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¿µ¾î°íÀü1,213 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ È¯»óÀûÀÎ ¿ìÈ­¥° 1899(English Classics1,213 Fantastic Fables by Ambrose Bierce)


¿µ¾î°íÀü1,213 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ È¯»óÀûÀÎ ¿ìÈ­¥° 1899(English Classics1,213 Fantastic Fables by Ambrose Bierce)

¿µ¾î°íÀü1,213 ¾Úºê·ÎÁî ºñ¾î½ºÀÇ È¯»óÀûÀÎ ¿ìÈ­¥° 1899(English Classics1,213 Fantastic Fables by Ambrose Bierce)

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¢º ȯ»óÀûÀÎ ¿ìÈ­ 1899(Fantastic Fables by Ambrose Bierce)Àº Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)°¡ 57¼¼(1899³â)¿¡ ¹ßÇ¥ÇÑ Â©¸·ÇÑ ´ÜÆí ¸ðÀ½ÁýÀ¸·Î ÀÛ°¡ ƯÀ¯ÀÇ À§Æ®¿Í À¯¸Ó(Wit and Humor)¸¦ ¸¸³£ÇÏ½Ç ¼ö ÀÖ´Â ¹Ì±¹½Ä ¿ìÈ­Áý(Fables, American)ÀÔ´Ï´Ù. µµ´ö¿øÄ¢°ú ¹°ÁúÀû ÀÌÀÍ(The Moral Principle and the Material Interest)ºÎÅÍ Ãæ½ÇÇÑ ¾Æµé(The Dutiful Son)±îÁö ¹«·Á 181ÆíÀÇ ¿ìÈ­¸¦ ºñ·ÔÇØ ¼­³ÊÁÙ ºÐ·®ÀÇ ±Øµµ·Î ªÀº ¿ìÈ­Áý - 47ÆíÀÇ ¾ÆÀ̼ÒǪ½º ¿¡¸à´ÙÅõ½º(Aesopus Emendatus)¿Í 17ÆíÀÇ »õ·Î¿î ÀÌ»¡ÀÌ ÀÖ´Â ³°Àº Åé ¿ì¸® ½Ã´ëÀÇ »ýÈ°¿¡ Àû¿ëµÇ´Â ƯÁ¤ °í´ë ¿ìÈ­(Old Saws With New Teeth Certain Ancient Fables Applied To The Life Of Our Times)ÀÌ ÇÔ²² ½Ç·Á ÀÖ½À´Ï´Ù. ȯ»óÀûÀÎ ¿ìÈ­ 1899(Fantastic Fables by Ambrose Bierce)´Â ¸ñÂ÷»óÀ¸·Î ¹«·Á 245Æí¿¡ ´ÞÇÏ´Â ¹æ´ëÇÑ ºÐ·®À» ÀÚ¶ûÇÏÁö¸¸, °¢°¢ÀÇ ºÐ·®Àº 1,000ÀÚ ¾ÈÆÆÀ¸·Î ºÎ´ã¾øÀÌ, ¼ø¼­¿¡ °ü°è¾øÀÌ Àбâ ÁÁÀº ÀÛÇ°ÀÔ´Ï´Ù. ºÐ·®ÀÌ Âª±â ¶§¹®¿¡ ¿ÀÈ÷·Á ÀÛ°¡ ƯÀ¯ÀÇ µ¶Æ¯ÇÑ ¼³Á¤°ú ¿©¿îÀÌ ³²´Â ¹ÝÀü µîÀÇ ¸Å·ÂÀ» ÇѲ¯ Áñ±â½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º ºñ¾î½º°¡ 57¼¼(1899³â)ÀÇ ³ªÀÌ·Î ¹ßÇ¥ÇÑ È¯»óÀûÀÎ ¿ìÈ­ 1899(Fantastic Fables by Ambrose Bierce)Àº ºñ¾î½º ƯÀ¯ÀÇ °©ÀÛ½º·¯¿î Àü°³(An Abrupt Beginning), ¾îµÎÄÄÄÄÇÑ À̹ÌÁö(Dark Imagery), ½Ã°£¿¡ ´ëÇÑ ¸ðÈ£¼º(Vague References To Time), µ¶ÀÚ¿¡°Ô ºÒÄ£ÀýÇÑ ¼³¸í(Limited Descriptions), Çö½ÇÀûÀ¸·Î ºÒ°¡´ÉÇÑ »ç°Ç(Impossible Events), ±×¸®°í ÂüÀü¿ë»ç·Î½á ¹Ýº¹ÀûÀ¸·Î ¼ÒÀç·Î »ïÀº ÀüÀï(The Theme Of War) µîÀÇ Æ¯Â¡°ú ÀüÇô »ó¹Ý ¸Å·ÂÀ» º¸¿©ÁÖ´Â ¿ìÈ­ÁýÀ¸·Î ÀÛ°¡ÀÇ À§Æ®¿Í À¯¸Ó(Wit and Humor)¸¦ Áñ±â°í ½ÍÀº µ¶ÀÚ¿¡°Ô ÃßõÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º The Moral Principle and the Material Interest. A Moral Principle met a Material Interest on a bridge wide enough for but one. ¡°Down, you base thing!¡± thundered the Moral Principle, ¡°and let me pass over you!¡± The Material Interest merely looked in the other¡¯s eyes without saying anything. ¡°Ah,¡± said the Moral Principle, hesitatingly, ¡°let us draw lots to see which shall retire till the other has crossed.¡± The Material Interest maintained an unbroken silence and an unwavering stare. ¡°In order to avoid a conflict,¡± the Moral Principle resumed, somewhat uneasily, ¡°I shall myself lie down and let you walk over me.¡± Then the Material Interest found a tongue, and by a strange coincidence it was its own tongue. ¡°I don¡¯t think you are very good walking,¡± it said. ¡°I am a little particular about what I have underfoot. Suppose you get off into the water.¡± It occurred that way. ¢¹ µµ´öÀû ¿øÄ¢°ú ¹°ÁúÀû ÀÌÀÍ(The Moral Principle and the Material Interest). µµ´öÀû ¿øÄ¢Àº ´Ü ÇÑ ¸í¸¸ µé¾î°¥ ¼ö ÀÖÀ» ¸¸Å­ ³ÐÀº ´Ù¸® À§¿¡¼­ ¹°ÁúÀû ÀÌÇØ°ü°è¸¦ ¸¸³µ½À´Ï´Ù. ¡°¾þµå·Á, ÀÌ Ãµ¹ÚÇÑ ³ð¾Æ!¡± µµ´ö¿øÄ¢À» õµÕó·³ ¿ÜÃƽÀ´Ï´Ù. ¡°³ª´Â ´ç½ÅÀ» ³Ñ¾î°¡°Ú½À´Ï´Ù!¡± ¹°ÁúÀû ÀÌÇØ°ü°è´Â ¾Æ¹« ¸»µµ ÇÏÁö ¾Ê°í »ó´ë¹æÀÇ ´«¸¸ ¹Ù¶óº¼ »ÓÀÔ´Ï´Ù. "¾Æ," µµ´ö¿ø¸®´Â ¸Ó¹µ°Å¸®¸ç ¸»Çß´Ù. "´Ù¸¥ ÂÊÀÌ °Ç³Î ¶§±îÁö ´©°¡ ¹°·¯³¯Áö Á¦ºñ¸¦ »Ì¾Æº¸ÀÚ." ¹°ÁúÀû ÀÌÇØ°ü°è´Â ±úÁöÁö ¾Ê´Â ħ¹¬°ú Èçµé¸®Áö ¾Ê´Â ½Ã¼±À» À¯ÁöÇß½À´Ï´Ù. ¡°°¥µîÀ» ÇÇÇϱâ À§ÇØ¡± µµ´ö ¿øÄ¢Àº ´Ù¼Ò ºÒ¾ÈÇÑ ¸¶À½À¸·Î ´Ù½Ã ½ÃÀ۵Ǿú½À´Ï´Ù. ¡°³ªµµ ´©¿ö¼­ ´ç½ÅÀÌ ³» À§¸¦ Áö³ª°¡µµ·Ï ÇÒ°Ô¿ä.¡± ±×·¯´Ù°¡ ¹°ÁúÀû °ü½ÉÀÌ Çô¸¦ ¹ß°ßÇߴµ¥, ±âÀÌÇÑ ¿ì¿¬À¸·Î ±×°ÍÀº ÀÚ±â ÀÚ½ÅÀÇ Çô¿´½À´Ï´Ù. ¡°³» »ý°¢¿¡´Â ´ç½ÅÀÌ °È±â¿¡ º°·Î ´É¼÷ÇÏÁö ¾ÊÀº °Í °°¾Æ¿ä.¡± ¡°Àú´Â ¹ß¹Ø¿¡ ÀÖ´Â °Í¿¡ ´ëÇØ Á¶±Ý ±î´Ù·Ó½À´Ï´Ù. ´ç½ÅÀÌ ¹°¿¡ ºüÁ³´Ù°í °¡Á¤ÇØ º¸¼¼¿ä.¡± ±×·± ÀÏÀÌ ÀϾ½À´Ï´Ù.

