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¿µ¾î°íÀü1,211 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ¼¼»ó¿¡ ÀÌ·± ÀÏÀÌ? 1893(English Classics1,211 Can Such Things Be? by Ambrose Bierce)


¿µ¾î°íÀü1,211 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ¼¼»ó¿¡ ÀÌ·± ÀÏÀÌ? 1893(English Classics1,211 Can Such Things Be? by Ambrose Bierce)

¿µ¾î°íÀü1,211 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ¼¼»ó¿¡ ÀÌ·± ÀÏÀÌ? 1893(English Classics1,211 Can Such Things Be? by Ambrose Bierce)

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¢º ¼¼»ó¿¡ ÀÌ·± ÀÏÀÌ? 1893(Can Such Things Be? by Ambrose Bierce)Àº Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)°¡ 51¼¼(1893³â)¿¡ ¹ßÇ¥ÇÑ ÃÊÀÚ¿¬ÀûÀÎ ¼Ò¼³(Paranormal Fiction)À» ¹­Àº ´ÜÆíÁý(Short stories)ÀÔ´Ï´Ù. ÀÛ°¡ÀÇ 2¹ø° ÁÖ¿ä ´ÜÆí ¼Ò¼³ ¸ðÀ½Áý(Ambrose Bierce¡¯s second major short story collection)À¸·Î 4ºÎ ±¸¼ºÀÇ ÇÒÇÉ ÇÁ·¹ÀÌÀúÀÇ Á×À½(The Death of Halpin Frayser)ºÎÅÍ À̹æÀÎ(The Stranger)±îÁö 24ÆíÀ» Æ÷°ýÇÏ°í ÀÖÀ¸¸ç, ³í¸®ÀûÀ¸·Î ¼³¸íÇÒ ¼ö ¾ø´Â ÃÊÀÚ¿¬ÀûÀÎ Á¸Àç¿¡ ´ëÇÑ ¾Úºê·ÎÁî ºñ¾î½ºÀÇ Áý¿äÇÑ ÁýÂø°ú ¹«ÇÑÇÑ ¾ÖÁ¤À» ¿©½ÇÈ÷ È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º ¾Úºê·ÎÁî ºñ¾î½º´Â À¯·É, ¿µÈ¥, ȯ°¢ µî ÃÊÀÚ¿¬ÀûÀÎ Á¸À縦 ¼ÒÀç·Î ÇÑ ÀÛÇ°À» ´ÜÆí°ú ´ÜÇົÀ¸·Î ¿©·µ ¹ßÇ¥ÇÑ ¹Ù ÀÖÀ¸¸ç, À¯·ÉÀÇ ¿Ê(The Clothing of Ghosts by Ambrose Bierce, 1902)À» ¹ßÇ¥ÇÒ ´ç½Ã ÃÊÀÚ¿¬ÀûÀÎ Á¸Àç¿¡ ´ëÇÑ °ü½ÉÀ» ´ÙÀ½°ú °°ÀÌ Ç¥ÇöÇÑ ¹Ù ÀÖ½À´Ï´Ù. "±×ÀÇ À¯·É °°Àº ¼º°ÝÀ» ÀνÄÇϱâ À§ÇØ ¿ì¸®ÀÇ °¨°¢¿¡ È£¼ÒÇÏ´Â ±¸Ã¼È­µÈ ½ºÇªÅ©´Â Ä£¼÷ÇÏ°í ±â¾ï¿¡ ³²´Â ÇϺô¸®¿ÂÀÌ ¾Æ´Ñ ´Ù¸¥ ¹æ½ÄÀ¸·Î ÀÚ½ÅÀ» Áõ¸íÇØ¾ß ÇÕ´Ï´Ù. ±×´Â ³ªÃ¼·Î Áõ¸íµÇ¾î¾ß ÇÕ´Ï´Ù. ¿Âµµ³ª ¿ì¿¬È÷ Á¸ÀçÇÒÁöµµ ¸ð¸£´Â »ç¶÷¿¡ °ü°è¾øÀÌ ¸»ÀÔ´Ï´Ù."(The materialized spook appealing to our senses for recognition of his ghostly character must authenticate himself otherwise than by familiar and remembered habiliments. He must be credentialed by nudity?and that regardless of temperature or who may happen to be present.)

