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¿µ¾î°íÀü1,168 Á¶Áö ¹ö³ªµå ¼îÀÇ Äµµð´Ù 1894(English Classics1,168 Candida by George Bernard Shaw)


¿µ¾î°íÀü1,168 Á¶Áö ¹ö³ªµå ¼îÀÇ Äµµð´Ù 1894(English Classics1,168 Candida by George Bernard Shaw)

¿µ¾î°íÀü1,168 Á¶Áö ¹ö³ªµå ¼îÀÇ Äµµð´Ù 1894(English Classics1,168 Candida by George Bernard Shaw)

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¢º ĵµð´Ù 1894(Candida by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(38¼¼)¿¡ ÁýÇÊÇÑ 3¸·(Act I.~Act III.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. ¹ö³ªµå ¼îÀÇ Èñ°î ¸ðÀ½Áý ºÒÄèÇÑ ¿¬±Øµé 1898(Plays Unpleasant)¿¡ À̾î Ãâ°£ÇÑ À¯ÄèÇÑ ¿¬±Øµé(Plays Pleasant, 1898)¿¡ Æ÷ÇÔµÈ ³× ÀÛÇ°(Arms and the Man 1894, Candida 1894, The Man of Destiny 1895, You Never Can Tell 1896) Áß ÇϳªÀÔ´Ï´Ù. µÎ ÀÛÇ°ÁýÀÇ Á¦¸ñÀÌ ¼­·Î ´ëÁ¶¸¦ ÀÌ·ç´Â °ÍºÎÅÍ ¹ö³ªµå ¼îÀÇ À§Æ®°¡ ´À²¸ÁöÁö ¾Ê½À´Ï±î?

¢º ĵµð´Ù 1894(Candida by George Bernard Shaw)¿Í ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(How He Lied to Her Husband by George Bernard Shaw)ÀÇ °øÅëÁ¡Àº?! : ĵµð´Ù 1894(Candida by George Bernard Shaw)´Â µÎ ³²ÀÚ¿Í ÇÑ ¿©ÀÚ°£ÀÇ »ï°¢°ü°è - ¸ñ»ç(Clergyman) Á¦ÀÓ½º ¸ð·¼(James Mavor Morell)°ú ±×ÀÇ ¾Æ³» ĵµð´Ù(Candida), ĵµð´Ù¿¡ ±¸¾ÖÇÏ´Â ÀþÀº ½ÃÀÎ À¯Áø ¸¶Ä¡¹ðÅ©½º(Youthful poet, Eugene Marchbanks)¸¦ ¼ÒÀç·Î ÇÑ ÀüÇüÀûÀÎ Äڹ̵ð(Comedy)ÀÌÀÚ ¸á·Î ÀÛÇ°(Melodrama)·Î, 1895³â ÃÊ¿¬À» ¿Ã¸° ÀÌÈÄ ¹Ì±¹ ´º¿å±îÁö Æø¹ßÀûÀÎ ´©·È½À´Ï´Ù! ÀÛÇ°ÀÇ Àαâ·Î ¹ö³ªµå ¼î´Â ĵµð´ÙÀÇ ¼Ò±Ø ¹öÀü¿¡ ÇØ´çÇÏ´Â ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(How He Lied to Her Husband by George Bernard Shaw)À̶õ ´Ü¸· ±¸¼ºÀÇ Äڹ̵ð ÀÛÇ°(One-act comedy play)À» ÁýÇÊÇÏ¿´À¸´Ï, ÇÔ²² Àо½Ã¸é ´õ¿í ÁÁ½À´Ï´Ù. ´ç½Ã ¹Ì±¹ÀÇ ¹è¿ìÀÌÀÚ ÇÁ·Îµà¼­ÀÎ ¾Æ³îµå µ¥Àϸ®(Arnold Daly, 1875~1927)ÀÇ Ã»Å¹À» ¹Þ°í, 1904³â ½ºÄÚƲ·£µå¿¡¼­ ÈÞ°¡¸¦ º¸³»¸ç ´Ü 4ÀÏ ¸¸¿¡ ½è´Ù´Â!!

¢º ¾î¶»°Ô »ì °ÍÀΰ¡? »îÀÇ ÀÇ¹Ì¿Í °¡Ä¡¿¡ ´ëÇÑ ¹ö³ªµå ¼îÀÇ ´ã´ëÇÑ Áú¹® : ¿µ±¹ ºòÅ丮¾Æ ½Ã´ë(Victorian Era, 1837~1901)ÀÇ »ç¶û°ú °áÈ¥Àº Áö±ØÈ÷ º¸¼öÀûÀÌ¿´°í, ÀÛ°¡´Â ´ç´ëÀÇ °ü½ÀÀ» À¯¸Ó·¯½ºÇÏ°Ô Ç³ÀÚÇÏ¸ç ¿©¼ºÀÌ ÁøÁ¤À¸·Î ¿øÇÏ´Â »î¿¡ ´ëÇÑ ´ÜÃʸ¦ µ¶ÀÚ¿Í °ü°´µé¿¡°Ô ´øÁý´Ï´Ù. ĵµð´ÙÀÇ ³²ÆíÀº ¼ºÁ÷ÀÚÀÌÀÚ ±âµ¶±³ »çȸÁÖÀÇÀÚ(Christian socialism)·Î ¼³Á¤µÇ¾î Àִµ¥, ÀÌ´Â ¹ö³ªµå ¼î°¡ ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)ÀÎ Á¡°ú ¹«°üÇÏÁö ¾Ê½À´Ï´Ù.

¢º ·±´ø ºÏµ¿ºÎ ±³¿Ü Áö¿ª ¾îµò°¡. ¸ñ»ç(Clergyman) Á¦ÀÓ½º ¸ð·¼(James Mavor Morell)Àº ÇöÁö Áֹε鿡°Ô Å« Àα⸦ ´©¸®´Â ¼ºÁ÷ÀÚ °â ±âµ¶±³ »çȸÁÖÀÇÀÚ(Christian socialism)ÀÌÁö¸¸, »ç½Ç ±×ÀÇ Àαâ´Â ÀüÀûÀ¸·Î ±×ÀÇ ¾Æ³» ĵµð´Ù(Candida)ÀÇ Çå½Å ´öºÐÀÌ¿´½À´Ï´Ù. ±×³à¿¡°Ô ¸Å·áµÈ ÀþÀº ½ÃÀÎ À¯Áø ¸¶Ä¡¹ðÅ©½º(Youthful poet, Eugene Marchbanks)´Â ·±´øÇà ÀÏÁ¤¿¡ ±×³à¸¦ Àá½Ã µ¿Çà½ÃÅ°´Â °Í¿¡ ¼º°øÇÏ°í, ±× ÀÌÈÄ·Î ´õ´õ¿í ±×³à¿¡°Ô ºüÁ®µì´Ï´Ù¡¦. ±×³à°¡ ³²ÆíÀ¸·ÎºÎÅÍ ºÎ´çÇÑ ´ëÁ¢À» ¹Þ°í ÀÖ´Ù°í È®½ÅÇÏ´Â À¯Áø°ú ÀÚ½ÅÀÌ ±×³à¸¦ Àß º¸»ìÇÇ´Â ÁÁÀº ³²ÆíÀ̶ó°í ¹Ï´Â ¸ð·¼ »çÀÌ¿¡¼­ °ú¿¬ ĵµð´Ù´Â ¾î¶² ¼±ÅÃÀ» ÇÒ ¼ö ÀÖÀ»±î¿ä?

