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¢º ¾î¿ï¸®Áö ¾Ê´Â °áÈ¥ 1909(Misalliance by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(53¼¼)¿¡ ÁýÇÊÇÑ ´Ü¸·±Ø(One-Act Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ½Ã°ñÁý¿¡¼­ ÀÌ»óÇÑ ÀÏÀÌ ¹ú¾îÁö°í ÀÖ´Ù?!(Odd goings on at a country house) : ¾î¿ï¸®Áö ¾Ê´Â °áÈ¥ 1909(Misalliance by George Bernard Shaw)´Â °áÈ¥À» ¼ÒÀç·Î ÇÑ ¹ö³ªµå ¼îÀÇ Ç³ÀÚ±Ø(Satirical Comedy)À¸·Î 1908³â ¹ßÇ¥ÇÑ °áÈ¥Çϱâ 1908(Getting Married by George Bernard Shaw)°ú °áÈ¥À̶õ °øÅëÁ¡À» °®°í ÀÖ½À´Ï´Ù. ¹ö³ªµå ¼î´Â ±¸È¥ ±â°£ µ¿¾È ¿©¼ºÀº ²öÁú±ä ÃßÀûÀÚÀ̸ç, ³²¼ºÀº ºÒ¾ÈÇÏ°Ô ÃßÀûµÈ´Ù´Â ³ª¸§ÀÇ ÀÌ·Ð(his lifelong theory)À» ¹ÙÅÁÀ¸·Î, ¾î¿ï¸®Áö ¾Ê´Â °áÈ¥ 1909(Misalliance by George Bernard Shaw)¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. ¾î´À ¿©¸§³¯ÀÇ ¿ÀÈÄ¿¡¸¸ ¹«·Á 8°³ÀÇ Ã»È¥ÀÌ ¿À°¡´Â ½Ã°ñº°ÀåÀÇ ´Üü¹ÌÆÃÀº °ú¿¬ ¼º°øÀûÀÌ¿´À»±î¿ä? ÀÛÇ°ÀÇ ºÎÁ¦´Â ÇÑ ÀÚ¸®ÀÇ Åä·Ð(A Debate in One Sitting)À¸·Î ½Å¿©¼º(New Woman)¿¡ ´ëÇÑ ¹ö³ªµå ¼îÀÇ ¿µ°¨À» ¹ÙÅÁÀ¸·Î ÁýÇÊÇÏ¿´½À´Ï´Ù.

¢º ¿µ±¹ÀÇ ¿©¸§ ÁÖ¸», ¾î´À ºÎÀãÁýÀÇ ½Ã°ñº°Àå. ¼Ó¿Ê »ç¾÷À¸·Î ºÎ¸¦ ÃàÀûÇÑ Á¸ Å»·¹Åæ(John Tarleton)ÀÇ µþ È÷ÆÄƼ¾Æ Å»·¹Åæ(Hypatia Tarleton)Àº ´Ù¾çÇÑ »ç¶÷µéÀÌ ¸ðÀÎ ½Ã°ñº°Àå¿¡¼­ ±Ý¼¼ Áö·çÇÔÀ» ´À³§´Ï´Ù. ¿µ±¹ÀÇ °ídz½º·¯¿î °ü½À°ú ³²ÀÚµéÀÇ Àß ³­Ã¼¿¡ Áú¸° ±×³à´Â ¹º°¡ ¾àÇÑ ¸ðÀÚ¶õ ±ÍÁ·Áý ÀÚÁ¦ º¥Æ²¸® ¼­¸ÓÇìÀÌÁî(Bentley Summerhays)¸¦ ¾àÈ¥³²À¸·Î ¼±ÅÃÇÕ´Ï´Ù. ÇÑÆí Áö±ØÈ÷ Æò¹üÇÑ °è»ê¿ø ³ëµ¿ÀÚ °Å³Ê(Gunner) ¶ÇÇÑ ±ÍÁ·°ú ºÎÀÚµé »çÀÌ¿¡¼­ ³ª¸§ÀÇ Á¸Àç°¨À» º¸¿©ÁÖ´Â Àå¸éµµ ³õÄ¥ ¼ö ¾øÀ» °ÍÀÔ´Ï´Ù.

