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¿µ¾î°íÀü1,183 Á¶Áö ¹ö³ªµå ¼îÀÇ ÀÇ»çÀÇ µô·¹¸¶ 1906(English Classics1,183 The Doctor's Dilemma by George Bernard Shaw)

¿µ¾î°íÀü1,183 Á¶Áö ¹ö³ªµå ¼îÀÇ ÀÇ»çÀÇ µô·¹¸¶ 1906(English Classics1,183 The Doctor's Dilemma by George Bernard Shaw)

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¢º ÀÇ»çÀÇ µô·¹¸¶ 1906(The Doctor's Dilemma by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(50¼¼)¿¡ ÁýÇÊÇÑ 5¸·(Act I.~Act V.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ÀÇ»ç´Â Çϳª. ȯÀÚ´Â µÑ. Àǻ簡 ´Ü ÇÑ¸í¸¸À» Ä¡·áÇÒ ¼ö ÀÖ´Ù¸é, ´ç½ÅÀÇ ¼±ÅÃÀº ´©±¸ÀԴϱî? : ÀÇ»çÀÇ »ó´ã½Ç(A doctor's consulting room)À» ¹è°æÀ¸·Î ÆîÃÄÁö´Â ÀÇ»çÀÇ µô·¹¸¶ 1906(The Doctor's Dilemma by George Bernard Shaw)Àº 21¼¼±â¿¡ »ç´Â ¿ì¸®¿¡°Ôµµ, ¿ì¸® °ç¿¡¼­µµ ¾ó¸¶µçÁö ¹Ýº¹µÉ ¼ö ÀÖ´Â ÀÇÇаèÀÇ °í¹ÎÀ» ÀÇ»çÀÇ ½Ã¼±À¸·Î Ç®¾î³»´Â ¹®Á¦±Ø(Ùýð¹Ð¼, Problem Paly)ÀÔ´Ï´Ù. 1906³â ÃÊ¿¬ ÀÌÈÄ ´ëÁß°ú Æò·Ð°¡µéÀÇ È£ÆòÀ» ¹Þ¾ÒÀ¸¸ç, ÇÁ¶û½º ±ØÀÛ°¡ ¸ô¸®¿¡¸£(Moliere, 1622~1673)ÀÇ »ó»óº´ ȯÀÚ(Le Malade imaginaire, 1673) ÀÌÈÄ ÀÇ·á°è¿¡ ´ëÇÑ °¡Àå À§´ëÇÑ Ç³ÀÚ±Ø(the greatest satire on the medical profession)À̶ó Æò°¡µË´Ï´Ù.

¢º Èñ±Íº´ ȯÀÚÀÇ ¾Æ³»¿¡°Ô ºüÁø ÀÇ»ç´Â ȯÀÚ¸¦ Áø½ÉÀ¸·Î Ä¡·áÇÒ ¼ö ÀÖÀ» °ÍÀΰ¡? :¡¡ÀÇ»ç ÄÝ·»¼Ò ¸®Áö¿Â °æ(Doctor Sir Colenso Ridgeon)Àº °áÇÙ¿¡ ´ëÇÑ Çõ½ÅÀûÀÎ Ä¡·á¹ýÀ» °³¹ßÇÏ¿´À¸³ª, ÇÑÁ¤µÈ Àη°ú Ä¡·áÁ¦·Î ÇÑ ¹ø¿¡ Ä¡·áÇÒ ¼ö Àִ ȯÀÚ´Â ´Ü 10¸í¿¡ ºÒ°úÇÕ´Ï´Ù. °í½É ³¡¿¡ 50¸íÀÇ È¯ÀÚ Áß¿¡ 10¸íÀ» ¼±º°ÇÏ¿´À¸³ª, ±× ¶§ ·çÀ̽º µÎº£´Ù(Louis Dubedat)¿Í Á¦´ÏÆÛ µÎº£´Ù(Jennifer Dubedat) ºÎºÎ°¡ ã¾Æ¿Í ³²ÆíÀ» Ä¡·áÇØÁÙ °ÍÀ» °£Ã»ÇÕ´Ï´Ù. °ú¿¬ ÀÇ»ç´Â ±×µé ºÎºÎÀÇ ºÎŹÀ» µé¾îÁÖ¾î¾ß ÇÒ±î¿ä? Àǻ翡°Ô ȯÀÚÀÇ µµ´ö¼ºÀ» ºñ·ÔÇØ Ä¡·á¹ÞÀ» °¡Ä¡¸¦ ÆǺ°ÇÒ °¡Ä¡°¡ ÀÖÀ»±î¿ä? ÄÝ·»¼Ò °æÀº ȯÀÚÀÇ ¾Æ³» Á¦´ÏÆÛ¿¡°Ô ¸Å·ÂÀ» ´À³¢°Ô µÇ¸é¼­, »óȲÀº Á¡Â÷ º¹ÀâÇØÁ®¸¸ °¡´Âµ¥...?!

