¢º Âü·É ¹Ù¹Ù¶ó 1905(Major Barbara by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(49¼¼)¿¡ ÁýÇÊÇÑ 3¸·(Act I.~Act III.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º ÀÚ¼±´Üü´Â µµ´öÀûÀ¸·Î ¼ø¼öÇÑ µ·¸¸À» ±âºÎ ¹Þ¾Æ¾ß Çϴ°¡?! : ¹Ù¹Ù¶ó ¾ð´õ»þÇÁÆ®(Barbara Undershaft)´Â ±º¼öÇ° Á¦Á¶¾÷ü(Munitions Maker)·Î Å«µ·À» ¹ø ¾Øµå·ù ¾ð´õ»þÇÁÆ®(Andrew Undershaft)¿Í ¿µ±¹ ¹éÀÛÀÇ µþ ºê¸®Å丶Ʈ ¾ð´õ»þÇÁÆ® ºÎÀÎ(Lady Britomart Undershaft)ÀÇ µþÀ̶õ È·ÁÇÑ ¹è°æ¿¡µµ ºÒ±¸ÇÏ°í, ·±´ø¿¡ À§Ä¡ÇÑ ±¸¼¼±º(Salvation Army)¿¡¼ Âü·É(óÑÖÅ, Major)À¸·Î º¹¹« ÁßÀÎ ¿©ÁÖÀΰøÀÔ´Ï´Ù. ºó¹Î±¸Á¦¸¦ À§ÇØ ±¸¼¼±º¿¡ º¹¹«Çϸ鼵µ, ¾Æ¹öÁö°¡ »ç¶÷ ¸ñ¼ûÀ» Á×ÀÌ´Â ±º¼öÇ°À» ÆÈ¾Æ ¹ø ÇÇ¿¡ Á¥Àº µ·À» ±¸¼¼±º¿¡ ±âºÎÇÏ´Â °Í¿¡ ȯ¸êÀ» ´À³¢´Â ¹Ù¹Ù¶ó´Â Çö½Ç°ú ÀÌ»ó »çÀÌ¿¡¼ ²÷ÀÓ¾øÀÌ °í³úÇÕ´Ï´Ù. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)ÀÎ ¹ö³ªµå ¼îÀÇ Ã¶ÇÐÀÌ ¹Ù¹Ù¶óÀÇ Çຸ¿¡ £°Ô ¹è¾î ÀÖÀ½À» È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
¢º ÀÌ»ó°ú Çö½Ç »çÀÌ, Âü·É ¹Ù¹Ù¶ó(Major Barbara)ÀÇ °í³ú : ±×³à´Â ÀÌ¿ôµéÀ» ¿Ã¹Ù¸¥ ±æ·Î ÀεµÇÏ°íÀÚ ÇÏ´Â »ç¸í¿¡ ºÒŸ´Â Àι°ÀÌÁö¸¸, ºó°ïÀ̶õ °Å´ëÇÑ Çö½Ç ¾Õ¿¡¼ ÁÂÀýÇÒ ¼ö¹Û¿¡ ¾ø¾ú½À´Ï´Ù. ¡®°¡³Àº ³ª¶óµµ ±¸Á¦ÇÏÁö ¸øÇÑ´Ù.¡¯¶ó´Â ¸»ÀÌ ÀÖÀ» Á¤µµ·Î Àηù ¿ª»ç¿¡¼ ºó°ïÀº °áÄÚ ÇØ°áÇÒ ¼ö ¾ø´Â °Å´ëÇÑ À庮ÀÌ¿´±â¿¡, ¹ö³ªµå ¼î´Â ÀڽŸ¸ÀÇ ³Ã¼ÒÁÖÀÇ(Cynicism)¸¦ °ü°´µé¿¡°Ô ¼³ÆÄÇÕ´Ï´Ù. ³²ÀÇ ³ª¶ó¿¡¼ ¹ú¾îÁö´Â ÀüÀïÀ¸·Î ¹ø µ·ÀÏÁö¶óµµ, ¿ì¸® °çÀÇ ºó¹ÎµéÀ» ±¸Çϱâ À§ÇØ ¾µ ¼ö ÀÖ´Ù¸é ÁÁÀº °Å ¾Æ´Ñ°¡?!
