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¿µ¾î°íÀü1,190 Á¶Áö ¹ö³ªµå ¼îÀÇ ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(English Classics1,190 Fanny's First Play by George Bernard Shaw)

¿µ¾î°íÀü1,190 Á¶Áö ¹ö³ªµå ¼îÀÇ ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(English Classics1,190 Fanny's First Play by George Bernard Shaw)

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¢º ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(Fanny's First Play by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(55¼¼)¿¡ ÁýÇÊÇÑ 3¸·(Act I.~Act III.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼îÀÇ ÀÀÁ¢½Ç Èñ±Ø(ëëïÈãøýìм, Drawing room play)ÀÌÀÚ Ç³ÀÚ±Ø(Satirical Comedy)ÀÎ µ¿½Ã¿¡ ±ØÁß±Ø(мñéм, a play within a play)À¸·Î ´ëÁßÀûÀ¸·Îµµ Å« Àα⸦ ²ø¾ú½À´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ÆдÏÀÇ Ã¹ ¿¬±Ø 1911ÀÌ Àç¹Õ´Ù´Âµ¥... ´ëü ÀÛ°¡´Â ´©±Ô?! :¡¡ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(Fanny's First Play by George Bernard Shaw)ÀÇ Èï¹Ì·Î¿î Á¡Àº ÀÛ°¡ À̸§À» °ø°³ÇÏÁö ¾Ê°í, ¹«´ë¿¡ ¿Ã·È´Ù´Â Á¡ÀÔ´Ï´Ù! ÀÌ ¶§¹®¿¡ ¿©·¯ ÀÛ°¡µéÀÌ ÀÛÇ°ÀÇ ÀÛ°¡·Î °Å·ÐµÇ¸ç È­Á¦¸¦ ¸ðÀ» ¼ö ÀÖ¾ú°í, ¹ö³ªµå ¼îÀÇ À̸§Àº ±×¸® ¾î·ÆÁö ¾Ê°Ô(?!) ¹àÇôÁö°í¾ß ¸»¾Ò½À´Ï´Ù. ÀúÀÚ¿¡ ´ëÇÑ ¹Ì½ºÅ͸®¸¶Àú È«º¸ÀÇ ¼ö´ÜÀ¸·Î È°¿ëÇÑ ¹ö³ªµå ¼î´Â ±¤°í¾÷À¸·Î °¬¾îµµ ´ë¼ºÇßÀ» °Í °°³×¿ä!

¢º Á¸°æ¹Þ´Â µÎ °¡Á·ÀÌ Á¦¸Ú´ë·ÎÀÎ ¾ÆÀ̵éÀ» ´ëÇÏ´Â ¹ýÀ» ¹è¿ó´Ï´Ù.(Two respectable families learn to cope with wayward children) : ¿À´Ù¿ì´Ù ¹éÀÛ(the Count O'Dowda)Àº º£´Ï½º¿¡¼­ÀÇ ¿À·£ »ýÈ°À» ¸¶Ä¡°í, ÀÌÁ¦ ¸· ¿µ±¹À¸·Î µ¹¾Æ¿ÔÀ¸¸ç Çö´ë »ýÈ°ÀÇ Ãµ¹ÚÇÔ(the vulgarity of modern life)À» ½È¾îÇÏ´Â ¼º°ÝÀÔ´Ï´Ù. ±×ÀÇ µþ ÆÐ´Ï ¿À´Ù¿ì´Ù(Fanny O'Dowda)´Â ¾Æ¹öÁö°¡ ½È¾îÇÏ´Â ÁÖÁ¦¸¦ ´Ù·é, ¡®ÀÚ½ÅÀÌ ÁýÇÊÇÑ Èñ°î¡¯À» ¹«´ë¿¡ ¿Ã¸³´Ï´Ù. Á÷Á¢ ¹è¿ìµµ °í¿ëÇÏ°í, Æò·Ð°¡±îÁö ÃÊûÇÑ Æдϴ ÀÚ½ÅÀÌ ÀúÀÚÀÓÀ» ¼û±â°í °ü°´ÀÇ ¼ÖÁ÷ÇÑ ¹ÝÀÀÀ» °üÂûÇÏ°í ½Í¾ú´õ·¨ÁÒ! ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(Fanny's First Play by George Bernard Shaw)Àº ±ØÁß±ØÀÇ Çü½ÄÀ¸·Î, Æдϰ¡ ¸¸µç ¿¬±ØÀÌ 3¸·¿¡ °ÉÃÄ ÁøÇàµË´Ï´Ù. 1911³â ·±´ø ¾Æµ¨ÇÇ ¼Ò±ØÀå(Little Theatre in the Adelphi)¿¡¼­ ÃÊ¿¬À» ¿Ã¸° ÀÌ·¡ ¹«·Á 662ȸ³ª °ø¿¬µÈ ÀαâÀÛÀ¸·Î, ÀÌ´Â ¼îÀÇ ¿¬±Ø Áß °¡Àå ±ä °ø¿¬(the longest run of any of Shaw's plays)À̱⵵ ÇÕ´Ï´Ù.

