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¢º Á¡ÅäÀÇ ÇüÅ 1903(Shapes of Clay by Ambrose Bierce)Àº Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)°¡ 61¼¼(1903³â)ÀÇ ¿ø¼÷ÇÑ ½Ã±â¿¡ ¹ßÇ¥ÇÑ Â©¸·ÇÑ ´ÜÆí ¸ðÀ½ÁýÀ¸·Î ÀÛ°¡ ƯÀ¯ÀÇ À§Æ®¿Í À¯¸Ó(Wit and Humor)¸¦ ¸¸³£ÇÏ½Ç ¼ö ÀÖ´Â ¹Ì±¹½Ä ½ÃÁý(American Poetry)ÀÔ´Ï´Ù. Çå»ç(Dedication)¿Í ¼­µÎ(Preface)¸¦ Á¦¿ÜÇÑ Á¡ÅäÀÇ ÇüÅ 1903´Â ¸ñÂ÷»óÀ¸·Î ¹«·Á 234Æí¿¡ ´ÞÇÏ´Â ¹æ´ëÇÑ ºÐ·®À» ÀÚ¶ûÇÏÁö¸¸, °¢°¢ÀÇ ºÐ·®Àº 1,000ÀÚ ¾ÈÆÆÀ¸·Î ºÎ´ã¾øÀÌ, ¼ø¼­¿¡ °ü°è¾øÀÌ Àбâ ÁÁÀº ÀÛÇ°ÀÔ´Ï´Ù. ºÐ·®ÀÌ Âª±â ¶§¹®¿¡ ¿ÀÈ÷·Á ÀÛ°¡ ƯÀ¯ÀÇ µ¶Æ¯ÇÑ ¼³Á¤°ú ¿©¿îÀÌ ³²´Â ¹ÝÀü µîÀÇ ¸Å·ÂÀ» ÇѲ¯ Áñ±â½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º ºñ¾î½º°¡ 61¼¼(1903³â)ÀÇ ³ªÀÌ·Î ¹ßÇ¥ÇÑ Á¡ÅäÀÇ ÇüÅ 1903(Shapes of Clay by Ambrose Bierce)Àº ºñ¾î½º ƯÀ¯ÀÇ °©ÀÛ½º·¯¿î Àü°³(An Abrupt Beginning), ¾îµÎÄÄÄÄÇÑ À̹ÌÁö(Dark Imagery), ½Ã°£¿¡ ´ëÇÑ ¸ðÈ£¼º(Vague References To Time), µ¶ÀÚ¿¡°Ô ºÒÄ£ÀýÇÑ ¼³¸í(Limited Descriptions), Çö½ÇÀûÀ¸·Î ºÒ°¡´ÉÇÑ »ç°Ç(Impossible Events), ±×¸®°í ÂüÀü¿ë»ç·Î½á ¹Ýº¹ÀûÀ¸·Î ¼ÒÀç·Î »ïÀº ÀüÀï(The Theme Of War) µîÀÇ Æ¯Â¡°ú ÀüÇô »ó¹Ý ¸Å·ÂÀ» º¸¿©ÁÖ´Â ¿ìÈ­ÁýÀ¸·Î ÀÛ°¡ÀÇ ½ÃÀÎÀ¸·Î½áÀÇ Çʷ°ú ÇÊü¸¦ Áñ±â°í ½ÍÀº µ¶ÀÚ¿¡°Ô ÃßõÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ÀÛ°¡´Â ÀÚ½ÅÀÇ ÀþÀº Ä£±¸ÀÌÀÚ Á¦ÀÚ Á¶Áö ½ºÅиµ(George Sterling, 1869~1926)°ú µ¶ÀÏ°è ¹Ì±¹ÀÎ ½ÃÀÎÀÌÀÚ °ÇÃà°¡·Î È°µ¿ÇÑ Çã¸Õ ¼ÎÆÄ¿ì¾î(Hermann Georg Scheffauer, 1878~1927)¿¡°Ô Á¡ÅäÀÇ ÇüÅ 1903(Shapes Of Clay By Ambrose Bierce)¸¦ ÇåÁ¤ÇÏ¿´½À´Ï´Ù. Dedication. With Pride In Their Work, Faith In Their Future And Affection For Themselves, An Old Writer Dedicates This Book To His Young Friends And Pupils, George Sterling And Herman Scheffauer. A.B. Çå»ç(úÌÞò). ÀÚ½ÅÀÇ ÀÏ¿¡ ´ëÇÑ ÀںνÉ, ÀÚ½ÅÀÇ ¹Ì·¡¿¡ ´ëÇÑ ¹ÏÀ½, Àڽſ¡ ´ëÇÑ ¾ÖÁ¤À» °®°í ÀÖ´Â ´ÄÀº ÀÛ°¡´Â ÀÚ½ÅÀÇ ÀþÀº Ä£±¸ÀÌÀÚ Á¦ÀÚÀÎ Á¶Áö ½ºÅиµ°ú Çã¸Õ ¼ÎÆÄ¿ì¾î¿¡°Ô ÀÌ Ã¥À» ÇåÁ¤ÇÕ´Ï´Ù. A.B.