¢º ¹ö³ªµå ¼î´Â ÀÛÇ°°ú º°µµ·Î ÀÇ»ç, ÀÇ·á°è, ¿¹¹æÁ¢Á¾ µî°ú °ü·ÃÇÑ 45ÆíÀÇ ¿ø°í¸¦ ¹­Àº ¹æ´ëÇÑ ºÐ·®ÀÇ ÀÇ»ç ¼­¹®: ÀÇ»çÀÇ µô·¹¸¶ 1906(The Doctor's Dilemma: Preface on Doctors by George Bernard Shaw)À» ¹ßÇ¥ÇÏ¿´À¸¸ç ÀÇ»çÀÇ µô·¹¸¶ 1906(The Doctor's Dilemma by George Bernard Shaw)°ú ÇÔ²² ÀÐÀ¸½Ã¸é ´õ¿í ÁÁ½À´Ï´Ù.

¢º B. B. There is at bottom only one genuinely scientific treatment for all diseases, and that is to stimulate the phagocytes. Stimulate the phagocytes. Drugs are a delusion. Find the germ of the disease; prepare from it a suitable anti-toxin; inject it three times a day quarter of an hour before meals; and what is the result? The phagocytes are stimulated; they devour the disease; and the patient recovers?unless, of course, he¡¯s too far gone. That, I take it, is the essence of Ridgeon¡¯s discovery. ¢¹ B. B. ¸ðµç Áúº´¿¡ ´ëÇÑ ÁøÁ¤À¸·Î °úÇÐÀûÀÎ Ä¡·á¹ýÀº ±Ùº»ÀûÀ¸·Î ´Ü Çϳª»ÓÀÔ´Ï´Ù. ±×°ÍÀº ½Ä¼¼Æ÷¸¦ ÀÚ±ØÇÏ´Â °ÍÀÔ´Ï´Ù. ½Ä¼¼Æ÷¸¦ ÀÚ±ØÇϽʽÿÀ. ¸¶¾àÀº ¸Á»óÀÔ´Ï´Ù. Áúº´ÀÇ ¼¼±ÕÀ» ãÀ¸½Ê½Ã¿À. ±×°ÍÀ¸·ÎºÎÅÍ ÀûÀýÇÑ Ç×µ¶¼Ò¸¦ ÁغñÇϽʽÿÀ. ½Ä»ç 1½Ã°£ ¹Ý Àü¿¡ ÇÏ·ç¿¡ ¼¼ ¹ø¾¿ ÁÖ»çÇϼ¼¿ä. °á°ú´Â ¹«¾ùÀԴϱî? ½Ä¼¼Æ÷°¡ Àڱص˴ϴÙ. ±×µéÀº Áúº´À» »ïÄÑ ¹ö¸³´Ï´Ù. ±×¸®°í ȯÀڴ ȸº¹µË´Ï´Ù. ¹°·Ð ³Ê¹« ¸Ö¸® °¡Áö ¾Ê¾Ò´Ù¸é¿ä. ³ª´Â ÀÌ°ÍÀÌ ¸®Áö¿Â ¹ß°ßÀÇ ÇÙ½ÉÀ̶ó°í »ý°¢ÇÕ´Ï´Ù.

¢º B. B. [severely] Blenkinsop: there is nothing that cannot be explained by science. What did I do? Did I fold my hands helplessly and say that the case could not be explained? By no means. I sat down and used my brains. I thought the case out on scientific principles. I asked myself why didnt the missionary die of typhoid on top of tetanus, and the beadle of tetanus on top of typhoid? Theres a problem for you, Ridgeon. ¢¹ B. B. [½ÉÇÏ°Ô] ºí·»Å²¼Ù: °úÇÐÀ¸·Î ¼³¸íÇÒ ¼ö ¾ø´Â °ÍÀº ¾ø½À´Ï´Ù. ³»°¡ ¹» ÇÑ°ÅÁö? Á¦°¡ ¾îÂîÇÒ ¹Ù¸¦ ¸ð¸£°í ¼ÕÀ» ¸ðÀ¸°í »ç°ÇÀ» ¼³¸íÇÒ ¼ö ¾ø´Ù°í ¸»Çß³ª¿ä? °áÄÚ ¾Æ´Õ´Ï´Ù. ³ª´Â ¾É¾Æ¼­ ³» µÎ³ú¸¦ »ç¿ëÇß½À´Ï´Ù. ³ª´Â °úÇÐÀû ¿ø¸®¿¡ µû¶ó »ç°ÇÀ» »ý°¢Çß½À´Ï´Ù. ³ª´Â ¿Ö ¼±±³»ç°¡ ÆÄ»ódz¿¡ ÀåƼǪ½º·Î Á×Áö ¾Ê¾Ò°í, ÀåƼǪ½º¿¡ ÆÄ»ódzÀÌ °É·Á Á×Áö ¾Ê¾Ò´ÂÁö ÀÚ¹®Çß½À´Ï´Ù. ´ç½Å¿¡°Ô ¹®Á¦°¡ »ý°å¾î¿ä, ¸®Áö¿Â.