¢º PREFACE TO FANNY'S FIRST PLAY. Fanny's First Play, being but a potboiler, needs no preface. But its lesson is not, I am sorry to say, unneeded. Mere morality, or the substitution of custom for conscience was once accounted a shameful and cynical thing: people talked of right and wrong, of honor and dishonor, of sin and grace, of salvation and damnation, not of morality and immorality. ¢¹ ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(Fanny's First Play by George Bernard Shaw). ÆдÏÀÇ Ã¹ ¿¬±Ø 1911Àº ³¿ºñ ¿ä¸®¿¡ ºÒ°úÇϹǷΠ¼­¹®ÀÌ ÇÊ¿äÇÏÁö ¾Ê½À´Ï´Ù. ÇÏÁö¸¸ À¯°¨½º·´°Ôµµ ±× ±³ÈÆÀÌ ºÒÇÊ¿äÇÑ °ÍÀº ¾Æ´Õ´Ï´Ù. ´Ü¼øÇÑ µµ´ö, Áï °ü½ÀÀ» ¾ç½ÉÀ¸·Î ´ëüÇÏ´Â °ÍÀº ÇѶ§ ºÎ²ô·´°í ³Ã¼ÒÀûÀÎ °ÍÀ¸·Î °£ÁֵǾú½À´Ï´Ù. »ç¶÷µéÀº µµ´ö°ú ºÎµµ´öÀÌ ¾Æ´Ï¶ó ¿Ç°í ±×¸§, ¸í¿¹¿Í ºÒ¸í¿¹, ÁË¿Í ÀºÇý, ±¸¿ø°ú ÀúÁÖ¿¡ ´ëÇØ À̾߱âÇß½À´Ï´Ù.

¢º Á¦1¸·(Act I). ½ÇÁ¾µÈ ¾Æµé ¹Ùºñ(Bobby) ¶§¹®¿¡ ¹ãÀáÀ» ÀÌ·çÁö ¸øÇÏ´Â µ§¸¶Å© Èú(Denmark Hill)ÀÇ ±æº£ÀÌ ºÎºÎ(The Gilbeys)¿¡°Ô µµ¶ó µ¨¶ó´Ï(Dora Delaney)¶õ °Å¸®ÀÇ ¼Ò³à°¡ ã¾Æ¿É´Ï´Ù. ±×³à´Â ÀڽŰú ¹Ùºñ°¡ ¼ú¿¡ ÃëÇØ °æÂû°üÀ» ÆøÇàÇÑ ÇøÀǷΠüÆ÷µÇ¾ú°í, ÀÌ¿¡ °¨¿Á¿¡ º¸³»Á³´Ù°í ÅÐ¾î ³Ö½À´Ï´Ù. ±æº£ÀÌ ºÎºÎ´Â ÀÚ½ÅÀÇ »ç¾÷ ÆÄÆ®³Ê ³ì½º ºÎºÎ(Mr Knox and his wife)¿¡°Ô ÀÌ »ç½ÇÀ» ¾Ë·Á¾ßÇÒÁö, ¼û°Ü¾ßÇÒÁö °í¹ÎÇÕ´Ï´Ù. ¹Ùºñ´Â ³ì½º ºÎºÎÀÇ µþ ¸¶°¡·¿(Margaret)°ú ¾àÈ¥Ç߰ŵç¿ä.

¢º Á¦2¸·(Act II). ÀÌÁ¦ ½ÃÁ¡Àº ±æº£ÀÌ ºÎºÎ¿¡¼­ ³ì½º ºÎºÎ·Î À̵¿ÇÕ´Ï´Ù. ³ì½º °¡Á·(The Knoxes)Àº µþ ¸¶°¡·¿(Margaret)ÀÌ 2ÁÖ µ¿¾È ÁýÀ» ºñ¿î »çÀÌ¿¡ °¨¿Á¿¡ ÀÖ¾ú´Ù´Â »ç½Ç¿¡ °æ¾ÇÇÕ´Ï´Ù. º¸Æ® °æÁÖ(the Boat Race)¸¦ º¸·¯°£ ¸¶°¡·¿Àº ÇÁ¶û½º Àå±³ µà¹ß·¿(Duvallet)°ú ÇÔ²² °æÂûÀ» ÆøÇàÇÏ¿´´Âµ¥...?! ³ì½º ºÎºÎ´Â ÀÌ »ç½ÇÀ» µþÀÇ ¾àÈ¥³²°ú ±æº£ÀÌ ºÎºÎ¿¡°Ô ¾Ë·Á¾ß ÇÒÁö °í¹ÎÇÕ´Ï´Ù.

