¢º ÇÁ·¹½º Ä¿ÆÃ(½Å¹® ½ºÅ©·¦) 1909(Press Cuttings by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(53¼¼)¿¡ ÁýÇÊÇÑ ´Ü¸·±Ø(One-Act Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º 1912³â ¸¸¿ìÀý(April Fool's Day 1912) ¿µ±¹ ¿©¼ºÀÇ ÂüÁ¤±Ç ¿îµ¿(the suffragettes' campaign for votes for women in Britain) : ÇÁ·¹½º Ä¿ÆÃ(½Å¹® ½ºÅ©·¦) 1909(Press Cuttings by George Bernard Shaw)´Â ¿µ±¹ ¿©¼ºÀÇ ÂüÁ¤±Ç ¿îµ¿(the suffragettes' campaign for votes for women in Britain)À̶õ ¹¬Á÷ÇÑ ¼ÒÀ縦 Àͻ콺·´°Ô Ç¥ÇöÇÑ Äڹ̵ð(farcical comedy)ÀÔ´Ï´Ù. Á¤Ä¡¶õ ¹Î°¨ÇÑ ¼ÒÀ縦 °¨¾ÈÇØ 1912³â ¸¸¿ìÀý(April Fool's Day 1912)À» ¹è°æÀ¸·Î ¼³Á¤ÇÑ À§Æ®°¡ µ¸º¸ÀÔ´Ï´Ù. ¿µ±¹ ¿©¼ºµéÀÌ ÂüÁ¤±Ç ¿îµ¿À» ÆîÄ¡ÀÚ, °á±¹ ¿µ±¹ Á¤ºÎ°¡ ·±´ø Á߽ɺο¡ °è¾ö·ÉÀ» ¼±Æ÷ÇÏ°Ô µÇ´Âµ¥...?! °ú¿¬ ±× °á°ú´Â ¾î¶»°Ô µÉ±î¿ä?!
¢º Á¤ºÎ °Ç¹°(government buildings) ÀüÀï »ç¹«¼Ò(the War Office)¿¡ ¾É¾Æ ÀÖ´Â ¹ÌÄ¡³Ê À屺(General Mitchener)Àº ¿ÜºÎÀÇ ÂüÁ¤±Ç ¿îµ¿ÀÌ Á¡Â÷ °Å¼¼Áö´Â ¸ð½ÀÀ» º¸¸ç ºÒ¾È°¨À» ´À³§´Ï´Ù. ¹ß½ºÄû½º ÃѸ®(Prime Minister, Balsquith)·ÎºÎÅÍ ¾î´À ¿©¼ºÀ» °Ç¹° ³»·Î µé¿©º¸³»¶ó´Â ¿¬¶ôÀ» ¹Þ°Ô µÇ´Âµ¥...?! ¾Ë°í º¸´Ï µé¾î¿Â ¿©¼ºÀÌ ¹Ù·Î º¯ÀåÇÑ ÃѸ®?! ÃѸ® ¶ÇÇÑ ÂüÁ¤±Ç ¿îµ¿°¡µéÀÇ ½Ã¼±À» ÇÇÇϱâ À§ÇØ º¯Àå±îÁö ÇÏ°í ¸ô·¡ ÀüÀï »ç¹«¼Ò¸¦ ¹æ¹®ÇÑ °ÍÀ̾úÁÒ. µ¶ÀÏÀÇ À繫Àå À§Çù¿¡µµ ºÒ±¸ÇÏ°í, ºÒ°ÅÁö´Â ÂüÁ¤±Ç ¿îµ¿Àº ÃѸ®°¡ ¿ÂÀüÈ÷ µ¶ÀÏ¿¡ ÁýÁßÇϱ⠾î·Á¿î Áö±ØÈ÷ ³°¨ÇÑ »óȲÀ» ¸¸µì´Ï´Ù.
