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¢º ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(How He Lied to Her Husband by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(48¼¼)¿¡ ÁýÇÊÇÑ Äڹ̵ð ´Ü¸·±Ø(One-Act Comedy Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ĵµð´Ù 1894(Candida by George Bernard Shaw)¿Í ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(How He Lied to Her Husband by George Bernard Shaw)ÀÇ °øÅëÁ¡Àº?! : ĵµð´Ù 1894(Candida by George Bernard Shaw)´Â µÎ ³²ÀÚ¿Í ÇÑ ¿©ÀÚ°£ÀÇ »ï°¢°ü°è - ¸ñ»ç(Clergyman) Á¦ÀÓ½º ¸ð·¼(James Mavor Morell)°ú ±×ÀÇ ¾Æ³» ĵµð´Ù(Candida), ĵµð´Ù¿¡ ±¸¾ÖÇÏ´Â ÀþÀº ½ÃÀÎ À¯Áø ¸¶Ä¡¹ðÅ©½º(Youthful poet, Eugene Marchbanks)¸¦ ¼ÒÀç·Î ÇÑ ÀüÇüÀûÀÎ Äڹ̵ð(Comedy)ÀÌÀÚ ¸á·Î ÀÛÇ°(Melodrama)·Î, 1895³â ÃÊ¿¬À» ¿Ã¸° ÀÌÈÄ ¹Ì±¹ ´º¿å±îÁö Æø¹ßÀûÀÎ ´©·È½À´Ï´Ù! ÀÛÇ°ÀÇ Àαâ·Î ¹ö³ªµå ¼î´Â ĵµð´ÙÀÇ ¼Ò±Ø ¹öÀü¿¡ ÇØ´çÇÏ´Â ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(How He Lied to Her Husband by George Bernard Shaw)À̶õ ´Ü¸· ±¸¼ºÀÇ Äڹ̵ð ÀÛÇ°(One-act comedy play)À» ÁýÇÊÇÏ¿´À¸´Ï, ÇÔ²² Àо½Ã¸é ´õ¿í ÁÁ½À´Ï´Ù. ´ç½Ã ¹Ì±¹ÀÇ ¹è¿ìÀÌÀÚ ÇÁ·Îµà¼­ÀÎ ¾Æ³îµå µ¥Àϸ®(Arnold Daly, 1875~1927)ÀÇ Ã»Å¹À» ¹Þ°í, 1904³â ½ºÄÚƲ·£µå¿¡¼­ ÈÞ°¡¸¦ º¸³»¸ç ´Ü 4ÀÏ ¸¸¿¡ ½è´Ù´Â!!

¢º ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(How He Lied to Her Husband by George Bernard Shaw)´Â Äڹ̵ð ´Ü¸·±Ø(One-Act Comedy Play)À̴ϸ¸Å­ µîÀåÀι°µµ ´Ü ¼¼ ¸í »ÓÀÎ ´ÜÃâÇÑ ±¸¼ºÀÔ´Ï´Ù. ¿©ÁÖÀΰø ¿À·Î¶ó º½ÆĽº(Aurora Bompas)¸¦ Áß½ÉÀ¸·Î ³²Æí Å׵𠺽ÆĽº(Teddy Bompas)¿Í ¿¬ÀÎ Ç ¾ÐÁ¸(Henry Apjohn)À̶õ »ï°¢°ü°è·Î ·±´ø Å©·ÒÀ£ ·ÎµåÀÇ ¾î´À ¾ÆÆÄÆ® ÀÀÁ¢½Ç¿¡¼­ À̾߱Ⱑ ½ÃÀ۵˴ϴÙ. ¶ÇÇÑ ÀÛÇ°¿¡¼­ ¹ö³ªµå ¼îÀÇ Äµµð´Ù 1894(Candida by George Bernard Shaw)°¡ 7¹ø ¾ð±ÞµÈ´Ù´Â Á¡µµ ¼î ¸¶´Ï¾Æ¶ó¸é ¹°Áö ¾ÊÀ» ¼ö ¾ø´Â ¶±¹äÀ̶ó´Â!!