¢º The Cat and the King. A Cat was looking at a King, as permitted by the proverb. ¡°Well,¡± said the monarch, observing her inspection of the royal person, ¡°how do you like me?¡± ¡°I can imagine a King,¡± said the Cat, ¡°whom I should like better.¡± ¡°For example?¡± ¡°The King of the Mice.¡± The sovereign was so pleased with the wit of the reply that he gave her permission to scratch his Prime Minister¡¯s eyes out. ¢¹ °í¾çÀÌ¿Í ¿Õ(The Cat and the King). ¼Ó´ã¿¡¼­µµ ¾Ë ¼ö ÀÖµíÀÌ °í¾çÀÌ´Â ¿ÕÀ» ¹Ù¶óº¸°í ÀÖ¾ú½À´Ï´Ù. ¡°±Û½ê¿ä.¡± ¿ÕÀÌ ¿Õ½Ç Àλ縦 »ìÆ캸´Â °ÍÀ» ÁöÄѺ¸¸ç ±ºÁÖ°¡ ¸»Çß½À´Ï´Ù. ¡°´ç½ÅÀº ³ª¸¦ ¾î¶»°Ô »ý°¢Çմϱî?¡± "Àú´Â ¿ÕÀ» »ó»óÇÒ ¼ö ÀÖ¾î¿ä. Á¦°¡ ´õ ÁÁ¾ÆÇÒ ¿ÕÀ» »ó»óÇØ¿ä." °í¾çÀÌ°¡ ¸»Çß½À´Ï´Ù. "¿¹¸¦ µé¾î?" ¡°ÁãÀÇ ¿Õ.¡± ÁÖ±ÇÀÚ´Â ±× ÀçÄ¡ ÀÖ´Â ´ë´ä¿¡ ³Ê¹« ±â»µ¼­ ±×³à¿¡°Ô ÃѸ®ÀÇ ´«À» ±Ü¾îÁÖµµ·Ï Çã¶ôÇß½À´Ï´Ù.

¢º Physicians Two. A Wicked Old Man finding himself ill sent for a Physician, who prescribed for him and went away. Then the Wicked Old Man sent for another Physician, saying nothing of the first, and an entirely different treatment was ordered. This continued for some weeks, the physicians visiting him on alternate days and treating him for two different disorders, with constantly enlarging doses of medicine and more and more rigorous nursing. But one day they accidently met at his bedside while he slept, and the truth coming out a violent quarrel ensued. ¢¹ µÎ ¹ø° ÀÇ»ç(Physicians Two). ÀÚ½ÅÀÌ º´¿¡ °É¸° °ÍÀ» ¹ß°ßÇÑ »ç¾ÇÇÑ ³ëÀÎÀÌ Àǻ縦 ã¾Æ°¬À¸³ª, ÀÇ»ç´Â ±×¸¦ À§ÇØ Ã³¹æÀ» ÇÏ°í °¡¹ö·È½À´Ï´Ù. ±×·¯ÀÚ »ç¾ÇÇÑ ³ëÀÎÀº óÀ½¿¡´Â ¾Æ¹« ¸»µµ ÇÏÁö ¾Ê°í ´Ù¸¥ Àǻ縦 ã¾Æ°¬°í, ÀüÇô ´Ù¸¥ Ä¡·á¹ýÀ» ÁÖ¹®Çß½À´Ï´Ù. ÀÌ°ÍÀº ¸î ÁÖ µ¿¾È °è¼ÓµÇ¾ú°í, ÀÇ»çµéÀº °ÝÀÏ·Î ±×¸¦ ¹æ¹®ÇÏ¿© µÎ °¡Áö Áúº´À» Ä¡·áÇß°í, °è¼ÓÇؼ­ ¸¹Àº ¾çÀÇ ¾à°ú Á¡Á¡ ´õ ¾ö°ÝÇÑ °£È£¸¦ Çß½À´Ï´Ù. ÇÏÁö¸¸ ¾î´À ³¯ ±×µéÀº ±×°¡ Àáµç »çÀÌ¿¡ ¿ì¿¬È÷ ±×ÀÇ Ä§´ë ¸Ó¸®¸Ã¿¡¼­ ¸¸³µ°í, °Ý·ÄÇÑ ½Î¿òÀÌ ¹ú¾îÁ³½À´Ï´Ù.