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¢º ÈǸ¢ÇÑ ¹è½¬ºô; ¶Ç´Â º¸´ä ¾ø´Â ºÒº¯¼º 1901(The Admirable Bastille; Or, Constancy Unrewarded by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(45¼¼)¿¡ ÁýÇÊÇÑ 3¸·(Act I.~Act III.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¹ö³ªµå ¼î°¡ ´Ü ÀÏÁÖÀÏ ¸¸¿¡ ¿Ï¼ºÇÑ Èñ°î?! : ¸Ó¸®¸»(PREFACE)¿¡ µû¸£¸é, ¹ö³ªµå ¼î´Â ¼Ò¼³°¡´Â ÀÚ½ÅÀÇ ¼Ò¼³ ÀÛÇ°ÀÇ ÀúÀÛ±ÇÀ» º¸È£Çϱâ À§ÇØÇÏ¿©, ¼Ò¼³°ú µ¿ÀÏÇÑ ¹ýÀû Èñ°î(the same legal farce)À» ¸¸µé¾î¾ß ÇÑ´Ù°í ÁÖÀåÇÏ¿´½À´Ï´Ù. ºñ·Ï Èñ°îÀÇ ¿Ï¼ºµµ°¡ ÇüÆí¾øÀ»Áö¾ðÁ¤! ¶ÇÇÑ ÈǸ¢ÇÑ ¹è½¬ºô; ¶Ç´Â º¸´ä ¾ø´Â ºÒº¯¼º 1901(The Admirable Bastille; Or, Constancy Unrewarded by George Bernard Shaw)¿¡ ¸î¸î ¿Ï¼ºÇÏÁö ¸øÇÑ ±¸Àý(in blank verse)ÀÌ ÀÖ´Â ÀÌÀ¯´Â Àڽſ¡°Ô ÀÌ ÀÛÇ°À» ¾µ ½Ã°£ÀÌ ÀÏÁÖÀϹۿ¡ ¾ø¾ú±â ¶§¹®À̶ó°í °í¹é ȤÀº ÀÚ¶ûÇÏ¿´½À´Ï´Ù. It may be asked why I have written The Admirable Bashville in blank verse. My answer is that I had but a week to write it in. ³»°¡ ¿Ö ÈǸ¢ÇÑ ¹è½¬ºô; ¶Ç´Â º¸´ä ¾ø´Â ºÒº¯¼º 1901À» ºó ±¸Àý·Î ½è´ÂÁö ¹¯´Â Áú¹®ÀÌ ÀÖÀ» ¼öµµ ÀÖ½À´Ï´Ù. ³» ´ë´äÀº, ±ÛÀ» ¾µ ½Ã°£ÀÌ ÀÏÁÖÀϹۿ¡ ¾È ³²¾Ò´Ù´Â °ÍÀÔ´Ï´Ù.

¢º PREFACE. The Admirable Bashville is a product of the British law of copyright. As that law stands at present, the first person who patches up a stage version of a novel, however worthless and absurd that version may be, and has it read by himself and a few confederates to another confederate who has paid for admission in a hall licensed for theatrical performances, secures the stage rights of that novel, even as against the author himself; and the author must buy him out before he can touch his own work for the purposes of the stage. ¢¹ ¸Ó¸®¸». ÈǸ¢ÇÑ ¹è½¬ºô; ¶Ç´Â º¸´ä ¾ø´Â ºÒº¯¼º 1901(The Admirable Bashville; Or, Constancy Unrewarded by George Bernard Shaw)Àº ¿µ±¹ ÀúÀ۱ǹýÀÇ »ê¹°ÀÔ´Ï´Ù. ÇöÀç ±× ¹ýÄ¢¿¡ µû¸£¸é, ¼Ò¼³ÀÇ ¹«´ë ¹öÀüÀÌ ¾Æ¹«¸® ¾µ¸ð¾ø°í Å͹«´Ï¾ø´õ¶óµµ ±×°ÍÀ» ¼öÁ¤ÇÏ¿© ÀڽŰú ¸î¸î °ø¸ðÀÚµéÀÌ È¦ ÀÔÀå·á¸¦ ÁöºÒÇÑ ´Ù¸¥ °ø¸ðÀÚ¿¡°Ô ÀоîÁÖµµ·Ï ÇÏ´Â ÃÖÃÊÀÇ »ç¶÷ÀÔ´Ï´Ù. ¿¬±Ø °ø¿¬ Çã°¡¸¦ ¹ÞÀº »ç¶÷Àº ÀÛ°¡ ÀÚ½ÅÀ» »ó´ë·Îµµ ÇØ´ç ¼Ò¼³ÀÇ ¹«´ë ±Ç¸®¸¦ È®º¸ÇÕ´Ï´Ù. ±×¸®°í ÀÛ°¡´Â ±×°¡ ¹«´ëÀÇ ¸ñÀûÀ» À§ÇØ ÀÚ½ÅÀÇ ÀÛÇ°À» ¸¸Áú ¼ö ÀÖ±â Àü¿¡ ±×¸¦ ¸Å¼öÇØ¾ß ÇÕ´Ï´Ù.

