ÄÜÅÙÃ÷ »ó¼¼º¸±â
¿µ¾î°íÀü1,198 Á¶Áö ¹ö³ªµå ¼îÀÇ ½ÇÁ¦¿Í °°Àº Èñ±Ø: ¾Æ¿ì±¸½ºÅõ½º°¡ ÀÚ½ÅÀÇ ¿ªÇÒÀ» ´ÙÇÔ 1916(English Classics1,198 Augustus Does His Bit:


¿µ¾î°íÀü1,198 Á¶Áö ¹ö³ªµå ¼îÀÇ ½ÇÁ¦¿Í °°Àº Èñ±Ø: ¾Æ¿ì±¸½ºÅõ½º°¡ ÀÚ½ÅÀÇ ¿ªÇÒÀ» ´ÙÇÔ 1916(English Classics1,198 Augustus Does His Bit:

¿µ¾î°íÀü1,198 Á¶Áö ¹ö³ªµå ¼îÀÇ ½ÇÁ¦¿Í °°Àº Èñ±Ø: ¾Æ¿ì±¸½ºÅõ½º°¡ ÀÚ½ÅÀÇ ¿ªÇÒÀ» ´ÙÇÔ 1916(English Classics1,198 Augustus Does His Bit:

<Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw>,< 1856~1950)> Àú | Å׸¶¿©Çà½Å¹® TTN Theme Travel News Korea

Ãâ°£ÀÏ
2023-10-01
ÆÄÀÏÆ÷¸Ë
ePub
¿ë·®
45 M
Áö¿ø±â±â
PC½º¸¶Æ®ÆùÅÂºí¸´PC
ÇöȲ
½Åû °Ç¼ö : 0 °Ç
°£·« ½Åû ¸Þ¼¼Áö
ÄÜÅÙÃ÷ ¼Ò°³
¸ñÂ÷
ÇÑÁÙ¼­Æò

ÄÜÅÙÃ÷ ¼Ò°³

¢º ½ÇÁ¦¿Í °°Àº Èñ±Ø: ¾Æ¿ì±¸½ºÅõ½º°¡ ÀÚ½ÅÀÇ ¿ªÇÒÀ» ´ÙÇÔ 1916(Augustus Does His Bit: A True-to-Life Farce by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(60¼¼)¿¡ ÁýÇÊÇÑ Äڹ̵ð ´Ü¸·±Ø(Comic One-Act Play)ÀÔ´Ï´Ù. ¹ö³ªµå ¼î´Â ÃÑ»ç·É°ü(the Commander-in-Chief)ÀÇ Ãʴ븦 ¹Þ°í Çöûµå¸£ÀÇ ÀüÀïÅÍ( the theatre of war in Flanders)¸¦ ½ÃÂûÇÒ ¼ö ÀÖ¾ú°í, ´ç½ÃÀÇ °æÇè¿¡¼­ ¿µ°¨À» ¾ò¾î ÀÛÇ°À» ÁýÇÊÇÏ¿´½À´Ï´Ù. ¢¹ ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º I wish to express my gratitude for certain good offices which Augustus secured for me in January, 1917. I had been invited to visit the theatre of war in Flanders by the Commander-in-Chief: an invitation which was, under the circumstances, a summons to duty. Thus I had occasion to spend some days in procuring the necessary passport and other official facilities for my journey. It happened just then that the Stage Society gave a performance of this little play. It opened the heart of every official to me. ¢¹ 1917³â 1¿ù ¾Æ¿ì±¸½ºÅõ½º°¡ ³ª¸¦ À§ÇØ È®º¸ÇÑ ¾î¶² ÁÁÀº °øÁ÷µé¿¡ °¨»ç¸¦ Ç¥ÇÏ°í ½Í½À´Ï´Ù. ³ª´Â ÃÑ»ç·É°üÀÇ ÃÊûÀ» ¹Þ¾Æ Çöûµå¸£ÀÇ ÀüÀï ±ØÀåÀ» ¹æ¹®Çß½À´Ï´Ù. ÀÌ¿¡ µû¶ó ³ª´Â ¿©Çà¿¡ ÇÊ¿äÇÑ ¿©±Ç°ú ±âŸ °ø½Ä ½Ã¼³À» Á¶´ÞÇϱâ À§ÇØ ¸çÄ¥À» º¸³¾ ±âȸ°¡ ÀÖ¾ú½À´Ï´Ù. ¹Ù·Î ±×¶§ ¹«´ë Çùȸ°¡ ÀÌ ÀÛÀº ¿¬±ØÀ» °ø¿¬Çß½À´Ï´Ù. ±×°ÍÀº ¸ðµç °ü¸®µéÀÇ ¸¶À½À» ³ª¿¡°Ô ¿­¾îÁÖ¾ú½À´Ï´Ù.

