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¢º º¼¼ÎºñÅ° ȲÈÄ ¾È³ª¾á½ºÄ« 1917(Annajanska, the Bolshevik Empress by George Bernard Shaw)Àº ¡®¼ÎÀͽºÇǾî ÀÌÈÄ ÃÖ°íÀÇ ±ØÀÛ°¡(The Greatest Playwright after Shakespeare)¡¯·Î Ãß¾Ó¹Þ´Â 19¼¼±â ¿µ±¹ ±ØÀÛ°¡ Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ DzDzÇÑ Ã»³â ½ÃÀý(1879~1883)À» Áö³ª ÇÑÃþ ¿ø¼÷ÇÑ ³ªÀÌ(61)¿¡ ÁýÇÊÇÑ ´Ü¸·±Ø(Ӥحм, one-act play)ÀÔ´Ï´Ù. ¢¹ ¹ö³ªµå ¼îÀÇ ´ëÇ¥ÀÛÀº ´Ü¿¬ Èñ°î(ýôÍØ, Play)ÀÏ °ÍÀ̳ª, °æ·Â ÃÊâ±â¿¡´Â ´Ù¼¸ ±ÇÀÇ ¼Ò¼³(Five Novels Early in His Career)À» ºñ·ÔÇØ Á¤Ä¡, µå¶ó¸¶ ºñÆò(Politics, Drama Criticism) µî ´Ù¾çÇÑ ºÐ¾ßÀÇ ±ÛÀ» ¿Õ¼ºÇÏ°Ô ÁýÇÊÇÑ ¹Ù ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¸¸±¹ÀÇ ÇÁ·Ñ·¹Å¸¸®¾Æ¿©, ´Ü°áÇ϶ó!(Workers of the world, unite!) : ÀÛÇ°ÀÌ ¹ßÇ¥µÈ 1917³âÀº ¸¶¸£Å©½ºÁÖÀÇ(Marxism)¿¡ ÀÔ°¢ÇÑ ¼¼°è ÃÖÃÊÀÇ »çȸÁÖÀÇ ±¹°¡(the world's first socialist state)°¡ ¼ö¸³µÈ ·¯½Ã¾Æ Çõ¸í(Russian Revolution, 1917~1923)ÀÇ ÇØÀÔ´Ï´Ù. ÀÛÇ°¿¡¼­´Â ·¯½Ã¾Æ Çõ¸íÀ» ¿¬»óÄÉ ÇÏ´Â »ç°ÇÀ» ¹è°æÀ¸·Î ÇÑ °¡»óÀÇ º¸¿¡Æ¼¾Æ(Boetia)¿¡¼­ Çõ¸íÀ» ÁöÁöÇÏ´Â ÅëÄ¡ÀÚ¿Í À̸¦ ¹Ý´ëÇÏ´Â À°±º Àå±³(army officer) °£ÀÇ ´ë¸³, ¼­Ä¿½º¿¡ µé¾î°¡±â À§ÇØ µµ¸ÁÄ£ ÅëÄ¡ÀÚÀÇ µþ ¾È³ª¾á½ºÄ« ´ë°øºñ(Grand Duchess Annajanska) µî °³¼º ³ÑÄ¡´Â ij¸¯ÅÍ°¡ ¾î¿ì·¯Áý´Ï´Ù. ƯÈ÷ ÅëÄ¡ÀÚÀÇ µþÀ̸鼭µµ Çõ¸íÀ» ÁöÁöÇÏ´Â ¾È³ª¾á½ºÄ« ´ë°øºñÀÇ È°¾àÀ» ±â´ëÇØ Áֽñ⠹ٶø´Ï´Ù!! º¸¿¡Æ¼¾Æ(Boetia)´Â °í´ë ±×¸®½ºÀÇ ÇÑ Áö¹æ(a province of ancient Greece proverbial)À» ÁöĪÇÏ´Â ¿ë¾îÀÌÀÚ, ±×°÷ ÁֹεéÀÇ ¾î¸®¼®À½(the stupidity of its inhabitants)À» ÀǹÌÇÕ´Ï´Ù.