¢º BALSQUITH (throwing himself into Mitchener's chair). Yes: it is indeed Balsquith. It has come to this: that the only way that the Prime Minister of England can get from Downing Street to the War Office is by assuming this disguise; shrieking "VOTES for Women"; and chaining himself to your doorscraper. They were at the corner in force. They cheered me. Bellachristina herself was there. She shook my hand and told me to say I was a vegetarian, as the diet was better in Holloway for vegetarians. ¢¹ ¹ß½ºÄû½º(¹Ìü³ÊÀÇ ÀÇÀÚ¿¡ ¸öÀ» ´øÁü) ¿¹: ½ÇÁ¦·Î ¹ß½ºÄû½ºÀÔ´Ï´Ù. ¿µ±¹ ÃѸ®°¡ ´Ù¿ì´× °¡¿¡¼ ÀüÀZÀ¸·Î °¥ ¼ö ÀÖ´Â À¯ÀÏÇÑ ¹æ¹ýÀº ÀÌ·± º¯ÀåÀ» ÇÏ´Â °Í»ÓÀ̶ó´Â °á·ÐÀÌ ³ª¿Ô½À´Ï´Ù. "¿©¼ºÀ» À§ÇÑ ÅõÇ¥"¸¦ ¿ÜÄ¡¸ç; ±×¸®°í ´ç½ÅÀÇ ¹® ±Ü´Â µµ±¸¿¡ ÀÚ½ÅÀ» ¹½À´Ï´Ù. ±×µéÀº °Á¦·Î ¸ðÅüÀÌ¿¡ ÀÖ¾ú½À´Ï´Ù. ±×µéÀº ³ª¸¦ ÀÀ¿øÇß½À´Ï´Ù. º§¶óÅ©¸®½ºÆ¼³ª Àڽŵµ °Å±â¿¡ ÀÖ¾ú½À´Ï´Ù. ±×³à´Â ³ª¿Í ¾Ç¼ö¸¦ ÇÏ°í ³ª¿¡°Ô ä½ÄÁÖÀÇÀÚ¶ó°í ¸»Ç϶ó°í ¸»Çß½À´Ï´Ù. ¿Ö³ÄÇϸé ÇҷοþÀÌ¿¡¼´Â ä½ÄÁÖÀÇÀڵ鿡°Ô ½Ä´ÜÀÌ ´õ ÁÁ±â ¶§¹®ÀÔ´Ï´Ù.
¢º MITCHENER. Absolutely no such thing as public opinion. There are certain persons who entertain certain opinions. Well, shoot them down. When you have shot them down, there are no longer any persons entertaining those opinions alive: consequently there is no longer any more of the public opinion you are so much afraid of. Grasp that fact, my dear Balsquith; and you have grasped the secret of government. Public opinion is mind. Mind is inseparable from matter. Shoot down the matter and you kill the mind. ¢¹ ¹ÌÄ¡³Ê. ¿©·Ð °°Àº °Ç ÀüÇô ¾ø½À´Ï´Ù. ƯÁ¤ ÀÇ°ßÀ» °®°í Àִ ƯÁ¤ »ç¶÷µéÀÌ ÀÖ½À´Ï´Ù. ±Û½ê, ±×µéÀ» °ÝÃß½ÃÅ°¼¼¿ä. ´ç½ÅÀÌ ±×µéÀ» °ÝÃß½ÃÅ°¸é, ±× ÀÇ°ßÀ» »ì¾ÆÀÖ°Ô Áñ±â´Â »ç¶÷Àº ´õ ÀÌ»ó Á¸ÀçÇÏÁö ¾Ê½À´Ï´Ù. °á°úÀûÀ¸·Î ´ç½ÅÀÌ ±×Åä·Ï µÎ·Á¿öÇÏ´Â ¿©·ÐÀº ´õ ÀÌ»ó Á¸ÀçÇÏÁö ¾Ê½À´Ï´Ù. Ä£¾ÖÇÏ´Â ¹ß½ºÄû½º, ±× »ç½ÇÀ» ÀÌÇØÇϽʽÿÀ. ±×¸®°í ´ç½ÅÀº Á¤ºÎÀÇ ºñ¹ÐÀ» ÆľÇÇß½À´Ï´Ù. ¿©·ÐÀº ¸¶À½ÀÌ´Ù. ¸¶À½Àº ¹°Áú°ú ºÐ¸®µÉ ¼ö ¾ø½À´Ï´Ù. ¹®Á¦¸¦ °ÝÃßÇÏ¸é ¸¶À½ÀÌ Á×½À´Ï´Ù.