¢º ´º¿åÀº ¹ö³ªµå ¼î ¾ÎÀÌ Áß?! ĵµð´Ù¸¶´Ï¾ÆÀÇ Ä§°ø(an outbreak of Candidamania) : »·Çϵ𠻷ÇÏ°í, ÈçÇϵðÈçÇÑ »ï°¢°ü°èÀÌÁö¸¸, Çö´ëÀÇ µ¶Àڵ鿡°Ôµµ °ø°¨»ì ¼ö ÀÖ´Â ¹ö³ªµå ¼îÀÇ ¿ø¼÷ÇÑ Äڹ̵ð(Comedy)ÀÌÀÚ ¸á·Î ÀÛÇ°(Melodrama)À¸·Î, 1900³â´ë Ãʹݿ¡´Â ÀÛÇ°ÀÇ Àα⸦ ´º¿å ¼±(The New York Sun)¿¡¼­´Â ĵµð´Ù¸¶´Ï¾Æ(Candidamania)¶ó°í ¸í¸íÇÒ Á¤µµ¿´½À´Ï´Ù. 1895³â ¿µ±¹ ·±´ø, 1904³â ¹Ì±¹ ´º¿å, 1962³â È£ÁÖ ÅÚ·¹ºñÀü, 2009³â ¿µ±¹ BBC ¶óµð¿À¡¦. ƯÈ÷ 1870³â¿¡ ⸳µÈ ¿µ±¹ ·±´ø½Ã ½½·Î¾ð½ºÄù¾îÀÇ ·Î¾â ÄÚµå ±ØÀå(The Royal Court Theatre)Àº 1904³â ÇÏ·ç¿¡ 6¹øÀÇ °ø¿¬À» ¹«´ë¿¡ ¿Ã¸®´Â µî ¼ö³â°£ ¡®¹ö³ªµå ¼î ¸¶´Ï¾ÆµéÀÇ ¼ºÁö¡¯·Î ±º¸²ÇÏ¿´½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º A new complaint has become widespread. It may be described as 'Candidamania.' It is a contagious disease, frequently caught in street cars, elevated trains, department stores, restaurants, and other places where people talk about what they did the night before. 'Have you seen Candida?' is the question of the hour. Thousands are dragging their friends to see Mr. Shaw's play." ¢¹ »õ·Î¿î ºÒ¸¸ÀÌ ³Î¸® ÆÛÁ³½À´Ï´Ù. ±×°ÍÀº 'ĵµð´Ù¸¶´Ï¾Æ'·Î ¼³¸íµÉ ¼ö ÀÖ½À´Ï´Ù. ÀüÂ÷, °í°¡¿­Â÷, ¹éÈ­Á¡, ½Ä´ç µî Àü³¯ ¹ã¿¡ ÀÖ¾ú´ø ÀÏÀ» À̾߱âÇÏ´Â Àå¼Ò¿¡¼­ ÀÚÁÖ °É¸®´Â Àü¿°º´ÀÔ´Ï´Ù. 'ĵµð´Ù¸¦ º» Àû ÀÖ³ª¿ä?' ½Ã°£ÀÇ ¹®Á¦ÀÔ´Ï´Ù. ¼öõ ¸íÀÌ ¼î ¾¾ÀÇ ¿¬±ØÀ» º¸±â À§ÇØ Ä£±¸µéÀ» ²ø°í °¡°í ÀÖ½À´Ï´Ù.¡°

¢º ACT I. MARCHBANKS (with lyric rapture.) Because she will understand me, and know that I understand her. If you keep back one word of it from her?if you are not ready to lay the truth at her feet as I am?then you will know to the end of your days that she really belongs to me and not to you. Good-bye. (Going.) ¢¹ Á¦1¸·. ¸¶Ä¡¹ðÅ©½º. (°¡»çÀû ȲȦÇÔ Æ÷ÇÔ) ¿Ö³ÄÇÏ¸é ±×³à´Â ³ª¸¦ ÀÌÇØÇÒ °ÍÀÌ°í, ³»°¡ ±×³à¸¦ ÀÌÇØÇÑ´Ù´Â °ÍÀ» ¾Ë±â ¶§¹®ÀÔ´Ï´Ù. ¸¸¾à ´ç½ÅÀÌ ±×³à¿¡°Ô¼­ ÇÑ ¸¶µðµµ ¼û±ä´Ù¸é, Áï ³ªÃ³·³ ±×³àÀÇ ¹ß ¾Õ¿¡ Áø½ÇÀ» ³õÀ» Áغñ°¡ µÇ¾î ÀÖÁö ¾Ê´Ù¸é, ´ç½ÅÀº ±×³à°¡ Á¤¸»·Î ´ç½ÅÀÇ °ÍÀÌ ¾Æ´Ï¶ó ³ª¿¡°Ô ¼ÓÇß´Ù´Â °ÍÀ» ´ç½ÅÀÇ »ý¾Ö°¡ ³¡³¯ ¶§±îÁö ¾Ë°Ô µÉ °ÍÀÔ´Ï´Ù. ¾È³çÈ÷ °¡¼¼¿ä. (°¡°í ÀÖ´Ù.)

