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¢º Á¸ ºÒÀÇ ´Ù¸¥ ¼¶ 1904(John Bull's Other Island by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(48¼¼)¿¡ ÁýÇÊÇÑ 4¸·(Act I.~Act IV.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¹ö³ªµå ¼î´Â ¿µ±¹°è ¾ÆÀÏ·£µåÀÎ(Anglo-Irish people)À¸·Î, ¿µ±¹ ±¹ÀûÀ» °¡Áø ¿µ±¹ÀÎÀÎ µ¿½Ã¿¡ ¾ÆÀÏ·£µå ´õºí¸°¿¡¼­ Ãâ»ýÇÏ¿´°í, 1934³â ¾ÆÀÏ·£µå ±¹Àû(ÏÁ ¾ÆÀÏ·£µå ÀÚÀ¯±¹ Irish Free State)À» ÃëµæÇØ Á×À» ¶§±îÁö À¯ÁöÇÑ ¾ÆÀÏ·£µåÀÎÀÔ´Ï´Ù. ÀÛ°¡´Â ¾ÆÀÏ·£µå¿¡ °üÇÑ µÎ ÆíÀÇ ÀÛÇ°À» ½èÀ¸¸ç, ù ¹ø°°¡ Á¸ ºÒÀÇ ´Ù¸¥ ¼¶ 1904(John Bull's Other Island by George Bernard Shaw), µÎ ¹ø°°¡ ¸ðÁý °ø°í: ¿ÀÇ÷¡ÇãƼ V.C. 1915(O'Flaherty V.C.: A Recruiting Pamphlet by George Bernard Shaw)ÀÔ´Ï´Ù.

¢º ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ¿µ±¹ÀÎÀº ¿µ±¹ÀÎÀϱî, ¾ÆÀÏ·£µåÀÎÀϱî? : ÀÛÇ°¿¡´Â ¿µ±¹ÀÎÀ̸鼭 µ¿½Ã¿¡ ¾ÆÀÏ·£µåÀÎÀÎ ÀÌÁß±¹ÀûÀÚ È¤Àº ¾ÆÀÏ·£µå Ãâ½Å ¿µ±¹ÀÎÀÇ µô·¹¸¶¸¦ ±Ø¸íÇÏ°Ô º¸¿©ÁÖ´Â µÎ ¸íÀÇ Åä¸ñ ±â¼úÀÚ°¡ µîÀåÇÕ´Ï´Ù. ¾ÆÀÏ·£µå Ãâ½ÅÀÌÁö¸¸ ¿µ±¹ÀÎÀ¸·Î½áÀÇ ÀÚ¾ÆÁ¤Ã¼¼ºÀ» °¡Áø ·¡¸® µµÀÏ(Larry Doyle)°ú ¾ÆÀÏ·£µå¿¡ ´ëÇÑ ¾ÖÁ¤À» Ç°Àº Åè ºê·Îµåº¥Æ®(Tom Broadbent)´Â µµÀÏÀÇ °íÇ⠷νºÄð·»(Roscullen)¿¡¼­ °¢±â ´Ù¸¥ ±¹°¡°üÀ¸·Î ÀÎÇÏ¿© ÀüÇô ´Ù¸¥ °æÇèÀ» ÇÏ°Ô µÇ´Âµ¥¡¦. ¹ö³ªµå ¼î´Â Åè ºê·Îµåº¥Æ®°¡ ÇöÁöÀεé°ú ¿ìÁ¤À» ³ª´©°í, ³ë¶ó ·¹Àϸ®(Nora Reilly)¿Í »ç¶ûÀ» ³ª´©´Â µî ¿µ±¹º¸´Ù ¿ÀÈ÷·Á ¾ÆÀÏ·£µå¿¡¼­ ÇູÇÑ »îÀ» ´©¸®´Â ¸ð½ÀÀ» º¸¿©ÁÜÀ¸·Î½á ÀÚ½ÅÀÌ Å¾ °íÇâ¿¡ ´ëÇÑ Àº±ÙÇÑ ¾ÖÁ¤À» Ç¥½ÃÇÏ¿´½À´Ï´Ù.

