¢º ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý 1909~1912(The Collected Works of Ambrose Bierce by Ambrose Bierce)´Â Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)ÀÇ »ýÀü¿¡ Ãâ°£µÈ 12±Ç ºÐ·®ÀÇ ÀüÁý(The Collected Works of Ambrose Bierce)ÀÔ´Ï´Ù. ¢º ¹Ì±¹ ÃâÆÇ»ç ´Ò ÆÛºí¸®½Ì ÄÄÆÛ´Ï(Neale Publishing Company, 1894~1933)´Â 1909³âºÎÅÍ ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý(The Collected Works of Ambrose Bierce)À» ¹ßÇàÇϱ⠽ÃÀÛÇÏ¿´À¸¸ç, 3³â(1912)¸¸¿¡ 12ºÎÀÛÀ¸·Î ¿Ï°£ÇÏ¿´½À´Ï´Ù. ÀüÁýÀÇ Æ¯¼º»ó ±Ç¼ö³ª Ã¥ÀÇ ¸ñÂ÷ ¼ø¿¡ ±¸¾Ö¹ÞÀ¸½Ç ÇÊ¿ä¾øÀÌ, ¾îµð¼ºÎÅÍ Àо ÁÁÀº ¡®¾Úºê·ÎÁî ºñ¾î½º ÀÛÇ°Áý¡¯À¸·Î ±ºÀÎÀÌÀÚ ÀÛ°¡·Î½á ÀüÀå°ú Ã¥»óÀ» ¿À°£ ¾Úºê·ÎÁî ºñ¾î½º¸¸ÀÇ µ¶Æ¯ÇÑ ¸Å·ÂÀ» ¿ÂÀüÇÏ°Ô Áñ±â½Ç ¼ö ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦1±Ç 1909~1912(The Collected Works of Ambrose Bierce, Volume 01 by Ambrose Bierce)´Â ½ÅÈ£ÀÇ Àç, 1909(Ashes Of The Beacon)ºÎÅÍ Å¸°Ý ³Ê¸ÓÀÇ ¶¥, 1909(The Land Beyond The Blow), ¾ÆÄïµå¸¦ À§ÇÏ¿©, 1909(For The Ahkoond), ÇعæÀÚ, Á¸ ½º¹Ì½º, 1873(John Smith, Liberator), ±×¸®°í ÀÚ¼ÀüÀÇ Á¶°¢, 1998(Bits Of Autobiography)±îÁö ´Ù¼¸ ÀÛÇ°À» ¼ö·ÏÇÏ°í ÀÖÀ¸¸ç, °¡Àå ¹æ´ëÇÑ ºÐ·®ÀÇ Å¸°Ý ³Ê¸ÓÀÇ ¶¥, 1909(The Land Beyond The Blow)¿Í ÀÚ¼ÀüÀÇ Á¶°¢, 1998(Bits Of Autobiography)Àº °¢°¢ 11 éÅÍ·Î ÀÌ·ç¾îÁ® ÀÖ½À´Ï´Ù.
