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¿µ¾î°íÀü1,169 Á¶Áö ¹ö³ªµå ¼îÀÇ ¿î¸íÀÇ »ç¶÷ 1895(English Classics1,169 The Man of Destiny by George Bernard Shaw)

¿µ¾î°íÀü1,169 Á¶Áö ¹ö³ªµå ¼îÀÇ ¿î¸íÀÇ »ç¶÷ 1895(English Classics1,169 The Man of Destiny by George Bernard Shaw)

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¢º ¿î¸íÀÇ »ç¶÷ 1895(The Man of Destiny by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(39¼¼)¿¡ ÁýÇÊÇÑ ´Ü¸· ±¸¼º(One-Act Play)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. ¹ö³ªµå ¼îÀÇ Èñ°î ¸ðÀ½Áý ºÒÄèÇÑ ¿¬±Øµé 1898(Plays Unpleasant)¿¡ À̾î Ãâ°£ÇÑ À¯ÄèÇÑ ¿¬±Øµé(Plays Pleasant, 1898)¿¡ Æ÷ÇÔµÈ ³× ÀÛÇ°(Arms and the Man 1894, Candida 1894, The Man of Destiny 1895, You Never Can Tell 1896) Áß ÇϳªÀÔ´Ï´Ù. µÎ ÀÛÇ°ÁýÀÇ Á¦¸ñÀÌ ¼­·Î ´ëÁ¶¸¦ ÀÌ·ç´Â °ÍºÎÅÍ ¹ö³ªµå ¼îÀÇ À§Æ®°¡ ´À²¸ÁöÁö ¾Ê½À´Ï±î?

¢º ÀÛÇ°ÀÇ ¹è°æÀº 1796³â 5¿ù 12ÀÏ, Ÿ¹ÙÀÚ³ë(Tavazzano)ÀÇ ÇÑ ¿©°ü. ÀÌÅ»¸®¾Æ ¹Ð¶ó³ë ³²µ¿ÂÊÀÇ ¾Æ´Ù°­ ·Îµð ´Ù¸®¿¡¼­ ·Îµð ÀüÅõ(Battle of Lodi, 1796)¸¦ ½Â¸®·Î À̲ö ³ªÆú·¹¿Ë º¸³ªÆĸ£Æ®(Napoleon I, 1769~1821)°¡ ÈÞ½ÄÀ» ÃëÇϸç, ¿©°üÁÖÀÎ ÁÖ¼¼Æä ±×¶õµð(Giuseppe Grandi)¿Í ´ã¼Ò¸¦ ³ª´©¸ç À̾߱â´Â ½ÃÀ۵˴ϴÙ. ¹ø¿ÜÀûÀ¸·Î ·Îµð ÀüÅõ´Â ³ªÆú·¹¿ËÀÌ Á¦1Â÷ ÀÌÅ»¸®¾Æ ¿øÁ¤(Italian campaigns of the French Revolutionary Wars, 1792~1802) ¶§ ¹ú¾îÁø 3¹ø° ÀüÅõ·Î ¿À½ºÆ®¸®¾Æ ÈĹ決(Austrian Army)°ú °Ý·ÄÇÑ ±³ÀüÀ» ¹ú¿´½À´Ï´Ù.

