¢º ¾Èµå·ÎŬ·¹½º¿Í »çÀÚ(ÀºÇý¿¡ º¸´äÇÑ »çÀÚ) 1912(Androcles and the Lion by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(56¼¼)¿¡ ÁýÇÊÇÑ 2¸·(Act I.~Act II.)ÀÇ Èñ°î(ýôÍØ, Play)ÀÔ´Ï´Ù. »çÀÚÀÇ ÀºÇý ´öºÐ¿¡ ±¸¿ø¹ÞÀº ±âµ¶±³ÀÎ ¾Èµå·ÎŬ·¹½ºÀÇ »îÀ» µå¶ó¸¶Æ½ÇÏ°Ô Ç¥ÇöÇÑ Èñ°î ¿øÀÛÀº 1952³â ¿¬±Ø, 1967³â TV µå¶ó¸¶¿Í BBC ¶óµð¿À, 1984³â ¿µÈ µî ´Ù¾çÇÑ ¹öÀüÀ¸·Î Á¦À۵Ǿú½À´Ï´Ù. ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù.
¢º ±×¸®½º ¹öÀü ¡®ÀºÇý °±Àº ±îÄ¡¡¯, ¾Èµå·ÎŬ·¹½º¿Í »çÀÚ(ÀºÇý¿¡ º¸´äÇÑ »çÀÚ)(Androcles and the Lion) : ±×¸®½º, ·Î¸¶, À¯·´ Áö¿ª¿¡¼ ÀüÇØÁ® ³»·Á¿À´Â Àΰ£°ú µ¿¹°¿¡ °üÇÑ ¼³È·Î ¿ì¸®¿¡°Ô´Â ¡®ÀºÇý °±Àº ±îÄ¡¡¯¿¡ ºñ°ßÇÒ¸¸ÇÑ À̾߱âÀÔ´Ï´Ù. ½Ã´ë¿Í ±¹°¡¿¡ µû¶ó ¿©·¯ ¹öÀüÀÌ ÀÖÀ¸³ª, µµ¸ÁÄ£ ³ë¿¹°¡ ÇǽÅÇÑ ¾î´À µ¿±¼¿¡ °íÅë¿¡ ½ÅÀ½ÇÏ´Â »çÀÚ°¡ ÀÖ¾ú°í ³ë¿¹´Â µÎ·Á¿ò¿¡µµ ºÒ±¸ÇÏ°í, »çÀÚÀÇ ¹ß¿¡¼ °¡½Ã¸¦ Á¦°ÅÇÕ´Ï´Ù. »çÀÚ´Â °í¸¶¿î ¸¶À½¿¡ ±×¿Í ÇÔ²² µ¿±¼¿¡¼ ¸ÔÀ» °ÍÀ» ³ª´©¸ç ±×ÀÇ ÀºÇý¿¡ º¸´äÇÕ´Ï´Ù. ±×·¯³ª 3¿©³â ÈÄ µµ¸Á³ë¿¹·Î üÆ÷µÈ ¾Èµå·ÎŬ·¹½º¿¡°Ô´Â »çÀÚ¿¡°Ô Àâ¾Æ¸ÔÈ÷´Â ÇüÀ» ¼±°í¹Þ¾ÒÀ¸³ª!! ÀÚ½ÅÀÌ ±¸ÇÑ ¹Ù·Î ±× »çÀÚ°¡ ³ªÅ¸³²À¸·Î½á ±ØÀûÀ¸·Î ¸ñ¼ûÀ» °ÇÁö°Ô µÇ¾ú½À´Ï´Ù. ¾Æ¿ï·ç½º °Ö¸®¿ì½º(Aulus Gellius, 125?~AD180)ÀÇ ¾Öƽ ³ªÀÌÆ®(Attic Nights)¸¦ ºñ·ÔÇØ À̼٠¿ìÈ(Aesop's fable)ÀÇ ¸ñÀÚ¿Í »çÀÚ(The Shepherd and the Lion), ÇÁ¶û½º ½ÃÀÎ Å©·¹Æ¼¾Þ µå Æ®·ç¾Æ(Chretien de Troyes, 1135~1180?)ÀÇ »çÀÚÀÇ ±â»ç À̺£ÀÎ(Yvain, the Knight of the Lion, 1180?) µî ´Ù¾çÇÑ ¹öÀüÀÌ Á¸ÀçÇÕ´Ï´Ù.