¢º ANNAJANSKA is frankly a bravura piece. The modern variety theatre demands for its "turns" little plays called sketches, to last twenty minutes or so, and to enable some favorite performer to make a brief but dazzling appearance on some barely passable dramatic pretext. Miss Lillah McCarthy and I, as author and actress, have helped to make one another famous on many serious occasions, from Man and Superman to Androcles; and Mr Charles Ricketts has not disdained to snatch moments from his painting and sculpture to design some wonderful dresses for us. We three unbent as Mrs Siddons, Sir Joshua Reynolds and Dr Johnson might have unbent, to devise a turn for the Coliseum variety theatre. Not that we would set down the art of the variety theatre as something to be condescended to, or our own art as elephantine. We should rather crave indulgence as three novices fresh from the awful legitimacy of the highbrow theatre. ¢¹ '¾È³ª¾á½ºÄ«'´Â ¼ÖÁ÷È÷ ºê¶óºÎ¶ó ÀÛÇ°ÀÔ´Ï´Ù. Çö´ë ¹ö¶óÀ̾îƼ ±ØÀåÀº ½ºÄÉÄ¡¶ó°í ºÒ¸®´Â ÀÛÀº ¿¬±ØµéÀ» 20ºÐ Á¤µµ »ó¿µÇÏ°í, ÁÁ¾ÆÇÏ´Â °ø¿¬ÀÚ°¡ °£½ÅÈ÷ Åë°úÇÒ ¼ö ÀÖ´Â ±ØÀûÀÎ ±¸½Ç·Î ªÁö¸¸ ´«ºÎ½Å µîÀåÀ» ÇÒ ¼ö ÀÖµµ·Ï ÇÒ °ÍÀ» ¿ä±¸ÇÕ´Ï´Ù. Àú¿Í ¸±¶ó ¸ÅÄ«½Ã ¾çÀº ÀÛ°¡ÀÌÀÚ ¹è¿ì·Î¼­ '¸Ç'°ú '½´ÆÛ¸Ç'¿¡¼­ '¾Øµå·Ñ½º'¿¡ À̸£±â±îÁö ¿©·¯ ½É°¢ÇÑ °æ¿ì¿¡ ¼­·Î¸¦ À¯¸íÇÏ°Ô ¸¸µå´Â µ¥ ÀÏÁ¶Çß½À´Ï´Ù. °Ô´Ù°¡ 'Âû½º ¸®ÄÉÃ÷' ¾¾´Â ÀúÈñ¸¦ À§ÇØ ¸ÚÁø µå·¹½º¸¦ µðÀÚÀÎÇϱâ À§ÇØ ÀÚ½ÅÀÇ ±×¸²°ú Á¶°¢¿¡¼­ ¼ø°£À» »©¾Ñ¾Æ ¿À´Â °ÍÀ» °æ¸êÇÏÁö ¾Ê¾Ò½À´Ï´Ù. ÀúÈñ ¼ÂÀº '½Ãµç½º'ó·³ ±ÁÈ÷Áö ¾Ê¾Ò°í, 'Á¶½´¾Æ ·¹À̳îÁî' °æ°ú 'Á¸½¼' ¹Ú»ç´Â 'Äݸ®¼¼¿ò ¹ö¶óÀ̾îƼ ±ØÀå'À» À§ÇÑ ÀüȯÀ» °í¾ÈÇϱâ À§ÇØ ±ÁÈ÷Áö ¾Ê¾Ò½À´Ï´Ù. ¿ì¸®°¡ ¹ö¶óÀ̾îƼ ±ØÀåÀÇ ¿¹¼úÀ» °Åµé¸Ô°Å¸®·Î ¿©±â°Å³ª, ¿ì¸® ÀÚ½ÅÀÇ ¿¹¼úÀ» ÄÚ³¢¸®Ã³·³ ¿©±â´Â °ÍÀº ¾Æ´Õ´Ï´Ù. ¿ì¸®´Â ¿ÀÈ÷·Á °í»óÇÑ ±ØÀåÀÇ ²ûÂïÇÑ Á¤Å뼺¿¡¼­ °« ³ª¿Â ¼¼ ¸íÀÇ Ãʺ¸Àڷμ­ ¸éÁ˺θ¦ ¹Þ¾Æ¾ß ÇÕ´Ï´Ù.