¢º ACT II. MARCHBANKS (firing up). Yes, to be idle, selfish and useless: that is to be beautiful and free and happy: hasn't every man desired that with all his soul for the woman he loves? That's my ideal: what's yours, and that of all the dreadful people who live in these hideous rows of houses? Sermons and scrubbing brushes! With you to preach the sermon and your wife to scrub. ¢¹ Á¦2¸·. ¸¶Ä¡¹ðÅ©½º (¹ßµ¿). ±×·¸½À´Ï´Ù, °ÔÀ¸¸£°í À̱âÀûÀÌ°í ¾µ¸ð¾ø´Ù´Â °Í, ±×°ÍÀº ¾Æ¸§´ä°í ÀÚÀ¯·Ó°í ÇູÇÏ´Ù´Â °ÍÀÔ´Ï´Ù. ¸ðµç ³²ÀÚ´Â ÀÚ½ÅÀÌ »ç¶ûÇÏ´Â ¿©ÀÚ¸¦ À§ÇØ ¿Â ¿µÈ¥À» ´ÙÇØ ±×°ÍÀ» ¿øÇÏÁö ¾Ê¾Ò½À´Ï±î? ±×°Ô ³» ÀÌ»óÀÌ¿¡¿ä. ´ç½ÅÀÇ ÀÌ»óÀº ¹«¾ùÀÌ°í, ÀÌ ²ûÂïÇÑ Áýµé¿¡ »ç´Â ¸ðµç ¹«¼­¿î »ç¶÷µéÀÇ ÀÌ»óÀº ¹«¾ùÀΰ¡¿ä? ¼³±³¿Í ¼ö¼¼¹Ì! ´ç½Å°ú ÇÔ²² ¼³±³¸¦ ÇÏ°í ´ç½ÅÀÇ ¾Æ³»¿Í ÇÔ²² ´ÛÀ¸½Ê½Ã¿À.

¢º ACT III. MORELL (quite overcome, kneeling beside her chair and embracing her with boyish ingenuousness). It's all true, every word. What I am you have made me with the labor of your hands and the love of your heart! You are my wife, my mother, my sisters: you are the sum of all loving care to me. ¢¹ Á¦3¸·. ¸ð·¼ (¿ÏÀüÈ÷ ¾ÐµµµÇ¾î ÀÇÀÚ ¿·¿¡ ¹«¸­À» ²Ý°í ¼Ò³â´Ù¿î õÁøÇÔÀ¸·Î ±×³à¸¦ ²¸¾È´Â´Ù) ¸ðµç ¸»Àº ¸ðµÎ »ç½ÇÀÔ´Ï´Ù. ³ª´Â ´ç½ÅÀÇ ¼ÕÀÇ ³ëµ¿°ú ´ç½ÅÀÇ ¸¶À½ÀÇ »ç¶ûÀ¸·Î ³ª¸¦ ¸¸µé¾ú½À´Ï´Ù! ´ç½ÅÀº ³ªÀÇ ¾Æ³», ³ªÀÇ ¾î¸Ó´Ï, ³ªÀÇ ÀÚ¸ÅÀÔ´Ï´Ù. ´ç½ÅÀº ³ª¿¡ ´ëÇÑ ¸ðµç »ç¶ûÀÇ º¸»ìÇËÀÇ ÃÑüÀÔ´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,168 Á¶Áö ¹ö³ªµå ¼îÀÇ Äµµð´Ù 1894(English Classics1,168 Candida by George Bernard Shaw)
Act I.
Act II.
Act III.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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