¢º ANDROCLES. (extracting himself from beneath her and slapping her hands in great anxiety) What is it, my precious, my pet? What¡¯s the matter? (He raises her head. Speechless with terror, she points in the direction of the sleeping lion. He steals cautiously towards the spot indicated by Meg©¡ra. She rises with an effort and totters after him). ¢¹ ¾Èµå·ÎŬ·¹½º. (±×³à ¹Ø¿¡¼ ¸öÀ» »©³»°í Å« ºÒ¾È¿¡ ±×³àÀÇ ¼ÕÀ» ¶§¸®¸ç) ±×°Ô ¹¹ÁÒ, ³ªÀÇ ¼ÒÁßÇÑ °Í, ³ªÀÇ ¾Ö¿Ïµ¿¹°ÀÌ¿©? ¹«½¼ ÀÏÀ̾ß? (±×´Â °í°³¸¦ µç´Ù. °Ì¿¡ Áú·Á ¸»¹®ÀÌ ¸·Èù ±×³à´Â ÀáÀÚ´Â »çÀÚ°¡ ÀÖ´Â ¹æÇâÀ» °¡¸®Å²´Ù. ±×´Â ¸Þ°¡¿¡¶ó°¡ Áö½ÃÇÑ ÁöÁ¡À» ÇâÇØ Á¶½É½º·´°Ô ÈÉÃÄ°£´Ù. ±×³à´Â Èû°ã°Ô ÀϾ ±×¸¦ µû¶ó ºñƲ°Å¸°´Ù).
¢º ±×¸®½ºµµÀÎÀº µ¿¹°¿¡ ´ëÇÑ Çå½ÅÀ¸·Î ±¸¿øÀ» ¹Þ½À´Ï´Ù.(A Christian is saved by his devotion to an animal.) : ¹ö³ªµå ¼î´Â ÀÌ ¼³È¸¦ ¸ðƼºê·Î ÇÑ ¾Èµå·ÎŬ·¹½º¿Í »çÀÚ(ÀºÇý¿¡ º¸´äÇÑ »çÀÚ) 1912(Androcles and the Lion by George Bernard Shaw)¿¡¼ ¾Èµå·ÎŬ·¹½º¸¦ µµ¸Á ³ë¿¹°¡ ¾Æ´Ï¶ó, ·Î¸¶ÀÇ ¹ÚÇØÀÚµé·ÎºÎÅÍ µµ¸ÁÄ£ µ¶½ÇÇÑ ±âµ¶±³ÀÎÀÌÀÚ Àç´Ü»ç(Tailor)·Î ¼³Á¤ÇÏ¿´½À´Ï´Ù. ȲÁ¦ÀÇ ¸íÀ¸·Î °ËÅõ»ç·ÎºÎÅÍ ¸ñ¼ûÀ» ÀÒ°Ô µÈ ±âµ¶±³ÀεéÀº Ź¿ùÇÑ ÀüÅõ·ÂÀ» °¡Áø Æä·Îºñ¿ì½º(Ferovius)ÀÇ È°¾àÀ¸·Î °¡±î½º·Î ¸ñ¼ûÀ» °ÇÁý´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í ÇÇ¿¡ ±¾ÁÖ¸° ´ëÁßµéÀº Èñ»ýÀÚ¸¦ ¿ä±¸ÇÏ¿´°í, ÀÌ¿¡ ¾Èµå·ÎŬ·¹½º°¡ »çÀÚ¿ÍÀÇ ÀüÅõ¸¦ ÀÚ¿øÇÏÁö¸¸¡¦¡¦. °á¸»Àº »·ÇÏÁê? »çÀÚÀÇ ÀÌÇØÇÒ ¼ö ¾ø´Â Çൿ¿¡ ±Ã±ÝÁõÀÌ »ý±ä ȲÁ¦´Â Á÷Á¢ °æ±âÀå±îÁö µé¾î°¬´Ù°¡ Á×À» À§Çè¿¡ óÇÏÁö¸¸, ¾Èµå·ÎŬ·¹½º´Â ȲÁ¦ÀÇ ¸ñ¼ûÀ» ±¸¿øÇÕ´Ï´Ù. ÀÌ¿¡ °¨¸í ¹ÞÀº ȲÁ¦°¡ ±âµ¶±³Àο¡ ´ëÇÑ ¹ÚÇØ(Persecution of Christians)¿¡ ´ëÇØ ÇѸ¶µð Çϴµ¥...?! Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º Centurion: you will remain here with your men in charge of the prisoners until the arrival of three Christian prisoners in the custody of a cohort of the tenth legion. Among these prisoners you will particularly identify an armorer named Ferrovius, of dangerous character and great personal strength, and a Greek tailor reputed to be a sorcerer, by name Androcles. You will add the three to your charge here and march them all to the Coliseum, where you will deliver them into