¢º PREFACE. Some small part of this book being personally censorious, and in that part the names of real persons being used without their assent, it seems fit that a few words be said of the matter in sober prose. What it seems well to say I have already said with sufficient clarity in the preface of another book, somewhat allied to this by that feature of its character. I quote from "Black Beetles in Amber:¡° ¢¹ ¼­¹®. ÀÌ Ã¥ÀÇ ÀϺΠºÎºÐÀº °³ÀÎÀûÀ¸·Î ºñÆÇÀûÀÌ¸ç ½ÇÁ¦ Àι°ÀÇ À̸§ÀÌ µ¿ÀÇ ¾øÀÌ »ç¿ëµÇ´Â ºÎºÐÀÌ ÀÖÀ¸¹Ç·Î ³ÃöÇÑ »ê¹®À¸·Î ÀÌ ¹®Á¦¿¡ ´ëÇØ ¸î ¸¶µð ¾ð±ÞÇÏ´Â °ÍÀÌ ÀûÀýÇØ º¸ÀÔ´Ï´Ù. ¸»ÇÏ´Â °ÍÀÌ ÁÁÀ» °Í °°Àº °ÍÀº ÀÌ¹Ì ´Ù¸¥ Ã¥ÀÇ ¼­¹®¿¡¼­ ÃæºÐÈ÷ ¸íÈ®ÇÏ°Ô ¸»Çߴµ¥, ±× Ã¥ÀÇ ¼º°ÝÀÌ ¾î´À Á¤µµ ¿¬°üµÇ¾î ÀÖ½À´Ï´Ù. ³ª´Â "È£¹Ú ¼ÓÀÇ °ËÀº µüÁ¤¹ú·¹(Black Beetles in Amber)"¸¦ ÀοëÇÕ´Ï´Ù:

¢º "Many of the verses in this book are republished, with considerable alterations, from various newspapers. Of my motives in writing and in now republishing I do not care to make either defence or explanation, except with reference to those who since my first censure of them have passed away. To one having only a reader's interest in the matter it may easily seem that the verses relating to those might properly have been omitted from this collection. But if these pieces, or indeed, if any considerable part of my work in literature, have the intrinsic worth which by this attempt to preserve some of it I have assumed, their permanent suppression is impossible, and it is only a question of when and by whom they will be republished. Some one will surely search them out and put them in circulation. ¢¹ "ÀÌ Ã¥¿¡ ÀÖ´Â ¸¹Àº ±¸ÀýµéÀº ´Ù¾çÇÑ ½Å¹®¿¡¼­ »ó´çÇÑ º¯Çü°ú ÇÔ²² Àç¹ßÇàµË´Ï´Ù. ±ÛÀ» ¾²°í Áö±Ý ´Ù½Ã ÃâÆÇÇÏ´Â ³ªÀÇ µ¿±â¿¡ ´ëÇØ ³ª´Â ±×°Íµé¿¡ ´ëÇÑ Ã¹ ¹ø° ºñ³­ ÀÌÈÄ·Î »ç¸ÁÇÑ »ç¶÷µé¿¡ ´ëÇØ ¾ð±ÞÇÏ´Â °ÍÀ» Á¦¿ÜÇÏ°í´Â ¹æ¾î³ª ¼³¸íÀ» ÇÏ°í ½ÍÁö ¾Ê½À´Ï´Ù. ÀÌ ¹®Á¦¿¡ ´ëÇÑ µ¶ÀÚÀÇ °ü½É¸¸ ÀÖ´Â »ç¶÷¿¡°Ô´Â ±×°Íµé°ú °ü·ÃµÈ ±¸ÀýµéÀÌ ÀÌ ¸ðÀ½Áý¿¡¼­ ÀûÀýÇÏ°Ô ´©¶ôµÈ °Íó·³ º¸ÀÏ ¼öµµ ÀÖ½À´Ï´Ù. ±×·¯³ª ¸¸¾à ÀÌ ÀÛÇ°µéÀÌ, ¶Ç´Â Á¤¸»·Î, ³» ¹®ÇÐ ÀÛÇ°ÀÇ »ó´çÇÑ ºÎºÐÀÌ ³»°¡ °¡Á¤Çß´ø °Í Áß ÀϺθ¦ º¸Á¸ÇÏ·Á´Â ½Ãµµ¿¡ ÀÇÇÑ º»ÁúÀûÀÎ °¡Ä¡¸¦ °¡Áö°í ÀÖ´Ù¸é, ±×°ÍµéÀÇ ¿µ±¸ÀûÀÎ ¾ïÁ¦´Â ºÒ°¡´ÉÇÏ°í, ±×°ÍµéÀÌ ¾ðÁ¦ ´©±¸¿¡ ÀÇÇØ Àç¹ßÇàµÉ °ÍÀÎÁöÀÇ ¹®Á¦ÀÏ »ÓÀÔ´Ï´Ù. ´©±º°¡´Â ¹Ýµå½Ã ±×°ÍµéÀ» ã¾Æ³»°í ±×°ÍµéÀ» À¯Åë½Ãų °ÍÀÔ´Ï´Ù.