¢º ±¹¿ÕÀÌ ³Ê¹« ¿ô¾î¼­ ÀÇÀÚ°¡ ºÎ·¯Áø ¿¬±Ø?! : 1904³â ·±´ø ·Î¾â ÄÚÆ® ¾¾¾îÅÍ(Royal Court Theatre)¿¡¼­ ÃÊ¿¬À» ÇÏ¿´À¸³ª, ´ëÁß¼ºÀ» °­Á¶ÇÑ ±âÁ¸ÀÇ ¿¬±Ø°ú ´Þ¸® ¿µ±¹ÀÇ ½¢ÇÑ Á¤Ä¡ÀÎÀÌ Âü¼®ÇÏ´Â Áødz°æÀÌ ÆîÃÄÁ³½À´Ï´Ù. ´ç½Ã Âü°üÇÑ °ü°´ Áß¿¡´Â ¿¡µå¿öµå 7¼¼(King Edward VII, 1841~1910)°¡ ÀÖ¾ú´Âµ¥, ±×°¡ ³Ê¹« ¿ô¾î¼­ ÀÇÀÚ°¡ ºÎ·¯Áø »ç°ÇÀº ´ç½Ã ¸ðµç ´º½º¸¦ Àå½ÄÇÏ¿´½À´Ï´Ù. ÀÚ¿¬½º·´°Ô ¹ö³ªµå ¼îÀÇ ±ØÀÛ°¡·Î½áÀÇ ¸í¼º ¶ÇÇÑ ¿µ±¹ Àü¿ªÀ» µÚµ¤À» ¼ö ÀÖ¾úÁÒ! ´ëÁßÀûÀ¸·Î ÈïÇà¿¡ ¼º°øÇÑ ÀÛÇ°ÀÌÁö¸¸, Á¤Ä¡ÀûÀ¸·Î ¿¹¹ÎÇÑ ¾ÆÀÏ·£µå¿Í ¾ÆÀÏ·£µåÀÎÀ» ´Ù·ç°í ÀÖ´Ù´Â Á¡ ¶§¹®¿¡ ¹ö³ªµå ¼îÀÇ ´Ù¸¥ ÀÛÇ°¿¡ ºñÇØ Á¦ÀÛÀÚ°¡ ¼±È£ÇÏÁö ¾Ê´Â ÀÛÇ°À¸·Î ²ÅÈü´Ï´Ù.

¢º BROADBENT. Not that I defend assassination: God forbid! However strongly we may feel that the unfortunate and patriotic young man who avenged the wrongs of Finland on the Russian tyrant was perfectly right from his own point of view, yet every civilized man must regard murder with abhorrence. Not even in defence of Free Trade would I lift my hand against a political opponent, however richly he might deserve it. ¢¹ Åè ºê·Îµåº¥Æ®(Tom Broadbent). ³ª´Â ¾Ï»ìÀ» ¿ËÈ£ÇÏ´Â °ÍÀÌ ¾Æ´Õ´Ï´Ù. ½ÅÀº ±ÝÁöÇÕ´Ï´Ù! ÇɶõµåÀÇ À߸ø¿¡ ´ëÇØ ·¯½Ã¾ÆÀÇ Æø±º¿¡°Ô º¹¼öÇÑ ºÒÇàÇÏ°í ¾Ö±¹ÀûÀÎ ÀþÀºÀÌ°¡ ±× ÀÚ½ÅÀÇ °üÁ¡¿¡¼­´Â ¿ÏÀüÈ÷ ¿Ç¾Ò´Ù°í ¿ì¸®°¡ ¾Æ¹«¸® °­ÇÏ°Ô ´À³¥ ¼öµµ ÀÖÁö¸¸, ¸ðµç ¹®¸íÀÎÀº »ìÀÎÀ» Çø¿À½º·´°Ô ¿©°Ü¾ß ÇÕ´Ï´Ù. ³ª´Â ÀÚÀ¯ ¹«¿ªÀ» ¿ËÈ£Çϱâ À§Çؼ­¶óµµ Á¤Ä¡Àû ¹Ý´ëÀÚ¿¡°Ô ¼ÕÀ» µéÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ±× »ç¶÷ÀÌ ¾Æ¹«¸® ±×·² ÀÚ°ÝÀÌ ÀÖ´õ¶óµµ ¸»ÀÔ´Ï´Ù.