¢º Well, Miss McCarthy and Mr Ricketts justified themselves easily in the glamor of the footlights, to the strains of Tchaikovsky's 1812. I fear I did not. I have received only one compliment on my share; and that was from a friend who said, "It is the only one of your works that is not too long." So I have made it a page or two longer, according to my own precept: EMBRACE YOUR REPROACHES: THEY ARE OFTEN GLORIES IN DISGUISE. Annajanska was first performed at the Coliseum Theatre in London on the 21st January, 1918, with Lillah McCarthy as the Grand Duchess, Henry Miller as Schneidekind, and Randle Ayrton as General Strammfest. ¢¹ À½, ¸ÅÄ«½Ã ¾ç°ú ¸®ÄÉÃ÷ ¾¾´Â Â÷ÀÌÄß½ºÅ°ÀÇ 1812³â ÀÛÇ°ÀÇ ±äÀå°¨¿¡ ½±°Ô ÀÚ½ÅÀ» Á¤´çÈ­Çß½À´Ï´Ù. Àú´Â ±×·¯Áö ¾ÊÀº °Í °°½À´Ï´Ù. Àú´Â Á¦ ¸ò¿¡ ´ëÇØ ´Ü ÇÑ ¹øÀÇ ÄªÂùÀ» ¹Þ¾Ò´Âµ¥, ±× ĪÂùÀº ÇÑ Ä£±¸·ÎºÎÅÍ ¹ÞÀº °ÍÀÔ´Ï´Ù. "´ç½ÅÀÇ ÀÛÇ° Áß¿¡¼­ ³Ê¹« ±æÁö ¾ÊÀº °ÍÀº ÀÌ ÀÛÇ°ÀÌ À¯ÀÏÇÏ´Ù." ±×·¡¼­ Àú´Â ÇÑ µÎ ÆäÀÌÁö¸¦ ´õ ±æ°Ô ¸¸µé¾ú½À´Ï´Ù. "´ç½ÅÀÇ ÁúÃ¥À» ¹Þ¾ÆµéÀ̼¼¿ä: ±×µéÀº Á¾Á¾ º¯ÀåÇÑ Ã¤ ¿µ±¤ÀÔ´Ï´Ù." ¾È³ª¾á½ºÄ«´Â 1918³â 1¿ù 21ÀÏ ·±´øÀÇ Äݷμ¼¿ò ±ØÀå¿¡¼­ ¸±¶ó ¸ÅÄ«½Ã, ½´³ªÀ̵¥Å²µå ¿ªÀÇ Ç ¹Ð·¯, ½ºÆ®¶÷Æ佺Ʈ À屺 ¿ªÀÇ ·£µé ¿¡¾îÆ°°ú ÇÔ²² óÀ½ °ø¿¬µÇ¾ú½À´Ï´Ù.

¢º STRAMMFEST. Bravo! War sets everything right: I have always said so. But what is a united people without a united army? And what can I do? I am only a soldier. I cannot make speeches: I have won no victories: they will not rally to my call [again he sinks into his chair with his former gesture of discouragement]. ¢¹ ½ºÆ®·¥Æ佺Ʈ. ºê¶óº¸! ÀüÀïÀº ¸ðµç °ÍÀ» ¹Ù·ÎÀâ½À´Ï´Ù. ³ª´Â Ç×»ó ±×·¸°Ô ¸»ÇØ ¿Ô½À´Ï´Ù. ±×·¯³ª ¿¬ÇÕµÈ ±º´ë°¡ ¾ø´Ù¸é ¿¬ÇÕµÈ ¹ÎÁ·À̶õ ¹«¾ùÀԴϱî? ±×¸®°í ³»°¡ ¹«¾ùÀ» ÇÒ ¼ö ÀÖ³ª¿ä? ³ª´Â ´ÜÁö ±ºÀÎÀÏ »ÓÀÔ´Ï´Ù. ³ª´Â ¿¬¼³À» ÇÒ ¼ö ¾ø½À´Ï´Ù. ³ª´Â ½Â¸®¸¦ °ÅµÎÁö ¸øÇß½À´Ï´Ù. ±×µéÀº ³ªÀÇ ºÎ¸§¿¡ ÀÀÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. [´Ù½Ã ±×´Â ÀÌÀü¿¡ ³«´ãÇÑ ¸öÁþÀ¸·Î ÀÇÀÚ¿¡ ¾É¾Ò½À´Ï´Ù].

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-¸ñÂ÷(Index)-
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 20°¡Áö Å°¿öµå·Î Àд Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
01. Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)°¡ Á¶Áö(George)°¡ ¾Æ´Ï¶ó, G¶ó°í ¼­¸íÇÑ ÀÌÀ¯´Â?