¢º ³­µ¥¾øÀÌ ºñÇà±â°¡ À½¾Ç¿ø ÁöºØ(the roof of the conservatory)À¸·Î Ã߶ôÇÑ °¡¿îµ¥, ±â³»ÀÇ Á¶Á¾»ç Á¶ÀÌ Æ۽ùú(Joey Percival)°ú Æú¶õµå °î¿¹»ç Ãâ½ÅÀÇ ½Â°´ ¸®³ª ½´Ã¼ÆijëÇÁ½ºÄ«(Lina Szczepanowska)°¡ ½Ã°ñº°ÀåÀÇ ¸ðÀÓ¿¡ ÇÕ·ùÇÕ´Ï´Ù. ...¹º°¡ Á» ÀÌ»óÇÏÁö¸¸, ÀÌ ¶ÇÇÑ Ç³ÀÚ±Ø(Satirical Comedy)´Ù¿î ¸Å·ÂÀÌ°ÚÁö¿ä! »õ·Ó°Ô µîÀåÇÑ Á¶ÀÌ Æ۽ùúÀº Àß»ý±ä û³âÀ¸·Î ±Ý¼¼ È÷ÆÄƼ¾ÆÀÇ ´«±æÀ» ²ø¾ú°í, ¸®³ª´Â ¼­Ä¿½º °î¿¹»ç Ãâ½ÅÀÇ µµ¹ßÀûÀÎ ¿©¼ºÀ¸·Î ¸ðÀÓ¿¡ ÀÖ´Â ¸ðµç »ç³»µéÀÇ ´«±æÀ» Çѹ濡 »ç·ÎÀâ¾Æ ¹ö¸³´Ï´Ù! ¸·¿¬ÇÏ°Ô ÇÏ´ÃÀ» ³ª´Â ²ÞÀ» ²Ù´ø È÷ÆÄƼ¾Æ´Â °ú¿¬ ¸®³ª¿Í ÇÔ²² ĢĢÇÑ ½Ã°ñº°Àå ³Ê¸Ó·Î ³¯¾Æ¿À¸¦ ¼ö ÀÖÀ»±î¿ä?

¢º JOHNNY. If Kipling wants to remember, let him remember. If he had to run Tarleton's Underwear, he'd be jolly glad to forget. As he has a much softer job, and wants to keep himself before the public, his cry is, "Dont you forget the sort of things I'm rather clever at writing about." Well, I dont blame him: it's his business: I should do the same in his place. But what he wants and what I want are two different things. I want to forget; and I pay nother man to make me forget. If I buy a book or go to the theatre, I want to forget the shop and forget myself from the moment I go in to the moment I come out. ¢¹ Á¶´Ï. Å°ÇøµÀÌ ±â¾ïÇÏ°í ½Í´Ù¸é ±â¾ïÇÏ°Ô ÇØÁÖ¼¼¿ä. ¸¸ÀÏ ±×°¡ Å»·¹Åæ ¼Ó¿ÊÀ» ¿î¿µÇØ¾ß ÇÑ´Ù¸é, ±×´Â ±â²¨ÀÌ Àؾî¹ö¸± °ÍÀÔ´Ï´Ù. ±×´Â ÈξÀ ´õ ºÎµå·¯¿î Á÷¾÷À» °¡Áö°í ÀÖ°í ´ëÁß ¾Õ¿¡¼­ ÀÚ½ÅÀ» ÁöÅ°°í ½Í¾îÇϱ⠶§¹®¿¡ "³»°¡ ±ÛÀ» ¾²´Â µ¥ ´É¼÷ÇÑ °ÍµéÀ» ÀØÁö ¸¶¼¼¿ä"¶ó°í ¿ÜĨ´Ï´Ù. ±Û½ê¿ä, Àú´Â ±×¸¦ ºñ³­ÇÏÁö ¾Ê½À´Ï´Ù. ±×°ÍÀº ±×ÀÇ ÀÏÀÔ´Ï´Ù. ³ªµµ ±×ÀÇ ÀÚ¸®¿¡¼­ ¶È°°Àº ÀÏÀ» ÇØ¾ß ÇÕ´Ï´Ù. ÇÏÁö¸¸ ±× »ç¶÷ÀÌ ¿øÇÏ´Â °Í°ú ³»°¡ ¿øÇÏ´Â °ÍÀº ´Ù¸¨´Ï´Ù. ³ª´Â ÀØ°í ½Í½À´Ï´Ù. ±×¸®°í ³ª´Â ³ª¸¦ ÀØ°Ô ¸¸µé±â À§ÇØ ´Ù¸¥ »ç¶÷¿¡°Ô µ·À» ÁöºÒÇÕ´Ï´Ù. Ã¥À» »ç°Å³ª ±ØÀå¿¡ °¡¸é µé¾î°¡´Â ¼ø°£ºÎÅÍ ³ª¿À´Â ¼ø°£±îÁö °¡°Ôµµ ÀØ°í ³ª Àڽŵµ ÀØ°í ½Í½À´Ï´Ù.

¢º HYPATIA. Not at all: you were very clever. Thats whats so hard to bear, because it makes it so difficult to avoid listening. You see, I'm young; and I do so want something to happen. My mother tells me that when I'm her age, I shall be only too glad that nothing's happened; but I'm not her age; so what good is that to me? Theres my father in the garden, meditating on his destiny. All very well for him: hes had a destiny to meditate on; but I havnt had any destiny yet. Everything's happened to him: nothing's happened to me. Thats why this unending talk is so maddeningly uninteresting to me. ¢¹ È÷ÆÄƼ¾Æ. ÀüÇô ¾Æ´Õ´Ï´Ù. ´ç½ÅÀº ¸Å¿ì ¿µ¸®Çß½À´Ï´Ù. ±×°ÍÀÌ µè±â¸¦ ÇÇÇÏ´Â °ÍÀ» ³Ê¹« ¾î·Æ°Ô ¸¸µé±â ¶§¹®¿¡ Âü±â Èûµç °ÍÀÔ´Ï´Ù. ¾Ë´Ù½ÃÇÇ ³ª´Â ¾î¸®ÁÒ. ±×¸®°í ³ª´Â ¹º°¡°¡ ÀϾ±â¸¦ Á¤¸»·Î ¿øÇÕ´Ï´Ù. ¾î¸Ó´Ï´Â ³»°¡ Àڱ⠳ªÀÌ°¡ µÇ¸é ¾Æ¹« Àϵµ ÀϾÁö ¾Ê¾Æ¼­ ³Ê¹« ±â»µÇÒ °ÍÀ̶ó°í ¸»¾¸Çϼ̽À´Ï´Ù. ÇÏÁö¸¸ ³ª´Â ±× »ç¶÷ ³ªÀÌ°¡ ¾Æ´Õ´Ï´Ù. ±×·³ ±×°Ô ³ªÇÑÅ× ¹«½¼ ¼Ò¿ëÀÌ ÀÖ°Ú½À´Ï±î? ¾Æ¹öÁö´Â Á¤¿ø¿¡¼­ ÀÚ½ÅÀÇ ¿î¸í¿¡ ´ëÇØ °í¹ÎÇÏ°í °è½Ê´Ï´Ù. ±×¿¡°Ô´Â ¸ðµç °ÍÀÌ ¸Å¿ì ÁÁ¾Ò½À´Ï´Ù. ±×¿¡°Ô´Â ¹¬»óÇÒ ¿î¸íÀÌ ÀÖ¾ú½À´Ï´Ù. ÇÏÁö¸¸ ³ª¿¡°Ô´Â ¾ÆÁ÷ ¿î¸íÀÌ ¾ø¾ú¾î¿ä. ±×¿¡°Ô´Â ¸ðµç ÀÏÀÌ ÀϾÁö¸¸ ³ª¿¡°Ô´Â ¾Æ¹« Àϵµ ÀϾÁö ¾Ê¾Ò½À´Ï´Ù. ÀÌ°ÍÀÌ ¹Ù·Î ÀÌ ³¡¾ø´Â À̾߱Ⱑ ³ª¿¡°Ô ¹ÌÄ£ µíÀÌ Èï¹Ì·ÓÁö ¾ÊÀº ÀÌÀ¯ÀÔ´Ï´Ù.