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¢º ¿î¸íÀÇ »ç¶÷ 1895(The Man of Destiny by George Bernard Shaw)´Â ´Ü¸· ±¸¼ºÀÇ Â©¸·ÇÑ ÀÛÇ°ÀÓ¿¡µµ ºÒ±¸ÇÏ°í, ¿ª»çÀûÀÎ Àι°ÀÎ ³ªÆú·¹¿Ë°ú À̸§Á¶Â÷ µîÀåÇÏÁö ¾Ê´Â ¾î´À ¿©ÀÎÀÇ ´ë¸³À» °­·ÄÇÏ°Ô º¸¿©ÁØ Èï¹ÌÁøÁøÇÑ ÀÛÇ°ÀÌÀÚ, ¿µ±¹ °ü°´À» À§ÇÑ ±¹»Í(?!)µµ ÀûÀýÈ÷ ¼¯ÀÎ ´ëÁßÀûÀÎ Èñ±ØÀÔ´Ï´Ù. ¹«¾ùº¸´Ù ¹«·ÂÀÌ ¾Æ´Ï¶ó ÁöÇý·Î½á, ¹®Á¦¸¦ ÇØ°áÇÑ ¿©¼º ij¸¯ÅÍ ¶ÇÇÑ µ¸º¸À̳׿ä! Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º LIEUTENANT. Nothing! Nothing!! Oho! Well, we'll see. (Posing himself to overwhelm Napoleon with his news.) He swore eternal brotherhood with me. Was that nothing? He said my eyes reminded him of his sister's eyes. Was that nothing? He cried?actually cried?over the story of my separation from Angelica. Was that nothing? He paid for both bottles of wine, though he only ate bread and grapes himself. Perhaps you call that nothing! He gave me his pistols and his horse and his despatches?most important despatches?and let me go away with them. (Triumphantly, seeing that he has reduced Napoleon to blank stupefaction.) Was THAT nothing? ¢¹ ÁßÀ§. ¾Æ¹«°Íµµ ¾Æ´Ï¿¡¿ä! ¾Æ¹«°Íµµ ¾Æ´Ï¿¡¿ä!! ¿À! µÎ°í º¾½Ã´Ù. (³ªÆú·¹¿ËÀ» ¾ÐµµÇÒ ÀÚ¼¼¸¦ ÃëÇß½À´Ï´Ù.) ±×´Â ³ª¿Í ¿µ¿øÇÑ ÇüÁ¦¾Ö¸¦ ¸Í¼¼Çß½À´Ï´Ù. ¾Æ¹«°Íµµ ¾Æ´Ï¾ú´ø°¡¿ä? ±×´Â ³» ´«ÀÌ ±×ÀÇ ¿©µ¿»ýÀÇ ´«À» ¿¬»ó½ÃŲ´Ù°í Çß½À´Ï´Ù. ¾Æ¹«°Íµµ ¾Æ´Ï¾ú´ø°¡¿ä? ±×´Â ³»°¡ ¾ÈÁ©¸®Ä«¿Í Çì¾îÁ³´Ù´Â À̾߱⿡ ¿ï¾ú½À´Ï´Ù. »ç½Ç ±×´Â ¿ï¾ú½À´Ï´Ù. ¾Æ¹«°Íµµ ¾Æ´Ï¾ú´ø°¡¿ä? ±×´Â µÎ º´ÀÇ ¿ÍÀÎ °ªÀ» ¸ðµÎ ÁöºÒÇßÁö¸¸, »§°ú Æ÷µµ¸¸ Á÷Á¢ ¸Ô¾ú´Ù°í ÇÕ´Ï´Ù. ¾Æ¸¶ ±×°ÍÀ» ¾Æ¹«°Íµµ ¾Æ´Ï¶ó°í ÇÏ°ÚÁÒ! ±×´Â ³ª¿¡°Ô ±ÇÃÑ°ú ¸», ±×¸®°í ±×ÀÇ Æİߺ´µé, °¡Àå Áß¿äÇÑ Æİߺ´µéÀ» ÁÖ¾ú°í, ³ª¸¦ ±×µé°ú ÇÔ²² ¶°³ªº¸³Â½À´Ï´Ù. (³ªÆú·¹¿ËÀ» ¸ÛÇÏ°Ô ¸¸µç °ÍÀ» º¸°í´Â ±â»µÇß½À´Ï´Ù.) ¾Æ¹«°Íµµ ¾Æ´Ï¾ú´ø°¡¿ä?

