¢º ¿µ¾î°íÀü1,184 Á¶Áö ¹ö³ªµå ¼îÀÇ °áÈ¥Çϱâ 1908(English Classics1,184 Getting Married by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(52¼¼)¿¡ ÁýÇÊÇÑ Ç³½ÀÈñ±Ø(ù¦ã§?м, Comedy of Manners)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º THE MALE REVOLT AGAINST POLYGYNY. Experience shews that women do not object to polygyny when it is customary: on the contrary, they are its most ardent supporters. The reason is obvious. The question, as it presents itself in practice to a woman, is whether it is better to have, say, a whole share in a tenth-rate man or a tenth share in a first-rate man. Substitute the word Income for the word Man, and you will have the question as it presents itself economically to the dependent woman. The woman whose instincts are maternal, who desires superior children more than anything else, never hesitates. ¢¹ ÀϺδÙóÁ¦¿¡ ¹Ý´ëÇÏ´Â ³²¼ºÀÇ ¹Ý¶õ. °æÇè¿¡ µû¸£¸é ¿©¼ºÀº °ü·ÊÀûÀÎ ÀϺδÙóÁ¦¿¡ ¹Ý´ëÇÏÁö ¾Ê½À´Ï´Ù. ¿ÀÈ÷·Á ¿©¼ºÀº ÀϺδÙóÁ¦¸¦ °¡Àå ¿·ÄÈ÷ ÁöÁöÇÏ´Â »ç¶÷ÀÔ´Ï´Ù. ±× ÀÌÀ¯´Â ºÐ¸íÇÕ´Ï´Ù. ½ÇÁ¦·Î ¿©¼º¿¡°Ô ³ªÅ¸³ª´Â ¹®Á¦´Â, ¿¹¸¦ µé¾î 10µî±Þ ³²¼ºÀÇ Àüü ÁöºÐÀ» °®´Â °ÍÀÌ ´õ ³ªÀºÁö, ÀÏ·ù ³²¼ºÀÇ 10ºÐÀÇ 1 ÁöºÐÀ» °®´Â °ÍÀÌ ´õ ³ªÀºÁö ¿©ºÎÀÔ´Ï´Ù. ³²¼ºÀ̶ó´Â ´Ü¾î¸¦ ¼ÒµæÀ̶ó´Â ´Ü¾î·Î ´ëüÇÏ¸é ºÎ¾ç ¿©¼º¿¡°Ô °æÁ¦ÀûÀ¸·Î ³ªÅ¸³ª´Â Áú¹®À» °®°Ô µÉ °ÍÀÔ´Ï´Ù. ¸ð¼ºÀû º»´ÉÀ» °®°í, ¹«¾ùº¸´Ù ¶Ù¾î³ ÀÚ½ÄÀ» ¿øÇÏ´Â ¿©ÀÚ´Â °áÄÚ ÁÖÀúÇÏÁö ¾Ê½À´Ï´Ù.
