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¿µ¾î°íÀü1,212 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ºô¾î¸ÔÀ» °Í(¿ä¹°) 1893(English Classics1,212 The Damned Thing by Ambrose Bierce)


¿µ¾î°íÀü1,212 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ºô¾î¸ÔÀ» °Í(¿ä¹°) 1893(English Classics1,212 The Damned Thing by Ambrose Bierce)

¿µ¾î°íÀü1,212 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ ºô¾î¸ÔÀ» °Í(¿ä¹°) 1893(English Classics1,212 The Damned Thing by Ambrose Bierce)

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¢º ºô¾î¸ÔÀ» °Í(¿ä¹°) 1893(The Damned Thing by Ambrose Bierce)Àº Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)°¡ 51¼¼(1893³â)¿¡ ¹ßÇ¥ÇÑ ´ÜÆíÁý(Short stories)ÀÔ´Ï´Ù. ºô¾î¸ÔÀ» °Í(¿ä¹°) 1893Àº Á¦¸ñ°ú Ç¥Áö¿¡¼­ ÁüÀÛÇÒ ¼ö ÀÖ´Ù½ÃÇÇ 4ºÎ ±¸¼ºÀÇ È£·¯¹°(Horror tales) ÀÛÇ°À¸·Î, ³í¸®ÀûÀ¸·Î ¼³¸íÇÒ ¼ö ¾ø´Â ÃÊÀÚ¿¬ÀûÀÎ Á¸Àç¿¡ ´ëÇÑ ¾Úºê·ÎÁî ºñ¾î½ºÀÇ Áý¿äÇÑ ÁýÂø°ú ¹«ÇÑÇÑ ¾ÖÁ¤À» ¿©½ÇÈ÷ È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. ±ºÀΰú Çõ¸í°¡ÀÇ À̾߱â(Tales of Soldiers and Civilians by Ambrose Bierce, 1891) ȤÀº ÀλýÀÇ ÇÑ°¡¿îµ¥(The Damned Thing 1898, From "In the Midst of Life")¿¡ ¼ö·ÏµÈ ¹Ù ÀÖ½À´Ï´Ù.

¢º ¾Úºê·ÎÁî ºñ¾î½º´Â À¯·É, ¿µÈ¥, ȯ°¢ µî ÃÊÀÚ¿¬ÀûÀÎ Á¸À縦 ¼ÒÀç·Î ÇÑ ÀÛÇ°À» ´ÜÆí°ú ´ÜÇົÀ¸·Î ¿©·µ ¹ßÇ¥ÇÑ ¹Ù ÀÖÀ¸¸ç, À¯·ÉÀÇ ¿Ê(The Clothing of Ghosts by Ambrose Bierce, 1902)À» ¹ßÇ¥ÇÒ ´ç½Ã ÃÊÀÚ¿¬ÀûÀÎ Á¸Àç¿¡ ´ëÇÑ °ü½ÉÀ» ´ÙÀ½°ú °°ÀÌ Ç¥ÇöÇÑ ¹Ù ÀÖ½À´Ï´Ù. "±×ÀÇ À¯·É °°Àº ¼º°ÝÀ» ÀνÄÇϱâ À§ÇØ ¿ì¸®ÀÇ °¨°¢¿¡ È£¼ÒÇÏ´Â ±¸Ã¼È­µÈ ½ºÇªÅ©´Â Ä£¼÷ÇÏ°í ±â¾ï¿¡ ³²´Â ÇϺô¸®¿ÂÀÌ ¾Æ´Ñ ´Ù¸¥ ¹æ½ÄÀ¸·Î ÀÚ½ÅÀ» Áõ¸íÇØ¾ß ÇÕ´Ï´Ù. ±×´Â ³ªÃ¼·Î Áõ¸íµÇ¾î¾ß ÇÕ´Ï´Ù. ¿Âµµ³ª ¿ì¿¬È÷ Á¸ÀçÇÒÁöµµ ¸ð¸£´Â »ç¶÷¿¡ °ü°è¾øÀÌ ¸»ÀÔ´Ï´Ù."(The materialized spook appealing to our senses for recognition of his ghostly character must authenticate himself otherwise than by familiar and remembered habiliments. He must be credentialed by nudity?and that regardless of temperature or who may happen to be present.)