¢º NAPOLEON (quickly). Do you think I don't know what these papers contain? I'll tell you. First, my information as to Beaulieu's retreat. There are only two things he can do?leatherbrained idiot that he is!?shut himself up in Mantua or violate the neutrality of Venice by taking Peschiera. You are one of old Leatherbrain's spies: he has discovered that he has been betrayed, and has sent you to intercept the information at all hazards?as if that could save him from ME, the old fool! The other papers are only my usual correspondence from Paris, of which you know nothing. ¢¹ ³ªÆú·¹¿Ë (»¡¸®). ´ç½ÅÀº ³»°¡ ÀÌ ½Å¹®µéÀÌ ¹«¾ùÀ» ´ã°í ÀÖ´ÂÁö ¸ð¸¦ °Í °°½À´Ï±î? ³»°¡ ´ç½Å¿¡°Ô ¸»ÇÏ°Ú½À´Ï´Ù. ù°, º¸¿ï¸®¿ÜÀÇ Å𰢿¡ ´ëÇÑ ³ªÀÇ Á¤º¸ÀÔ´Ï´Ù. ±×°¡ ÇÒ ¼ö ÀÖ´Â ÀÏÀº µÎ °¡Áö»ÓÀÔ´Ï´Ù. °¡Á×À¸·Î ¸¸µç ¹Ùº¸¶ó´Â °ÍÀ»! ¸¸Åä¹Ù¿¡ Ʋ¾î¹ÚÈ÷°Å³ª Æ佺Ű¿¡¶ó¸¦ »©¾Ñ¾Æ º£³×Ä¡¾ÆÀÇ Á߸³À» ¾î±â´Â °ÍÀÔ´Ï´Ù. ´ç½ÅÀº ´ÄÀº ·¹´õºê·¹ÀÎÀÇ ½ºÆÄÀÌ Áß ÇÑ ¸íÀÔ´Ï´Ù. ±×´Â ¹è½ÅÀ» ´çÇß´Ù´Â °ÍÀ» ¾Ë°Ô µÇ¾ú°í, ´ç½ÅÀ» º¸³»¾î ¹«½¼ ¼ö¸¦ ½á¼­¶óµµ Á¤º¸¸¦ °¡·Îäµµ·Ï Çß½À´Ï´Ù. ¸¶Ä¡ ±×°ÍÀÌ ´ÄÀº ¹Ùº¸ÀÎ ³ª·ÎºÎÅÍ ±×¸¦ ±¸ÇØÁÙ ¼ö ÀÖÀ» °Íó·³ ¸»ÀÔ´Ï´Ù. ´Ù¸¥ ½Å¹®µéÀº Æĸ®¿¡¼­ ¿Â ³ªÀÇ Æò¼Ò ¼­½ÅÀÏ »Ó, ´ç½ÅÀº ¾Æ¹«°Íµµ ¸ð¸¨´Ï´Ù.

¢º NAPOLEON. No, because the English are a race apart. No Englishman is too low to have scruples: no Englishman is high enough to be free from their tyranny. But every Englishman is born with a certain miraculous power that makes him master of the world. When he wants a thing, he never tells himself that he wants it. He waits patiently until there comes into his mind, no one knows how, a burning conviction that it is his moral and religious duty to conquer those who have got the thing he wants. Then he becomes irresistible. ¢¹ ³ªÆú·¹¿Ë. ¾Æ´Ï¿ä, ¿µ±¹ÀÎÀº ÀÎÁ¾ÀÌ ´Ù¸£±â ¶§¹®ÀÔ´Ï´Ù. ¾î¶² ¿µ±¹Àεµ ¾ç½ÉÀÇ °¡Ã¥À» ´À³¢Áö ¸øÇÒ Á¤µµ·Î ³·Àº »ç¶÷Àº ¾ø½À´Ï´Ù. ¾î¶² ¿µ±¹Àεµ ÆøÁ¤¿¡¼­ ÀÚÀ¯·Î¿ï ¸¸Å­ ³ôÀº »ç¶÷Àº ¾ø½À´Ï´Ù. ±×·¯³ª ¸ðµç ¿µ±¹ÀÎÀº ±×¸¦ ¼¼°èÀÇ ÁÖÀÎÀ¸·Î ¸¸µå´Â ¾î¶² ±âÀûÀûÀÎ ÈûÀ» °¡Áö°í ž½À´Ï´Ù. ±×´Â ¹«¾ùÀΰ¡¸¦ ¿øÇÒ ¶§ °áÄÚ ÀÚ½ÅÀÌ ±×°ÍÀ» ¿øÇÑ´Ù°í ¸»ÇÏÁö ¾Ê½À´Ï´Ù. ±×´Â ÀÚ½ÅÀÌ ¿øÇÏ´Â °ÍÀ» ¾òÀº »ç¶÷µéÀ» Á¤º¹ÇÏ´Â °ÍÀÌ ÀÚ½ÅÀÇ µµ´öÀû, Á¾±³Àû Àǹ«¶ó´Â ºÒŸ´Â È®½ÅÀÌ ¸¶À½¼Ó¿¡ ¶°¿À¸¦ ¶§±îÁö ÂüÀ»¼º ÀÖ°Ô ±â´Ù¸³´Ï´Ù. ±×·¯¸é ±×´Â ÀúÇ×ÇÒ ¼ö ¾ø°Ô µË´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,169 Á¶Áö ¹ö³ªµå ¼îÀÇ ¿î¸íÀÇ »ç¶÷ 1895(English Classics1,169 The Man of Destiny by George Bernard Shaw)
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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