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¿µ¾î°íÀü1,197 Á¶Áö ¹ö³ªµå ¼îÀÇ ¸ðÁý °ø°í: ¿ÀÇ÷¡ÇãƼ V.C. 1915(English Classics1,197 O'Flaherty V.C.: A Recruiting Pamph

¿µ¾î°íÀü1,197 Á¶Áö ¹ö³ªµå ¼îÀÇ ¸ðÁý °ø°í: ¿ÀÇ÷¡ÇãƼ V.C. 1915(English Classics1,197 O'Flaherty V.C.: A Recruiting Pamph

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¢º ¸ðÁý °ø°í: ¿ÀÇ÷¡ÇãƼ V.C. 1915(O'Flaherty V.C.: A Recruiting Pamphlet by George Bernard Shaw)´Â ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(59¼¼)¿¡ ÁýÇÊÇÑ Äڹ̵ð ´Ü¸·±Ø(Comic One-Act Play)ÀÔ´Ï´Ù. º§±â¿¡ ¿Õ¸³ºñÇà´Ü(Royal Flying Corps) Àå±³µéÀÇ ¾Æ¸¶Ãß¾î °ø¿¬À» Á¦¿ÜÇÏ°í, 1920³â 12¿ù 20ÀÏ Çظӽº¹Ì½º (Hammersmith) ¸®¸¯ ¾¾¾îÅÍ(Lyric Theatre)¿¡¼­ ÃÖÃÊ·Î Àü¹® ¹è¿ì¿¡ ÀÇÇÑ ÀÛÇ°(The first professional production)ÀÌ ÃÊ¿¬À» ¿Ã·ÈÀ¸¸ç, ¹ö³ªµå ¼î º»ÀÎÀÌ Á÷Á¢ ¶óµð¿À ¹æ¼Û ¹öÀüÀ» ¹æ¼ÛÇϱ⵵ Çß½À´Ï´Ù. ¢¹ ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º O'FLAHERTY [sympathetically]. Yes, sir: she's pigheaded and obstinate: there's no doubt about it. She's like the English: they think there's no one like themselves. It's the same with the Germans, though they're educated and ought to know better. You'll never have a quiet world till you knock the patriotism out of the human race. ¢¹ ¿ÀÇ÷¡ÇãƼ [µ¿Á¤ÀûÀ¸·Î] ³×, ¼±»ý´Ô: ±×³à´Â °íÁýÀÌ ¼¼°í °íÁýÀÌ ¼¼°í, ÀǽÉÇÒ ¿©Áö°¡ ¾ø½À´Ï´Ù. ±×³à´Â ¿µ±¹Àΰú °°½À´Ï´Ù. ±×µéÀº Àڽŵé°ú °°Àº »ç¶÷Àº ¾ø´Ù°í »ý°¢ÇÕ´Ï´Ù. ºñ·Ï µ¶ÀÏÀεéÀº ±³À°À» ¹Þ¾Ò°í, ´õ Àß ¾Ë¾Æ¾ß ÇÏÁö¸¸, µ¶ÀÏÀε鵵 ¸¶Âù°¡ÁöÀÔ´Ï´Ù. ´ç½ÅÀÌ ¾Ö±¹½ÉÀ» Àΰ£¿¡°Ô¼­ ¾ø¾Ö¹ö¸®±â Àü¿¡´Â °áÄÚ Á¶¿ëÇÑ ¼¼»óÀ» °¡Áú ¼ö ¾øÀ» °ÍÀÔ´Ï´Ù.