¢º ºñ¾î½º°¡ 51¼¼(1893³â)ÀÇ ³ªÀÌ·Î ¹ßÇ¥ÇÑ ºô¾î¸ÔÀ» °Í(¿ä¹°) 1893(The Damned Thing by Ambrose Bierce)Àº ºñ¾î½º ƯÀ¯ÀÇ °©ÀÛ½º·¯¿î Àü°³(An Abrupt Beginning), ¾îµÎÄÄÄÄÇÑ À̹ÌÁö(Dark Imagery), ½Ã°£¿¡ ´ëÇÑ ¸ðÈ£¼º(Vague References To Time), µ¶ÀÚ¿¡°Ô ºÒÄ£ÀýÇÑ ¼³¸í(Limited Descriptions), Çö½ÇÀûÀ¸·Î ºÒ°¡´ÉÇÑ »ç°Ç(Impossible Events), ±×¸®°í ÂüÀü¿ë»ç·Î½á ¹Ýº¹ÀûÀ¸·Î ¼ÒÀç·Î »ïÀº ÀüÀï(The Theme Of War) µîÀÇ Æ¯Â¡À» ¶Ñ·ÇÇÏ°Ô º¸¿©ÁÖ´Â ÀÛÇ°À¸·Î ±×ÀÇ °³¼º°ú ¸Å·ÂÀ» Ž±¸ÇÏ´Â µ¶ÀÚ¿¡°Ô ÃßõÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º The man with the book was not reading aloud, and no one spoke; all seemed to be waiting for something to occur; the dead man only was without expectation. From the blank darkness outside came in, through the aperture that served for a window, all the ever unfamiliar noises of night in the wilderness?the long, nameless note of a distant coyote; the stilly pulsing thrill of tireless insects in trees; strange cries of night birds, so different from those of the birds of day; the drone of great blundering beetles, and all that mysterious chorus of small sounds that seem always to have been but half heard when they have suddenly ceased, as if conscious of an indiscretion. ¢¹ Ã¥À» °¡Áø »ç¶÷Àº Å« ¼Ò¸®·Î Ã¥À» ÀÐÁöµµ ¾Ê¾Ò°í, ¸»ÇÏ´Â »ç¶÷µµ ¾ø¾ú½À´Ï´Ù. ¸ðµÎ°¡ ¹«½¼ ÀÏÀÌ ÀϾ±â¸¦ ±â´Ù¸®°í ÀÖ´Â °Í °°¾Ò½À´Ï´Ù. Á×Àº »ç¶÷Àº ±â´ë°¡ ¾ø¾ú½À´Ï´Ù. ¹Ù±ùÀÇ ÅÖ ºó ¾îµÒ ¼Ó¿¡¼­ â¹® ¿ªÇÒÀ» ÇÏ´Â ±¸¸ÛÀ» ÅëÇØ ±¤¾ßÀÇ ¸ðµç ³¸¼± ¹ãÀÇ ¼ÒÀ½, Áï ¸Ö¸® ÀÖ´Â ÄÚ¿äÅ×ÀÇ ±æ°í À̸§ ¾ø´Â ¼Ò¸®°¡ µé¾î¿Ô½À´Ï´Ù. ³ª¹« À§ÀÇ ÁöÄ¥ ÁÙ ¸ð¸£´Â °ïÃæµéÀÇ °í¿äÇÏ°í °íµ¿Ä¡´Â ½º¸±; ¹ã»õµéÀÇ ÀÌ»óÇÑ ¿ïÀ½¼Ò¸®´Â ³·ÀÇ »õµéÀÇ ¿ïÀ½¼Ò¸®¿Í ³Ê¹«³ª ´Ù¸¨´Ï´Ù. Å« ½Ç¼ö¸¦ ÀúÁö¸£´Â µüÁ¤¹ú·¹µéÀÇ À®À®°Å¸®´Â ¼Ò¸®, Ç×»ó Àý¹Ý¸¸ µéÀº °Í °°´ø ÀÛÀº ¼Ò¸®µéÀÇ ½Åºñ·Î¿î ÇÕâÀÌ ¸¶Ä¡ ¹«ºÐº°ÇÑ ÇൿÀ» ÀǽÄÇÑ µí °©Àڱ⠸ØÃè½À´Ï´Ù.