¢º ´Ù¾çÇÑ ºÎºÎ´Â °áÈ¥¿¡ ´ëÇØ ¸Å¿ì ´Ù¸¥ °ßÇظ¦ °¡Áö°í ÀÖ½À´Ï´Ù.(Various couples have very different views about marriage.) : ºê¸®Áö³ë½º ÁÖ±³(Bishop Bridgenorth)ÀÇ ¸·³»µþ ¿¡µð½º(Edith)¿Í ¿¹ºñ ³²Æí ¼¼½Ç »çÀͽº(Cecil Sykes)ÀÇ °áÈ¥½Ä ³¯, °¡Á·µéÀÌ ÇϳªµÑ ¸ð¿©µì´Ï´Ù. ¹Ú¼ ºê¸®Áö³ë½º À屺(General Boxer Bridgenorth)Àº ½ÅºÎÀÇ À̸𠷹½ººñ¾Æ ±×¶óŽ(Lesbia Grantham)¿¡°Ô ûȥÇÏ¿´À¸³ª, ±×³à´Â ´ã¹è¸¦ ÁÙâÇÇ´Â ±ºÀÎ ³²ÆíÀÌ ½â ŽŹÁö ¾Ê½À´Ï´Ù. ÃÖ±Ù ¾Æ³»¸¦ ¶§¸®°í, ¸ÅÃáºÎ¿Í °£ÅëÇÑ ÇøÀÇ·Î ÃÖ±Ù¿¡ ÀÌÈ¥ÇÑ À屺ÀÇ ³²µ¿»ý ·¹Áö³¯µå(Reginald)¿Í ±×ÀÇ Àüó ·¹¿À(Leo)°¡ ÇÔ²² Âü¼®ÇÑ °áÈ¥½ÄÀ̶ó´Ï?! °ú¿¬ ÀÌ °áÈ¥½ÄÀº ¹«»çÈ÷ Ä¡·¯Áú ¼ö ÀÖÀ»±î¿ä? ·¹¿À(Leo)°¡ ³ë¸®´Â ȣġŰ½º(Hotchkiss)´Â Á¶Áö Äݸ°½º ºÎÀÎ(Mrs George Collins)°ú »ç¶û¿¡ ºüÁö°í, ÀÌ¿¡ ·¹¿À´Â Àü³²Æí¿¡°Ô ÀÌÈ¥À» Ãë¼ÒÇÏÀڴµ¥...?!
¢º LESBIA [surprised at his wit] Thats not bad for the silly soldier man. Yes, Boxer: the truth is, I dont want you enough to make the very unreasonable sacrifices required by marriage. And yet that is exactly why I ought to be married. Just because I have the qualities my country wants most I shall go barren to my grave; whilst the women who have neither the strength to resist marriage nor the intelligence to understand its infinite dishonor will make the England of the future. [She rises and walks towards the study]. ¢¹ ·¹½ººñ¾Æ [±×ÀÇ ÀçÄ¡¿¡ ³î¶ú´Ù] ±× ¾î¸®¼®Àº ±ºÀο¡°Ô´Â ³ª»ÚÁö ¾Ê±º¿ä. ±×·¡¿ä, º¹¼. »ç½Ç Àú´Â ´ç½ÅÀÌ °áÈ¥¿¡¼ ¿ä±¸ÇÏ´Â ¾ÆÁÖ ºÒÇÕ¸®ÇÑ Èñ»ýÀ» ÇÒ ¸¸ÅÀº ¹Ù¶óÁö ¾Ê½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í ±×°ÍÀÌ ¹Ù·Î ³»°¡ °áÈ¥ÇØ¾ß ÇÏ´Â ÀÌÀ¯ÀÔ´Ï´Ù. ³»°¡ Á¶±¹ÀÌ °¡Àå ¿øÇÏ´Â ÀÚÁúÀ» °®°í ÀÖ´Ù´Â ÀÌÀ¯¸¸À¸·Î ³ª´Â ºÒÀÓÀÇ ¹«´ýÀ¸·Î °¥ °ÍÀÔ´Ï´Ù. ¹Ý¸é °áÈ¥¿¡ ÀúÇ×ÇÒ Èûµµ ¾ø°í °áÈ¥ÀÇ ¹«ÇÑÇÑ ºÒ¸í¿¹¸¦ ÀÌÇØÇÒ Áö·Âµµ ¾ø´Â ¿©¼ºµéÀº ¹Ì·¡ÀÇ ¿µ±¹À» ¸¸µé °ÍÀÔ´Ï´Ù. [±×³à´Â ÀϾ ¼À縦 ÇâÇØ °É¾î°£´Ù].