¢º ÃÑ 12±ÇÀÇ ÀüÁý Áß ÀÛ°¡ÀÇ ´ëÇ¥ÀÛÀ̶ó°í ÇÒ ¼ö ÀÖ´Â ¿Ã»©¹Ì ½Ã³Á¹° ´Ù¸®¿¡¼ »ý±ä ÀÏ(An Occurrence at Owl Creek Bridge, 1890)ÀÌ ¼ö·ÏµÈ ±ºÀΰú ¹Î°£ÀÎ À̾߱â(Tales of Soldiers and Civilians, 1891)´Â Á¦2±Ç, ¾Ç¸¶ÀÇ »çÀü(The Devil's Dictionary, 1906)Àº Á¦7±Ç¿¡ ÇØ´çÇϸç, ±¸ÅÙº£¸£Å© ÇÁ·ÎÁ§Æ®(Project Gutenberg)¸¦ ±âÁØÀ¸·Î 12±ÇÀÇ ÀüÁý Áß Á¦1±ÇºÎÅÍ Á¦2±Ç, Á¦8±Ç, Á¦9±Ç, Á¦10±Ç, Á¦11±Ç, ±×¸®°í Á¦12±Ç±îÁö ÃÑ 7±ÇÀÌ °ø°³µÇ¾î ÀÖ½À´Ï´Ù.(2023³â ±âÁØ)
¢º Ashes of the Beacon. The ancient Americans were a composite people; their blood was a blend of all the strains known in their time. Their government, while they had one, being merely a loose and mutable expression of the desires and caprices of the majority?that is to say, of the ignorant, restless and reckless?gave the freest rein and play to all the primal instincts and elemental passions of the race. In so far and for so long as it had any restraining force, it was only the restraint of the present over the power of the past?that of a new habit over an old and insistent tendency ever seeking expression in large liberties and indulgences impatient of control. In the history of that unhappy people, therefore, we see unveiled the workings of the human will in its most lawless state, without fear of authority or care of consequence. Nothing could be more instructive. ¢¹ ºñÄÜÀÇ Àç(Ashes of the Beacon). °í´ë ¹Ì±¹ÀεéÀº º¹ÇÕÀûÀÎ ¹ÎÁ·À̾ú½À´Ï´Ù. ±×µéÀÇ ÇÇ´Â ±×µé ½Ã´ë¿¡ ¾Ë·ÁÁø ¸ðµç º¯Á¾µéÀÇ È¥ÇÕ¹°À̾ú½À´Ï´Ù. ±×µéÀÇ Á¤ºÎ´Â, ´ÜÁö Çϳª°¡ ÀÖ¾úÁö¸¸, ´Ù¼öÀÇ ¿å¸Á°ú º¯´ö, Áï ¹«ÁöÇÏ°í ºÒ¾ÈÇÏ¸ç ¹«¸ðÇÑ »ç¶÷µéÀÇ ÀÚÀ¯·Ó°í º¯´ö½º·¯¿î Ç¥Çö¿¡ ºÒ°úÇß°í, ÀÎÁ¾ÀÇ ¸ðµç ±âº»ÀûÀÎ º»´É°ú ±âº»ÀûÀÎ ¿Á¤¿¡ °¡Àå ÀÚÀ¯·Î¿î °í»ß¿Í ³îÀ̸¦ ºÎ¿©Çß½À´Ï´Ù. Áö±Ý±îÁö ±×¸®°í ¿À·§µ¿¾È, ±×°ÍÀÌ ¾î¶² ±¸¼Ó·ÂÀ» °¡Áö°í ÀÖ´Â ÇÑ, ±×°ÍÀº °ú°ÅÀÇ ±Ç·Â¿¡ ´ëÇÑ ÇöÀçÀÇ ±¸¼ÓÀÏ »ÓÀ̾ú½À´Ï´Ù. ±×°ÍÀº ´ÜÁö Å« ÀÚÀ¯¿¡¼ Ç¥ÇöÀ» ã°í ÅëÁ¦¿¡ Á¶±ÞÇÑ ¸éÁ˺θ¦ ÁÖ·Á´Â ¿À·¡µÇ°í °íÁý½º·¯¿î °æÇâ¿¡ ´ëÇÑ »õ·Î¿î ½À°üÀ̾ú½À´Ï´Ù. ±×·¯¹Ç·Î ±× ºÒÇàÇÑ »ç¶÷µéÀÇ ¿ª»ç¿¡¼, ¿ì¸®´Â ±ÇÀ§¿¡ ´ëÇÑ µÎ·Á¿òÀ̳ª °á°ú¿¡ ´ëÇÑ °ü½É ¾øÀÌ, °¡Àå ¹«¹ýÇÑ »óÅ¿¡¼ Àΰ£ ÀÇÁöÀÇ ÀÛ¿ëÀ» °ø°³ÇÑ °ÍÀ» º¾´Ï´Ù. À̺¸´Ù ´õ ±³ÈÆÀûÀÎ °ÍÀº ¾ø½À´Ï´Ù.