¢º "All this must have occurred within a few seconds, yet in that time Morgan assumed all the postures of a determined wrestler vanquished by superior weight and strength. I saw nothing but him, and him not always distinctly. During the entire incident his shouts and curses were heard, as if through an enveloping uproar of such sounds of rage and fury as I had never heard from the throat of man or brute! ¢¹ "ÀÌ ¸ðµç ÀÏÀº ¸î ÃÊ ¾È¿¡ ÀϾÀ½¿¡ Ʋ¸²¾øÁö¸¸, ±× ½Ã°£ µ¿¾È ¸ð°ÇÀº ¿ì¿ùÇÑ ¹«°Ô¿Í Èû¿¡ ÀÇÇØ ÆйèÇÑ °á´Ü·Â ÀÖ´Â ·¹½½¸µ ¼±¼öÀÇ ¸ðµç ÀÚ¼¼¸¦ ÃëÇß½À´Ï´Ù. ³ª´Â ±× ¿Ü¿¡´Â ¾Æ¹«°Íµµ º¸Áö ¸øÇß°í ±×°¡ Ç×»ó ¶Ñ·ÇÇÏ°Ô º¸ÀÌÁø ¾Ê¾Ò½À´Ï´Ù. »ç°Ç ³»³» ±×ÀÇ °íÇÔ¼Ò¸®¿Í ¸¶Ä¡ »ç¶÷À̳ª Áü½ÂÀÇ ¸ñ±¸¸Û¿¡¼­ µé¾îº» ÀûÀÌ ¾ø´Â ºÐ³ë¿Í °Ý³ëÀÇ ¼Ò¸®°¡ ÁÖº¯À» ¿¡¿ö½Î´Â µíÇÑ ¼Ò¶õÀ» ÅëÇØ ÀúÁÖ°¡ µé·È½À´Ï´Ù!

¢º The coroner rose from his seat and stood beside the dead man. Lifting an edge of the sheet he pulled it away, exposing the entire body, altogether naked and showing in the candle light a clay-like yellow. It had, however, broad maculations of bluish-black, obviously caused by extravasated blood from contusions. The chest and sides looked as if they had been beaten with a bludgeon. There were dreadful lacerations; the skin was torn in strips and shreds... "Gentlemen," the coroner said, "we have no more evidence, I think. Your duty has been already explained to you; if there is nothing you wish to ask you may go outside and consider your verdict.¡° ¢¹ °Ë½Ã°üÀº ÀÚ¸®¿¡¼­ ÀϾ Á×Àº »ç¶÷ ¿·¿¡ ¼¹½À´Ï´Ù. ±×´Â ½ÃÆ®ÀÇ °¡ÀåÀÚ¸®¸¦ µé¾î ¿Ã·Á ±×°ÍÀ» Àâ¾Æ´ç°å°í, ¸ö Àüü°¡ µå·¯³µ°í, ¿ÏÀüÈ÷ ¹ß°¡¹þ°ÜÁ³À¸¸ç, ÃÐºÒ ¾Æ·¡¼­ Á¡Åä °°Àº ³ë¶õ»öÀ» º¸¿´½À´Ï´Ù. ±×·¯³ª ±×°ÍÀº ºÐ¸íÈ÷ Ÿ¹Ú»óÀ¸·Î ÀÎÇØ À¯ÃâµÈ Ç÷¾×À¸·Î ÀÎÇØ ¹ß»ýÇÑ Ã»·Ï»öÀÇ ³ÐÀº Ȳ¹ÝÀÌ ÀÖ¾ú½À´Ï´Ù. °¡½¿°ú ¿·±¸¸®´Â ¸¶Ä¡ ¸ùµÕÀÌ·Î ¾ò¾î¸ÂÀº °Íó·³ º¸¿´½À´Ï´Ù. ²ûÂïÇÑ ¿­»óÀÌ ÀÖ¾ú½À´Ï´Ù. ÇǺΰ¡ °¥°¥ÀÌ Âõ¾îÁ³½À´Ï´Ù... "¿©·¯ºÐ," °Ë½Ã°üÀÌ ¸»Çß½À´Ï´Ù. "Á¦ »ý°¢¿£ ´õ ÀÌ»ó Áõ°Å°¡ ¾ø´Â °Í °°½À´Ï´Ù. ´ç½ÅÀÇ Àǹ«´Â ÀÌ¹Ì ´ç½Å¿¡°Ô ¼³¸íµÇ¾ú½À´Ï´Ù. ¹°¾îº¸°í ½ÍÀº °ÍÀÌ ¾ø´Ù¸é ¹ÛÀ¸·Î ³ª°¡µµ µË´Ï´Ù. ±×¸®°í ´ç½ÅÀÇ Æò°áÀ» °í·ÁÇغ¸¼¼¿ä."