¢º ¹ÌÄ¡³Ê À屺À» ¸¸³ ÃѸ®´Â ¿þ½ºÆ®¹Î½ºÅÍ ÁÖº¯ 2¸¶ÀÏÀ» ³²¼º Àü¿ë ÃâÀÔ ±ÝÁö ±¸¿ª(a male-only exclusion zone)À¸·Î ¸¸µé·Á´Â °èȹ¿¡ ½ÇÆÐÇÑ »÷µå½ºÅæ À屺(General Sandstone)ÀÌ »çÀÓÇß´Ù´Â ¼Ò½Ä°ú ÇØ´ç Áö¿ªÀ» ¿©¼º ÂüÁ¤±Ç ¿îµ¿°¡µéÀÌ Á¡·ÉÇÏ°í ÀÖ´Ù´Â ¼Ò½ÄÀ» ÀüÇÕ´Ï´Ù.
¢º »õ·Ó°Ô µîÀåÇÑ ¹ð°Å ºÎÀÎ(Mrs Banger)°ú ·¹À̵ð ÄÚ¸°Æ¼¾Æ(Lady Corinthia)´Â ¿©¼ºµéÀÌ »ç½Ç ÅõÇ¥±Çº¸´Ù ±º ÀԴ븦 ¿øÇÒ »Ó ¾Æ´Ï¶ó, ºñ½º¸¶¸£Å©¿Í ³ªÆú·¹¿Ë ¶ÇÇÑ º¯ÀåÇÑ ¿©¼ºÀ̶ó°í ÁÖÀåÇÕ´Ï´Ù. Ãæ°ÝÀ» ¹ÞÀº ÃѸ®´Â ±Þ±â¾ß È¥¶õ¿¡ ºüÁö°Ô µÇ´Âµ¥...?! ÀÌ ¿¬±Ø, ÀÌ´ë·Î ³¡ÀÌ ³ªµµ ±¦ÂúÀº °É±î¿ä?!
¢º MRS. BANGER. How can you tell? You never knew that the hero of the charge at Kassassin was a woman: yet she was: it was I, Rosa Carmina Banger. Would Napoleon have been so brutal to women, think you, had he been a man? ¢¹ ¹ð°Å ºÎÀÎ. ¾î¶»°Ô ¾Ë ¼ö ÀÖ³ª¿ä? ´ç½ÅÀº Ä«»ç½Å °ø°ÝÀÇ ¿µ¿õÀÌ ¿©ÀÚ¶ó´Â »ç½ÇÀ» °áÄÚ ¾ËÁö ¸øÇß½À´Ï´Ù. ±×·¯³ª ±×³à´Â ¹Ù·Î ³ª, ·Î»ç Ä«¸£¹Ì³ª ¹ð¾î¿´½À´Ï´Ù. ³ªÆú·¹¿ËÀÌ ³²ÀÚ¿´´Ù¸é ¿©ÀÚ¿¡°Ô ±×Åä·Ï ÀÜÀÎÇßÀ»±î¿ä?
¢º MITCHENER. Oh, come, come! Really! Surely female rulers have often shown all the feminine weaknesses. Queen Elizabeth, for instance. Her vanity, her levity. ¢¹ ¹ÌÄ¡³Ê. ¾Æ, ¾î¼ ¿Í! Á¤¸»! È®½ÇÈ÷ ¿©¼º ÅëÄ¡ÀÚµéÀº Á¾Á¾ ¸ðµç ¿©¼ºÀû ¾àÁ¡À» µå·¯³Â½À´Ï´Ù. ¿¹¸¦ µé¾î, ¿¤¸®ÀÚº£½º ¿©¿Õ. ±×³àÀÇ Ç㿵½É, ±×³àÀÇ °æ¼ÖÇÔ.
¢º MRS. BANGER. Nobody who has studied the history of Queen Elizabeth can doubt for a moment that she was a disguised man. ¢¹ ¹ð°Å ºÎÀÎ. ¿¤¸®ÀÚº£½º ¿©¿ÕÀÇ ¿ª»ç¸¦ ¿¬±¸ÇÑ »ç¶÷À̶ó¸é ±×³à°¡ º¯ÀåÇÑ ³²ÀÚ¿´´Ù´Â »ç½ÇÀ» ÇÑ ¼ø°£µµ ÀǽÉÇÒ ¼ö ¾øÀ» °ÍÀÔ´Ï´Ù.
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,186 Á¶Áö ¹ö³ªµå ¼îÀÇ ÇÁ·¹½º Ä¿ÆÃ(½Å¹® ½ºÅ©·¦) 1909(English Classics1,186 Press Cuttings by George Bernard Shaw)
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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