¢º ¹ö³ªµå ¼î´Â ÀÛÇ°°ú º°µµ·Î ÀÛÇ°°ú °ü·ÃÇÑ 6ÆíÀÇ ¿ø°í¸¦ ¹Àº ºñÆò°¡¸¦ À§ÇÑ ÀÀ±Þóġ: Âü·É ¹Ù¹Ù¶ó ¼¹® 1905(Preface to Major Barbara: First Aid to Critics by George Bernard Shaw)¸¦ ¹ßÇ¥ÇÏ¿´À¸¸ç Âü·É ¹Ù¹Ù¶ó 1905(Major Barbara by George Bernard Shaw)¿Í ÇÔ²² ÀÐÀ¸½Ã¸é ´õ¿í ÁÁ½À´Ï´Ù. ¼¼ÀÎÆ® ¾Øµå·ù ¾ð´õ»þÇÁÆ®ÀÇ º¹À½¼(The Gospel Of St. Andrew Undershaft), ±¸¼¼±º(The Salvation Army), ¹Ù¹Ù¶óÀÇ »ö±ò·ÎÀÇ º¹±Í(Barbara's Return To The Colors.), ±¸¼¼±ºÀÇ ¾àÁ¡(Weaknesses Of The Salvation Army.), ±âµ¶±³¿Í ¹«Á¤ºÎÁÖÀÇ(Christianity And Anarchism), °ÇÀüÇÑ °á·Ð(Sane Conclusions).
¢º LADY BRITOMART. Charles Lomax's exertions are much more likely to decrease his income than to increase it. Sarah will have to find at least another 800 pounds a year for the next ten years; and even then they will be as poor as church mice. And what about Barbara? I thought Barbara was going to make the most brilliant career of all of you. And what does she do? Joins the Salvation Army; discharges her maid; lives on a pound a week; and walks in one evening with a professor of Greek whom she has picked up in the street, and who pretends to be a Salvationist, and actually plays the big drum for her in public because he has fallen head over ears in love with her.
¢¹ ·¹À̵ð ºê¸®Å丶Ʈ. Âû½º ·Î¸Æ½ºÀÇ ³ë·ÂÀº ±×ÀÇ ¼ÒµæÀ» Áõ°¡½ÃÅ°±âº¸´Ù´Â °¨¼Ò½Ãų °¡´É¼ºÀÌ ÈξÀ ´õ ³ô½À´Ï´Ù. »ç¶ó´Â ÇâÈÄ 10³â µ¿¾È ¸Å³â ÃÖ¼Ò 800ÆÄ¿îµå¸¦ ´õ ã¾Æ¾ß ÇÕ´Ï´Ù. ±×¸®°í ±×¶§¿¡µµ ±×µéÀº ±³È¸ÀÇ Á㸸Š°¡³ÇÒ °ÍÀÌ´Ù. ±×¸®°í ¹Ù¹Ù¶ó´Â ¾î¶»½À´Ï±î? Àú´Â ¹Ù¹Ù¶ó°¡ ¿©·¯ºÐ Áß °¡Àå ºû³ª´Â °æ·ÂÀ» ½×À» °ÍÀ̶ó°í »ý°¢Çß½À´Ï´Ù. ±×¸®°í ±×³à´Â ¹«¾ùÀ» Çմϱî? ±¸¼¼±º¿¡ ÇÕ·ùÇÕ´Ï´Ù. Çϳฦ ÇØ°íÇÕ´Ï´Ù. ÀÏÁÖÀÏ¿¡ 1ÆÄ¿îµå·Î »ýÈ°ÇÕ´Ï´Ù. ±×¸®°í ¾î´À ³¯ Àú³á ±×³à°¡ ±æ°Å¸®¿¡¼ µ¥¸®·¯ ±¸¼¼ÁÖÀΠôÇÏ´Â ±×¸®½º ±³¼ö¿Í ÇÔ²² °È°í, ±×°¡ ±×³à¿Í »ç¶û¿¡ ºüÁ³±â ¶§¹®¿¡ ½ÇÁ¦·Î °ø°³ÀûÀ¸·Î ±×³à¸¦ À§ÇØ Å« ºÏÀ» ¿¬ÁÖÇÕ´Ï´Ù.
¢º BARBARA. Why not! Do you know what my father is? Have you forgotten that Lord Saxmundham is Bodger the whisky man? Do you remember how we implored the County Council to stop him from writing Bodger's Whisky in letters of fire against the sky; so that the poor drinkruined creatures on the embankment could not wake up from their snatches of sleep without being reminded of their deadly thirst by that wicked sky sign? Do you know that the worst thing I have had to fight here is not the devil, but Bodger, Bodger, Bodger, with his whisky, his distilleries, and his tied houses? Are you going to make our shelter another tied house for him, and ask me to keep it?