¢º LINA. Old pal: this is a stuffy house. You seem to think of nothing but making love. All the conversation here is about love-making. All the pictures are about love-making. The eyes of all of you are sheep's eyes. You are steeped in it, soaked in it: the very texts on the walls of your bedrooms are the ones about love. It is disgusting. It is not healthy. Your women are kept idle and dressed up for no other purpose than to be made love to. I have not been here an hour; and already everybody makes love to me as if because I am a woman it were my profession to be made love to. First you, old pal. I forgave you because you were nice about your wife. ¢¹ ¸®³ª. ´ÄÀº Ä£±¸: ¿©±ä ´ä´äÇÑ ÁýÀÌ¿¡¿ä. ´ç½ÅÀº »ç¶ûÀ» ³ª´©´Â °Í ¿Ü¿¡´Â ¾Æ¹«°Íµµ »ý°¢ÇÏÁö ¾Ê´Â °Í °°½À´Ï´Ù. ¿©±âÀÇ ¸ðµç ´ëÈ­´Â »ç¶û ¸¸µé±â¿¡ °üÇÑ °ÍÀÔ´Ï´Ù. ¸ðµç »çÁøÀº »ç¶ûÀ» ³ª´©´Â °Í¿¡ °üÇÑ °ÍÀÔ´Ï´Ù. ¿©·¯ºÐÀÇ ´«Àº ¾çÀÇ ´«ÀÔ´Ï´Ù. ´ç½ÅÀº ±×°Í¿¡ È컶 Á¥¾î ÀÖ½À´Ï´Ù. ħ½Ç º®¿¡ °É¸° ¹Ù·Î ±× ÅؽºÆ®´Â »ç¶û¿¡ °üÇÑ ÅؽºÆ®ÀÔ´Ï´Ù. ¿ª°Ü¿ö¿ä. °Ç°­ÇÏÁö ¾Ê½À´Ï´Ù. ´ç½ÅÀÇ ¿©¼ºµéÀº »ç¶ûÀ» ³ª´©±â À§ÇÑ ¸ñÀû ¿Ü¿¡´Â ¾Æ¹«°Íµµ ÇÏÁö ¾Ê°í ¿ÊÀ» Â÷·Á ÀÔ½À´Ï´Ù. ³ª´Â ¿©±â¿¡ ¿Â Áö ÇÑ ½Ã°£µµ µÇÁö ¾Ê¾Ò½À´Ï´Ù. ±×¸®°í ÀÌ¹Ì ¸ðµç »ç¶÷µéÀº ¸¶Ä¡ ³»°¡ ¿©ÀÚÀ̱⠶§¹®¿¡ »ç¶ûÀ» ¹Þ´Â °ÍÀÌ ³» Á÷¾÷ÀÎ °Íó·³ ³ª¸¦ »ç¶ûÇÏ°í ÀÖ½À´Ï´Ù. ¸ÕÀú ´ç½Å, ´ÄÀº Ä£±¸. ´ç½ÅÀÌ ¾Æ³»¿¡ ´ëÇØ Ä£ÀýÇ߱⠶§¹®¿¡ ³ª´Â ´ç½ÅÀ» ¿ë¼­Çß½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,187 Á¶Áö ¹ö³ªµå ¼îÀÇ ¾î¿ï¸®Áö ¾Ê´Â °áÈ¥ 1909(English Classics1,187 Misalliance by George Bernard Shaw)
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
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