¢º DOYLE. Like an Irishman!! Is it possible that you don't know that all this top-o-the-morning and broth-of-a-boy and more-power-to-your-elbow business is as peculiar to England as the Albert Hall concerts of Irish music are? No Irishman ever talks like that in Ireland, or ever did, or ever will. But when a thoroughly worthless Irishman comes to England, and finds the whole place full of romantic duffers like you, who will let him loaf and drink and sponge and brag as long as he flatters your sense of moral superiority by playing the fool and degrading himself and his country, he soon learns the antics that take you in. He picks them up at the theatre or the music hall. Haffigan learnt the rudiments from his father, who came from my part of Ireland. I knew his uncles, Matt and Andy Haffigan of Rosscullen. ¢¹ µµÀÏ. ¾ÆÀÏ·£µå »ç¶÷ó·³!! ÀÌ ¸ðµç ¾ÆħÀÇ »óÄèÇÔ, ¼Ò³âÀÇ ±¹¹°, ±×¸®°í ÆȲÞÄ¡¿¡ ´õ ÈûÀ» ½Ç¾îÁÖ´Â »ç¾÷ÀÌ ¾ÆÀÏ·£µåÀÇ ¾Ù¹öÆ® Ȧ Äܼ­Æ®¸¸Å­ ¿µ±¹ ƯÀ¯ÀÇ °ÍÀ̶ó´Â °ÍÀ» ´ç½ÅÀÌ ¸ð¸¦ °¡´É¼ºÀÌ ÀÖ½À´Ï±î? À½¾ÇÀº? ¾ÆÀÏ·£µå¿¡¼­´Â ¾î¶² ¾ÆÀÏ·£µåÀεµ ±×·± ½ÄÀ¸·Î ¸»ÇÑ ÀûÀÌ ¾øÀ¸¸ç, ±×·¨°í, ¾ÕÀ¸·Îµµ ±×·² °ÍÀÔ´Ï´Ù. ±×·¯³ª ¿ÏÀüÈ÷ ¹«°¡Ä¡ÇÑ ¾ÆÀÏ·£µåÀÎÀÌ ¿µ±¹¿¡ ¿Í¼­ ¿Â µ¿³×°¡ ³Ê °°Àº ³¶¸¸ÀûÀÎ ¸ÛûÀ̵é·Î °¡µæ Â÷ ÀÖ´Â °ÍÀ» ¹ß°ßÇϸé, ±× »ç¶÷Àº ¹Ùº¸ÁþÀ» ÇÏ°í ÀÚ½ÅÀ» ºñÇÏÇÔÀ¸·Î½á ¿©·¯ºÐÀÇ µµ´öÀû ¿ì¿ù°¨À» ĪÂùÇÏ´Â ÇÑ ±×¿¡°Ô »§À» ¸Ô°í ¼úÀ» ¸¶½Ã°í ÇãdzÀ» ¶³°Ô ÇÒ °ÍÀÔ´Ï´Ù. ±×¸®°í ±×ÀÇ Á¶±¹¿¡ ´ëÇØ À̾߱âÇϸ鼭 ±×´Â °ð ¿©·¯ºÐÀ» »ç·ÎÀâ´Â Àͻ콺·¯¿î ÇൿÀ» ¾Ë°Ô µË´Ï´Ù. ±×´Â ±ØÀåÀ̳ª À½¾Ç´ç¿¡¼­ ±× Àͻ콺·¯¿î ÇൿÀ» µ¥¸®·¯ ¿É´Ï´Ù. ÇÏÇÇ°ÇÀº ³»°¡ ¼ÓÇÑ ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ¾Æ¹öÁö·ÎºÎÅÍ ±âÃÊÀûÀÎ Áö½ÄÀ» ¹è¿ü½À´Ï´Ù. ³ª´Â ±×ÀÇ »ïÃÌÀÎ ·Î½ºÄ÷»ÀÇ ¸ÅÆ® ÇØÇÇ°Ç°ú ¾Øµð ÇØÇÇ°ÇÀ» ¾Ë°í ÀÖ¾ú½À´Ï´Ù.

¢º For Tom Broadbent therefore, an attractive woman, whom he would even call ethereal. To Larry Doyle, an everyday woman fit only for the eighteenth century, helpless, useless, almost sexless, an invalid without the excuse of disease, an incarnation of everything in Ireland that drove him out of it. These judgments have little value and no finality; but they are the judgments on which her fate hangs just at present. Keegan touches his hat to her: he does not take it off. ¢¹ µû¶ó¼­ Åè ºê·Îµåº¥Æ®¿¡°Ô´Â õ»óÀÇ ¿©¼ºÀ̶ó°í±îÁö ¸»ÇÒ ¸¸Å­ ¸Å·ÂÀûÀÎ ¿©¼ºÀ̾ú½À´Ï´Ù. ·¡¸® µµÀÏ¿¡°Ô À־´Â 18¼¼±â¿¡¸¸ ¾î¿ï¸®´Â Æò¹üÇÑ ¿©¼ºÀÌÀÚ ¹«±â·ÂÇÏ°í, ¾µ¸ð¾ø°í, °ÅÀÇ ¼ºº°µµ ¾ø°í, Áúº´À» ÇΰèÇÒ ¼ö ¾ø´Â º´ÀÚÀÌÀÚ, ±×¸¦ ¾ÆÀÏ·£µå¿¡¼­ ¸ô¾Æ³½ ¸ðµç °ÍÀÇ È­½ÅÀÎ ¿©¼ºÀ̾ú½À´Ï´Ù. ÀÌ·¯ÇÑ ÆÇ´ÜÀº °¡Ä¡°¡ °ÅÀÇ ¾ø°í ÃÖÁ¾¼ºµµ ¾ø½À´Ï´Ù. ±×·¯³ª ±×°ÍÀº ¹Ù·Î ÇöÀç ±×³àÀÇ ¿î¸íÀÌ ´Þ·Á ÀÖ´Â ÆÇ´ÜÀÌ´Ù. Å°°ÇÀº ¸ðÀÚ¸¦ ±×³à¿¡°Ô ¸¸Á³½À´Ï´Ù. ±×´Â ¸ðÀÚ¸¦ ¹þÁö ¾Ê¾Ò½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,178 Á¶Áö ¹ö³ªµå ¼îÀÇ Á¸ ºÒÀÇ ´Ù¸¥ ¼¶ 1904(English Classics1,178 John Bull's Other Island by George Bernard Shaw)
Act I.
Act II.
Act III.
Act IV.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
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A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
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A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
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A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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