¢º The Dog in Ganegwag. Selecting a sheltered cove, which appeared to be at the mouth of a small creek, we beached the boat, and leaving two men to guard it started inland toward a grove of trees. Before we reached it an animal came out of it and advanced confidently toward us, showing no signs of either fear or hostility. It was a hideous creature, not altogether like anything that we had ever seen, but on its close approach we recognized it as a dog, of an unimaginably loathsome breed. As we were nearly famished one of the sailors shot it for food. ¢¹ °¡³×°ú±×ÀÇ °³(The Dog in Ganegwag). ÀÛÀº °³¿ï ¾î±Í¿¡ ÀÖ´Â °ÍÀ¸·Î º¸ÀÌ´Â ¾ÈÀüÇÑ ¸¸À» ¼±ÅÃÇÏ¿© ¿ì¸®´Â ¹è¸¦ Çغ¯¿¡ Á¤¹ÚÇß°í, ¹è¸¦ ÁöÅ°µµ·Ï µÎ »ç¶÷À» ³²°ÜµÎ°í ³ª¹«½£À» ÇâÇØ ³»·úÀ¸·Î Ãâ¹ßÇß½À´Ï´Ù. ¿ì¸®°¡ °Å±â¿¡ µµ´ÞÇϱ⵵ Àü¿¡ µ¿¹° ÇÑ ¸¶¸®°¡ ±×°÷¿¡¼ ³ª¿Í µÎ·Á¿òÀ̳ª Àû´ë°¨ÀÇ ÈçÀû ¾øÀÌ ÀڽŠÀÖ°Ô ¿ì¸®¸¦ ÇâÇØ ´Ù°¡¿Ô½À´Ï´Ù. ±×°ÍÀº ¿ì¸®°¡ Áö±Ý±îÁö º» ¾î¶² °Í°úµµ ÀüÇô °°Áö ¾ÊÀº ÈäÃøÇÑ »ý¹°À̾úÁö¸¸, °¡±îÀÌ ´Ù°¡°¡ÀÚ ¿ì¸®´Â ±×°ÍÀÌ »ó»óÇÒ ¼ö ¾øÀ» Á¤µµ·Î Çø¿À½º·¯¿î Ç°Á¾ÀÇ °³¶ó´Â °ÍÀ» ¾Ë¾ÆÂ÷·È½À´Ï´Ù. ¿ì¸®°¡ °ÅÀÇ ¹è°íÆÄÁ³À» ¶§ ¼±¿ø Áß ÇÑ ¸íÀÌ À½½ÄÀ» ¾ò±â À§ÇØ ÃÑÀ» ½î¾Ò½À´Ï´Ù.
¢º John Smith, Liberator. At the quiet little village of Smithcester, which certain arch©¡ologists have professed to ¡°identify¡± as the ancient London, will be celebrated to-day the thirtieth centennial anniversary of the birth of this remarkable man, the foremost figure of antiquity. The recurrence of what no more than six centuries ago was a popular fete day and even now is seldom permitted to pass without recognition by those to whom liberty means something more precious than opportunity for gain, excites a peculiar emotion. ¢¹ ÇعæÀÚ, Á¸ ½º¹Ì½º(John Smith, Liberator). ¾î¶² °í°íÇÐÀÚµéÀÌ °í´ë ·±´øÀ¸·Î ¡°µ¿Á¤¡±Çß´Ù°í °ø¾ðÇÑ Á¶¿ëÇÏ°í ÀÛÀº ¸¶À» ½º¹Ì½º¼¼½ºÅÍ¿¡¼ °í´ëÀÇ ÃÖ°í Àι°ÀÎ ÀÌ ³î¶ó¿î Àι°ÀÇ Åº»ý 300ÁÖ³âÀÌ ¿À´Ã ±â³äµÉ °ÍÀÔ´Ï´Ù. ºÒ°ú 600³â Àü¸¸ Çصµ ´ëÁßÀûÀÎ ÃàÁ¦ÀÏÀ̾ú°í Áö±Ýµµ ÀÚÀ¯°¡ À̵æÀÇ ±âȸº¸´Ù ´õ ±ÍÁßÇÑ °ÍÀ» ÀǹÌÇÏ´Â »ç¶÷µé¿¡°Ô ÀÎ½Ä ¾øÀÌ Áö³ª°¡´Â ÀÏÀÌ °ÅÀÇ Çã¿ëµÇÁö ¾Ê´Â ÀÏÀÇ Àç¹ßÀº Ưº°ÇÑ °¨Á¤À» ºÒ·¯ÀÏÀ¸Åµ´Ï´Ù.