the custody of the master of the gladiators and take his receipt, countersigned by the keeper of the beasts and the acting manager. You understand your instructions? ¢¹ ¹éºÎÀå: ´ç½ÅÀº 10±º´ÜÀÇ ±¸±Ý ÇÏ¿¡ ±âµ¶±³ Æ÷·Î ¼¼ ¸íÀÌ µµÂøÇÒ ¶§±îÁö Æ÷·ÎµéÀ» °ü¸®ÇÏ´Â ´ç½ÅÀÇ ºÎÇϵé°ú ÇÔ²² ¿©±â¿¡ ³²¾Æ ÀÖÀ» °ÍÀÔ´Ï´Ù. ÀÌ Æ÷·Îµé Áß¿¡´Â ƯÈ÷ À§ÇèÇÑ ¼º°Ý°ú ¾öû³ °³ÀÎÀû ÈûÀ» Áö´Ñ Æä·Îºñ¿ì½º¶ó´Â ¹«±â¾÷ÀÚ¿Í ¸¶¹ý»ç·Î ¾Ë·ÁÁø ±×¸®½º Àç´Ü»ç, À̸§ÀÌ ¾Èµå·ÎŬ·¹½º¶ó´Â »ç¶÷ÀÌ ÀÖ½À´Ï´Ù. ´ç½ÅÀº ¿©±â¿¡¼ ´ç½ÅÀÇ Ã¥ÀÓ¿¡ ¼¼ ¸íÀ» Ãß°¡ÇÏ°í ±×µé ¸ðµÎ¸¦ Äݷμ¼¿òÀ¸·Î ÇàÁøÇÒ °ÍÀÔ´Ï´Ù. ±×°÷¿¡¼ ´ç½ÅÀº ±×µéÀ» °ËÅõ»çÀÇ ÁÖÀÎÀÇ °ü¸® ÇÏ¿¡ ³Ñ°ÜÁÖ°í Áü½ÂÀÇ ¼öÈ£ÀÚ¿Í ´ë¸® °ü¸®ÀÚ°¡ ¼¸íÇÑ ¿µ¼öÁõÀ» ¹Þ°Ô µÉ °ÍÀÔ´Ï´Ù. Áö½Ã»çÇ×À» ÀÌÇØÇϼ̳ª¿ä?
¢º THE EMPEROR. I give this sorcerer to be a slave to the first man who lays hands on him. (The menagerie keepers and the gladiators rush for Androcles. The lion starts up and faces them. They surge back). You see how magnanimous we Romans are, Androcles. We suffer you to go in peace. ¢¹ ȲÁ¦. ³»°¡ ÀÌ ¸¶¼ú»ç¸¦ óÀ½À¸·Î ¼ÕÀ» ´í »ç¶÷ÀÇ Á¾À¸·Î ÁÖ°Ú´Ù. (µ¿¹°¿øÁö±âµé°ú °ËÅõ»çµéÀÌ ¾Èµå·ÎŬ·¹½º¸¦ ÇâÇØ µ¹ÁøÇÑ´Ù. »çÀÚ°¡ ÀϾ ±×µé°ú ¸¶ÁÖÇÑ´Ù. ±×µéÀº ´Ù½Ã ´Þ·Á¿Â´Ù.) ¿ì¸® ·Î¸¶ÀεéÀÌ ¾ó¸¶³ª °ü´ëÇÑÁö ¾ËÀݾƿä, ¾Èµå·ÎŬ·¹½º. ¿ì¸®´Â ¿©·¯ºÐÀÌ Æò¾ÈÈ÷ °¡µµ·Ï Çã¶ôÇÕ´Ï´Ù.
¢º ANDROCLES. I thank your worship. I thank you all, ladies and gentlemen. Come, Tommy. Whilst we stand together, no cage for you: no slavery for me. (He goes out with the lion, everybody crowding away to give him as wide a berth as possible). ¢¹ ¾Èµå·ÎŬ·¹½º. ´ç½ÅÀÇ ¿¹¹è¿¡ °¨»çµå¸³´Ï´Ù. ½Å»ç¼÷³à ¿©·¯ºÐ ¸ðµÎ¿¡°Ô °¨»çµå¸³´Ï´Ù. ¾î¼, Åä¹Ì. ¿ì¸®°¡ ÇÔ²² ¼ ÀÖ´Â µ¿¾È¿¡´Â ´ç½ÅÀ» À§ÇÑ »õÀåµµ ¾ø°í ³ª¿¡°Ôµµ ³ë¿¹ Á¦µµ´Â ¾ø½À´Ï´Ù. (±×´Â »çÀÚ¿Í ÇÔ²² ³ª°£´Ù. ¸ðµÎ°¡ ±×¿¡°Ô °¡´ÉÇÑ ÇÑ ³ÐÀº ÀÚ¸®¸¦ ÁÖ±â À§ÇØ ¸ð¿©µç´Ù.)
-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,191 Á¶Áö ¹ö³ªµå ¼îÀÇ ¾Èµå·ÎŬ·¹½º¿Í »çÀÚ(ÀºÇý¿¡ º¸´äÇÑ »çÀÚ) 1912(English Classics1,191 Androcles and the Lion by George Bernard Shaw)
Prologue
Act I.
Act II.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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