¢º ºñ¾î½º°¡ 51¼¼(1893³â)ÀÇ ³ªÀÌ·Î ¹ßÇ¥ÇÑ ¼¼»ó¿¡ ÀÌ·± ÀÏÀÌ? 1893(Can Such Things Be? by Ambrose Bierce)Àº ºñ¾î½º ƯÀ¯ÀÇ °©ÀÛ½º·¯¿î Àü°³(An Abrupt Beginning), ¾îµÎÄÄÄÄÇÑ À̹ÌÁö(Dark Imagery), ½Ã°£¿¡ ´ëÇÑ ¸ðÈ£¼º(Vague References To Time), µ¶ÀÚ¿¡°Ô ºÒÄ£ÀýÇÑ ¼³¸í(Limited Descriptions), Çö½ÇÀûÀ¸·Î ºÒ°¡´ÉÇÑ »ç°Ç(Impossible Events), ±×¸®°í ÂüÀü¿ë»ç·Î½á ¹Ýº¹ÀûÀ¸·Î ¼ÒÀç·Î »ïÀº ÀüÀï(The Theme Of War) µîÀÇ Æ¯Â¡À» ¶Ñ·ÇÇÏ°Ô º¸¿©ÁÖ´Â ÀÛÇ°À¸·Î ±×ÀÇ °³¼º°ú ¸Å·ÂÀ» Ž±¸ÇÏ´Â µ¶ÀÚ¿¡°Ô ÃßõÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce)°¡ Å©Åø·ç ½ÅÈ­(Cthulhu Mythos)¿¡ ¿µÇâÀ» ¹ÌÃÆ´Ù? : ÇÏ¿öµå Çʸ³½º ·¯ºêÅ©·¡ÇÁÆ®(Howard Phillips Lovecraft)°¡ âÁ¶ÇÑ °¡°øÀÇ ÄÚÁî¹Í È£·¯ ½ÅÈ­ Å©Åø·ç ½ÅÈ­(Cthulhu Mythos)¿Í ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce)´Â °°Àº ¹Ì±¹ ÀÛ°¡¶ó´Â Á¡ ¿Ü¿£ °øÅëÁ¡À» ã±â ¾î·Á¿ö º¸ÀÌÁö¸¸ ±×ÀÇ ´ÜÆí µÎ ÆíÀÌ Å©Åø·ç ½ÅÈ­¿¡ Á÷Á¢ÀûÀ¸·Î È°¿ëµÇ¾ú½À´Ï´Ù. ¢¹ ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ´ÜÆí ¾çÄ¡±â ÇÏÀÌŸ(Haita the Shepherd, 1893)¿¡ µîÀåÇÏ´Â ¾çÄ¡±âµéÀÇ ¿ÂÈ­ÇÑ ½Å ÇÏÀÌŸ(Haita)´Â ·Î¹öÆ® W. è¹ö½º(Robert W. Chambers, 1865~1933)ÀÇ ³ë¶õ ¿ÊÀÇ ¿Õ(The King in Yellow, 1895)À» °ÅÃÄ, H. P. ·¯ºêÅ©·¡ÇÁÆ®(Howard Phillips Lovecraft, 1890~1937))ÀÇ ¼¼°è°ü¿¡ ¿µÇâÀ» ¹ÌÃƽÀ´Ï´Ù. ¢¹ Ä«¸£ÄÚ»çÀÇ °ÅÁÖÀÚ(An Inhabitant of Carcosa, 1886)¿¡ µîÀåÇÏ´Â Ä«¸£ÄÚ»ç(Carcosa) ¶ÇÇÑ ³ë¶õ ¿ÊÀÇ ¿Õ(The King in Yellow, 1895)À» °ÅÃÄ, ÇÏ¿öµå Çʸ³½º ·¯ºêÅ©·¡ÇÁÆ®(Howard Phillips Lovecraft)ÀÇ ¼¼°è°ü¿¡ ¿µÇâÀ» ¹ÌÃƽÀ´Ï´Ù.