¢º RIDGEON. You are asking me to kill another man for his sake; for as surely as I undertake another case, I shall have to hand back one of the old ones to the ordinary treatment. Well, I dont shrink from that. I have had to do it before; and I will do it again if you can convince me that his life is more important than the worst life I am now saving. But you must convince me first. ¢¹ ¸®Áö¿Â. ´ç½ÅÀº ³ª¿¡°Ô ±×¸¦ À§ÇØ ´Ù¸¥ »ç¶÷À» Á×À̶ó°í ¿ä±¸ÇÏ°í ÀÖ½À´Ï´Ù. ¿Ö³ÄÇÏ¸é ³»°¡ ´Ù¸¥ »ç°ÇÀ» ¸Ã°Ô µÇ¸é ¿¹Àü »ç°Ç Áß Çϳª¸¦ ÀϹÝÀûÀΠ󸮷ΠµÇµ¹·Á º¸³»¾ß Çϱ⠶§¹®ÀÔ´Ï´Ù. ±Û½ê, ³ª´Â ±×°Í¿¡ ´ëÇØ À§ÃàµÇÁö ¾Ê½À´Ï´Ù. ³ª´Â Àü¿¡ ±×°ÍÀ» Çؾ߸¸ Çß½À´Ï´Ù. ±×¸®°í ³»°¡ Áö±Ý ±¸ÇÏ°í ÀÖ´Â ÃÖ¾ÇÀÇ »ý¸íº¸´Ù ±×ÀÇ »ý¸íÀÌ ´õ Áß¿äÇÏ´Ù´Â °ÍÀ» ´ç½ÅÀÌ Àú¿¡°Ô ³³µæ½ÃÄÑ ÁÖ½Ã¸é ´Ù½Ã ±×·¸°Ô ÇÏ°Ú½À´Ï´Ù. ÇÏÁö¸¸ ¸ÕÀú ³ª¸¦ ¼³µæÇØ¾ß ÇÕ´Ï´Ù.

¢º JENNIFER [kind and quiet] I am not angry with you any more, Sir Colenso. I knew quite well that you did not like Louis; but it is not your fault: you dont understand: that is all. You never could have believed in him. It is just like your not believing in my religion: it is a sort of sixth sense that you have not got. And [with a gentle reassuring movement towards him] dont think that you have shocked me so dreadfully. I know quite well what you mean by his selfishness. He sacrificed everything for his art. In a certain sense he had even to sacrifice everybody? ¢¹ Á¦´ÏÆÛ [Ä£ÀýÇÏ°í Á¶¿ëÇÏ°Ô] ÄÝ·»¼Ò °æ´Ô, ´õ ÀÌ»ó È­³ªÁö ¾Ê¾Æ¿ä. ³ª´Â ´ç½ÅÀÌ ·çÀ̸¦ ÁÁ¾ÆÇÏÁö ¾Ê´Â´Ù´Â °ÍÀ» Àß ¾Ë°í ÀÖ¾ú½À´Ï´Ù. ÇÏÁö¸¸ ±×°ÍÀº ´ç½ÅÀÇ À߸øÀÌ ¾Æ´Õ´Ï´Ù. ´ç½ÅÀº ÀÌÇØÇÏÁö ¸øÇÕ´Ï´Ù. ±×°Ô ÀüºÎÀÔ´Ï´Ù. ´ç½ÅÀº ±×¸¦ °áÄÚ ¹ÏÀ» ¼ö ¾ø¾ú½À´Ï´Ù. ±×°ÍÀº ´ç½ÅÀÌ ³» Á¾±³¸¦ ¹ÏÁö ¾Ê´Â °Í°ú °°½À´Ï´Ù. ±×°ÍÀº ´ç½ÅÀÌ ¾ÆÁ÷ °®Áö ¸øÇÑ ÀÏÁ¾ÀÇ À°°¨ÀÔ´Ï´Ù. ±×¸®°í [±×¸¦ ÇâÇØ ºÎµå·´°Ô ¾È½É½ÃÅ°´Â ¿òÁ÷ÀÓÀ¸·Î] ´ç½ÅÀÌ ³ª¿¡°Ô ±×·¸°Ô ²ûÂïÇÒ Á¤µµ·Î Ãæ°ÝÀ» ÁÖ¾ú´Ù°í »ý°¢ÇÏÁö ¸¶½Ê½Ã¿À. ³ª´Â ±×ÀÇ À̱â½ÉÀÌ ¹«¾ùÀ» ÀǹÌÇÏ´ÂÁö Àß ¾Ë°í ÀÖ½À´Ï´Ù. ±×´Â ¿¹¼úÀ» À§ÇØ ¸ðµç °ÍÀ» Èñ»ýÇß°í, ¾î¶² Àǹ̿¡¼­ ±×´Â ½ÉÁö¾î ¸ðµç »ç¶÷À» Èñ»ýÇØ¾ß Çß½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,183 Á¶Áö ¹ö³ªµå ¼îÀÇ ÀÇ»çÀÇ µô·¹¸¶ 1906(English Classics1,183 The Doctor's Dilemma by George Bernard Shaw)
Act I.
Act II.
Act III.
Act IV.
Act V.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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