¢º °áÈ¥Àº ¹ÌÄ£ ÁþÀ̾ß~ : ¹ö³ªµå ¼î´Â ÀÌÈ¥¹ý ÀÚÀ¯È(Liberalization of Divorce)ÀÇ ½Ã´ë¸¦ ¸ÂÀÌÇÑ ¿µ±¹¿¡¼ °áÈ¥À» ¾ÕµÐ ³²³à¿Í °¡Á·µéÀÇ ¸ð½ÀÀ» Àû³ª¶óÇÏ°Ô º¸¿©ÁÜÀ¸·Î½á °ü°´µé¿¡°Ô °áÈ¥ÀÇ À§Ç輺À» ¿ì½º²Î½º·´°Ô dzÀÚÇÕ´Ï´Ù. ÀÌ ³²ÀÚ¿Í °áÈ¥Çصµ µÉ±î? ³²ÆíÀÌ È¤½Ã³ª ¹ÌÄ¡±¤ÀÌ ¹üÁËÀÚ(a criminal lunatic)¶ó¸é ÀÌÈ¥ÇÒ ¼ö ÀÖÀ»±î? ÀÌ ¿©ÀÚ¿Í °áÈ¥Çϸé, ±×³àÀÇ ºúÀ» ³»°¡ °±¾Æ¾ßÇÏ´Â °ÍÀº ¾Æ´Ò±î? ±×³à¸¦ »ç¶ûÇÏÁö¸¸, ±×³àÀÇ ºúÀº ¸éÁ¦¹Þ´Â ¹æ¹ýÀÌ ÀÖ´Ù¸é? °áÈ¥½Ä ´çÀÏ °áÈ¥À» ¾ÕµÐ µÎ ³²³à°¡ °áÈ¥¿¡ °ü·ÃÇÑ ÆÊÇø´(a pamphlet on marriage)À» Àаí, ¹Ìó »ý°¢ÇÏÁö ¸øÇÑ °áÈ¥ÀÇ À§Ç輺¿¡ ´ëÇØ »õ»ï ÀÚ°¢ÇÏ°Ô µÇ´Âµ¥...?! µÎ ³²³à´Â °á±¹ º¸Çèȸ»ç¿Í ÇÔ²² ³²ÆíÀÌ ¹üÁ˽à ÀÌÈ¥ÇÒ ¼ö ÀÖ´Ù´Â °è¾à¼¿Í ¾Æ³»ÀÇ ºú¿¡ ´ëÇÑ ¸éÃ¥ °è¾à¼¸¦ ¼·Î ±³È¯ÇÕ´Ï´Ù.
¢º LESBIA. Thank you for nothing. If you will only make marriage reasonable and decent, you can do as you like about divorce. I have not stated my deepest objection to marriage; and I dont intend to. There are certain rights I will not give any person over me. ¢¹ ·¹Áîºñ¾ð. ¾Æ¹«°Íµµ ¾Æ´Ñ °Í¿¡ °¨»çµå¸³´Ï´Ù. ÇÕ¸®ÀûÀÌ°í Ç°À§ ÀÖ´Â °áÈ¥ »ýÈ°¸¸ ÇÏ°í ½Í´Ù¸é ÀÌÈ¥¿¡ ´ëÇؼ´Â ¸¶À½´ë·Î Çصµ µË´Ï´Ù. ³ª´Â °áÈ¥¿¡ ´ëÇØ ±íÀº ¹Ý´ë Àǻ縦 Ç¥¸íÇÏÁö ¾Ê¾Ò½À´Ï´Ù. ±×¸®°í ³ª´Â ±×·² »ý°¢ÀÌ ¾ø½À´Ï´Ù. ³ª¿¡ ´ëÇØ ´©±¸¿¡°Ôµµ ºÎ¿©ÇÏÁö ¾ÊÀ» ƯÁ¤ ±Ç¸®°¡ ÀÖ½À´Ï´Ù.
