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¢º Ä«À̻縣¿Í Ŭ·¹¿ÀÆÄÆ®¶ó 1898(Caesar and Cleopatra by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(42¼¼)¿¡ ÁýÇÊÇÑ 5¸·(Act I.~Act V.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. û±³µµ¸¦ À§ÇÑ ¼¼ ÆíÀÇ Èñ°î(Three Plays for Puritans, 1901)¿¡ Æ÷ÇÔµÈ ¼¼ ÆíÀÇ ÀÛÇ°(The Devil's Disciple 1897, Caesar and Cleopatra 1898, Captain Brassbound's Conversion 1900) Áß ÇϳªÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ÄÚ°¡ Á¶±Ý¸¸ ³·¾Ò´õ¶ó¸é Áö±¸ÀÇ ¸ðµç Ç¥¸éÀÌ º¯ÇßÀ» °ÍÀÌ´Ù!(Cleopatra's nose, had it been shorter, the whole face of the world would have been changed.) : ÇÁ¶û½º ¼öÇÐÀÚ ºí·¹Áî ÆĽºÄ®(Blaise Pascal, 1623~1662)ÀÌ Æμ¼(Pensees, 1669)¿¡ ³²±ä ¹®±¸´Â ÇöÀç±îÁöµµ ¿ª»ç»ó °¡Àå À¯¸íÇÑ ¹Ì³à Áß ÇϳªÀΠŬ·¹¿ÀÆÄÆ®¶ó 7¼¼(Cleopatra VII, BC69~BC30)ÀÇ ¾Æ¸§´Ù¿òÀ» ¼ö½ÄÇϱ⿡ ºÎÁ·ÇÔÀÌ ¾ø½À´Ï´Ù. Ŭ·¹¿ÀÆÄÆ®¶ó´Â ´Ü¼øÇÑ ¹Ì³à°¡ ¾Æ´Ï¶ó, °¡À̿콺 À²¸®¿ì½º Ä«À̻縣(Gaius Julius Caesar, BC100~BC44)°¡ »ç¸ÁÇÑ ÀÌÈÄ ±×ÀÇ ºÎÇÏÀÎ ¸¶¸£Äí½º ¾ÈÅä´Ï¿ì½º(Marcus Antonius, BC83~BC30)¿Í È¥ÀÎ(BC32)ÇÔÀ¸·Î½á ÀÌÁýÆ®¸¦ ÁöÅ°±â À§ÇØ Çå½ÅÇÑ, Ź¿ùÇÑ ¿ª·®ÀÇ Á¤Ä¡ÀÎÀ̱⵵ ÇÕ´Ï´Ù. ¹ö³ªµå ¼î´Â Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ¹Ì³àÀ̱â ÀÌÀü¿¡, ÇÑ ±¹°¡ÀÇ Á¤Ä¡ÀÎÀ¸·Î½áÀÇ ¸é¸ð¸¦ ÀÚ½ÅÀÇ ÀÛÇ°À» ÅëÇØ ´ëÁߵ鿡°Ô Àü´ÞÇÏ°í ½Í¾ú±â¿¡, Ä«À̻縣¿Í Ŭ·¹¿ÀÆÄÆ®¶ó 1898(Caesar and Cleopatra by George Bernard Shaw)Àº ±×Àú ´Ü¼øÇÑ ÀüÀï°ú »ç¶û ±× ÀÌ»óÀÇ ÇÔÀǸ¦ ´ã°í ÀÖ½À´Ï´Ù. ±Ç¹Ì¿¡ ÷ºÎµÈ ÀÛÇ° ³ëÆ®(NOTES TO CAESAR AND CLEOPATRA) ¶ÇÇÑ Èï¹Ì·Ó½À´Ï´Ù. Ŭ·¹¿ÀÆÄÆ®¶óÀÇ ´ë¸Ó¸® Ä¡·á¹ý(Cleopatra¡¯s Cure For Baldness)À̶ó´Ï, ÀÌ°Ç ³õÄ¥ ¼ö ¾øÁö!!