¢¹ ¹Ù¹Ù¶ó. ¿Ö ¾È µÅ! ¿ì¸® ¾Æ¹öÁö°¡ ¾î¶² »ç¶÷ÀÎÁö ¾Æ¼¼¿ä? »ö½º¸Õ´ý °æÀÌ À§½ºÅ° ¸Ç º¸Àú¶ó´Â »ç½ÇÀ» ÀØÀ¸¼Ì½À´Ï±î? ±×°¡ º¸Àú½º À§½ºÅ°¿¡ ÇÏ´ÃÀ» ÇâÇØ ºÒÀÇ ÆíÁö¸¦ ¾²Áö ¸øÇÏ°Ô ÇØ´Þ¶ó°í ¿ì¸®°¡ ¾î¶»°Ô Ä«¿îƼ ÀÇȸ¿¡ °£Ã»Çß´ÂÁö ±â¾ïÇϽóª¿ä? ±×·¯¸é µÏ À§ÀÇ °¡¿²Àº ¼ú²ÛµéÀÌ Àá¿¡¼ ±ú¾î³ª ±× »ç¾ÇÇÑ ÇÏ´ÃÀÇ Ç¥½ÄÀ¸·Î ±×µéÀÇ Ä¡¸íÀûÀÎ °¥ÁõÀ» »ó±â½ÃÅ°Áö ¾Ê°í¼´Â ¾È µÇ°Ú½À´Ï±î? ³»°¡ ¿©±â¼ ½Î¿ö¾ß Çß´ø ÃÖ¾ÇÀÇ °ÍÀº ¾Ç¸¶°¡ ¾Æ´Ï¶ó º¸Àú, º¸Àú, º¸Àú¿Í À§½ºÅ°, ¾çÁ¶Àå, ¹¿© ÀÖ´Â ÁýÀ̶ó´Â °ÍÀ» ¾Ë°í °è½Ê´Ï±î? ¿ì¸® º¸È£¼Ò¸¦ ±× »ç¶÷À» À§ÇÑ ¶Ç ÇϳªÀÇ ¹ÀÎ ÁýÀ¸·Î ¸¸µé¾î ÁÖ°í ³ª¿¡°Ô ±×°ÍÀ» ÁöÄÑ´Þ¶ó°í ¿äûÇÒ °Ç°¡¿ä?
¢º BARBARA. Yes, through the raising of hell to heaven and of man to God, through the unveiling of an eternal light in the Valley of The Shadow. [Seizing him with both hands] Oh, did you think my courage would never come back? did you believe that I was a deserter? that I, who have stood in the streets, and taken my people to my heart, and talked of the holiest and greatest things with them, could ever turn back and chatter foolishly to fashionable people about nothing in a drawingroom? Never, never, never, never: Major Barbara will die with the colors. Oh! and I have my dear little Dolly boy still; and he has found me my place and my work. Glory Hallelujah! [She kisses him].
¢¹ ¹Ù¹Ù¶ó. ±×·¸½À´Ï´Ù. Áö¿ÁÀÌ Ãµ±¹À¸·Î, Àΰ£ÀÌ Çϳª´Ô²²·Î ¿Ã¶ó°¡¸ç, ±×¸²ÀÚÀÇ °è°î¿¡¼ ¿µ¿øÇÑ ºûÀÌ µå·¯³²À» ÅëÇØ ¸»ÀÔ´Ï´Ù. [µÎ ¼ÕÀ¸·Î ±×¸¦ ºÙÀâ´Â´Ù] ¾Æ, ³» ¿ë±â°¡ ´Ù½Ã´Â µ¹¾Æ¿ÀÁö ¾ÊÀ» °Å¶ó°í »ý°¢Çß³ª¿ä? ³»°¡ Å»¿µº´À̶ó°í ¹Ï¾ú³ª¿ä? °Å¸®¿¡ ¼¼ ³» ¹é¼ºÀ» ¸¶À½À¸·Î ¹Þ¾ÆµéÀÌ°í ±×µé°ú ÇÔ²² °¡Àå °Å·èÇÏ°í À§´ëÇÑ °Í¿¡ ´ëÇØ À̾߱âÇß´ø ³»°¡ °ú¿¬ ÀÀÁ¢½Ç¿¡¼ À¯ÇàÇÏ´Â »ç¶÷µé¿¡°Ô µ¹¾Æ¼¼ ¾î¸®¼®°Ôµµ Àâ´ãÀ» ÇÒ ¼ö ÀÖ¾ú°Ú½À´Ï±î? Àý´ë, Àý´ë, Àý´ë, Àý´ë: ¹Ù¹Ù¶ó ¼Ò·ÉÀº »ö±ò°ú ÇÔ²² Á×À» °ÍÀÔ´Ï´Ù. ¿À! ±×¸®°í ³ª¿¡°Ô´Â ¾ÆÁ÷ »ç¶ûÇÏ´Â ÀÛÀº µ¹¸® ¾ÆµéÀÌ ÀÖ½À´Ï´Ù. ±×¸®°í ±×´Â ³ª¿¡°Ô ³ªÀÇ ÀÚ¸®¿Í ³ªÀÇ ÀÏÀ» ã¾ÆÁÖ¾ú½À´Ï´Ù. ¿µ±¤ ÇÒ·¼·ç¾ß! [±×³à°¡ ±×¿¡°Ô Å°½ºÇÑ´Ù].
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,181 Á¶Áö ¹ö³ªµå ¼îÀÇ Âü·É ¹Ù¹Ù¶ó 1905(English Classics1,181 Major Barbara by George Bernard Shaw)
Act I.
Act II.
Act III.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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