¢º HAITA THE SHEPHERD. In the heart of Haita the illusions of youth had not been supplanted by those of age and experience. His thoughts were pure and pleasant, for his life was simple and his soul devoid of ambition. He rose with the sun and went forth to pray at the shrine of Hastur, the god of shepherds, who heard and was pleased. After performance of this pious rite Haita unbarred the gate of the fold and with a cheerful mind drove his flock afield, eating his morning meal of curds and oat cake as he went, occasionally pausing to add a few berries, cold with dew, or to drink of the waters that came away from the hills to join the stream in the middle of the valley and be borne along with it, he knew not whither. ¢¹ ¾çÄ¡±â ÇÏÀÌŸ(Haita the Shepherd, 1893). ÇÏÀÌŸÀÇ ¸¶À½¼Ó¿¡¼­ ÀþÀ½ÀÇ È¯»óÀº ³ªÀÌ¿Í °æÇèÀÌ ¸¹Àº »ç¶÷µé¿¡ ÀÇÇØ ´ëüµÇÁö ¾Ê¾Ò½À´Ï´Ù. ±×ÀÇ »îÀº ´Ü¼øÇÏ°í ¿µÈ¥¿¡´Â ¾ß¸ÁÀÌ ¾ø¾ú±â ¶§¹®¿¡, ±×ÀÇ »ý°¢Àº ¼ø¼öÇÏ°í Áñ°Å¿ü½À´Ï´Ù. ±×´Â ÇØ¿Í ÇÔ²² ÀϾ, µè°í ±â»µÇÑ ¾çÄ¡±âµéÀÇ ½ÅÀÎ ÇϽºÅõ¸£ÀÇ »ç´ç¿¡ ±âµµÇÏ·¯ °¬½À´Ï´Ù. °æ°ÇÇÑ ÀǽÄÀ» °ÅÇàÇÑ ÈÄ, ÇÏÀÌŸ´Â ±×ÀÇ ¹«¸®µéÀ» µéÆÇÀ¸·Î ³»¸ô¾Ò°í, ±×°¡ °¡´Â ±æ¿¡ Ä¿µå¿Í ±Í¸® ÄÉÀÌÅ©·Î ¾Æħ ½Ä»ç¸¦ ÇÏ°í, ¶§¶§·Î Àá½Ã ¸ØÃç¼­ µþ±â ¸î °³¸¦ Ãß°¡Çϰųª, À̽½·Î Â÷°©°Ô Çϰųª, ¾ð´ö¿¡¼­ ¸Ö¸® ¶³¾îÁø ¹°À» ¸¶½Ã°Å³ª, °è°î ÇÑ°¡¿îµ¥¿¡ ÀÖ´Â °³¿ï¿¡ ÇÕ·ùÇÏ¿© ±×¿Í ÇÔ²² Áû¾îÁöµµ·Ï ÇÏ·Á°í ÇßÁö¸¸, ±×´Â ¾îµð¿¡ ÀÖ´ÂÁö ¸ô¶ú½À´Ï´Ù.

¢º AN INHABITANT OF CARCOSA. For there be divers sorts of death?some wherein the body remaineth; and in some it vanisheth quite away with the spirit. This commonly occurreth only in solitude (such is God¡¯s will) and, none seeing the end, we say the man is lost, or gone on a long journey?which indeed he hath; but sometimes it hath happened in sight of many, as abundant testimony showeth. In one kind of death the spirit also dieth, and this it hath been known to do while yet the body was in vigor for many years. Sometimes, as is veritably attested, it dieth with the body, but after a season is raised up again in that place where the body did decay. ¢¹ Ä«¸£ÄÚ»çÀÇ °ÅÁÖÀÚ(An Inhabitant of Carcosa, 1886). Á×À½¿¡´Â ¿©·¯ °¡Áö°¡ ÀÖÀ¸´Ï ¸öÀÌ ³²¾Æ ÀÖ´Â °Íµµ ÀÖ°í ¾î¶² °æ¿ì¿¡´Â Á¤½Å°ú ÇÔ²² ¿ÏÀüÈ÷ »ç¶óÁö±âµµ ÇÕ´Ï´Ù. ÀÌ°ÍÀº ÀϹÝÀûÀ¸·Î °íµ¶ ¼Ó¿¡¼­¸¸ ¹ß»ýÇϸç(ÀÌ°ÍÀÌ Çϳª´ÔÀÇ ¶æÀÔ´Ï´Ù), ¾Æ¹«µµ ³¡À» º¸Áö ¸øÇßÀ» ¶§ ¿ì¸®´Â ±× »ç¶÷ÀÌ ±æÀ» ÀÒ¾ú°Å³ª ±ä ¿©ÇàÀ» ¶°³µ´Ù°í ¸»ÇÕ´Ï´Ù. ±×·¯³ª dzºÎÇÑ Áõ¾ðÀÌ º¸¿© ÁÖµíÀÌ, ¸¹Àº »ç¶÷µéÀÌ º¸´Â ¾Õ¿¡¼­ ±×·± ÀÏÀÌ °¡²û ÀϾ½À´Ï´Ù. ¾î¶² Á¾·ùÀÇ Á×À½¿¡¼­´Â ¿µµµ Á״µ¥, À°Ã¼°¡ ¼ö³â µ¿¾È È°·ÂÀ» À¯ÁöÇÏ°í ÀÖ´Â µ¿¾È¿¡µµ ÀÌ·± ÀÏÀÌ ÀϾ´Â °ÍÀ¸·Î ¾Ë·ÁÁ® ÀÖ½À´Ï´Ù. ½ÇÁ¦·Î ÀÔÁõµÈ ¹Ù¿Í °°ÀÌ ¶§·Î´Â À°Ã¼¿Í ÇÔ²² Áױ⵵ ÇÏÁö¸¸, °èÀýÀÌ Áö³ª¸é À°Ã¼°¡ ½â¾ú´ø °÷¿¡¼­ ´Ù½Ã »ì¾Æ³³´Ï´Ù.