. ³ª´Â È÷Å°¿Í ½Ã°ñ »ç¶÷µéÀ» ³ª¿Í ÇÔ²² ¹æ½ÉÇÏ°Ô ¸¸µé±â À§ÇØ ¿Ïº®ÇÑ °æ½Å¿¡ ¿µÇâÀ» ¹ÌÃƽÀ´Ï´Ù. ³ª´Â ȸÀÇÀûÀÎ ³¸¼± »ç¶÷µéÀ» ¼³µæÇÏ´Â ±×µéÀÇ ¹æ¹ýÀ» µé¾ú½À´Ï´Ù. ³ª´Â º´±â Áöµµ¸¦ Á¶»çÇß°í, ÀÌ¿ô °³½Å±³ ½Å»çµéÀ» ¹Ý´ë Á¶»çÇß½À´Ï´Ù. ³ª´Â ¹° ¾çÂÊÀÇ ¶¥¿¡¼­ ÇϷ縦 º¸³Â°í ÀÚÁ¤¿¡ ±×°÷À» ¹æ¹®Çß½À´Ï´Ù. ³ª´Â Áö¹æ ÇÐÀÚµéÀÌ Á¦½ÃÇÑ °Ýº¯ ÀÌ·Ð, ħÇÏ ÀÌ·Ð, È­»ê ÀÌ·Ð, ÇØÀÏ ÀÌ·ÐÀ» °í·ÁÇß½À´Ï´Ù.

¢º It was now past two o'clock, and the dawn had begun; so that I had no further trouble for want of light. I wheeled the coffin to a patch of loamy soil which I had noticed in the afternoon near the grave of the holy sisters. I had warmed to my work; my neck no longer pained me; and I began to dig vigorously, soon making a shallow trench, deep enough to hide the coffin with the addition of a mound. ¢¹ ÀÌÁ¦ ¿ÀÈÄ 2½Ã°¡ Áö³ª¼­ »õº®ÀÌ ½ÃÀ۵Ǿú½À´Ï´Ù. ±×·¡¼­ ³ª´Â ºûÀÌ ºÎÁ·ÇÏ¿© ´õ ÀÌ»ó ¾î·Á¿òÀ» °ÞÁö ¾Ê°Ô µÇ¾ú½À´Ï´Ù. ³ª´Â ¿ÀÈÄ¿¡ °Å·èÇÑ ¼ö³àµéÀÇ ¹«´ý ±Ùó¿¡¼­ º¸¾Ò´ø ¾çÅä·Î °üÀ» ¿Å°å½À´Ï´Ù. ³ª´Â ÀÏ¿¡ ¸¶À½ÀÌ µû¶æÇØÁ³½À´Ï´Ù. ³» ¸ñÀº ´õ ÀÌ»ó ¾ÆÇÁÁö ¾Ê¾Ò½À´Ï´Ù. ±×¸®°í ³ª´Â ÈûÂ÷°Ô ¶¥À» Æı⠽ÃÀÛÇß°í °ð ¾èÀº µµ¶ûÀ» ¸¸µé¾ú°í, ±× ±íÀÌ´Â ¹«´ýÀ» Ãß°¡ÇÏ¿© °üÀ» ¼û±æ ¼ö ÀÖÀ» ¸¸Å­ ±í¾ú½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,163 Á¶Áö ¹ö³ªµå ¼îÀÇ ±âÀûÀûÀÎ º¹¼ö 1885(English Classics1,163 The Miraculous Revenge by George Bernard Shaw)
Main Title Page
¢¹ THE MIRACULOUS REVENGE
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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