¢º A famous case in point is the drama of East Lynne, adapted from the late Mrs. Henry Wood's novel of that name. It was enormously popular, and is still the surest refuge of touring companies in distress. Many authors feel that Mrs. Henry Wood was hardly used in not getting any of the money which was plentifully made in this way through her story. ¢¹ ±× À¯¸íÇÑ »ç·Ê´Â °í(ͺ) Ç ¿ìµå ¿©»çÀÇ ¼Ò¼³À» °¢»öÇÑ À̽ºÆ® ¸°(East Lynne)ÀÇ µå¶ó¸¶ÀÔ´Ï´Ù. ¾öû³­ Àα⸦ ¾ò¾ú°í, Áö±Ýµµ À§±â¿¡ óÇÑ ¿©Çà»çµéÀÇ °¡Àå È®½ÇÇÑ Çdz­Ã³°¡ µÇ°í ÀÖÁÒ. ¸¹Àº ÀÛ°¡µéÀº Ç ¿ìµå ºÎÀÎÀÌ ÀÚ½ÅÀÇ À̾߱⸦ ÅëÇØ ÀÌ·± ½ÄÀ¸·Î ³Ë³ËÇÏ°Ô ¹ú¾îµéÀÎ µ·À» ÀüÇô ¹ÞÁö ¸øÇÏ´Â µ¥ °ÅÀÇ ÀÌ¿ë´çÇÏÁö ¾Ê¾Ò´Ù°í »ý°¢ÇÕ´Ï´Ù.

¢º To my mind, since her literary copyright probably brought her a fair wage for the work of writing the book, her real grievance was, first, that her name and credit were attached to a play with which she had nothing to do, and which may quite possibly have been to her a detestable travesty and profanation of her story; and second, that the authors of that play had the legal power to prevent her from having any version of her own performed, if she had wished to make one. ¢¹ ³» »ý°¢¿¡´Â ±×³àÀÇ ¹®ÇÐÀû ÀúÀÛ±ÇÀÌ ±×³à¿¡°Ô Ã¥ ÁýÇÊ¿¡ ´ëÇÑ Á¤´çÇÑ ÀÓ±ÝÀ» °¡Á®´Ù ÁÖ¾úÀ» °ÍÀ̱⠶§¹®¿¡ ±×³àÀÇ ÁøÂ¥ ºÒ¸¸Àº ù°·Î ±×³à¿Í ¾Æ¹« °ü·Ãµµ ¾ø´Â ¿¬±Ø¿¡ ±×³àÀÇ À̸§°ú À̸§ÀÌ ºÙ¾î ÀÖ´Ù´Â °ÍÀ̾ú½À´Ï´Ù. ¾Æ¸¶µµ ±×³à¿¡°Ô´Â ±×³àÀÇ À̾߱⿡ ´ëÇÑ Çø¿À½º·¯¿î ÈñÈ­ÀÌÀÚ ¿å¼³À̾úÀ» °ÍÀÔ´Ï´Ù. µÑ°, ±× ±ØÀÇ ÀÛ°¡´Â ±×³à°¡ ¿øÇÏ´Â ¾î¶² ¹öÀüÀÇ ¿¬±Øµµ °ø¿¬ÇÏ´Â °ÍÀ» ¸·À» ¼ö ÀÖ´Â ¹ýÀû ±ÇÇÑÀ» °¡Áö°í ÀÖ¾ú½À´Ï´Ù.