¢º PREFACE. Like many other works of mine, this playlet is a piece d'occasion. In 1905 it happened that Mr Arnold Daly, who was then playing the part of Napoleon in The Man of Destiny in New York, found that whilst the play was too long to take a secondary place in the evening's performance, it was too short to suffice by itself. I therefore took advantage of four days continuous rain during a holiday in the north of Scotland to write How He Lied To Her Husband for Mr Daly. In his hands, it served its turn very effectively. ¢¹ ¸Ó¸®¸». ³» ´Ù¸¥ ¸¹Àº ÀÛÇ°°ú ¸¶Âù°¡Áö·Î ÀÌ ±Øº»µµ ÇϳªÀÇ ÀÛÇ°ÀÔ´Ï´Ù. 1905³â ´º¿å¿¡¼­ ¿­¸° ¿î¸íÀÇ »ç¶÷ 1895(The Man of Destiny by George Bernard Shaw)¿¡¼­ ³ªÆú·¹¿Ë ¿ªÀ» ¸Ã¾Ò´ø ¾Æ³îµå ´î¸®(Arnold Daly)´Â Àú³á °ø¿¬¿¡¼­ 2Â÷ ÀÚ¸®¸¦ Â÷ÁöÇϱ⿡´Â ¿¬±ØÀÌ ³Ê¹« ±æÁö¸¸ ÃæºÐÇÏÁö ¾Ê±â¿¡´Â ³Ê¹« ª´Ù´Â »ç½ÇÀ» ¹ß°ßÇß½À´Ï´Ù. ±× ÀÚü·Î. ±×·¡¼­ ³ª´Â ½ºÄÚƲ·£µå ºÏºÎ¿¡¼­ ÈÞÀÏ µ¿¾È 4ÀÏ µ¿¾È °è¼Ó ³»¸®´Â ºñ¸¦ ÀÌ¿ëÇÏ¿© ´Þ¸® ¾¾(Mr Daly)¸¦ À§ÇØ ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ýÀ» ½è½À´Ï´Ù. ±×ÀÇ ¼Õ¿¡¼­ ±×°ÍÀº ¸Å¿ì È¿°úÀûÀ¸·Î ±× ¿ªÇÒÀ» ¼öÇàÇß½À´Ï´Ù.

¢º As she is dressed for the theatre; has spoilt, petted ways; and wears many diamonds, she has an air of being a young and beautiful woman; but as a matter of hard fact, she is, dress and pretensions apart, a very ordinary South Kensington female of about 37, hopelessly inferior in physical and spiritual distinction to the beautiful youth, who hastily puts down the mirror as she enters. ¢¹ ±×³à´Â ±ØÀå¿¡ °¥ ¿ÊÀ» ÀÔ°í ÀÖ½À´Ï´Ù. ¹ö¸©¾ø°í ¾ÖÁöÁßÁöÇÏ´Â ¹æ½ÄÀ» °¡Áö°í ÀÖ½À´Ï´Ù. ´ÙÀ̾Ƹóµå¸¦ ¸¹ÀÌ ´Þ°í À־ Àþ°í ¾Æ¸§´Ù¿î ¿©¼ºÀÇ ºÐÀ§±â¸¦ dz±é´Ï´Ù. ±×·¯³ª ¾ö¹ÐÈ÷ ¸»ÇÏ¸é ±×³à´Â ¿ÊÂ÷¸²°ú °ÑÄ¡·¹¸¦ Á¦Ãĵΰí 37¼¼ Á¤µµÀÇ ¸Å¿ì Æò¹üÇÑ »ç¿ì½º Ä˽ÌÅÏ ¿©¼ºÀ̸ç, µé¾î¿Ã ¶§ ¼­µÑ·¯ °Å¿ïÀ» ³»·Á³õ´Â ¾Æ¸§´Ù¿î û³â¿¡ ºñÇØ À°Ã¼Àû, Á¤½ÅÀû ±¸º°ÀÌ Àý¸ÁÀûÀ¸·Î ¿­µîÇÕ´Ï´Ù.