¢º ½ÇÁ¦¿Í °°Àº Èñ±Ø: ¾Æ¿ì±¸½ºÅõ½º°¡ ÀÚ½ÅÀÇ ¿ªÇÒÀ» ´ÙÇÔ 1916(Augustus Does His Bit: A True-to-Life Farce by George Bernard Shaw)Àº 1917³â ½ºÅ×ÀÌÁö ¼Ò»çÀ̾îƼ ¹ý¿ø ±ØÀå(the Court theatre for the Stage Society)¿¡¼­ ÃÊ¿¬À» ¿Ã·È½À´Ï´Ù. ¹ö³ªµå ¼î´Â ±ÍÁ· Áö¹è°è±ÞÀ» dzÀÚÇÏ°í, ±×µéÀÇ ¹«´É·ÂÀ» Á¶·ÕÇÏ´Â °ÍÀ» Áñ°å´Âµ¥, ÀÌ ÀÛÇ°¿¡¼­µµ ¾Æ¿ì±¸½ºÅõ½º¶õ ij¸¯ÅÍ¿¡ ´ëÇÑ ¹¦»ç¸¦ ÅëÇØ ÀçÈ®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º Save for the satisfaction of being able to laugh at Augustus in the theatre, nothing, as far as I know, came of my dramatic reduction of him to absurdity. Generals, admirals, Prime Ministers and Controllers, not to mention Emperors, Kaisers and Tsars, were scrapped remorselessly at home and abroad, for their sins or services, as the case might be. But Augustus stood like the Eddystone in a storm, and stands so to this day. He gave us his word that he was indispensable and we took it. ¢¹ ±ØÀå¿¡¼­ ¾Æ¿ì±¸½ºÅõ½º¸¦ ºñ¿ôÀ» ¼ö ÀÖ´Ù´Â ¸¸Á·°¨À» Á¦¿ÜÇÏ°í´Â ³»°¡ ¾Æ´Â ÇÑ ³»°¡ ±×¸¦ ±ØÀûÀ¸·Î ¾î¸®¼®°Ô ¸¸µç °á°ú´Â ¾Æ¹«°Íµµ ¾ø¾ú½À´Ï´Ù. ȲÁ¦, Ä«ÀÌÀú, Â÷¸£´Â ¸»ÇÒ °Íµµ ¾ø°í À屺, Á¦µ¶, ±¹¹«ÃѸ®, ÅëÁ¦°üµéÀº °æ¿ì¿¡ µû¶ó ±×µéÀÇ Á˳ª ºÀ»ç ¶§¹®¿¡ ±¹³»¿Ü¿¡¼­ ¹«ÀÚºñÇÏ°Ô Æó±âµÇ¾ú½À´Ï´Ù. ±×·¯³ª ¾Æ¿ì±¸½ºÅõ½º´Â Æødz ¼ÓÀÇ ¿¡µð½ºÅæó·³ ¿ì¶Ò ¼­ ÀÖ¾ú°í, ¿À´Ã³¯±îÁöµµ ±× ÀÚ¸®¿¡ ¼­ ÀÖ½À´Ï´Ù. ±×´Â ÀÚ½ÅÀÌ ¾ø¾î¼­´Â ¾È µÉ Á¸Àç¶ó´Â ¾à¼ÓÀ» ¿ì¸®¿¡°Ô ÁÖ¾ú°í ¿ì¸®´Â À̸¦ ¹Þ¾Æµé¿´½À´Ï´Ù.