¢º There is only one way in which the author can protect himself; and that is by making a version of his own and going through the same legal farce with it. But the legal farce involves the hire of a hall and the payment of a fee of two guineas to the King's Reader of Plays. When I wrote Cashel Byron's Profession I had no guineas to spare, a common disability of young authors. What is equally common, I did not know the law. A reasonable man may guess a reasonable law, but no man can guess a foolish anomaly. ¢¹ ÀúÀÚ°¡ ÀÚ½ÅÀ» º¸È£ÇÒ ¼ö ÀÖ´Â ¹æ¹ýÀº ¿ÀÁ÷ ÇÑ °¡Áö»ÓÀÔ´Ï´Ù. ±×¸®°í ±×°ÍÀº ÀÚ½ÅÀÇ ¹öÀüÀ» ¸¸µé°í ±×°ÍÀ¸·Î µ¿ÀÏÇÑ ¹ýÀû Èñ±ØÀ» °Þ´Â °ÍÀÔ´Ï´Ù. ±×·¯³ª ÇÕ¹ýÀûÀÎ Èñ±Ø¿¡´Â ȦÀ» ÀÓ´ëÇÏ°í ¿ÕÀÇ Èñ°î Æǵ¶±â¿¡°Ô 2±â´ÏÀÇ ¼ö¼ö·á¸¦ ÁöºÒÇÏ´Â °ÍÀÌ Æ÷ÇԵ˴ϴÙ. ³»°¡ Ä«¼¿ ¹ÙÀÌ·±ÀÇ Á÷¾÷ 1882(Cashel Byron's Profession by George Bernard Shaw)¸¦ ½èÀ» ¶§ ³ª¿¡°Ô´Â ¿©À¯ µ·ÀÌ ¾ø¾ú½À´Ï´Ù. ÀÌ´Â ÀþÀº ÀÛ°¡µéÀÌ ÈçÈ÷ °Þ´Â Àå¾ÖÀÔ´Ï´Ù. ¶È°°ÀÌ ÈçÇÑ °ÍÀº ¹ýÀ» ¸ô¶ú´Ù´Â °ÍÀÔ´Ï´Ù. ÇÕ¸®ÀûÀÎ »ç¶÷Àº ÇÕ¸®ÀûÀÎ ¹ýÄ¢À» ÃßÃøÇÒ ¼ö ÀÖÁö¸¸ ¾î¸®¼®Àº º¯Ä¢ÀûÀÎ ¹ýÄ¢Àº ÃßÃøÇÒ ¼ö ¾ø½À´Ï´Ù.

¢º It may be asked why I have written The Admirable Bashville in blank verse. My answer is that I had but a week to write it in. Blank verse is so childishly easy and expeditious (hence, by the way, Shakespear's copious output), that by adopting it I was enabled to do within the week what would have cost me a month in prose. ¢¹ ³»°¡ ¿Ö ÈǸ¢ÇÑ ¹è½¬ºô; ¶Ç´Â º¸´ä ¾ø´Â ºÒº¯¼º 1901(The Admirable Bashville; Or, Constancy Unrewarded by George Bernard Shaw)À» ºó ±¸Àý·Î ½è´ÂÁö ¹¯´Â Áú¹®ÀÌ ÀÖÀ» ¼öµµ ÀÖ½À´Ï´Ù. ³» ´ë´äÀº ±×°ÍÀ» ¾µ ½Ã°£ÀÌ ÀÏÁÖÀϹۿ¡ ¾ø¾ú´Ù´Â °ÍÀÔ´Ï´Ù. ºó ±¸ÀýÀº À¯Ä¡ÇÒ Á¤µµ·Î ½±°í ºü¸£±â ¶§¹®¿¡(±×·¯¹Ç·Î ¼ÎÀͽºÇǾîÀÇ ¹æ´ëÇÑ ÀÛÇ°ÀÌ ³ª¿É´Ï´Ù) ±×°ÍÀ» äÅÃÇÔÀ¸·Î½á ³ª´Â ºñ¿ëÀÌ ¸¹ÀÌ µå´Â ÀÏÀ» ÀÏÁÖÀÏ ¾È¿¡ ÇÒ ¼ö ÀÖ°Ô µÇ¾ú½À´Ï´Ù. ÇÑ ´Þ µ¿¾È »ê¹®À¸·Î.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,175 Á¶Áö ¹ö³ªµå ¼îÀÇ ÈǸ¢ÇÑ ¹è½¬ºô; ¶Ç´Â º¸´ä ¾ø´Â ºÒº¯¼º 1901(English Classics1,175 The Admirable Bashville; Or, Constancy Unrewarded by George Bernard Shaw)
Works of Bernard Shaw
The Admirable Bashville
Preface
¢¹ The Admirable Bashville; or, Constancy Unrewarded
Act I.
Act II.
Act III.
Note on Modern Prizefighting
Three Plays
Bernard Shaw's Plays
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
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