¢º "I conceive it the right of an author to have his fugitive work collected in his lifetime; and this seems to me especially true of one whose work, necessarily engendering animosities, is peculiarly exposed to challenge as unjust. That is a charge that can best be examined before time has effaced the evidence. For the death of a man of whom I have written what I may venture to think worthy to live I am no way responsible; and however sincerely I may regret it, I can hardly consent that it shall affect my literary fortunes. If the satirist who does not accept the remarkable doctrine that, while condemning the sin he should spare the sinner, were bound to let the life of his work be coterminous with that of his subject his were a lot of peculiar hardship. ¢¹ "³ª´Â ÀÛ°¡ÀÇ ÀÏ»ý µ¿¾È µµ¸ÁÄ£ ÀÛÇ°À» ¼öÁýÇÏ´Â °ÍÀÌ ÀÛ°¡ÀÇ ±Ç¸®¶ó°í »ý°¢ÇÕ´Ï´Ù. ƯÈ÷ Àû°³½ÉÀ» ºÒ·¯ÀÏÀ¸Å³ ¼ö¹Û¿¡ ¾ø´Â ÀÛÇ°ÀÌ ºÎ´çÇÑ °ÍÀ¸·Î µµÀüÀ» ¹Þ´Â ÀÛ°¡ÀÇ °æ¿ì¿¡ ƯÈ÷ ±×·¸½À´Ï´Ù. ³»°¡ °¨È÷ »ì¾Æ°¥ °¡Ä¡°¡ ÀÖ´Ù°í »ý°¢ÇÏ´Â ±ÛÀ» ¾´ »ç¶÷ÀÇ Á×À½¿¡ ´ëÇؼ­´Â ³ª¿¡°Ô´Â ¾Æ¹«·± Ã¥ÀÓÀÌ ¾øÀ¸¸ç, ¾Æ¹«¸® Áø½ÉÀ¸·Î ÈÄȸÇÏ´õ¶óµµ ³ª´Â µ¿ÀÇÇÒ ¼ö ¾ø½À´Ï´Ù. ³» ¹®ÇÐÀû ¿î¸í¿¡ ¿µÇâÀ» ¹ÌÄ¡°Ô µË´Ï´Ù.Á˸¦ Á¤ÁËÇϸ鼭µµ ÁËÀÎÀ» »ì·Á¾ß ÇÑ´Ù´Â ³î¶ó¿î ±³¸®¸¦ ¹Þ¾ÆµéÀÌÁö ¾Ê´Â dzÀÚ°¡°¡ ÀÚ½ÅÀÇ ÀÛÇ°ÀÇ »îÀ» ÁÖÁ¦ÀÇ »î°ú µ¿ÀÏÇÏ°Ô À¯ÁöÇØ¾ß ÇÑ´Ù¸é, ±×ÀÇ ÀÛÇ°Àº ¸¹Àº ¾î·Á¿òÀ» °Þ°Ô µÉ °ÍÀÔ´Ï´Ù.

¢º In arranging these verses for publication I have thought it needless to classify them according to character, as "Serious," "Comic," "Sentimental," "Satirical," and so forth. I do the reader the honor to think that he will readily discern the nature of what he is reading; and I entertain the hope that his mood will accommodate itself without disappointment to that of his author. AMBROSE BIERCE. ¢¹ ÃâÆÇÀ» À§ÇØ ÀÌ ±¸ÀýµéÀ» Á¤¸®ÇÒ ¶§ ³ª´Â ¼º°Ý¿¡ µû¶ó "ÁøÁöÇÑ", "Èñ±ØÀûÀÎ", "°¨»óÀûÀÎ", "dzÀÚÀûÀÎ" µîÀ¸·Î ºÐ·ùÇÏ´Â °ÍÀÌ ºÒÇÊ¿äÇÏ´Ù°í »ý°¢Çß½À´Ï´Ù. ³ª´Â µ¶ÀÚ°¡ ÀÚ½ÅÀÌ Àаí ÀÖ´Â ³»¿ëÀÇ ¼º°ÝÀ» ½±°Ô ºÐº°ÇÒ °ÍÀ̶ó°í »ý°¢ÇÏ´Â °ÍÀ» ¿µ±¤À¸·Î »ý°¢ÇÕ´Ï´Ù. ±×¸®°í ³ª´Â ±×ÀÇ ±âºÐÀÌ ÀúÀÚÀÇ ±âºÐ¿¡ ½Ç¸ÁÇÏÁö ¾Ê°í ½º½º·Î ÀûÀÀÇÒ ¼ö Àֱ⸦ ¹Ù¶ø´Ï´Ù. ¾Úºê·Î½º ºñ¾î½º.