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¢º ¿ö·» ºÎÀÎÀÇ Á÷¾÷ 1893(Mrs. Warren's Profession by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(37¼¼)¿¡ ÁýÇÊÇÑ 4¸·(Act I.~Act IV.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. ¹ö³ªµå ¼îÀÇ Èñ°îÀ» ¹­Àº ºÒÄèÇÑ ¿¬±Øµé 1898(Plays Unpleasant)¿¡ ¼ö·ÏµÈ ¼¼ ÆíÀÇ ÀÛÇ°(Widowers' Houses, The Philanderer, Mrs Warren's Profession) Áß ÇϳªÀ̱⵵ ÇÕ´Ï´Ù.

¢º ¿ö·» ºÎÀÎÀÇ Á÷¾÷ 1893(Mrs. Warren's Profession by George Bernard Shaw)Àº ¸ÅÃá(Øãõð, Prostitute)À̶õ ÀÚ±ØÀûÀÎ ¼ÒÀçÀÇ Æ¯¼º»ó ¾ö°ÝÇÑ ¿µ±¹ °Ë¿­¹ý(the strict British censorship laws)¿¡ ÀÇ°Å, 1893³â ¹ßÇ¥µÈ ÀÌÈÄ ¹«·Á 9³âÀÌ È帥 1902³â¿¡¾ß (Á¦ÇÑÀûÀ¸·Î³ª¸¶) µåµð¾î ¹«´ë¿¡¼­ °ü°´À» ¸¸³¯ ¼ö ÀÖ¾ú½À´Ï´Ù. ´ç½Ã¿¡´Â ÀÏ¹Ý ´ëÁßÀÌ ¾Æ´Ï¶ó, ȸ¿ø Àü¿ë Ŭ·´(Members-only clubs)ÀÇ Çü½ÄÀ» ºô·Á ÁÖ·Î ÀÏ¿äÀÏ¿¡ ºñ°ø°³ ¿¬±Ø »ó¿µ(a private showing of a play)ÀÇ Çü½ÄÀ¸·Î °ø¿¬À» ÇÏ¿´½À´Ï´Ù. ¹Ì±¹¿¡¼­µµ 1905³â ´º¿å ½ÃÀÇ ÄÞ½ºÅå¹ý(Comstock Law)À» À§¹ÝÇÑ ÇøÀÇ·Î Ã⿬Áø°ú Á¦ÀÛÁøÀÌ Ã¼Æ÷µÇ¾úÀ¸³ª, ¹«ÁË ¹æ¸éµÈ ÀÌÈÄ ¿ÀÈ÷·Á ij³ª´Ù, ´ºÁú·£µå µî ¼¼°è °¢Áö¿¡¼­ 21¼¼±âÀÎ ÇöÀç±îÁöµµ Àα⸦ ´©¸®°í ÀÖ½À´Ï´Ù.

¢º [Mrs Warren¡¯s Profession was performed for the first time in the theatre of the New Lyric Club, London, on the 5th and 6th January 1902, with Madge McIntosh as Vivie, Julius Knight as Praed, Fanny Brough as Mrs Warren, Charles Goodhart as Crofts, Harley Granville-Barker as Frank, and Cosmo Stuart as the Reverend Samuel Gardner.] ¢¹ ['¿ö·» ºÎÀÎÀÇ Á÷¾÷'Àº 1902³â 1¿ù 5ÀÏ°ú 6ÀÏ ·±´ø ´º ¸®¸¯ Ŭ·´ ±ØÀå¿¡¼­ óÀ½À¸·Î °ø¿¬µÇ¾úÀ¸¸ç, ¸ÅÁö ¸ÅŲÅä½Ã°¡ ºñºñ ¿ª, ÁÙ¸®¾î½º ³ªÀÌÆ®°¡ ÇÁ·¹ÀÌµå ¿ª, ÆÐ´Ï ºê·Î°¡ ¿ö·» ºÎÀÎ ¿ª, Âû½º ±ÂÇÏÆ®°¡ Å©·ÎÇÁÃ÷ ¿ª, ÇÒ¸® ±×·£ºô ¹ÙÄ¿°¡ ÇÁ·©Å© ¿ª, ÄÚ½º¸ð ½ºÆ©¾îÆ®°¡ »ç¹«¿¤ °¡µå³Ê ¸ñ»ç ¿ªÀ» ¸Ã¾Ò½À´Ï´Ù.]