¢º Á¦3¸·(Act III). ÇÑÆí Áý¿¡ µ¹¾Æ¿Â ¹Ùºñ´Â ¾àÈ¥³à ¸¶°¡·¿°ú ¿ø¸¸ÇÏ°Ô Çì¾îÁú ¹æ¹ýÀ» ±Ã¸®ÇÕ´Ï´Ù. ¸¶°¡·¿ ¶ÇÇÑ ¹Ùºñº¸´Ù´Â µà¹ß·¿À̶õ û³â¿¡°Ô ²ø¸®°í ÀÖÁÒ. ¹Ùºñ¿Í ¸¶°¡·¿ ¾Õ¿¡ µµ¶ó¿Í µà¹ß·¿ÀÌ ³ªÅ¸³ªÀÚ »óȲÀº Á» ´õ º¹ÀâÇØÁ®¸¸ °¡´Âµ¥...?! ±×³ªÀú³ª Æдϴ ¾î¶»°Ô °¨¿Á¿¡ ´ëÇØ ÀÌ·¸°Ô³ª »ó¼¼ÇÑ ¹¦»ç¸¦ ÇÒ ¼ö ÀÖÀ» °ÍÀϱî¿ä? õÀçÀûÀÎ Àç´ÉÀ» Ÿ°í ³µ°Å³ª, Ȥ½Ã ÀÚ½ÅÀÇ °æÇè´ãÀÏÁöµµ...?!

¢º Is it any wonder that I am driven to offer to young people in our suburbs the desperate advice: Do something that will get you into trouble? But please do not suppose that I defend a state of things which makes such advice the best that can be given under the circumstances, or that I do not know how difficult it is to find out a way of getting into trouble that will combine loss of respectability with integrity of self-respect and reasonable consideration for other peoples' feelings and interests on every point except their dread of losing their own respectability. ¢¹ Á¦°¡ ±³¿Ü¿¡ »ç´Â ÀþÀºÀ̵鿡°Ô ´ÙÀ½°ú °°Àº Àý¹ÚÇÑ Á¶¾ðÀ» µå¸®°í ½ÍÀº ¸¶À½ÀÌ µç´Ù´Â °ÍÀº ³î¶ó¿î ÀÏÀÌ ¾Æ´Õ´Ï´Ù. ¿©·¯ºÐÀ» °ï°æ¿¡ ºü¶ß¸± ¼ö ÀÖ´Â ÀÏÀ» ÇϽʽÿÀ. ±×·¯³ª ³»°¡ ±×·¯ÇÑ Á¶¾ðÀ» ÁÖ¾îÁø »óȲ¿¡¼­ ÇÒ ¼ö ÀÖ´Â ÃÖ¼±ÀÇ °ÍÀ¸·Î ¸¸µå´Â »óȲÀ» ¿ËÈ£Çϰųª, ¼Õ½ÇÀ» °¡Á®¿Ã ¼ö ÀÖ´Â ¹®Á¦¿¡ ºüÁö´Â ¹æ¹ýÀ» ã´Â °ÍÀÌ ¾ó¸¶³ª ¾î·Á¿îÁö ¸ð¸¥´Ù°í °¡Á¤ÇÏÁö ¸¶½Ê½Ã¿À. ÀÚ½ÅÀÇ Á¸°æ½ÉÀ» ÀÒÀ» °ÍÀ̶ó´Â µÎ·Á¿òÀ» Á¦¿ÜÇÏ°í ¸ðµç ¸é¿¡¼­ ´Ù¸¥ »ç¶÷µéÀÇ °¨Á¤°ú ÀÌÀÍ¿¡ ´ëÇÑ ÇÕ¸®ÀûÀÎ ¹è·Á¿Í ¼º½ÇÇÑ ÀÚÁ¸½ÉÀ» °®Ãá Á¸°æ½ÉÀÔ´Ï´Ù.

¢º But when there's a will there's a way. I hate to see dead people walking about: it is unnatural. And our respectable middle class people are all as dead as mutton. Out of the mouth of Mrs Knox I have delivered on them the judgment of her God. ¢¹ ±×·¯³ª ¶æÀÌ ÀÖÀ¸¸é ±æÀÌ ÀÖ½À´Ï´Ù. ³ª´Â Á×Àº »ç¶÷ÀÌ µ¹¾Æ´Ù´Ï´Â °ÍÀ» º¸´Â °ÍÀÌ ½È½À´Ï´Ù. ±×°ÍÀº ºÎÀÚ¿¬½º·´ÁÒ. ±×¸®°í ¿ì¸®ÀÇ Á¸°æ¹Þ´Â Áß»êÃþ »ç¶÷µéÀº ¸ðµÎ ¾ç°í±âó·³ Á×¾ú½À´Ï´Ù. ³ª´Â ³ì½º ºÎÀÎÀÇ ÀÔÀ¸·Î ±×³àÀÇ Çϳª´ÔÀÇ ½ÉÆÇÀ» ±×µé¿¡°Ô ÀüÇÏ¿´½À´Ï´Ù.

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,190 Á¶Áö ¹ö³ªµå ¼îÀÇ ÆдÏÀÇ Ã¹ ¿¬±Ø 1911(English Classics1,190 Fanny's First Play by George Bernard Shaw)
Preface To Fanny's First Play
Fanny's First Play
Induction
¢¹ THE PLAY
Act I.
Act II.
Act III.
Epilogue
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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