¢º ¹ö³ªµå ¼î´Â Á¦1Â÷ ¼¼°è´ëÀü ´ç½Ã ¾ÆÀÏ·£µå °øÈ­´ç¿ø(Irish republicans)µéÀÇ ÀüÀï ¹Ý´ë¿Í ÀüÀï ¹Ý´ë¿¡ ´ëÇÑ ¿©·ÐÀ» ±Øº¹ÇÏ°í, ¾ÆÀÏ·£µå û³âµéÀÇ Â¡ÁýÀ» µ¶·ÁÇÏ°íÀÚ ¸ðÁý °ø°í: ¿ÀÇ÷¡ÇãƼ V.C. 1915(O'Flaherty V.C.: A Recruiting Pamphlet by George Bernard Shaw)¸¦ ÁýÇÊÇÏ¿´½À´Ï´Ù. ÀÛ°¡´Â ¾ÆÀÏ·£µåÀο¡°Ô ±âȸ¶õ ¾ÆÀÏ·£µå ¹Û¿¡ ÀÖÀ¸¹Ç·Î, ¡Áý¿¡ ÀÀÇ϶ó´Â ³í¸®¸¦ ³»¼¼¿üÀ¸³ª ÀÛÇ°ÀÌ ¹ßÇ¥µÈ 1915³âÀÇ ¸ðÁýÀº Áö±ØÈ÷ ÀúÁ¶Çߴٴ¡¦. µ¥´Ï½º ¿ÀÇ÷¡ÇãƼ(Dennis O'Flaherty)À̶õ °¡»óÀÇ ÁÖÀΰøÀº ½ÇÁ¦·Î ÀüÀå¿¡¼­ È°¾àÇÏ°í ºòÅ丮¾Æ ½ÊÀÚÈÆÀå(the Victoria Cross)À» ¹ÞÀº ¾ÆÀÏ·£µå ÀüÀ￵¿õ(Irish war hero) ¸¶ÀÌŬ Á¸ ¿À¸®¾î¸®(Michael John O'Leary, 1890~1961)¸¦ ¸ðƼºê·Î ÇÏ°í ÀÖ½À´Ï´Ù. ¿À¸®¾î¸®´Â ¾ÆÀÏ·£µåÀÇ °íÇâ ¸ÅÅ©·ë(Macroom)¿¡¼­ ȯ¿µ¹Þ±â´Â ÇßÀ¸³ª, ±×¿Í µ¿½Ã¿¡ ¾ÆÀÏ·£µå ¹ÎÁ·ÁÖÀÇÀÚ(Irish nationalist)·ÎºÎÅÍ °Å¼¾ ºñ³­À» ¹Þ¾Ò½À´Ï´Ù.

¢º MRS O'FLAHERTY. Sure he has that, your honor. God bless your honor! [The General being now out of hearing, she turns threateningly to her son with one of those sudden Irish changes of manner which amaze and scandalize less flexible nations, and exclaims.] And what do you mean, you lying young scald, by telling me you were going to fight agen the English? Did you take me for a fool that couldn't find out, and the papers all full of you shaking hands with the English king at Buckingham Palace? ¢¹ ¿ÀÇ÷¡ÇãƼ ºÎÀÎ. ¹°·ÐÀÌÁÒ, ÀçÆÇÀå´Ô. ½ÅÀÇ ÃູÀÌ Àֱ⸦ ¹Ù¶ø´Ï´Ù! [À屺Àº ÀÌÁ¦ ±Í°¡ ¸Ö¾ú°í, ±×³à´Â À¶Å뼺ÀÌ ´úÇÑ ±¹°¡µéÀ» ³î¶ó°Ô ÇÏ°í ºÐ°³ÇÏ°Ô ¸¸µå´Â ¾ÆÀÏ·£µåÀÇ °©ÀÛ½º·± ŵµ º¯È­·Î ¾Æµé¿¡°Ô À§ÇùÀûÀ¸·Î µ¹¾Æ¼­¸ç ¿ÜĨ´Ï´Ù.] ±×¸®°í ´ç½ÅÀÌ ³ª¿¡°Ô ¸»ÇÏ´Â °ÍÀº ¹«½¼ ¶æÀԴϱî? ¿µ±¹Àΰú ÇÔ²² ½Î¿ï »ý°¢À̾ú´Ï? ³ª¸¦ ¾Ë ¼ö ¾ø´Â ¹Ùº¸·Î Âø°¢ÇÏ°í, ¹öÅ·¾ö ±ÃÀü¿¡¼­ ¿µ±¹ ¿Õ°ú ¾Ç¼öÇÏ´Â ¸ð½ÀÀÌ ½Å¹®¿¡ °¡µæ Â÷ ÀÖ´Â °É±î¿ä?