¢º ÀηùÀÇ °¡Àå ¿À·¡µÈ ±Ý±â, ¸ÅÃá(Øãõð, Prostitute) : ¹ö³ªµå ¼î´Â À̹ø ÀÛÇ°À» ÅëÇØ »çȸÀûÀ¸·Î ±Ý±â½ÃµÇÁö¸¸, ÀηùÀÇ °ç¿¡¼­ Á¸ÀçÇÏÁö ¾ÊÀº ÀûÀÌ ¾ø¾ú´ø ¸ÅÃáÀ» Á¤¸éÀ¸·Î ´Ù·ç¾ú½À´Ï´Ù. ¸ÅÃáÀÌ ´Ü¼øÈ÷ µµ´öÀû Â÷¿ø¿¡¼­ÀÇ ½ÇÆÐ(by moral failure)°¡ ¾Æ´Ï¶ó, Çö´ë»çȸÀÇ ±¸Á¶ÀûÀÎ ¹®Á¦ ? »çȸ°æÁ¦Àû ¾àÀÚÀÇ °æÁ¦Àû Çʿ伺(by economic necessity)¿¡ ÀÇÇØ ºñ·ÔµÈ´Ù´Â Á¡À» Á¦±âÇÏ´Â ¹®Á¦±Ø(Ùýð¹Ð¼, problem play)À̶õ Á¡¿¡¼­ ÁÖ¸ñÇÒ °¡Ä¡°¡ ÀÖ½À´Ï´Ù. ¸ÅÃá¿¡ ´ëÇÑ À§¼±ÀûÀΠŵµ(the hypocrisies relating to prostitution)¿Í ºòÅ丮¾Æ ½Ã´ë ¿µ±¹ÀÌ ¼±ÅÃÇÒ ¼ö ÀÖ´Â Á÷Á¢ÀÇ Çù¼ÒÇÔ(the limited employment opportunities available for women in Victorian Britain) ¶ÇÇÑ ¹ö³ªµå ¼îÀÇ ºñÆÇÀ» ÇÇÇÒ ¼ö ¾ø¾ú½À´Ï´Ù.

¢º "to draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together." ¢¹ "¸ÅÃáÀÌ ¿©¼ºÀÇ Å¸¶ôÀ̳ª ³²¼ºÀÇ ¹æÁ¾ ¶§¹®¿¡ ¹ß»ýÇÏ´Â °ÍÀÌ ¾Æ´Ï¶ó ´Ü¼øÈ÷ ¿©¼ºÀ» °ú¼ÒÀÓ±Ý, °ú¼ÒÆò°¡ÇÏ°í °ú·ÎÇÏ°Ô ÇÏ¿© °¡Àå °¡³­ÇÑ »ç¶÷µéÀÌ »ýÈ°À» À¯ÁöÇϱâ À§ÇØ ¸ÅÃá¿¡ ÀÇÁ¸ÇÒ ¼ö ¹Û¿¡ ¾øµµ·Ï ÇÔÀ¸·Î½á ¹ß»ýÇÑ´Ù´Â Áø½Ç¿¡ ´ëÇÑ °ü½ÉÀ» ²ø±â À§ÇØ ÀÌ ±ØÀ» ½è½À´Ï´Ù.¡°

¢º ¿ö·» ºÎÀÎÀÇ Á÷¾÷ 1893(Mrs. Warren's Profession by George Bernard Shaw)À̶õ Á¦¸ñÀº ¹ö³ªµå ¼î°¡ 11³â Àü¿¡ ÁýÇÊÇÑ Ä«¼¿ ¹ÙÀÌ·±ÀÇ Á÷¾÷ 1882(Cashel Byron's Profession by George Bernard Shaw)¿¡¼­ Â÷¿ëÇÑ °ÍÀÌ ¸í¹éÇÕ´Ï´Ù. µÎ ÀÛÇ°À» ºñ±³Çϸé, ÁÖÀΰøÀÌ ³²ÀÚ¿¡¼­ ¿©ÀÚ·Î, ±ÇÅõ¼±¼ö¿¡¼­ ¸ÅÃáºÎ·Î º¯°æµÇ¾ú´Ù´Â Â÷ÀÌ°¡ ÀÖ½À´Ï´Ù¸¸, »çȸ°æÁ¦ÀûÀÎ ¾àÀÚ°¡ »çȸÀûÀ¸·Î ±Ý±â½ÃµÇ´Â Á÷¾÷À» ¼±ÅÃÇÒ ¼ö ¹Û¿¡ ¾ø¾ú°í, ±×·³¿¡µµ ºÒ±¸ÇÏ°í ´õ ³ªÀº »îÀ» À§ÇØ °í±ººÐÅõÇÑ´Ù´Â Á¡Àº ÇÔ²² °øÀ¯ÇÕ´Ï´Ù. ¹ö³ªµå ¼îÀÇ »çȸÀÇ ¾àÀÚ¿¡ ´ëÇÑ Àΰ£ÀûÀÎ ¸é¸ð¸¦ ¸¸³ª°í ½ÍÀº µ¶ÀÚ¿¡°Ô µÎ ÀÛÇ° ¡®ÇÔ²²¡¯ Àо½Ç °ÍÀ» ±ÇÇÕ´Ï´Ù.