¢º HE. I never thought of doing so, dearest: I know that these trivialities are nothing to you. What was I saying?oh yes. Instead of coming back here from the theatre, you will come with me to my home?now and henceforth our home?and in due course of time, when you are divorced, we shall go through whatever idle legal ceremony you may desire. I attach no importance to the law: my love was not created in me by the law, nor can it be bound or loosed by it. That is simple enough, and sweet enough, is it not? [He takes the flower from the table]. Here are flowers for you: I have the tickets: we will ask your husband to lend us the carriage to show that there is no malice, no grudge, between us. Come! ¢¹ ³²ÀÚ(HE). ÀÌ·± »ç¼ÒÇÑ °ÍµéÀº ´ç½Å¿¡°Ô ¾Æ¹«°Íµµ ¾Æ´Ï¶ó´Â °ÍÀ» ¾Ð´Ï´Ù. Á¦°¡ ¹«½¼ ¸»À» Ç߳ĸé¿ä. ±ØÀå¿¡¼­ ¿©±â±îÁö ¿À´Â ´ë½Å¿¡ ´ç½ÅÀº Àú¿Í ÇÔ²² ¿ì¸® ÁýÀ¸·Î - ¿ì¸® Áý ¾Õ¿¡¼­ - ±×¸®°í ½Ã°£ÀÌ Áö³ª¸é, ´ç½ÅÀÌ ÀÌÈ¥ÇÒ ¶§, ¿ì¸®´Â ´ç½ÅÀÌ ¿øÇÏ´Â ´ë·Î ¾Æ¹« ¾µ¸ð¾ø´Â ¹ýÀû ÀýÂ÷¸¦ ¹âÀ» °ÍÀÔ´Ï´Ù. Àú´Â ¹ýÀ» Áß¿äÇÏ°Ô »ý°¢ÇÏÁö ¾Ê½À´Ï´Ù. Á¦ »ç¶ûÀº ¹ý¿¡ ÀÇÇØ Á¦ ¾È¿¡¼­ ¸¸µé¾îÁø °Íµµ ¾Æ´Ï°í, ¹ý¿¡ ÀÇÇØ ±¸¼ÓµÇ°Å³ª ´À½¼ÇØÁú ¼öµµ ¾ø½À´Ï´Ù. ±×°ÍÀ¸·Î ÃæºÐÇÏ°í, ÃæºÐÈ÷ ´ÞÄÞÇÏÁö ¾Ê½À´Ï±î? [±×´Â Å×ÀÌºí¿¡¼­ ²ÉÀ» °¡Á®¿É´Ï´Ù. Ç¥¸¦ °¡Áö°í ÀÖ½À´Ï´Ù. ¿ì¸®´Â ¿ì¸® »çÀÌ¿¡ ¾ÇÀǵµ ¿øÇѵµ ¾ø´Ù´Â °ÍÀ» º¸¿©ÁÖ±â À§ÇØ ´ç½ÅÀÇ ³²Æí¿¡°Ô ¸¶Â÷¸¦ ºô·Á´Þ¶ó°í ºÎŹÇÒ °ÍÀÔ´Ï´Ù. À̸® ¿À¼¼¿ä!

¢º HE. All this alarm is needless, dearest. Believe me, nothing will happen. Your husband knows that I am capable of defending myself. Under such circumstances nothing ever does happen. And of course I shall do nothing. The man who once loved you is sacred to me. ¢¹ ³²ÀÚ(HE). »ç¶ûÇÏ´Â ¿©·¯ºÐ, ÀÌ ¸ðµç °æº¸´Â ºÒÇÊ¿äÇÕ´Ï´Ù. Àú¸¦ ¹ÏÀ¸½Ê½Ã¿À. ¾Æ¹« Àϵµ ÀϾÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ´ç½ÅÀÇ ³²ÆíÀº ³»°¡ ÀÚ½ÅÀ» ¹æ¾îÇÒ ¼ö ÀÖ´Ù´Â °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù. ±×·¯ÇÑ »óȲ¿¡¼­´Â ¾Æ¹« Àϵµ ÀϾÁö ¾Ê½À´Ï´Ù. ±×¸®°í ¹°·Ð ³ª´Â ¾Æ¹«°Íµµ ÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ÇѶ§ ´ç½ÅÀ» »ç¶ûÇß´ø ³²ÀÚ´Â ³ª¿¡°Ô ½Å¼ºÇÑ »ç¶÷ÀÔ´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,179 Á¶Áö ¹ö³ªµå ¼îÀÇ ±×°¡ ³²Æí¿¡°Ô °ÅÁþ¸»À» ÇÑ ¹æ¹ý 1904(English Classics1,179 How He Lied to Her Husband by George Bernard Shaw)
Preface
How He Lied To Her Husband
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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