¢º ºòÅ丮¾Æ ½ÊÀÚÈÆÀå(The Victoria Cross)À» ÀÚ¶û½º·´°Ô °Ç µ¥´Ï½º ¿ÀÇ÷¡ÇãƼ(Dennis O'Flaherty)´Â ºÎÁ·ÇÑ À庴À» ¸ðÁýÇϱâ À§ÇÑ Ä·ÆäÀÎÀ» À§ÇØ °íÇâÀ¸·Î ÇâÇÕ´Ï´Ù. ±×·¯³ª ÀϹÝÀûÀÎ ¾ÆÀÏ·£µåÀÎÀº ¿µ±¹°ú ¿µ±¹Àο¡ ´ëÇÑ ¿øÇÑÀ» Ç°°í ÀÖ¾ú°í, ¿µ±¹À» À§ÇÑ ÀüÀï¿¡ Âü°¡¸¦ µ¶·ÁÇÏ´Â ±×ÀÇ À̾߱⿡ µ¥´Ï½ºÀÇ ¾î¸Ó´Ï ¿ÀÇ÷¡ÇãƼ ºÎÀÎ(Mrs O'Flaherty)Á¶Â÷ ºÐ³ëÇϴµ¥...?! µ¥´Ï½º°¡ ¿©ÀÚÄ£±¸¿¡°Ô ¼±¶æ °í°¡ÀÇ ¼±¹°À» ¼±¹°ÇÑ °Íµµ ¾î¸Ó´ÏÀÇ ÀÔÀå¿¡¼± ¸¶¶àÄ¡ ¾Ê¾Ò½À´Ï´Ù. ¿©ÀÚÄ£±¸ Å×·¹»ç µå¸®½ºÄÝ(Teresa Driscoll)µµ »ç½Ç ¿À·£¸¸¿¡ µ¹¾Æ¿Â ³²ÀÚÄ£±¸¿ÍÀÇ ÇØÈĺ¸´Ùµµ ±×ÀÇ ¿¬±Ý¿¡ ´ëÇؼ­¸¸ ´õ¿í Å« °ü½ÉÀ» º¸À̴±º¿ä. ÀÌ·±! ¾î¸Ó´Ï¿Í ¿©ÀÚÄ£±¸°¡ °ÅÄ¥°Ô ¸»´ÙÅùÇÏ´Â »çÀÌ¿¡ ³¤ µ¥´Ï½º´Â ±×¸¸ °í¿äÇÑ Æøź¼Ò¸®·Î Ã游ÇÑ ÀüÀåÀ¸·Î µ¹¾Æ°¡°í ½Í¾îÁý´Ï´Ù¡¦.

¢º TERESA. Is it me you offer such a name to, you fou-mouthed, dirty-minded, lying, sloothering old sow, you? I wouldn't soil my tongue by calling you in your right name and telling Sir Pearce what's the common talk of the town about you. You and your O'Flahertys! setting yourself up agen the Driscolls that would never lower themselves to be seen in conversation with you at the fair. You can keep your ugly stingy lump of a son; for what is he but a common soldier? and God help the girl that gets him, say I! So the back of my hand to you, Mrs O'Flaherty; and that the cat may tear your ugly old face! ¢¹ Å×·¹»ç. ÀÔÀÌ ÇèÇÏ°í, ´õ·¯¿î ¸¶À½À» °®°í, °ÅÁþ¸»À» ÇÏ°í, °ÔÀ¸¸¥ ´ÄÀº µÅÁö °°Àº À̸§À» ºÙÀÎ °Ô ¹Ù·Î ³ªÀԴϱî? ³ª´Â ´ç½ÅÀÇ ¿Ã¹Ù¸¥ À̸§À» ºÎ¸£°í ÇǾ °æ¿¡°Ô ´ç½Å¿¡ ´ëÇØ ¸¶À»¿¡¼­ ÈçÈ÷ ÇÏ´Â À̾߱⸦ µé·ÁÁشٰí Çؼ­ ³» Çô¸¦ ´õ·´Èú ¼ö´Â ¾ø½À´Ï´Ù. ´ç½Å°ú ´ç½ÅÀÇ ¿ÀÇ÷¡ÇãƼ! ¹Ú¶÷ȸ¿¡¼­ ´ç½Å°ú ´ëÈ­ÇÒ ¶§ °áÄÚ ÀÚ½ÅÀ» ³·ÃßÁö ¾ÊÀ» µå¸®½ºÄÝ °¡Á·À» ¸¸µé¾î º¸¼¼¿ä. ´ç½ÅÀº ´ç½ÅÀÇ Ãß¾ÇÇÏ°í ÀλöÇÑ ¾Æµé µ¢¾î¸®¸¦ °£Á÷ÇÒ ¼ö ÀÖ½À´Ï´Ù. ±× »ç¶÷Àº ÀÏ¹Ý ±ºÀÎÀÌ ¾Æ´Ï°í ¹«¾ùÀÌ°Ú½À´Ï±î? ±×¸®°í ½ÅÀÌ ±×¸¦ Àâ´Â ¼Ò³à¸¦ µµ¿ÍÁÖ¼¼¿ä! ±×·¯´Ï ¿ÀÇ÷¡ÇãƼ ºÎÀÎ, ¼Õµî¿¡ °¨»çµå¸³´Ï´Ù. ±×¸®°í °í¾çÀÌ°¡ ´ç½ÅÀÇ ¸ø»ý±ä ´ÄÀº ¾ó±¼À» ÂõÀ» ¼öµµ ÀÖ½À´Ï´Ù!

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,197 Á¶Áö ¹ö³ªµå ¼îÀÇ ¸ðÁý °ø°í: ¿ÀÇ÷¡ÇãƼ V.C. 1915(English Classics1,197 O'Flaherty V.C.: A Recruiting Pamphlet by George Bernard Shaw)
Preface
¢¹ O'FLAHERTY V.C.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
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A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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