¢º °áÈ¥Àº ºÒ°¡ÇÇÇÕ´Ï´Ù(Marriage Nevertheless Inevitable) : Á¸ ¹ö³ªµå´Â °áÈ¥ÀÇ ¼ö¸¹Àº ´ÜÁ¡¿¡µµ ºÒ±¸ÇÏ°í, °áÈ¥ÀÇ Çö½ÇÀûÀÎ ´ë¾ÈÀÌ ¾ø´Ù¸é ¡®°áÈ¥Àº ºÒ°¡ÇÇÇÑ °Í¡¯À̶ó°í ÁÖÀåÇÏ¿´½À´Ï´Ù. ´Ù¸¸ °áÈ¥ ´ç»çÀÚ¿Í ±×µéÀÇ Àڳฦ º¸È£Çϱâ À§ÇØ ÇÕ¸®ÀûÀÎ ÀÌÈ¥ ¹ýÁ¤(sensible divorce laws)ÀÇ Çʿ伺À» °Á¶ÇÏ¿´½À´Ï´Ù.
¢º MARRIAGE NEVERTHELESS INEVITABLE. Now most laws are, and all laws ought to be, stronger than the strongest individual. Certainly the marriage law is. The only people who successfully evade it are those who actually avail themselves of its shelter by pretending to be married when they are not, and by Bohemians who have no position to lose and no career to be closed. ¢¹ ±×·³¿¡µµ ºÒ±¸ÇÏ°í °áÈ¥Àº ºÒ°¡ÇÇÇÕ´Ï´Ù. ÀÌÁ¦ ´ëºÎºÐÀÇ ¹ýÀº °¡Àå °ÇÑ °³Àκ¸´Ù °·ÂÇϸç, ¸ðµç ¹ýÀº ±×·¡¾ß ÇÕ´Ï´Ù. È®½ÇÈ÷ °áÈ¥¹ýÀº ±×·¸½À´Ï´Ù. ±×°ÍÀ» ¼º°øÀûÀ¸·Î ÇÇÇÏ´Â À¯ÀÏÇÑ »ç¶÷µéÀº °áÈ¥ÇÏÁö ¾ÊÀº ôÇÏ¸é¼ ½ÇÁ¦·Î ±× Çdzó¸¦ ÀÌ¿ëÇÏ´Â »ç¶÷µé°ú ÀÒÀ» ÁöÀ§µµ ¾ø°í Æó¼âµÉ Á÷¾÷µµ ¾ø´Â º¸Çì¹Ì¾ÈµéÀÔ´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,184 Á¶Áö ¹ö³ªµå ¼îÀÇ °áÈ¥Çϱâ 1908(English Classics1,184 Getting Married by George Bernard Shaw)
¢¹ PREFACE TO GETTING MARRIED
The Revolt Against Marriage
Marriage Nevertheless Inevitable
What Does The Word Marriage Mean
Survivals Of Sex Slavery
A New Attack On Marriage
A Forgotten Conference Of Married Men
Hearth And Home
Too Much Of A Good Thing
Large And Small Families
The Gospel Of Laodicea
For Better For Worse
Wanted: An Immoral Statesman
The Limits Of Democracy
The Science And Art Of Politics
Why Statesmen Shirk The Marriage Question
The Question Of Population
The Right To Motherhood
Monogamy, Polygyny And Polyandry
The Male Revolt Against Polygyny
Difference Between Oriental And Occidental Polygyny
The Old Maid's Right To Motherhood
Ibsen's Chain Stitch
Remoteness Of The Facts From The Ideal
Difficulty Of Obtaining Evidence
Marriage As A Magic Spell
The Impersonality Of Sex
The Economic Slavery Of Women
Unpopularity Of Impersonal Views
Impersonality Is Not Promiscuity
Domestic Change Of Air
Home Manners Are Bad Manners
Spurious "Natural" Affection
Carrying The War Into The Enemy's Country
Shelley And Queen Victoria
A Probable Effect Of Giving Women The Vote
The Personal Sentimental Basis Of Monogamy
Divorce
Importance Of Sentimental Grievance
Divorce Without Asking Why
Economic Slavery Again The Root Difficulty
Labor Exchanges And The White Slavery
Christian Marriage
Divorce A Sacramental Duty
Othello And Desdemona
What Is To Become Of The Children?
The Cost Of Divorce
Conclusions
¢¹ GETTING MARRIED
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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