¢º ÀÛÇ°ÀÇ ¹è°æÀº °¢±¹ÀÇ ±â¹ÐÀ» ij³»±â À§ÇÑ ½ºÆÄÀÌ°¡ ³­¹«ÇÏ´Â Á¦1Â÷ ¼¼°è ´ëÀü(World War I, 1914~1918)! ¸®Æ² ÇÇÇÁ¸µÅæ(Little Pifflington)ÀÇ ¾î´À ¸¶À», ¾Æ¿ì±¸½ºÅõ½º ÇÏÀÌij½½ °æ(Lord Augustus Highcastle)Àº ÀüÀï ÁßÀÎ »óȲ¿¡¼­ µ¶ÀÏÀΠó³²(German brothers-in-law) ¼¼ ¸íÀÇ ¾ÈÀ§°¡ ¹«Ã´À̳ª °ÆÁ¤½º·´½À´Ï´Ù.

¢º °©ÀÛ½º·¹ ¾Æ¿ì±¸½ºÅõ½º¸¦ ¹æ¹®ÇÑ ¿©ÀÎ(The Lady)Àº ±×°¡ ¼ÒÀåÇÑ ¿µ±¹ÀÇ Ãѱ⠹èÄ¡ ¸ñ·Ï(a list of British gun emplacements)À» ³ë¸° ½ºÆÄÀÌ¿´½À´Ï´Ù. °ú¿¬ ±×³à´Â ÀÚ½ÅÀÌ ¿øÇÏ´Â ±â¹ÐÁ¤º¸¸¦ ¾Æ¿ì±¸½ºÅõ½ºÀÇ Àǽɿ¡µµ ºÒ±¸ÇÏ°í, ȹµæÇÒ ¼ö ÀÖÀ»±î¿ä? ±×³ªÀú³ª ±×³àÀÇ Á¤Ã¼´Â °ú¿¬ ¹«¾ùÀϱî¿ä? Á¤¸»·Î Àû±¹ÀÇ ½ºÆÄÀÌÀϱî¿ä? ±×³à¿¡°Ô ½ºÆÄÀ̸¦ ÀÇ·ÚÇÑ ºí·ç·ç(Blueloo)´Â ´ëü ´©±¸Àϱî¿ä?

¢º AUGUSTUS [injured, remonstrating]. I have only three German brothers-in-law, madam. Really, from your tone, one would suppose that I had several. Pardon my sensitiveness on that subject; but reports are continually being circulated that I have been shot as a traitor in the courtyard of the Ritz Hotel simply because I have German brothers-in-law. [With feeling.] If you had a German brother-in-law, madam, you would know that nothing else in the world produces so strong an anti-German feeling. Life affords no keener pleasure than finding a brother-in-law's name in the German casualty list. ¢¹ ¾Æ¿ì±¸½ºÅõ½º [ºÎ»ó, Ç×ÀÇ]. Á¦°Õ µ¶ÀÏÀΠó³²ÀÌ ¼¼ ¸í¹Û¿¡ ¾ø¾î¿ä, ºÎÀÎ. Á¤¸»·Î, ´ç½ÅÀÇ ¸»Åõ·Î º¸¾Æ ³»°¡ ¿©·¯ °³¸¦ °¡Áö°í ÀÖ´Â °ÍÀ¸·Î ÁüÀÛµÉ °ÍÀÔ´Ï´Ù. ±× ÁÖÁ¦¿¡ ´ëÇÑ ³ªÀÇ ¹Î°¨¼ºÀ» ¿ë¼­ÇϽʽÿÀ. ±×·¯³ª ³»°¡ ´ÜÁö µ¶ÀÏÀΠó³²ÀÌ ÀÖ´Ù´Â ÀÌÀ¯¸¸À¸·Î ¸®Ã÷ È£ÅÚ ¾È¶ã¿¡¼­ ¹Ý¿ªÀÚ·Î ÃÑ»ìµÇ¾ú´Ù´Â º¸°í°¡ °è¼ÓÇؼ­ À¯Æ÷µÇ°í ÀÖ½À´Ï´Ù. [°¨Á¤À¸·Î.] ¸¸¾à ´ç½Å¿¡°Ô µ¶ÀÏÀΠó³²ÀÌ ÀÖ´Ù¸é, ºÎÀÎ, ´ç½ÅÀº ¼¼»ó¿¡ ±×Åä·Ï °­ÇÑ ¹Ýµ¶ °¨Á¤À» ¸¸µé¾î³»´Â °ÍÀÌ ¾ø´Ù´Â °ÍÀ» ¾Ë °ÍÀÔ´Ï´Ù. Àλý¿¡¼­ µ¶Àϱº »ç»óÀÚ ¸í´Ü¿¡¼­ ó³²ÀÇ À̸§À» ã´Â °Íº¸´Ù ´õ Å« Áñ°Å¿òÀº ¾ø½À´Ï´Ù.