¢º ÀÛÇ°¿¡´Â ŰƼ ¿ö·» ºÎÀÎ(Mrs Kitty Warren)°ú ±×³àÀÇ µþ ºñºñ ¿ö·»(Vivie Warren)ÀÌ µîÀåÇÕ´Ï´Ù. ¿µ±¹ÀÇ ¸í¹®´ë Ä·ºê¸®Áö ´ëÇÐÀ» ¿ì¼öÇÑ ¼ºÀûÀ¸·Î Á¹¾÷ÇÑ ºñºñ´Â ³²ºÎ·´Áö ¾Ê°Ô »ì¾Æ¿Â ÁöÀûÀÎ ¿©¼ºÀ¸·Î, ž¼­ óÀ½À¸·Î ¾î¸Ó´Ï¸¦ ¸¸³­´Ù´Â °Í¿¡ ¼³·¼ ¼ö ¹Û¿¡ ¾ø¾ú½À´Ï´Ù¸¸! ¾î¸Ó´ÏÀÇ Á÷¾÷À» ¾Ë°Ô µÈ ±×³à´Â Å« Ãæ°ÝÀ» ¹ÞÀ» ¼ö ¹Û¿¡ ¾ø¾ú½À´Ï´Ù¡¦. ÀÛ°¡´Â ¿ö·» ºÎÀÎÀÇ ¸ñ¼Ò¸®¸¦ ÅëÇØ ±×³à°¡ ¸ÅÃáºÎ°¡ µÈ ÀÌÀ¯¸¦ ¼³¸íÇϱ⠽ÃÀÛÇÕ´Ï´Ù. °ú¿¬ ºñºñ´Â ÀÚ½ÅÀ» À§ÇØ Æò»ýÀ» Çå½ÅÇÑ ±×³àÀÇ »îÀ» ºñ³­ÇÒ ¼ö ÀÖÀ»±î¿ä? ºñºñ°¡ Á¹¾÷ÇÏ°í, Á÷ÀåÀ» ¾òÀº ÈÄ¿¡µµ ¿ö·» ºÎÀÎÀº °ú¿¬ À¯·´ Àü¿ª¿¡ °ÉÃÄ Áö¹èÇÏ°í ÀÖ´Â ¸ÅÃá ¾÷¼Ò ÇÁ·£Â÷ÀÌÁ Æ÷±âÇÒ ¼ö ÀÖÀ»±î¿ä? µÎ ¸ð³àÀÇ ¾ù°¥¸° ¿î¸íÀº °ú¿¬ ¾î¶² °á¸»À» ¸ÂÀÌÇÏ°Ô µÉ±î¿ä? Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º THE AUTHOR¡¯S APOLOGY. Everybody will, I hope, admit that this state of things is intolerable; that the subject of Mrs Warren¡¯s profession must be either tapu altogether, or else exhibited with the warning side as freely displayed as the tempting side. But many persons will vote for a complete tapu, and an impartial sweep from the boards of Mrs Warren and Gretchen and the rest; in short, for banishing the sexual instincts from the stage altogether. Those who think this impossible can hardly have considered the number and importance of the subjects which are actually banished from the stage. ¢¹ ÀúÀÚÀÇ »ç°ú. ³ª´Â ¸ðµç »ç¶÷ÀÌ ÀÌ·¯ÇÑ »óȲÀÌ ÂüÀ» ¼ö ¾ø´Ù´Â Á¡À» ÀÎÁ¤ÇÒ °ÍÀ̶ó°í ¹Ï½À´Ï´Ù. ¿ö·» ºÎÀÎÀÇ Á÷¾÷ÀÇ ÁÖÁ¦´Â ¿ÏÀüÈ÷ ÅͺÎÀ̰ųª À¯È¤ÀûÀÎ ¸é¸¸Å­ ÀÚÀ¯·Ó°Ô °æ°íÇÏ´Â ¸éÀ» µå·¯³»¾ß ÇÑ´Ù´Â °ÍÀÔ´Ï´Ù. ±×·¯³ª ¸¹Àº »ç¶÷µéÀº ¿ÏÀüÇÑ ÅÍºÎ¿Í ¿ö·» ºÎÀΰú ±×·¹Ã¾ ¿©»ç ¹× ³ª¸ÓÁö ÀÌ»çȸÀÇ °øÁ¤ÇÑ Ã»¼Ò¿¡ ÅõÇ¥ÇÒ °ÍÀÔ´Ï´Ù. °£´ÜÈ÷ ¸»Çؼ­ ¼ºÀû º»´ÉÀ» ¹«´ë¿¡¼­ ¿ÏÀüÈ÷ Ãß¹æÇÏ´Â °ÍÀÔ´Ï´Ù. ÀÌ°ÍÀÌ ºÒ°¡´ÉÇÏ´Ù°í »ý°¢ÇÏ´Â »ç¶÷µéÀº ½ÇÁ¦·Î ¹«´ë¿¡¼­ Ãß¹æµÇ´Â ÁÖÁ¦ÀÇ ¼ö¿Í Á߿伺À» °ÅÀÇ °í·ÁÇÏÁö ¾Ê¾ÒÀ» °ÍÀÔ´Ï´Ù.