02. ÆäÀ̺ñ¾ð Çùȸ(Fabian Society, 1884~)ÀÇ ÆäÀ̺ñ¾ð »çȸÁÖÀÇÀÚ(Fabian Socialist)
03. ÇDZ׸»¸®¿Â(Pygmalion, 1913) : Á¶°¢°¡ ÇDZ׸»¸®¿ÂÀÌ ¿©¼ºÀ» Çø¿ÀÇÑ ÀÌÀ¯´Â?
03-1. ¿Àºñµð¿ì½º(Publius Ovidius Naso, BC 43~AD 17)ÀÇ º¯½Å À̾߱â(The Metamorphoses, AD 8)
03-2. ÇDZ׸»¸®¿Â È¿°ú(Pygmalion Effect) VS °ñ·½ È¿°ú(Golem Effect)
03-3. ¿Àµå¸® Çñ¹ø(Audrey Hepburn)ÀÇ ¸¶ÀÌ Æä¾î ·¹À̵ð(My Fair Lady, 1964)
03-4. À¢µð ¹«¾î(Wendy Moore)ÀÇ ¿Ïº®ÇÑ ¾Æ³» ¸¸µé±â(How to Create the Perfect Wife, 2013)
03-5. ÇDZ׸»¸®¿Â(Pygmalion, 1913)À» ±×¸° È­°¡µé
04. ¹ÇµÎ¼¿¶ó ÁõÈıº(Methuselah Syndrome)
05. ¹ö³ªµå ¼î°¡ ³ëº§¹®Çлó(The Nobel Prize in Literature, 1925)Àº ¹ÞµÇ, »ó±ÝÀº °ÅºÎÇÑ ÀÌÀ¯´Â?!
05-1. ¾ÆÀÏ·£µå Ãâ½ÅÀÇ ³ëº§¹®Çлó ¼ö»óÀÛ°¡(Irish Nobel Prize-Winning Author)°¡ ¹«·Á ³Ý?!
05-2. ³ëº§¹®Çлó(1925)°ú ¿À½ºÄ«»ó(1939)À» µÑ ´Ù ¼ö»óÇÑ Áö±¸»ó À¯ÀÏÇÑ ÀÛ°¡(1939~2016)
06. ¼ÎÀͽºÇǾî(William Shakespeare, 1564~1616) VS Á¶Áö ¹ö³ªµå ¼î(George Bernard Shaw, 1856~1950)
07. ¿À¿ªÀ¸·Î ´õ¿í À¯¸íÇØÁø À¯¾ð(1950) : ¿ì¹°ÂÞ¹°ÇÏ´Ù°¡ ³» ÀÌ·² ÁÙ ¾Ë¾ÒÁö
08. ¼ö¸¹Àº ¾î·ÏÀ» ³²±ä ½Å¶öÇÑ ºñÆò°¡(Vitriolic Critic)ÀÌÀÚ À¯¸Ó·¯½ºÇÑ Ç³ÀÚ°¡(Witty Satirist)
09. õ¿¬µÎ ¹é½ÅÀ» ¸Â¾ÒÀ¸³ª, õ¿¬µÎ¿¡ °É¸° ¹é½Å¹Ý´ë·ÐÀÚ(Anti-Vaccinationist)
10. Á¶Áö ¹ö³ªµå ¼î¸¦ ¸¸³¯ ¼ö ÀÖ´Â Àå¼Ò TOP10(10 Places to meet George Bernard Shaw)
11. Á¶Áö ¹ö³ªµå ¼î ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of George Bernard Shaw in IMDb and Wikipedia)
12. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Á¶Áö ¹ö³ªµå ¼î(Audio Books of George Bernard Shaw)
13. Á¶Áö ¹ö³ªµå ¼î ¾î·Ï 161¼±(161 Quotes of George Bernard Shaw)
¢º ¿µ¾î°íÀü1,200 Á¶Áö ¹ö³ªµå ¼îÀÇ º¼¼ÎºñÅ° ȲÈÄ ¾È³ª¾á½ºÄ« 1917(English Classics1,200 Annajanska, the Bolshevik Empress by George Bernard Shaw)
Author's Note
¢¹ ANNAJANSKA, THE BOLSHEVIK EMPRESS
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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