¢º ÀÌÁýÆ®ÀÇ ºÎÈ°À» À§ÇØ Çå½ÅÇÑ ¡®Á¤Ä¡ÀΡ¯ Ŭ·¹¿ÀÆÄÆ®¶ó 7¼¼ : Ŭ·¹¿ÀÆÄÆ®¶ó 7¼¼(Cleopatra VII, BC69~BC30)´Â ÇÁÅç·¹¸¶ÀÌ¿À½º 12¼¼(Ptolemy XII Auletes, BC117~BC51)ÀÇ µþ·Î °í´ë ÀÌÁýÆ® ÇÁÅç·¹¸¶ÀÌ¿À½º ¿ÕÁ¶(Ptolemaic dynasty, BC305~BC30)ÀÇ ¸¶Áö¸· ±ºÁÖÀÌÀÚ, ¸¶Áö¸· ÆĶó¿À(Pharaoh)ÀÔ´Ï´Ù. ±×³à´Â ±âÁ¸ÀÇ ÆĶó¿Àµé°ú ´Þ¸® ÅäÂø ÀÌÁýÆ®¾î¸¦ ºñ·ÔÇØ ¿©·¯ ¿Ü±¹¾î¸¦ ÀÍÈù ¿Ü±³°üÀÌÀÚ ¸ô¶ôÇØ °¡´Â ÀÌÁýÆ®¸¦ ±¸Çϱâ À§ÇØ ´ç´ë ÃÖ°íÀÇ ±Ç·ÂÀÚÀÎ Ä«À̻縣¿Í ¾ÈÅä´Ï¿ì½º¸¦ À¯È¤ÇÑ ÆÊ¹Ç ÆÄÅ»(Femme Fatale)ÀÇ ¸é¸ð¸¦ µ¿½Ã¿¡ °®Ãß°í ÀÖ½À´Ï´Ù. ±×·¯³ª ºÎÁ¤ºÎÆÐ¿Í ±º»ç·Â °í°¥ µî ±âÃÊü·Â ÀÚü°¡ ¼ÒÁøµÈ ÀÌÁýÆ®´Â ±×³àÀÇ ¾ÇÂø°°Àº ½ÉÆó¼Ò»ý¿¡µµ µÇ»ì¾Æ³¯ ¼ö ¾ø´Â »óȲÀÌ¿´°í, ¾ÇƼ¿ò ÇØÀü(Battle of Actium, BC31)ÀÇ Æй踦 ±âÁ¡À¸·Î ¼­¼­È÷ ¿ÕÁ¶ÀÇ Á¾¾ðÀ» °íÇÏ¿´½À´Ï´Ù.

¢º Ä«À̻縣¿Í Ŭ·¹¿ÀÆÄÆ®¶ó 1898(Caesar and Cleopatra by George Bernard Shaw)Àº 1899³â ¿µ±¹ ´ºÄ³½½ÀÇ ·Î¿­ ±ØÀå(Theatre Royal, Newcastle)¿¡¼­ ÃÊ¿¬À» ¿Ã¸° ÀÌÈÄ 1925³â ºê·Îµå¿þÀÌ, 1945³â µ¿¸íÀÇ ¿µÈ­, 1956³â NBC ½Ã¸®Áî ÇÁ·Îµà¼­ ¼îÄÉÀ̽º(Producers' Showcase), 1980³â BBC ¶óµð¿À µî ¼ö¸¹Àº ¿µ»ó°ú ¿Àµð¿ÀÀÇ ¿øÀÛÀ¸·Î Àçź»ýÇÏ°í ÀÖ½À´Ï´Ù.