¢º ACT IV. VIVIE. I am sure that if I had the courage I should spend the rest of my life in telling everybody?stamping and branding it into them until they all felt their part in its abomination as I feel mine. There is nothing I despise more than the wicked convention that protects these things by forbidding a woman to mention them. And yet I can¡¯t tell you. The two infamous words that describe what my mother is are ringing in my ears and struggling on my tongue; but I can¡¯t utter them: the shame of them is too horrible for me. ¢¹ Á¦4¸·. ºñºñ. ¿ë±â°¡ ÀÖ´Ù¸é ³²Àº ÀλýÀ» ¸ðµç »ç¶÷¿¡°Ô ¾Ë¸®´Â µ¥ º¸³»¾ß ÇÒ °ÍÀÔ´Ï´Ù. ³»°¡ ´À³¢´Â °Íó·³ ±×µé ¸ðµÎ°¡ ±× Çø¿À½º·¯¿î ºÎºÐÀ» ´À³¥ ¶§±îÁö ½ºÅÆÇÁ¸¦ Âï°í ³«ÀÎÀ» ÂïÀ» °ÍÀÔ´Ï´Ù. ¿©¼ºÀÌ ÀÌ·¯ÇÑ °ÍµéÀ» ¾ð±ÞÇÏ´Â °ÍÀ» ±ÝÁöÇÔÀ¸·Î½á ÀÌ·¯ÇÑ °ÍµéÀ» º¸È£ÇÏ´Â »ç¾ÇÇÑ °ü½Àº¸´Ù ³»°¡ ´õ °æ¸êÇÏ´Â °ÍÀº ¾ø½À´Ï´Ù. ÇÏÁö¸¸ ³ª´Â ´ç½Å¿¡°Ô ¸»ÇÒ ¼ö ¾ø½À´Ï´Ù. ³» ¾î¸Ó´Ï°¡ ¾î¶² »ç¶÷ÀÎÁö ¼³¸íÇÏ´Â µÎ °¡Áö ¾Ç¸í ³ôÀº ´Ü¾î´Â ³» ±Í¿¡¼­ ¿ï¸®°í ³» Çô¿¡¼­ ¾î·Á¿òÀ» °Þ°í ÀÖ½À´Ï´Ù. ±×·¯³ª ³ª´Â ±×°ÍÀ» ¸»ÇÒ ¼ö ¾ø½À´Ï´Ù. ±× ¼öÄ¡½ÉÀÌ ³ª¿¡°Ô´Â ³Ê¹« ²ûÂïÇÕ´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,166 Á¶Áö ¹ö³ªµå ¼îÀÇ ¿ö·» ºÎÀÎÀÇ Á÷¾÷ 1893(English Classics1,166 Mrs. Warren's Profession by George Bernard Shaw)
The Author¡¯s Apology
¢¹ MRS WARREN¡¯S PROFESSION
Act I.
Act II.
Act III.
Act IV.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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