¢º AUGUSTUS [shaking it affectionately as he leads her to the door, but fast pressing the bell button with his left hand]. Goodbye. Goodbye. So sorry to lose you. Kind of you to come; but there was no real danger. You see, my dear little lady, all this talk about war saving, and secrecy, and keeping the blinds down at night, and so forth, is all very well; but unless it's carried out with intelligence, believe me, you may waste a pound to save a penny; you may let out all sorts of secrets to the enemy; you may guide the Zeppelins right on to your own chimneys. That's where the ability of the governing class comes in. Shall the fellow call a taxi for you? ¢¹ ¾Æ¿ì±¸½ºÅõ½º [±×³à¸¦ ¹®À¸·Î À̲ø¸é¼­ ´ÙÁ¤ÇÏ°Ô Èçµé´Ù°¡ ¿Þ¼ÕÀ¸·Î º§ ¹öÆ°À» ºü¸£°Ô ´©¸¥´Ù]. ¾È³çÈ÷ °¡¼¼¿ä. ¾È³çÈ÷ °¡¼¼¿ä. ´ç½ÅÀ» ÀҾ Á¤¸» ¾ÈŸ±õ½À´Ï´Ù. ¿ÍÁּż­ °¨»çÇÕ´Ï´Ù. ±×·¯³ª ½ÇÁ¦ À§ÇèÀº ¾ø¾ú½À´Ï´Ù. ¾Ë´Ù½ÃÇÇ, ³ªÀÇ »ç¶ûÇÏ´Â ÀÛÀº ¾Æ°¡¾¾, ÀüÀïÀ» ±¸ÇÏ°í ºñ¹ÐÀ» À¯ÁöÇÏ°í ¹ã¿¡ ºí¶óÀε带 ³»¸®¶ó´Â µî¿¡ °üÇÑ ÀÌ ¸ðµç À̾߱â´Â ¸ðµÎ ¸Å¿ì ÁÁ½À´Ï´Ù. ±×·¯³ª Çö¸íÇÏ°Ô ¼öÇàÇÏÁö ¾Ê´Â ÇÑ, 1Æä´Ï¸¦ Àý¾àÇϱâ À§ÇØ 1ÆÄ¿îµå¸¦ ³¶ºñÇÒ ¼öµµ ÀÖ½À´Ï´Ù. Àû¿¡°Ô ¿Â°® Á¾·ùÀÇ ºñ¹ÐÀ» ´©¼³ÇÒ ¼öµµ ÀÖ½À´Ï´Ù. ´ç½ÅÀº Á¦Çø°À» ÀÚ½ÅÀÇ ±¼¶ÒÀ¸·Î ¹Ù·Î ¾È³»ÇÒ ¼ö ÀÖ½À´Ï´Ù. ¿©±â¼­ Áö¹èÃþÀÇ ´É·ÂÀÌ ¹ßÈֵ˴ϴÙ. ±× µ¿·á°¡ ´ç½ÅÀ» À§ÇØ Åýø¦ ºÒ·¯ÁÙ±î¿ä?

¸ñÂ÷

-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,198 Á¶Áö ¹ö³ªµå ¼îÀÇ ½ÇÁ¦¿Í °°Àº Èñ±Ø: ¾Æ¿ì±¸½ºÅõ½º°¡ ÀÚ½ÅÀÇ ¿ªÇÒÀ» ´ÙÇÔ 1916(English Classics1,198 Augustus Does His Bit: A True-to-Life Farce by George Bernard Shaw)
Preface
¢¹ AUGUSTUS DOES HIS BIT
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea µµ¼­¸ñ·Ï(2,034)