¢º ACT I. FTATATEETA (contemptuously). Who shall stay the sword in the hand of a fool, if the high gods put it there? Listen to me, ye young men without understanding. Cleopatra fears me; but she fears the Romans more. There is but one power greater in her eyes than the wrath of the Queen¡¯s nurse and the cruelty of Caesar; and that is the power of the Sphinx that sits in the desert watching the way to the sea. What she would have it know, she tells into the ears of the sacred cats; and on her birthday she sacrifices to it and decks it with poppies. Go ye therefore into the desert and seek Cleopatra in the shadow of the Sphinx; and on your heads see to it that no harm comes to her. ¢¹ Á¦1Àå. ÇÁŸƼŸ(°æ¸êÀûÀ¸·Î). ³ôÀº ½ÅµéÀÌ ¾î¸®¼®Àº ÀÚÀÇ ¼Õ¿¡ Ä®À» ³õÀ¸¸é ´©°¡ ±× Ä®À» ¸·À¸¸®¿ä? ±ú´ÝÁö ¸øÇÏ´Â ÀþÀºÀ̵é¾Æ, ³» ¸»À» µé¾î¶ó. Ŭ·¹¿ÀÆÄÆ®¶ó´Â ³ª¸¦ µÎ·Á¿öÇÑ´Ù. ÇÏÁö¸¸ ±×³à´Â ·Î¸¶ÀεéÀ» ´õ µÎ·Á¿öÇÕ´Ï´Ù. ±×³àÀÇ ´«¿¡´Â ¿©¿ÕÀÇ À¯¸ðÀÇ ºÐ³ë¿Í Ä«À̻縣ÀÇ ÀÜÀÎÇÔº¸´Ù ´õ Å« ÈûÀÌ Çϳª ÀÖ½À´Ï´Ù. ±×¸®°í ±×°ÍÀÌ ¹Ù·Î »ç¸·¿¡ ¾É¾Æ ¹Ù´Ù·Î °¡´Â ±æÀ» ÁöÄѺ¸´Â ½ºÇÎÅ©½ºÀÇ ÈûÀÌ´Ù. ±×³à°¡ ¾Ë°í ½ÍÀº °ÍÀ» ½Å¼ºÇÑ °í¾çÀÌÀÇ ±Í¿¡ ÀüÇÕ´Ï´Ù. ±×¸®°í »ýÀϳ¯ ±×³à´Â ±×°Í¿¡ Á¦¹°À» ¹ÙÄ¡°í ¾ç±Íºñ·Î Àå½ÄÇÕ´Ï´Ù. ±×·¯¹Ç·Î »ç¸·À¸·Î °¡¼­ ½ºÇÎÅ©½ºÀÇ ±×´Ã¿¡¼­ Ŭ·¹¿ÀÆÄÆ®¶ó¸¦ ãÀ¸½Ê½Ã¿À. ±×¸®°í ±× ¿©ÀÚ¿¡°Ô ¾Æ¹«·± ÇØ°¡ ³¢Ä¡Áö ¾Êµµ·Ï ¸Ó¸®¿¡ ÁÖÀÇÇÏ¿©¶ó.

¢º ACT IV. CLEOPATRA. Well, then, I will learn as a dog learns; for she plays better than you. You shall give me a lesson every day for a fortnight. (The musician hastily scrambles to his feet and bows profoundly.) After that, whenever I strike a false note you shall be flogged; and if I strike so many that there is not time to flog you, you shall be thrown into the Nile to feed the crocodiles. Give the girl a piece of gold; and send them away. ¢¹ Á¦4Àå. Ŭ·¹¿ÀÆÄÆ®¶ó. ±×·¸´Ù¸é ³ª´Â °³°¡ ¹è¿ìµíÀÌ ¹è¿ì°Ú½À´Ï´Ù. ±× »ç¶÷ÀÌ ³Êº¸´Ù ¿¬±â¸¦ ´õ ÀßÇϴϱî. ´ç½ÅÀº º¸¸§ µ¿¾È ¸ÅÀÏ ³ª¿¡°Ô ±³ÈÆÀ» ÁÖ¾î¾ß ÇÕ´Ï´Ù. (À½¾Ç°¡´Â ±ÞÈ÷ ÀϾ¼­ Å©°Ô ÀýÀ» ÇÕ´Ï´Ù.) ±× ÈÄ¿¡´Â ³»°¡ À߸øµÈ À½Ç¥¸¦ Ä¥ ¶§¸¶´Ù ´ç½ÅµéÀ» äÂïÁúÇÒ °ÍÀÔ´Ï´Ù. ±×¸®°í ³»°¡ ´ç½ÅÀ» äÂïÁúÇÒ ½Ã°£ÀÌ ¾øÀ» Á¤µµ·Î ¸¹Àº »ç¶÷À» Ä£´Ù¸é, ´ç½ÅÀº ¾Ç¾î¿¡°Ô ¸ÔÀ̸¦ ÁÖ±â À§ÇØ ³ªÀÏ °­¿¡ ´øÁ®Áú °ÍÀÔ´Ï´Ù. ¼Ò³à¿¡°Ô ±Ý ÇÑ Á¶°¢À» ÁֽʽÿÀ. ±×¸®°í ±×µéÀ» ¸Ö¸® º¸³»½Ê½Ã¿À.

¢º ACT V. CAESAR. Her sons. Come, Cleopatra: forgive me and bid me farewell; and I will send you a man, Roman from head to heel and Roman of the noblest; not old and ripe for the knife; not lean in the arms and cold in the heart; not hiding a bald head under his conqueror¡¯s laurels; not stooped with the weight of the world on his shoulders; but brisk and fresh, strong and young, hoping in the morning, fighting in the day, and reveling in the evening. Will you take such an one in exchange for Caesar? ¢¹ Á¦5Àå. Ä«À̻縣. ±×³àÀÇ ¾Æµé. ¿À¼¼¿ä, Ŭ·¹¿ÀÆÄÆ®¶ó: Àú¸¦ ¿ë¼­ÇÏ°í ÀÛº° Àλ縦 ÇØÁÖ¼¼¿ä. ±×·¯¸é ³»°¡ ³Ê¿¡°Ô ¸Ó¸®ºÎÅÍ ¹ß³¡±îÁö ·Î¸¶ÀÎ, °¡Àå °í±ÍÇÑ ·Î¸¶ÀÎÀ» º¸³»°Ú¼Ò. Ä®À» ¾²±â¿¡´Â ´ÄÁöµµ ¾Ê°í ÀÍÁöµµ ¾Ê¾Ò½À´Ï´Ù. ÆÈ¿¡ ±â´ëÁö ¸»°í ¸¶À½À» Â÷°©°Ô ÇÏÁö ¸¶½Ê½Ã¿À. Á¤º¹ÀÚÀÇ ¸í¿¹ ¾Æ·¡ ´ë¸Ó¸®¸¦ ¼û±âÁö ¾Ê¾Ò½À´Ï´Ù. ±×ÀÇ ¾î±ú¿¡ ¼¼»óÀÇ ¹«°Ô¸¦ Áû¾îÁö°í ¸öÀ» ±¸ºÎ¸®Áö ¾Ê¾Ò½À´Ï´Ù. ±×·¯³ª È°±âÂ÷°í ½Å¼±ÇÏ¸ç °­ÇÏ°í Àþ°í, ¾Æħ¿¡´Â Èñ¸ÁÇÏ°í, ³·¿¡´Â ½Î¿ì°í, Àú³á¿¡´Â Èïû°Å¸³´Ï´Ù. Ä«À̻縣¿Í ±³È¯ÇÏ¿© ±×·± °ÍÀ» °¡Á®°¡½Ã°Ú½À´Ï±î?

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,173 Á¶Áö ¹ö³ªµå ¼îÀÇ Ä«À̻縣¿Í Ŭ·¹¿ÀÆÄÆ®¶ó 1898(English Classics1,173 Caesar and Cleopatra by George Bernard Shaw)
Act I.
Act II.
Act III.
Act IV.
Act V.
¢¹ NOTES TO CAESAR AND CLEOPATRA
Cleopatra¡¯s Cure For Baldness
Apparent Anachronisms
Cleopatra
Britannus
Julius Caesar
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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